Inhumans (2017)

Inhumans
Theatrical Performance
Domestic Box Office $1,521,787Details
International Box Office $1,099,867Details
Worldwide Box Office $2,621,654
Further financial details...

Metrics

Opening Weekend:$1,135,440 (74.6% of total gross)
Legs:1.34 (domestic box office/biggest weekend)
Domestic Share:58.0% (domestic box office/worldwide)
Theater counts:393 opening theaters/393 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $1,828,849

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: September 1st, 2017 (IMAX)
International Releases: September 1st, 2017 (Wide) (Argentina)
September 1st, 2017 (Wide), released as Marvel's Inhumans (Australia)
September 1st, 2017 (Wide) (Czech Republic)
September 1st, 2017 (Wide), released as Marvel's Inhumans (New Zealand)
September 1st, 2017 (Wide) (Portugal)
... Show all releases
MPAA Rating: Not Rated
Running Time: 75 minutes
Comparisons: vs. Spider-Man: Homecoming
Create your own comparison chart…
Keywords: Marvel Comics, Dysfunctional Family, Recut, Royalty, IMAX: DMR, Short Film
Source:Based on Comic/Graphic Novel
Genre:Action
Production Method:Live Action
Creative Type:Super Hero
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Labor Day (Opening, 3-Day) 87 $1,135,440 Sep 1, 2017 3
Labor Day (Opening, 3-Day, Inflation Adjusted) 88 $1,436,784 Sep 1, 2017 3
Labor Day (Opening, 4-Day, Fri-Mon) 67 $1,358,225 Sep 1, 2017 3
Labor Day (Opening, 4-Day, Fri-Mon, Inflation Adjusted) 66 $1,718,696 Sep 1, 2017 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 1, 2017 24 $1,135,440   393 $2,889   $1,135,440 1

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Sep 1, 2017 9 $500,000   393 $1,272   $500,000 1
Sep 4, 2017 - $222,785   393 $567   $1,358,225 4

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 1, 2017 25 $1,521,787   393 $3,872   $1,521,787 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/1/2017 $8,586 0 0 0 $10,310 1/1/2019
Australia 9/1/2017 $5,252 1 1 1 $5,252 9/5/2017
Czech Republic 9/1/2017 $4,770 1 1 1 $4,770 1/1/2019
New Zealand 9/1/2017 $4,725 1 1 1 $4,725 9/5/2017
Portugal 9/1/2017 $11,594 2 2 4 $19,593 9/13/2017
Russia (CIS) 9/1/2017 $121,370 53 53 105 $196,824 1/1/2019
Turkey 9/1/2017 $13,302 5 5 10 $35,523 2/26/2019
United Kingdom 9/1/2017 $104,003 39 39 39 $104,003 9/6/2017
 
Rest of World $718,867
 
International Total$1,099,867 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Michael Buie   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Friday Estimates: Hitman Guards the Box Office with $2.43 million

September 2nd, 2017

The Hitman’s Bodyguard

Expectations for this weekend were really low. They were so low that when I saw The Hitman’s Bodyguard had earned $2.43 million on Friday, I was pleasantly surprised. That’s only 20% lower than last Friday and the holiday should boost its three-day legs, helping it earn just over $9 million. It’s on pace for $12 million over four days for a running tally of over $55 million. That’s enough for Lionsgate’s share to cover its entire $30 million production budget. More...

Weekend Predictions: Will Hitman Assassinate the Box Office?

August 31st, 2017

The Hitman’s Bodyguard

Not only will this weekend likely be the worst weekend of the year, there’s a very high likelihood it will be the worst weekend in over a decade. It arguably could be the worst weekend of all time. There are no wide releases, or even semi-wide releases. The widest “new” release of the week is the 40th Anniversary re-release for Close Encounters of the Third Kind, but last week’s 3D re-release for Terminator 2: Judgment Day suggests it won't come close to the top ten. Tulip Fever is a long-delayed Weinstein Co. release and just avoiding the Mendoza Line would be a reason to celebrate. Up next in terms of theater counts is Hazlo Como Hombre. It is a Chilean film and films aimed at Hispanics have had success in recent years. They only need to earn just over $2 million during the three-day weekend to reach the top ten, so one of them could get there, but that’s not a sure thing. This leaves The Hitman’s Bodyguard with an easy path to first place. This weekend last year, the biggest new release was The Light Between Oceans, which earned just under $5 million. Sadly, this might be more than all three new releases earn this year. Last year the overall box office finished just under $100 million. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Opening Weekend:$1,135,440 (74.6% of total gross)
Legs:1.34 (domestic box office/biggest weekend)
Domestic Share:58.0% (domestic box office/worldwide)
Theater counts:393 opening theaters/393 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $1,828,849

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: September 1st, 2017 (IMAX)
International Releases: September 1st, 2017 (Wide) (Argentina)
September 1st, 2017 (Wide), released as Marvel's Inhumans (Australia)
September 1st, 2017 (Wide) (Czech Republic)
September 1st, 2017 (Wide), released as Marvel's Inhumans (New Zealand)
September 1st, 2017 (Wide) (Portugal)
... Show all releases
MPAA Rating: Not Rated
Running Time: 75 minutes
Comparisons: vs. Spider-Man: Homecoming
Create your own comparison chart…
Keywords: Marvel Comics, Dysfunctional Family, Recut, Royalty, IMAX: DMR, Short Film
Source:Based on Comic/Graphic Novel
Genre:Action
Production Method:Live Action
Creative Type:Super Hero
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Labor Day (Opening, 3-Day) 87 $1,135,440 Sep 1, 2017 3
Labor Day (Opening, 3-Day, Inflation Adjusted) 88 $1,436,784 Sep 1, 2017 3
Labor Day (Opening, 4-Day, Fri-Mon) 67 $1,358,225 Sep 1, 2017 3
Labor Day (Opening, 4-Day, Fri-Mon, Inflation Adjusted) 66 $1,718,696 Sep 1, 2017 3

Lead Ensemble Members

Michael Buie   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Friday Estimates: Hitman Guards the Box Office with $2.43 million

September 2nd, 2017

The Hitman’s Bodyguard

Expectations for this weekend were really low. They were so low that when I saw The Hitman’s Bodyguard had earned $2.43 million on Friday, I was pleasantly surprised. That’s only 20% lower than last Friday and the holiday should boost its three-day legs, helping it earn just over $9 million. It’s on pace for $12 million over four days for a running tally of over $55 million. That’s enough for Lionsgate’s share to cover its entire $30 million production budget. More...

Weekend Predictions: Will Hitman Assassinate the Box Office?

August 31st, 2017

The Hitman’s Bodyguard

Not only will this weekend likely be the worst weekend of the year, there’s a very high likelihood it will be the worst weekend in over a decade. It arguably could be the worst weekend of all time. There are no wide releases, or even semi-wide releases. The widest “new” release of the week is the 40th Anniversary re-release for Close Encounters of the Third Kind, but last week’s 3D re-release for Terminator 2: Judgment Day suggests it won't come close to the top ten. Tulip Fever is a long-delayed Weinstein Co. release and just avoiding the Mendoza Line would be a reason to celebrate. Up next in terms of theater counts is Hazlo Como Hombre. It is a Chilean film and films aimed at Hispanics have had success in recent years. They only need to earn just over $2 million during the three-day weekend to reach the top ten, so one of them could get there, but that’s not a sure thing. This leaves The Hitman’s Bodyguard with an easy path to first place. This weekend last year, the biggest new release was The Light Between Oceans, which earned just under $5 million. Sadly, this might be more than all three new releases earn this year. Last year the overall box office finished just under $100 million. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 1, 2017 24 $1,135,440   393 $2,889   $1,135,440 1

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Sep 1, 2017 9 $500,000   393 $1,272   $500,000 1
Sep 4, 2017 - $222,785   393 $567   $1,358,225 4

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 1, 2017 25 $1,521,787   393 $3,872   $1,521,787 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/1/2017 $8,586 0 0 0 $10,310 1/1/2019
Australia 9/1/2017 $5,252 1 1 1 $5,252 9/5/2017
Czech Republic 9/1/2017 $4,770 1 1 1 $4,770 1/1/2019
New Zealand 9/1/2017 $4,725 1 1 1 $4,725 9/5/2017
Portugal 9/1/2017 $11,594 2 2 4 $19,593 9/13/2017
Russia (CIS) 9/1/2017 $121,370 53 53 105 $196,824 1/1/2019
Turkey 9/1/2017 $13,302 5 5 10 $35,523 2/26/2019
United Kingdom 9/1/2017 $104,003 39 39 39 $104,003 9/6/2017
 
Rest of World $718,867
 
International Total$1,099,867 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.