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Insidious: The Last Key (2018)

Insidious: The Last Key
Theatrical Performance
Domestic Box Office $52,181,235Details
International Box Office $103,837,857Details
Worldwide Box Office $156,019,092
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Dr. Elise Rainier, the brilliant parapsychologist faces her most fearsome and personal haunting yet: in her own family home.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,501-1,600) 1,544 $52,181,235
All Time International Box Office (Rank 701-800) 795 $103,837,857
All Time Worldwide Box Office (Rank 901-1,000) 979 $156,019,092

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: January 5th, 2018 (Wide) by Universal
International Releases: January 3rd, 2018 (Wide) (Jamaica)
January 3rd, 2018 (Wide), released as La Noche del Demonio La Ultima Llave (Mexico)
January 3rd, 2018 (Wide) (Trinidad)
January 4th, 2018 (Wide) (Bahrain)
January 4th, 2018 (Wide) (Central America)
... Show all releases
MPAA Rating: PG-13 for disturbing thematic content, violence and terror, and brief strong language.
(Rating bulletin 2496 (Cert #50733), 10/4/2017)
Running Time: 103 minutes
Franchise: Insidious
Comparisons: vs. Insidious Chapter 3
Create your own comparison chart…
Keywords: Supernatural, Hauntings, Haunted House, Screenplay Written By the Star, Prequel, Inbetwequel
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Blumhouse, Stage 6 Films, Universal Pictures
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Fastest to $50m 641 $50,594,905 Jan 15, 2018 11
Martin Luther King (All Movies, 3-Day) 64 $12,419,715 Jan 12, 2018 10
Martin Luther King (All Movies, 4-Day, Fri-Mon) 66 $14,353,765 Jan 12, 2018 10
Biggest Domestic January Weekend 30 $29,581,355 Jan 5, 2018 3
Top Horror Weekend Domestic 38 $29,581,355 Jan 5, 2018 3
Top 2018 Theater Average 1 $9,493 Jan 5, 2018 3
Biggest Domestic January Day 54 $12,723,575 Jan 5, 2018 1

Cast

   Elise Rainier
Angus Sampson    Tucker
Leigh Whannell    Specs
Josh Stewart    Gerald Rainier
Caitlin Gerard    Imogen Rainier
Tessa Ferrer    Audrey Rainier
Aleque Reid    Anna
Ava Kolker    Young Elise
Pierce Pope    Young Christian Rainier
Bruce Davison    Christian Rainier
Javier Botet    Keyface
Marcus Henderson    Detective Whitfield
Amanda Jaros    Mara Jennings
Judith Drake    Waitress Pam
Hana Hayes    Teenage Elise
Thomas Robie    Teenage Christian Rainier
Josh Wingate    Executed Man
Danielle Kennedy    Kitchen Woman
Melanie Gaydos    Dark Angel
Ty Simpkins    Dalton Lambert
Rose Byrne    Renai Lambert
Patrick Wilson    Josh Lambert
Joseph Bishara    Lipstick-Face Demon
Stefanie Scott    Quinn Brenner
Barbara Hershey    Lorraine Lambert
Danielle Bisutti    Mother of Parker Crane
Brynn Bowie    Kali Lambert
Madison Bowie    Kali Lambert

Production and Technical Credits

Director   
Screenwriter    Leigh Whannell
Character Creator    Leigh Whannell
Producer    Jason Blum
Producer    Oren Peli
Producer    James Wan
Producer    Leigh Whannell
Executive Producer    Steven Schneider
Executive Producer    Bailey Conway-Anglewicz*
Executive Producer    Couper Samuelson
Executive Producer    Charles Layton
Executive Producer    Brian Kavanaugh-Jones
Director of Photography    Toby Oliver
Production Designer    Melanie Paizes-Jones
Editor    Tim Alverson
Composer    Joseph Bishara
Co-Producer    Rick A. Osako
Co-Producer    Jeanette Volturno*
Costume Designer    Lisa Norcia
Casting Director    Terri Taylor
Stunt Coordinator    Rob King
Unit Production Manager    Rick A. Osako
Line Producer    Rick A. Osako
First Assistant Director    Dan “Laz” Lazarovits*
Key Second Assistant Director    Marc Newland
Associate Producer    Laura Altmann
Associate Producer    Dan “Laz” Lazarovits*
Production Supervisor    Laura Altmann
Post-Production Supervisor    Jennifer Scudder Trent
Art Director    Hunter Brown
Set Decorator    Sandra Skora
Sound Mixer    Steven A. Morrow
Special Effects Coordinator    Steve Newquist
Costume Supervisor    David L. Profeta
Make up    Anthony Gordon
Make up    Carleigh Herbert
Hairstylist    Yunea M. Cruz
Hairstylist    Enoch H. Williams
Special Make-up Effects    Ozzy Alvarez
Special Make-up Effects    Kelly Golden
Special Make-up Effects    Ken Niederbaumer
Script Supervisor    Sherie Giehtbrock
Script Supervisor    Vanessa Meier
Location Manager    Kandice Billingsley
Sound Designer    Jamie Hardt
Dialogue Editor    Angela Hackner
First Assistant Editor    Drew Sacks
Second Assistant Editor    Melanie Kuan
Sound Effects Editor    Martin Jacob Lopez
Foley Mixer    Diego Staub
Music Editor    Brett Pierce
Re-recording Mixer    Jamie Hardt
Score Engineer/Mixer    Chris Spilfogel
Visual Effects Supervisor    Jamison Goei

Weekend Wrap-Up: Jumanji Nears $300 million after $35.18 million MLK Long Weekend

January 16th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle continues to surprise analysts earning $35.18 million over the MLK long weekend. At this point, I would be shocked if it didn’t finish with $350 million domestically, while I assume Sony has a planned trilogy in the works. The best “new” release of the week was The Post, which expanded into second place with $23.06 million, while the best truly new release of the week was The Commuter at $15.80 million. Overall, the box office fell 4.7% from last weekend, earning $165 million over the the three-day weekend. This was still 5.9% higher than the same weekend last year, and that’s the more important number. It is still very early in the year, extremely early, but 2018 does have a $27 million / 5.1% lead over 2017 at $553 million to $526 million. 2018 could lose that entire lead next weekend, but I chose to focus on the positive for now. More...

Friday Estimates: Post Nearly Ties Jumanji $6.13 million to $5.9 million

January 13th, 2018

Jumanji: Welcome to the Jungle

There was a two-horse race on the Friday box office chart. In the end, Jumanji: Welcome to the Jungle came out on top with $6.13 million, for $262.26 million after 24 days of release. Because it is a holdover, it should have better legs over the rest of the weekend, putting it on pace for just over $30 million over the weekend, matching our prediction perfectly. More...

Weekend Predictions: Paddington and Post take on Jumanji over MLK Long Weekend

January 11th, 2018

Paddington 2

It is the first long weekend of 2018 and we have four films trying to take advantage of the MLK holiday. However, only Paddington 2 and The Post have a real shot at box office success. The Commuter’s buzz is so quiet that its box office chances have taken a real hit. Worse still, Sony’s treatment of Proud Mary is almost bizarre. I’ve seen limited releases with more marketing push than Proud Mary is getting. Jumanji: Welcome to the Jungle’s legs will likely remain really long, helping it repeat as box office champion. More importantly, it should help the 2018 box office get a sizable win in the year-over-year comparison. This weekend last year, there were seven films that earned more than $10 million over the long weekend, but only one film, Hidden Figures, earned more than $20 million. This year, not only will we match that number of $10 million films, Jumanji: Welcome to the Jungle should top $30 million, while Paddington 2 and The Post should top $20 million. More...

Theater Averages: Post Haunts the Theater Average Chart

January 10th, 2018

The Post

None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493. More...

Weekend Wrap-Up: Jumanji is Welcomed to the Top of the Chart with $37.23 million

January 9th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle held on strongly during the first weekend of 2018 earning $37.23 million. Insidious: The Last Key opened with $29.58 million, earning a solid second place. Overall, the box office pulled in $165 million, which is 15% lower than last weekend; however, last weekend was a holiday weekend, so this is a better than expected hold. More importantly, this is 21% better than the same weekend last year. 2018 has a small lead over 2017 at 7.1% to $306 million to $285 million. It has been a while since we’ve seen a lead in the year-over-year comparison, but obviously it is far too early for this lead to be meaningful. More...

Weekend Estimates: Jumanji, Insidious Beat Star Wars

January 7th, 2018

Jumanji: Welcome to the Jungle

The Last Jedi’s run at the top of the chart came to an abrupt end this weekend, according to studio estimates released on Sunday morning. Disney’s big Christmas hit doesn’t seem to have much by way of legs going into January, as it falls by 55% from New Year’s weekend, the worst performance in the top 10. It will still pick up another $23.551 million or so, according to the studio, for a total of $572.5 million to date domestically. Its global total now stands at $1.2 billion, the 13th-best performance of all time. More...

Friday Estimates: Last Key Starts First with $12.74 million

January 6th, 2018

Insidious: The Last Key

There will be a fifth installment in the Insidious franchise. That much is practically guaranteed after Friday’s debut. Insidious: The Last Key opened in first place with $12.74 million during its opening day. On the downside, its critical / popular reception has been mixed. Its reviews are only 25% positive and that won’t help it draw in new viewers. The film did earn a B minus from CinemaScore, which is better than a lot of horror films manage, so that could help. It will very likely slip to second place on Saturday, but the film will still top our prediction with between $25 million and $30 million. More...

Thursday Night Previews: Last Key Shocks Analysts with $1.98 million

January 5th, 2018

Insidious: The Last Key

Insidious: The Last Key opened with $1.98 million in previews on Thursday, which is surprisingly strong. Most analysts were expecting closer to $1.5 million. Therefore the film is on pace to top our prediction and could earn more than $20 million during its opening weekend. However, it still has to deal with bad reviews and it could be the weakest in the franchise so far. That said, if it hits $50 million domestically and does as well internationally, then the studio could go ahead with another installment. More...

Weekend Predictions: Battle of Lasts, Key vs. Jedi, on First Weekend of 2018

January 4th, 2018

Insidious: The Last Key

It is the first weekend of 2018 and Insidious: The Last Key is the only true wide release, although Molly’s Game is expanding semi-wide. The Last Key isn’t expected to compete with Jumanji: Welcome to the Jungle or Star Wars: The Last Jedi for first place, but if it can open with more than $15 million, it should at least help the year get off to a good start. This weekend last year, Underworld: Blood Wars opened in fourth place, while Hidden Figures expanded into first place. Both Jumanji: Welcome to the Jungle and Star Wars: The Last Jedi should top Hidden Figures and while 2018 won’t have the same depth, it should still earn a victory in the year-over-year comparison. More...

2018 Preview: January

January 1st, 2018

Paddington 2

2017 wasn’t a good year. It started out well and ended on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, The Last Jedi and Jumanji: Welcome to the Jungle are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is Paddington 2 and it isn’t expected to match its predecessor at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last January, we had a new release, Split and an Oscar contender, Hidden Figures, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss. More...

Insidious: The Last Key Trailer

September 5th, 2017

Horror movie opens January 5, 2018 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/01/05 2 $29,581,355   3,116 $9,493   $29,581,355 1
2018/01/12 5 $12,419,715 -58% 3,150 $3,943   $48,660,855 2

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2018/01/05 1 $12,723,575   3,116 $4,083   $12,723,575 1
2018/01/06 2 $11,023,230 -13% 3,116 $3,538   $23,746,805 2
2018/01/07 3 $5,834,550 -47% 3,116 $1,872   $29,581,355 3
2018/01/08 3 $1,770,225 -70% 3,116 $568   $31,351,580 4
2018/01/09 3 $2,206,025 +25% 3,116 $708   $33,557,605 5
2018/01/10 3 $1,373,090 -38% 3,116 $441   $34,930,695 6
2018/01/11 3 $1,310,445 -5% 3,116 $421   $36,241,140 7
2018/01/12 4 $3,411,315 +160% 3,150 $1,083   $39,652,455 8
2018/01/13 5 $5,098,250 +49% 3,150 $1,618   $44,750,705 9
2018/01/14 7 $3,910,150 -23% 3,150 $1,241   $48,660,855 10
2018/01/15 7 $1,934,050 -51% 3,150 $614   $50,594,905 11
2018/01/16 6 $937,045 -52% 3,150 $297   $51,531,950 12
2018/01/17 6 $649,285 -31% 3,150 $206   $52,181,235 13

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/01/05 2 $36,241,140   3,116 $11,631   $36,241,140 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Austria 1/5/2018 $297,221 60 61 121 $627,308 1/17/2018
Bahrain 1/4/2018 $83,055 9 9 17 $160,115 1/17/2018
Belgium 1/10/2018 $319,113 43 43 43 $320,725 1/17/2018
Cambodia 1/8/2018 $34,883 16 16 16 $89,088 1/17/2018
Central America 1/4/2018 $478,207 181 181 332 $909,077 1/17/2018
Chile 1/11/2018 $303,613 70 70 70 $303,613 1/17/2018
Colombia 1/4/2018 $674,366 170 187 357 $1,498,581 1/17/2018
Curacao 1/4/2018 $2,115 2 2 4 $5,897 1/17/2018
Czech Republic 1/5/2018 $179,430 102 102 158 $324,146 1/17/2018
Dominican Republic 1/4/2018 $17,978 11 12 23 $38,376 1/17/2018
Egypt 1/4/2018 $90,609 14 14 28 $183,254 1/17/2018
Estonia 1/5/2018 $36,977 12 12 24 $77,168 1/17/2018
France 1/5/2018 $2,161,520 221 231 452 $3,365,364 1/17/2018
Germany 1/5/2018 $1,998,481 311 353 664 $3,259,798 1/17/2018
Greece 1/4/2018 $283,388 77 77 133 $572,487 1/17/2018
Hong Kong 1/4/2018 $270,459 95 95 121 $438,938 1/17/2018
Hungary 1/4/2018 $148,365 30 45 75 $298,801 1/17/2018
India 1/5/2018 $1,385,951 1018 1018 1263 $2,228,500 1/17/2018
Indonesia 1/12/2018 $5,489,540 949 949 949 $5,655,976 1/17/2018
Iraq 1/4/2018 $35,181 7 7 14 $68,393 1/17/2018
Jamaica 1/3/2018 $16,336 4 4 7 $30,914 1/17/2018
Jordan 1/4/2018 $39,435 5 5 10 $89,177 1/17/2018
Kuwait 1/4/2018 $169,279 10 10 20 $367,201 1/17/2018
Latvia 1/5/2018 $24,703 7 7 13 $51,086 1/17/2018
Lebanon 1/4/2018 $113,345 18 18 31 $189,020 1/17/2018
Lithuania 1/5/2018 $76,419 95 95 174 $152,386 1/15/2018
Malaysia 1/5/2018 $1,601,297 460 460 710 $2,613,267 1/17/2018
Mexico 1/3/2018 $2,972,057 0 985 985 $64,859,475 1/17/2018
Mongolia 1/5/2018 $23,503 7 7 14 $45,515 1/17/2018
Netherlands 1/12/2018 $258,980 49 49 49 $400,848 1/15/2018
Norway 1/5/2018 $325,826 124 124 208 $531,307 1/17/2018
Oman 1/4/2018 $36,924 10 10 15 $72,166 1/17/2018
Pakistan 1/5/2018 $84,618 42 42 65 $184,429 1/17/2018
Poland 1/5/2018 $459,933 117 118 235 $842,590 1/17/2018
Portugal 1/4/2018 $170,473 30 36 66 $338,825 1/17/2018
Qatar 1/4/2018 $125,173 14 14 23 $213,702 1/17/2018
Romania 1/5/2018 $188,672 70 70 140 $409,831 1/17/2018
Russia (CIS) 1/12/2018 $938,395 611 611 611 $938,395 1/16/2018
Singapore 1/4/2018 $484,226 31 31 62 $843,064 1/17/2018
Slovakia 1/5/2018 $105,904 65 65 112 $180,592 1/17/2018
Spain 1/5/2018 $1,238,260 291 370 661 $2,550,867 1/17/2018
Suriname 1/4/2018 $4,322 1 1 2 $9,427 1/17/2018
Sweden 1/5/2018 $245,020 64 64 116 $492,967 1/17/2018
Switzerland 1/4/2018 $194,528 38 40 78 $317,763 1/17/2018
Syria 1/4/2018 $11,352 1 2 3 $25,567 1/17/2018
Taiwan 1/5/2018 $449,081 87 87 168 $823,891 1/17/2018
Thailand 1/4/2018 $251,185 103 103 178 $603,218 1/17/2018
Trinidad 1/3/2018 $47,959 14 14 26 $79,044 1/17/2018
Turkey 1/12/2018 $173,222 176 176 176 $173,222 1/16/2018
United Arab Emirates 1/4/2018 $480,695 45 45 82 $887,022 1/17/2018
United Kingdom 1/12/2018 $2,520,181 413 413 413 $2,520,181 1/17/2018
Vietnam 1/5/2018 $768,640 330 330 572 $1,575,293 1/17/2018
 
International Total$103,837,857 1/17/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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