Invincible (2002)
| Theatrical Performance | ||
| Domestic Box Office | $80,636 | Details |
| OpusData ID: 82360100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $14,293 (17.7% of total gross) |
| Legs: | 4.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/9 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $165,993 |
Movie Details
| Domestic Releases: | September 20th, 2002 (Wide) |
| MPA Rating: | PG-13 for some sexual content and thematic elements |
| Plot point: | War |
| Social setting: | World War II |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 20, 2002 | 84 | $14,293 | 4 | $3,573 | $14,293 | 1 | |
| Sep 27, 2002 | 84 | $13,239 | -7% | 4 | $3,310 | $36,147 | 2 |
| Oct 4, 2002 | 74 | $17,588 | +33% | 9 | $1,954 | $59,477 | 3 |
| Oct 11, 2002 | 82 | $6,548 | -63% | 5 | $1,310 | $74,226 | 4 |
| Oct 18, 2002 | 114 | $2,364 | -64% | 2 | $1,182 | $80,636 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 20, 2002 | 79 | $22,908 | 4 | $5,727 | $22,908 | 1 | |
| Sep 27, 2002 | 82 | $18,981 | -17% | 4 | $4,745 | $41,889 | 2 |
| Oct 4, 2002 | 64 | $25,789 | +36% | 9 | $2,865 | $67,678 | 3 |
| Oct 11, 2002 | 82 | $10,594 | -59% | 5 | $2,119 | $78,272 | 4 |
| Oct 18, 2002 | 113 | $2,364 | -78% | 2 | $1,182 | $80,636 | 5 |
| Tim Roth | Erik-Jan Hanussen | |
| Jouko Ahola | Zishe Breitbart | |
| Anna Gourari | Marta Farra | |
| Max Raabe | Master of Ceremonies | |
| Jacob Wein | Benjamin | |
| Gustav-Peter Wohler | Landwehr | |
| Udo Kier | Helldorf |
Production and Technical Credits
| Werner Herzog | Director | |
| Klaus Badelt | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $14,293 (17.7% of total gross) |
| Legs: | 4.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/9 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $165,993 |
Movie Details
| Domestic Releases: | September 20th, 2002 (Wide) |
| MPA Rating: | PG-13 for some sexual content and thematic elements |
| Plot point: | War |
| Social setting: | World War II |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 20, 2002 | 84 | $14,293 | 4 | $3,573 | $14,293 | 1 | |
| Sep 27, 2002 | 84 | $13,239 | -7% | 4 | $3,310 | $36,147 | 2 |
| Oct 4, 2002 | 74 | $17,588 | +33% | 9 | $1,954 | $59,477 | 3 |
| Oct 11, 2002 | 82 | $6,548 | -63% | 5 | $1,310 | $74,226 | 4 |
| Oct 18, 2002 | 114 | $2,364 | -64% | 2 | $1,182 | $80,636 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 20, 2002 | 79 | $22,908 | 4 | $5,727 | $22,908 | 1 | |
| Sep 27, 2002 | 82 | $18,981 | -17% | 4 | $4,745 | $41,889 | 2 |
| Oct 4, 2002 | 64 | $25,789 | +36% | 9 | $2,865 | $67,678 | 3 |
| Oct 11, 2002 | 82 | $10,594 | -59% | 5 | $2,119 | $78,272 | 4 |
| Oct 18, 2002 | 113 | $2,364 | -78% | 2 | $1,182 | $80,636 | 5 |
| Tim Roth | Erik-Jan Hanussen | |
| Jouko Ahola | Zishe Breitbart | |
| Anna Gourari | Marta Farra | |
| Max Raabe | Master of Ceremonies | |
| Jacob Wein | Benjamin | |
| Gustav-Peter Wohler | Landwehr | |
| Udo Kier | Helldorf |
Production and Technical Credits
| Werner Herzog | Director | |
| Klaus Badelt | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.