Insidious: Out of the Further (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $49,219,759 | Details |
| International Box Office | $65,925,188 | Details |
| Worldwide Box Office | $115,144,947 | |
| OpusData ID: 680190100 More info... | ||
| Further financial details... | ||
Synopsis
Gemma is a young mother raising her daughter in the house she grew up in who discovers she can travel into The Further, the purgatorial realm of lost souls at the heart of the Insidious universe. When something evil comes after her, Gemma discovers an ability that changes everything: she doesn’t just enter The Further, she can bring what lives there back to the real world. Once the demons realize her power, our world becomes their playground.
Metrics
| Opening Weekend: | $25,106,020 (51.0% of total gross) |
| Legs: | 1.96 (domestic box office/biggest weekend) |
| Domestic Share: | 42.7% (domestic box office/worldwide) |
| Production Budget: | $18,000,000 (worldwide box office is 6.4 times production budget) |
| Theater counts: | 3,303 opening theaters/3,303 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $49,219,759 |
Movie Details
| Domestic Releases: | August 21st, 2026 (Wide) by Sony Pictures |
| International Releases: | August 19th, 2026 (Wide), released as Insidious: Out of the Further (陰兒房：穿越陰深處) (Taiwan)
August 19th, 2026 (Wide), released as Insidious: l’invasion du Lointain (France) August 19th, 2026 (Wide), released as Insidious: Fuori dall'Altrove (Italy) August 20th, 2026 (Wide), released as Insidious: Jsou mezi námi (Czech Republic) August 20th, 2026 (Wide) (Netherlands) ... Show all releases |
| MPA Rating: | PG-13 for strong violent content, bloody images, terror and some strong language. (Rating bulletin 2946 (cert #56103), 7/22/2026) |
| Running Time: | 106 minutes |
| Franchise: | Insidious |
| Cast, crew, or production detail: | Prologue |
| Plot point: | Alternative Dimensions / Parallel universe, Demons, Occult, Out of Body Experience, Suicide, Young Child Dealing with the Death of a Parent |
| Social setting: | Cults, Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Screen Gems, Blumhouse, Stage 6 Films, Atomic Monster |
| Production Countries: | United States, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 2026 | 2 | $25,106,020 | 3,303 | $7,601 | $25,106,020 | 1 | |
| Aug 28, 2026 | 4 | $10,204,695 | -59% | 3,303 | $3,090 | $43,734,802 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 20, 2026 | P | $3,000,000 | 2,737 | $1,096 | $3,000,000 | |||
| Aug 21, 2026 | 1 | $10,675,888 | 3,303 | $3,232 | $10,675,888 | 1 | ||
| Aug 22, 2026 | 2 | $8,674,923 | -19% | 3,303 | $2,626 | $19,350,811 | 2 | |
| Aug 23, 2026 | 3 | $5,755,209 | -34% | 3,303 | $1,742 | $25,106,020 | 3 | |
| Aug 24, 2026 | 3 | $2,101,444 | -63% | 3,303 | $636 | $27,207,464 | 4 | |
| Aug 25, 2026 | 3 | $2,949,766 | +40% | 3,303 | $893 | $30,157,230 | 5 | |
| Aug 26, 2026 | 3 | $1,821,571 | -38% | 3,303 | $551 | $31,978,801 | 6 | |
| Aug 27, 2026 | 3 | $1,551,306 | -15% | 3,303 | $470 | $33,530,107 | 7 | |
| Aug 28, 2026 | 5 | $2,984,017 | +92% | -72% | 3,303 | $903 | $36,514,124 | 8 |
| Aug 29, 2026 | 4 | $4,394,950 | +47% | -49% | 3,303 | $1,331 | $40,909,074 | 9 |
| Aug 30, 2026 | 4 | $2,825,728 | -36% | -51% | 3,303 | $856 | $43,734,802 | 10 |
| Aug 31, 2026 | 4 | $911,537 | -68% | -57% | 3,303 | $276 | $44,646,339 | 11 |
| Sep 1, 2026 | 4 | $1,280,213 | +40% | -57% | 3,303 | $388 | $45,926,552 | 12 |
| Sep 2, 2026 | 4 | $848,735 | -34% | -53% | 3,303 | $257 | $46,775,287 | 13 |
| Sep 3, 2026 | 4 | $814,472 | -4% | -47% | 3,303 | $247 | $47,589,759 | 14 |
| Sep 4, 2026 | 6 | $1,630,000 | +100% | -45% | 2,897 | $563 | $49,219,759 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 2026 | 2 | $33,530,107 | 3,303 | $10,151 | $33,530,107 | 1 | |
| Aug 28, 2026 | 4 | $14,059,652 | -58% | 3,303 | $4,257 | $47,589,759 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/20/2026 | $827,102 | 232 | 232 | 0 | $1,637,401 | 8/31/2026 | |||
| Bulgaria | 8/21/2026 | $28,719 | 63 | 63 | 0 | $69,221 | 8/31/2026 | |||
| Croatia | 8/27/2026 | $23,490 | 30 | 30 | 30 | $23,490 | 9/4/2026 | |||
| Czech Republic | 8/20/2026 | $174,910 | 115 | 115 | 174 | $333,711 | 9/1/2026 | |||
| Egypt | 8/20/2026 | $0 | 0 | 0 | 0 | $157,606 | 9/4/2026 | |||
| Finland | 8/21/2026 | $49,118 | 52 | 52 | 94 | $120,733 | 9/4/2026 | |||
| France | 8/19/2026 | $0 | 0 | 0 | 0 | $3,300,000 | 8/30/2026 | |||
| Hong Kong | 8/20/2026 | $0 | 0 | 0 | 0 | $224,476 | 9/4/2026 | |||
| Hungary | 8/20/2026 | $178,227 | 59 | 62 | 0 | $321,721 | 8/31/2026 | |||
| India | 8/21/2026 | $0 | 0 | 0 | 0 | $2,075,907 | 9/4/2026 | |||
| Italy | 8/19/2026 | $791,851 | 0 | 0 | 0 | $1,754,227 | 8/31/2026 | |||
| Lithuania | 8/21/2026 | $74,743 | 0 | 0 | 0 | $160,046 | 8/31/2026 | |||
| Mexico | 8/20/2026 | $4,225,944 | 0 | 0 | 0 | $7,786,188 | 9/2/2026 | |||
| Netherlands | 8/20/2026 | $585,236 | 92 | 92 | 183 | $1,048,943 | 8/31/2026 | |||
| New Zealand | 8/20/2026 | $124,344 | 65 | 65 | 0 | $255,200 | 8/31/2026 | |||
| Philippines | 8/20/2026 | $0 | 0 | 0 | 0 | $5,400,000 | 8/30/2026 | |||
| Portugal | 8/20/2026 | $155,831 | 51 | 51 | 0 | $331,175 | 9/2/2026 | |||
| Romania | 8/21/2026 | $159,446 | 93 | 93 | 0 | $351,272 | 9/2/2026 | |||
| Russia (CIS) | 8/27/2026 | $540,160 | 148 | 148 | 148 | $540,160 | 9/2/2026 | |||
| Serbia and Montenegro | 8/20/2026 | $28,369 | 80 | 84 | 0 | $69,693 | 9/3/2026 | |||
| Slovakia | 8/20/2026 | $95,089 | 59 | 59 | 103 | $178,889 | 9/1/2026 | |||
| South Korea | 8/20/2026 | $544,496 | 678 | 678 | 0 | $1,124,599 | 9/2/2026 | |||
| Spain | 8/21/2026 | $1,594,769 | 313 | 313 | 622 | $3,856,258 | 9/3/2026 | |||
| Taiwan | 8/19/2026 | $147,482 | 86 | 86 | 170 | $203,342 | 8/31/2026 | |||
| Turkey | 8/21/2026 | $246,312 | 388 | 388 | 776 | $560,864 | 9/3/2026 | |||
| United Kingdom | 8/21/2026 | $2,999,494 | 526 | 532 | 1,058 | $6,645,485 | 9/4/2026 | |||
| Rest of World | $27,394,581 | |||||||||
| International Total | $65,925,188 | 9/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Amelia Eve | Gemma Hall |
Supporting
| Brandon Perea | Nick Mendoza | |
| Maisie Richardson Sellers | Clare | |
| Lin Shaye | Elise Rainier | |
| Sam Spruell | Cyrus Lam | |
| Island Austin | Maya Hall |
Production and Technical Credits
| Jacob Chase | Director | |
| Jacob Chase | Screenwriter | |
| David Leslie Johnson-McGoldrick* | Screenwriter | |
| David Leslie Johnson-McGoldrick* | Story by | |
| Jacob Chase | Story by | |
| Leigh Whannell | Character Creator | |
| Jason Blum | Producer | |
| Oren Peli | Producer | |
| James Wan | Producer | |
| Leigh Whannell | Producer | |
| Steven Schneider | Executive Producer | |
| Ryan Turek | Executive Producer | |
| Brian Kavanaugh-Jones | Executive Producer | |
| David Leslie Johnson-McGoldrick* | Executive Producer | |
| Nick Bassett | Production Designer | |
| Dave Garbett | Director of Photography | |
| Gregory Plotkin | Editor | |
| Joseph Bishara | Composer | |
| Terri Taylor | Casting Director | |
| Ally Conover | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Gemma is a young mother raising her daughter in the house she grew up in who discovers she can travel into The Further, the purgatorial realm of lost souls at the heart of the Insidious universe. When something evil comes after her, Gemma discovers an ability that changes everything: she doesn’t just enter The Further, she can bring what lives there back to the real world. Once the demons realize her power, our world becomes their playground.
Metrics
| Opening Weekend: | $25,106,020 (51.0% of total gross) |
| Legs: | 1.96 (domestic box office/biggest weekend) |
| Domestic Share: | 42.7% (domestic box office/worldwide) |
| Production Budget: | $18,000,000 (worldwide box office is 6.4 times production budget) |
| Theater counts: | 3,303 opening theaters/3,303 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $49,219,759 |
Movie Details
| Domestic Releases: | August 21st, 2026 (Wide) by Sony Pictures |
| International Releases: | August 19th, 2026 (Wide), released as Insidious: Out of the Further (陰兒房：穿越陰深處) (Taiwan)
August 19th, 2026 (Wide), released as Insidious: l’invasion du Lointain (France) August 19th, 2026 (Wide), released as Insidious: Fuori dall'Altrove (Italy) August 20th, 2026 (Wide), released as Insidious: Jsou mezi námi (Czech Republic) August 20th, 2026 (Wide) (Netherlands) ... Show all releases |
| MPA Rating: | PG-13 for strong violent content, bloody images, terror and some strong language. (Rating bulletin 2946 (cert #56103), 7/22/2026) |
| Running Time: | 106 minutes |
| Franchise: | Insidious |
| Cast, crew, or production detail: | Prologue |
| Plot point: | Alternative Dimensions / Parallel universe, Demons, Occult, Out of Body Experience, Suicide, Young Child Dealing with the Death of a Parent |
| Social setting: | Cults, Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Screen Gems, Blumhouse, Stage 6 Films, Atomic Monster |
| Production Countries: | United States, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 2026 | 2 | $25,106,020 | 3,303 | $7,601 | $25,106,020 | 1 | |
| Aug 28, 2026 | 4 | $10,204,695 | -59% | 3,303 | $3,090 | $43,734,802 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 20, 2026 | P | $3,000,000 | 2,737 | $1,096 | $3,000,000 | |||
| Aug 21, 2026 | 1 | $10,675,888 | 3,303 | $3,232 | $10,675,888 | 1 | ||
| Aug 22, 2026 | 2 | $8,674,923 | -19% | 3,303 | $2,626 | $19,350,811 | 2 | |
| Aug 23, 2026 | 3 | $5,755,209 | -34% | 3,303 | $1,742 | $25,106,020 | 3 | |
| Aug 24, 2026 | 3 | $2,101,444 | -63% | 3,303 | $636 | $27,207,464 | 4 | |
| Aug 25, 2026 | 3 | $2,949,766 | +40% | 3,303 | $893 | $30,157,230 | 5 | |
| Aug 26, 2026 | 3 | $1,821,571 | -38% | 3,303 | $551 | $31,978,801 | 6 | |
| Aug 27, 2026 | 3 | $1,551,306 | -15% | 3,303 | $470 | $33,530,107 | 7 | |
| Aug 28, 2026 | 5 | $2,984,017 | +92% | -72% | 3,303 | $903 | $36,514,124 | 8 |
| Aug 29, 2026 | 4 | $4,394,950 | +47% | -49% | 3,303 | $1,331 | $40,909,074 | 9 |
| Aug 30, 2026 | 4 | $2,825,728 | -36% | -51% | 3,303 | $856 | $43,734,802 | 10 |
| Aug 31, 2026 | 4 | $911,537 | -68% | -57% | 3,303 | $276 | $44,646,339 | 11 |
| Sep 1, 2026 | 4 | $1,280,213 | +40% | -57% | 3,303 | $388 | $45,926,552 | 12 |
| Sep 2, 2026 | 4 | $848,735 | -34% | -53% | 3,303 | $257 | $46,775,287 | 13 |
| Sep 3, 2026 | 4 | $814,472 | -4% | -47% | 3,303 | $247 | $47,589,759 | 14 |
| Sep 4, 2026 | 6 | $1,630,000 | +100% | -45% | 2,897 | $563 | $49,219,759 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 2026 | 2 | $33,530,107 | 3,303 | $10,151 | $33,530,107 | 1 | |
| Aug 28, 2026 | 4 | $14,059,652 | -58% | 3,303 | $4,257 | $47,589,759 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/20/2026 | $827,102 | 232 | 232 | 0 | $1,637,401 | 8/31/2026 | |||
| Bulgaria | 8/21/2026 | $28,719 | 63 | 63 | 0 | $69,221 | 8/31/2026 | |||
| Croatia | 8/27/2026 | $23,490 | 30 | 30 | 30 | $23,490 | 9/4/2026 | |||
| Czech Republic | 8/20/2026 | $174,910 | 115 | 115 | 174 | $333,711 | 9/1/2026 | |||
| Egypt | 8/20/2026 | $0 | 0 | 0 | 0 | $157,606 | 9/4/2026 | |||
| Finland | 8/21/2026 | $49,118 | 52 | 52 | 94 | $120,733 | 9/4/2026 | |||
| France | 8/19/2026 | $0 | 0 | 0 | 0 | $3,300,000 | 8/30/2026 | |||
| Hong Kong | 8/20/2026 | $0 | 0 | 0 | 0 | $224,476 | 9/4/2026 | |||
| Hungary | 8/20/2026 | $178,227 | 59 | 62 | 0 | $321,721 | 8/31/2026 | |||
| India | 8/21/2026 | $0 | 0 | 0 | 0 | $2,075,907 | 9/4/2026 | |||
| Italy | 8/19/2026 | $791,851 | 0 | 0 | 0 | $1,754,227 | 8/31/2026 | |||
| Lithuania | 8/21/2026 | $74,743 | 0 | 0 | 0 | $160,046 | 8/31/2026 | |||
| Mexico | 8/20/2026 | $4,225,944 | 0 | 0 | 0 | $7,786,188 | 9/2/2026 | |||
| Netherlands | 8/20/2026 | $585,236 | 92 | 92 | 183 | $1,048,943 | 8/31/2026 | |||
| New Zealand | 8/20/2026 | $124,344 | 65 | 65 | 0 | $255,200 | 8/31/2026 | |||
| Philippines | 8/20/2026 | $0 | 0 | 0 | 0 | $5,400,000 | 8/30/2026 | |||
| Portugal | 8/20/2026 | $155,831 | 51 | 51 | 0 | $331,175 | 9/2/2026 | |||
| Romania | 8/21/2026 | $159,446 | 93 | 93 | 0 | $351,272 | 9/2/2026 | |||
| Russia (CIS) | 8/27/2026 | $540,160 | 148 | 148 | 148 | $540,160 | 9/2/2026 | |||
| Serbia and Montenegro | 8/20/2026 | $28,369 | 80 | 84 | 0 | $69,693 | 9/3/2026 | |||
| Slovakia | 8/20/2026 | $95,089 | 59 | 59 | 103 | $178,889 | 9/1/2026 | |||
| South Korea | 8/20/2026 | $544,496 | 678 | 678 | 0 | $1,124,599 | 9/2/2026 | |||
| Spain | 8/21/2026 | $1,594,769 | 313 | 313 | 622 | $3,856,258 | 9/3/2026 | |||
| Taiwan | 8/19/2026 | $147,482 | 86 | 86 | 170 | $203,342 | 8/31/2026 | |||
| Turkey | 8/21/2026 | $246,312 | 388 | 388 | 776 | $560,864 | 9/3/2026 | |||
| United Kingdom | 8/21/2026 | $2,999,494 | 526 | 532 | 1,058 | $6,645,485 | 9/4/2026 | |||
| Rest of World | $27,394,581 | |||||||||
| International Total | $65,925,188 | 9/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Amelia Eve | Gemma Hall |
Supporting
| Brandon Perea | Nick Mendoza | |
| Maisie Richardson Sellers | Clare | |
| Lin Shaye | Elise Rainier | |
| Sam Spruell | Cyrus Lam | |
| Island Austin | Maya Hall |
Production and Technical Credits
| Jacob Chase | Director | |
| Jacob Chase | Screenwriter | |
| David Leslie Johnson-McGoldrick* | Screenwriter | |
| David Leslie Johnson-McGoldrick* | Story by | |
| Jacob Chase | Story by | |
| Leigh Whannell | Character Creator | |
| Jason Blum | Producer | |
| Oren Peli | Producer | |
| James Wan | Producer | |
| Leigh Whannell | Producer | |
| Steven Schneider | Executive Producer | |
| Ryan Turek | Executive Producer | |
| Brian Kavanaugh-Jones | Executive Producer | |
| David Leslie Johnson-McGoldrick* | Executive Producer | |
| Nick Bassett | Production Designer | |
| Dave Garbett | Director of Photography | |
| Gregory Plotkin | Editor | |
| Joseph Bishara | Composer | |
| Terri Taylor | Casting Director | |
| Ally Conover | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.