The Invisible Man (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $64,914,050 | Details |
| International Box Office | $74,097,915 | Details |
| Worldwide Box Office | $139,011,965 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $6,811,479 | |
| Blu-ray Sales (estimated) | $6,767,849 | |
| Total | $13,579,328 | |
| OpusData ID: 323200100 More info... | ||
| Further financial details... | ||
Synopsis
Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass escapes in the dead of night and disappears into hiding, aided by her sister, their childhood friend and his teenage daughter. But when Cecilia’s abusive ex commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.
Metrics
| Opening Weekend: | $28,205,665 (43.5% of total gross) |
| Legs: | 2.30 (domestic box office/biggest weekend) |
| Domestic Share: | 46.7% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 19.9 times production budget) |
| Theater counts: | 3,610 opening theaters/3,636 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $84,572,114 |
Movie Details
| Domestic Releases: | February 28th, 2020 (Wide) by Universal February 28th, 2020 (IMAX) by Universal |
| International Releases: | February 26th, 2020 (Wide) (Indonesia)
February 26th, 2020 (Wide) (South Korea) February 26th, 2020 (Wide) (Egypt) February 26th, 2020 (Wide) (Philippines) February 26th, 2020 (Wide) (Switzerland) ... Show all releases |
| Video Release: | March 20th, 2020 by Universal Home Entertainment June 29th, 2020 by Universal Pictures UK |
| MPA Rating: | R for some strong bloody violence, and language. (Rating bulletin 2611 (Cert #52535), 1/8/2020) |
| Running Time: | 124 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Domestic Abuse, Faked Suicide, Inheritance, Relationships Gone Wrong, Stalker, Suicide |
| Subgenre: | Psychological Horror |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Goalpost Pictures, Blumhouse, Nervous Tick , Universal Pictures |
| Production Countries: | Australia, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 1 | $28,205,665 | 3,610 | $7,813 | $28,205,665 | 1 | |
| Mar 6, 2020 | 2 | $15,132,340 | -46% | 3,610 | $4,192 | $52,675,910 | 2 |
| Mar 13, 2020 | 4 | $5,890,805 | -61% | 3,636 | $1,620 | $64,310,490 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 27, 2020 | P | $1,650,000 | 0 | $1,650,000 | ||||
| Feb 28, 2020 | 1 | $9,979,880 | 3,610 | $2,765 | $9,979,880 | 1 | ||
| Feb 29, 2020 | 1 | $11,195,770 | +12% | 3,610 | $3,101 | $21,175,650 | 2 | |
| Mar 1, 2020 | 1 | $7,030,015 | -37% | 3,610 | $1,947 | $28,205,665 | 3 | |
| Mar 2, 2020 | 1 | $2,076,325 | -70% | 3,610 | $575 | $30,281,990 | 4 | |
| Mar 3, 2020 | 1 | $3,456,185 | +66% | 3,610 | $957 | $33,738,175 | 5 | |
| Mar 4, 2020 | 1 | $1,997,250 | -42% | 3,610 | $553 | $35,735,425 | 6 | |
| Mar 5, 2020 | 1 | $1,808,145 | -9% | 3,610 | $501 | $37,543,570 | 7 | |
| Mar 6, 2020 | 2 | $4,320,360 | +139% | -57% | 3,610 | $1,197 | $41,863,930 | 8 |
| Mar 7, 2020 | 2 | $6,761,240 | +56% | -40% | 3,610 | $1,873 | $48,625,170 | 9 |
| Mar 8, 2020 | 2 | $4,050,740 | -40% | -42% | 3,610 | $1,122 | $52,675,910 | 10 |
| Mar 9, 2020 | 2 | $1,350,105 | -67% | -35% | 3,610 | $374 | $54,026,015 | 11 |
| Mar 10, 2020 | 2 | $2,073,340 | +54% | -40% | 3,610 | $574 | $56,099,355 | 12 |
| Mar 11, 2020 | 2 | $1,269,095 | -39% | -36% | 3,610 | $352 | $57,368,450 | 13 |
| Mar 12, 2020 | 2 | $1,051,235 | -17% | -42% | 3,610 | $291 | $58,419,685 | 14 |
| Mar 13, 2020 | 5 | $1,834,115 | +74% | -58% | 3,636 | $504 | $60,253,800 | 15 |
| Mar 14, 2020 | 4 | $2,531,500 | +38% | -63% | 3,636 | $696 | $62,785,300 | 16 |
| Mar 15, 2020 | 4 | $1,525,190 | -40% | -62% | 3,636 | $419 | $64,310,490 | 17 |
| Mar 16, 2020 | 4 | $410,320 | -73% | -70% | 3,636 | $113 | $64,720,810 | 18 |
| Mar 17, 2020 | 4 | $138,605 | -66% | -93% | 3,636 | $38 | $64,859,415 | 19 |
| Mar 18, 2020 | 4 | $32,835 | -76% | -97% | 3,636 | $9 | $64,892,250 | 20 |
| Mar 19, 2020 | 2 | $21,800 | -34% | -98% | 3,636 | $6 | $64,914,050 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 1 | $37,543,570 | 3,610 | $10,400 | $37,543,570 | 1 | |
| Mar 6, 2020 | 2 | $20,876,115 | -44% | 3,610 | $5,783 | $58,419,685 | 2 |
| Mar 13, 2020 | 4 | $6,494,365 | -69% | 3,636 | $1,786 | $64,914,050 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Albania | 2/27/2020 | $0 | 0 | 2 | 2 | $3,359 | ||||
| Argentina | 2/27/2020 | $0 | 0 | 153 | 242 | $325,895 | ||||
| Australia | 2/28/2020 | $1,641,864 | 322 | 322 | 2,035 | $6,687,618 | ||||
| Austria | 2/28/2020 | $0 | 0 | 65 | 197 | $399,929 | ||||
| Belgium | 3/4/2020 | $240,283 | 64 | 64 | 324 | $529,095 | ||||
| Bolivia | 2/27/2020 | $0 | 0 | 21 | 32 | $72,213 | ||||
| Brazil | 2/28/2020 | $813,411 | 592 | 592 | 1,566 | $2,208,719 | ||||
| Bulgaria | 2/28/2020 | $37,251 | 0 | 14 | 83 | $113,086 | ||||
| Central America | 2/27/2020 | $0 | 0 | 138 | 266 | $655,981 | ||||
| Chile | 2/27/2020 | $0 | 0 | 67 | 126 | $282,159 | ||||
| China | 12/4/2020 | $1,381,543 | 5,568 | 16,009 | 11,771 | $3,951,730 | ||||
| Colombia | 2/27/2020 | $0 | 0 | 189 | 327 | $878,479 | ||||
| Croatia | 2/27/2020 | $0 | 0 | 21 | 44 | $92,187 | ||||
| Cyprus | 2/27/2020 | $0 | 0 | 7 | 7 | $19,141 | ||||
| Czech Republic | 3/6/2020 | $123,756 | 138 | 138 | 380 | $246,440 | ||||
| Denmark | 2/27/2020 | $0 | 0 | 61 | 161 | $502,585 | ||||
| Ecuador | 2/28/2020 | $0 | 0 | 49 | 83 | $239,046 | ||||
| Egypt | 2/26/2020 | $0 | 0 | 25 | 213 | $388,184 | ||||
| Estonia | 2/28/2020 | $0 | 0 | 16 | 51 | $101,532 | ||||
| Finland | 2/28/2020 | $0 | 0 | 42 | 109 | $290,654 | ||||
| France | 2/28/2020 | $2,274,240 | 355 | 355 | 2,356 | $6,027,110 | ||||
| Germany | 2/27/2020 | $1,239,880 | 411 | 461 | 2,505 | $3,756,584 | ||||
| Greece | 3/5/2020 | $82,863 | 84 | 84 | 92 | $145,541 | ||||
| Hong Kong | 2/27/2020 | $0 | 0 | 56 | 225 | $729,455 | ||||
| Hungary | 2/27/2020 | $0 | 0 | 61 | 95 | $499,489 | ||||
| Iceland | 2/28/2020 | $0 | 0 | 7 | 17 | $66,420 | ||||
| India | 2/28/2020 | $0 | 0 | 30 | 80 | $485,847 | ||||
| Indonesia | 2/26/2020 | $0 | 0 | 300 | 639 | $2,270,031 | ||||
| Israel | 2/27/2020 | $0 | 0 | 26 | 26 | $338,268 | ||||
| Italy | 6/15/2020 | $0 | 0 | 8 | 29 | $15,853 | ||||
| Japan | 7/10/2020 | $431,902 | 176 | 176 | 782 | $1,933,009 | ||||
| Latvia | 3/6/2020 | $16,497 | 12 | 12 | 12 | $27,291 | ||||
| Lebanon | 2/27/2020 | $0 | 0 | 14 | 25 | $53,688 | ||||
| Lithuania | 3/6/2020 | $32,129 | 13 | 13 | 33 | $60,314 | ||||
| Macedonia | 2/27/2020 | $0 | 0 | 3 | 4 | $4,076 | ||||
| Malaysia | 3/5/2020 | $721,227 | 148 | 148 | 420 | $1,050,972 | ||||
| Mexico | 2/28/2020 | $1,794,222 | 0 | 31 | 167 | $5,190,771 | ||||
| Middle East Region | 2/27/2020 | $0 | 0 | 78 | 188 | $2,657,745 | 11/18/2020 | |||
| Mongolia | 7/10/2020 | $0 | 0 | 10 | 31 | $48,962 | ||||
| Netherlands | 3/6/2020 | $462,366 | 90 | 90 | 547 | $1,147,511 | ||||
| New Zealand | 2/27/2020 | $179,242 | 82 | 85 | 514 | $818,714 | ||||
| Norway | 3/6/2020 | $142,858 | 95 | 95 | 188 | $323,890 | ||||
| Pakistan | 3/6/2020 | $24,258 | 46 | 46 | 66 | $60,177 | ||||
| Paraguay | 3/5/2020 | $8,635 | 17 | 17 | 17 | $9,544 | ||||
| Peru | 2/27/2020 | $0 | 0 | 83 | 122 | $605,273 | ||||
| Philippines | 2/26/2020 | $0 | 0 | 154 | 207 | $523,731 | ||||
| Poland | 3/6/2020 | $166,270 | 106 | 106 | 638 | $335,533 | ||||
| Portugal | 3/6/2020 | $46,327 | 39 | 39 | 76 | $74,684 | ||||
| Romania | 2/28/2020 | $80,936 | 84 | 84 | 286 | $245,636 | ||||
| Russia (CIS) | 3/5/2020 | $1,534,317 | 1,193 | 1,199 | 3,401 | $3,138,522 | ||||
| Serbia and Montenegro | 3/5/2020 | $26,668 | 40 | 40 | 98 | $73,572 | ||||
| Singapore | 2/27/2020 | $0 | 0 | 33 | 110 | $545,571 | ||||
| Slovakia | 3/6/2020 | $76,083 | 62 | 62 | 111 | $109,093 | ||||
| Slovenia | 2/27/2020 | $18,452 | 15 | 15 | 67 | $52,537 | ||||
| South Africa | 2/28/2020 | $0 | 0 | 71 | 160 | $224,984 | ||||
| South Korea | 2/26/2020 | $834,024 | 745 | 745 | 3,790 | $4,195,677 | ||||
| Spain | 2/28/2020 | $1,109,254 | 327 | 436 | 1,356 | $2,818,697 | ||||
| Sweden | 2/28/2020 | $0 | 0 | 87 | 313 | $635,263 | ||||
| Switzerland | 2/26/2020 | $0 | 0 | 45 | 218 | $580,172 | ||||
| Taiwan | 2/28/2020 | $0 | 0 | 117 | 488 | $1,742,662 | ||||
| Thailand | 3/5/2020 | $210,298 | 128 | 128 | 259 | $325,141 | ||||
| Trinidad | 3/4/2020 | $48,757 | 19 | 19 | 51 | $93,958 | ||||
| Turkey | 2/28/2020 | $122,762 | 215 | 215 | 671 | $259,481 | ||||
| Ukraine | 2/27/2020 | $0 | 0 | 187 | 298 | $796,164 | ||||
| United Arab Emirates | 2/27/2020 | $0 | 0 | 53 | 216 | $937,337 | ||||
| United Kingdom | 2/28/2020 | $2,764,884 | 580 | 580 | 2,225 | $8,831,811 | ||||
| Uruguay | 3/5/2020 | $13,166 | 14 | 14 | 22 | $22,164 | ||||
| Venezuela | 2/28/2020 | $0 | 0 | 0 | 0 | $23,885 | ||||
| Vietnam | 2/28/2020 | $0 | 0 | 201 | 359 | $710,438 | ||||
| Rest of World | $486,635 | |||||||||
| International Total | $74,097,915 | 11/18/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Elisabeth Moss | Cecilia Kass |
Supporting
| Aldis Hodge | James Lanier | |
| Storm Reid | Sydney | |
| Harriet Dyer | Emily Kass | |
| Michael Dorman | Tom Griffin |
Leading
| Oliver Jackson-Cohen | Adrian Griffin |
Supporting
| Benedict Hardie | Marc (Architect) | |
| Renee Lim | Doctor Lee | |
| Brian Meegan | Lyft Driver | |
| Nick Kici | Taylor (Waiter) | |
| Vivienne Greer | Screaming Woman | |
| Nicholas Hope | Head Doctor | |
| Cleave Williams | Orderly | |
| Cardwell Lynch | Police Officer | |
| Sam Smith | Detective Reckley | |
| Zara Michales | Nurse | |
| Serag Mohammed | Strike-Stun Guard | |
| Nash Edgerton | Security Guard | |
| Anthony Brandon Wong | Accident Victim | |
| Xavier Fernandez | Detective |
Production and Technical Credits
| Leigh Whannell | Director | |
| Leigh Whannell | Screenwriter | |
| H.G. Wells | Story Based on the Novel by | |
| Jason Blum | Producer | |
| Kylie du Fresne | Producer | |
| Leigh Whannell | Executive Producer | |
| Couper Samuelson | Executive Producer | |
| Beatriz Sequeira | Executive Producer | |
| Jeanette Volturno-Brill | Executive Producer | |
| Rosemary Blight | Executive Producer | |
| Ben Grant | Executive Producer | |
| Alex Holmes | Production Designer | |
| Andy Canny | Editor | |
| Benjamin Wallfisch | Composer | |
| Stefan Duscio | Director of Photography | |
| Emily Seresin | Costume Designer | |
| Megan Wynn | Line Producer | |
| Jonathan Dearing | Visual Effects Supervisor | |
| Terri Taylor | Casting Director | |
| Sarah Domeier Lindo* | Casting Director | |
| Nikki Barrett | Casting Director | |
| Jennifer Scudder Trent | Co-Producer | |
| Deborah Antoniou | First Assistant Director | |
| Killian Maguire | Second Assistant Director | |
| Alice Lanagan | Art Director | |
| Katie Sharrock | Set Decorator | |
| Prue Parsons | Set Designer | |
| Matt Hatton | Story Artist | |
| Dan Oliver | Special Effects Supervisor | |
| Harry Dakanalis | Stunt Coordinator | |
| Elly Kamal | Costume Supervisor | |
| Aria Harrison | Script Supervisor | |
| Edward Donovan | Location Manager | |
| Brad Kennerley | Location Manager | |
| Jeremy Peek | Location Manager | |
| Samantha Keough | Assistant Editor | |
| Kali Kasashima | Assistant Editor | |
| Melissa Brockman | Visual Effects Producer | |
| Will Files | Supervising Sound Editor | |
| P.K. Hooker | Supervising Sound Editor | |
| P.K. Hooker | Sound Designer | |
| Ryan Cole | Dialogue Editor | |
| Chris Terhune | Sound Designer | |
| Christopher Bonis | Sound Effects Editor | |
| Matt Yocum | Sound Effects Editor | |
| Goeun Lee | Sound Effects Editor | |
| Andrew Twite | Sound Effects Editor | |
| Will Files | Re-recording Mixer | |
| Ryan Collison | Foley Mixer | |
| Connor Nagy | Foley Mixer | |
| Nick Seaman | Foley Editor | |
| Laura Heinzinger | Foley Editor | |
| Benjamin Wallfisch | Music Producer | |
| Brett Pierce | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass escapes in the dead of night and disappears into hiding, aided by her sister, their childhood friend and his teenage daughter. But when Cecilia’s abusive ex commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.
Metrics
| Opening Weekend: | $28,205,665 (43.5% of total gross) |
| Legs: | 2.30 (domestic box office/biggest weekend) |
| Domestic Share: | 46.7% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 19.9 times production budget) |
| Theater counts: | 3,610 opening theaters/3,636 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $84,572,114 |
Movie Details
| Domestic Releases: | February 28th, 2020 (Wide) by Universal February 28th, 2020 (IMAX) by Universal |
| International Releases: | February 26th, 2020 (Wide) (Indonesia)
February 26th, 2020 (Wide) (South Korea) February 26th, 2020 (Wide) (Egypt) February 26th, 2020 (Wide) (Philippines) February 26th, 2020 (Wide) (Switzerland) ... Show all releases |
| Video Release: | March 20th, 2020 by Universal Home Entertainment June 29th, 2020 by Universal Pictures UK |
| MPA Rating: | R for some strong bloody violence, and language. (Rating bulletin 2611 (Cert #52535), 1/8/2020) |
| Running Time: | 124 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Domestic Abuse, Faked Suicide, Inheritance, Relationships Gone Wrong, Stalker, Suicide |
| Subgenre: | Psychological Horror |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Goalpost Pictures, Blumhouse, Nervous Tick , Universal Pictures |
| Production Countries: | Australia, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 1 | $28,205,665 | 3,610 | $7,813 | $28,205,665 | 1 | |
| Mar 6, 2020 | 2 | $15,132,340 | -46% | 3,610 | $4,192 | $52,675,910 | 2 |
| Mar 13, 2020 | 4 | $5,890,805 | -61% | 3,636 | $1,620 | $64,310,490 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 27, 2020 | P | $1,650,000 | 0 | $1,650,000 | ||||
| Feb 28, 2020 | 1 | $9,979,880 | 3,610 | $2,765 | $9,979,880 | 1 | ||
| Feb 29, 2020 | 1 | $11,195,770 | +12% | 3,610 | $3,101 | $21,175,650 | 2 | |
| Mar 1, 2020 | 1 | $7,030,015 | -37% | 3,610 | $1,947 | $28,205,665 | 3 | |
| Mar 2, 2020 | 1 | $2,076,325 | -70% | 3,610 | $575 | $30,281,990 | 4 | |
| Mar 3, 2020 | 1 | $3,456,185 | +66% | 3,610 | $957 | $33,738,175 | 5 | |
| Mar 4, 2020 | 1 | $1,997,250 | -42% | 3,610 | $553 | $35,735,425 | 6 | |
| Mar 5, 2020 | 1 | $1,808,145 | -9% | 3,610 | $501 | $37,543,570 | 7 | |
| Mar 6, 2020 | 2 | $4,320,360 | +139% | -57% | 3,610 | $1,197 | $41,863,930 | 8 |
| Mar 7, 2020 | 2 | $6,761,240 | +56% | -40% | 3,610 | $1,873 | $48,625,170 | 9 |
| Mar 8, 2020 | 2 | $4,050,740 | -40% | -42% | 3,610 | $1,122 | $52,675,910 | 10 |
| Mar 9, 2020 | 2 | $1,350,105 | -67% | -35% | 3,610 | $374 | $54,026,015 | 11 |
| Mar 10, 2020 | 2 | $2,073,340 | +54% | -40% | 3,610 | $574 | $56,099,355 | 12 |
| Mar 11, 2020 | 2 | $1,269,095 | -39% | -36% | 3,610 | $352 | $57,368,450 | 13 |
| Mar 12, 2020 | 2 | $1,051,235 | -17% | -42% | 3,610 | $291 | $58,419,685 | 14 |
| Mar 13, 2020 | 5 | $1,834,115 | +74% | -58% | 3,636 | $504 | $60,253,800 | 15 |
| Mar 14, 2020 | 4 | $2,531,500 | +38% | -63% | 3,636 | $696 | $62,785,300 | 16 |
| Mar 15, 2020 | 4 | $1,525,190 | -40% | -62% | 3,636 | $419 | $64,310,490 | 17 |
| Mar 16, 2020 | 4 | $410,320 | -73% | -70% | 3,636 | $113 | $64,720,810 | 18 |
| Mar 17, 2020 | 4 | $138,605 | -66% | -93% | 3,636 | $38 | $64,859,415 | 19 |
| Mar 18, 2020 | 4 | $32,835 | -76% | -97% | 3,636 | $9 | $64,892,250 | 20 |
| Mar 19, 2020 | 2 | $21,800 | -34% | -98% | 3,636 | $6 | $64,914,050 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 1 | $37,543,570 | 3,610 | $10,400 | $37,543,570 | 1 | |
| Mar 6, 2020 | 2 | $20,876,115 | -44% | 3,610 | $5,783 | $58,419,685 | 2 |
| Mar 13, 2020 | 4 | $6,494,365 | -69% | 3,636 | $1,786 | $64,914,050 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Albania | 2/27/2020 | $0 | 0 | 2 | 2 | $3,359 | ||||
| Argentina | 2/27/2020 | $0 | 0 | 153 | 242 | $325,895 | ||||
| Australia | 2/28/2020 | $1,641,864 | 322 | 322 | 2,035 | $6,687,618 | ||||
| Austria | 2/28/2020 | $0 | 0 | 65 | 197 | $399,929 | ||||
| Belgium | 3/4/2020 | $240,283 | 64 | 64 | 324 | $529,095 | ||||
| Bolivia | 2/27/2020 | $0 | 0 | 21 | 32 | $72,213 | ||||
| Brazil | 2/28/2020 | $813,411 | 592 | 592 | 1,566 | $2,208,719 | ||||
| Bulgaria | 2/28/2020 | $37,251 | 0 | 14 | 83 | $113,086 | ||||
| Central America | 2/27/2020 | $0 | 0 | 138 | 266 | $655,981 | ||||
| Chile | 2/27/2020 | $0 | 0 | 67 | 126 | $282,159 | ||||
| China | 12/4/2020 | $1,381,543 | 5,568 | 16,009 | 11,771 | $3,951,730 | ||||
| Colombia | 2/27/2020 | $0 | 0 | 189 | 327 | $878,479 | ||||
| Croatia | 2/27/2020 | $0 | 0 | 21 | 44 | $92,187 | ||||
| Cyprus | 2/27/2020 | $0 | 0 | 7 | 7 | $19,141 | ||||
| Czech Republic | 3/6/2020 | $123,756 | 138 | 138 | 380 | $246,440 | ||||
| Denmark | 2/27/2020 | $0 | 0 | 61 | 161 | $502,585 | ||||
| Ecuador | 2/28/2020 | $0 | 0 | 49 | 83 | $239,046 | ||||
| Egypt | 2/26/2020 | $0 | 0 | 25 | 213 | $388,184 | ||||
| Estonia | 2/28/2020 | $0 | 0 | 16 | 51 | $101,532 | ||||
| Finland | 2/28/2020 | $0 | 0 | 42 | 109 | $290,654 | ||||
| France | 2/28/2020 | $2,274,240 | 355 | 355 | 2,356 | $6,027,110 | ||||
| Germany | 2/27/2020 | $1,239,880 | 411 | 461 | 2,505 | $3,756,584 | ||||
| Greece | 3/5/2020 | $82,863 | 84 | 84 | 92 | $145,541 | ||||
| Hong Kong | 2/27/2020 | $0 | 0 | 56 | 225 | $729,455 | ||||
| Hungary | 2/27/2020 | $0 | 0 | 61 | 95 | $499,489 | ||||
| Iceland | 2/28/2020 | $0 | 0 | 7 | 17 | $66,420 | ||||
| India | 2/28/2020 | $0 | 0 | 30 | 80 | $485,847 | ||||
| Indonesia | 2/26/2020 | $0 | 0 | 300 | 639 | $2,270,031 | ||||
| Israel | 2/27/2020 | $0 | 0 | 26 | 26 | $338,268 | ||||
| Italy | 6/15/2020 | $0 | 0 | 8 | 29 | $15,853 | ||||
| Japan | 7/10/2020 | $431,902 | 176 | 176 | 782 | $1,933,009 | ||||
| Latvia | 3/6/2020 | $16,497 | 12 | 12 | 12 | $27,291 | ||||
| Lebanon | 2/27/2020 | $0 | 0 | 14 | 25 | $53,688 | ||||
| Lithuania | 3/6/2020 | $32,129 | 13 | 13 | 33 | $60,314 | ||||
| Macedonia | 2/27/2020 | $0 | 0 | 3 | 4 | $4,076 | ||||
| Malaysia | 3/5/2020 | $721,227 | 148 | 148 | 420 | $1,050,972 | ||||
| Mexico | 2/28/2020 | $1,794,222 | 0 | 31 | 167 | $5,190,771 | ||||
| Middle East Region | 2/27/2020 | $0 | 0 | 78 | 188 | $2,657,745 | 11/18/2020 | |||
| Mongolia | 7/10/2020 | $0 | 0 | 10 | 31 | $48,962 | ||||
| Netherlands | 3/6/2020 | $462,366 | 90 | 90 | 547 | $1,147,511 | ||||
| New Zealand | 2/27/2020 | $179,242 | 82 | 85 | 514 | $818,714 | ||||
| Norway | 3/6/2020 | $142,858 | 95 | 95 | 188 | $323,890 | ||||
| Pakistan | 3/6/2020 | $24,258 | 46 | 46 | 66 | $60,177 | ||||
| Paraguay | 3/5/2020 | $8,635 | 17 | 17 | 17 | $9,544 | ||||
| Peru | 2/27/2020 | $0 | 0 | 83 | 122 | $605,273 | ||||
| Philippines | 2/26/2020 | $0 | 0 | 154 | 207 | $523,731 | ||||
| Poland | 3/6/2020 | $166,270 | 106 | 106 | 638 | $335,533 | ||||
| Portugal | 3/6/2020 | $46,327 | 39 | 39 | 76 | $74,684 | ||||
| Romania | 2/28/2020 | $80,936 | 84 | 84 | 286 | $245,636 | ||||
| Russia (CIS) | 3/5/2020 | $1,534,317 | 1,193 | 1,199 | 3,401 | $3,138,522 | ||||
| Serbia and Montenegro | 3/5/2020 | $26,668 | 40 | 40 | 98 | $73,572 | ||||
| Singapore | 2/27/2020 | $0 | 0 | 33 | 110 | $545,571 | ||||
| Slovakia | 3/6/2020 | $76,083 | 62 | 62 | 111 | $109,093 | ||||
| Slovenia | 2/27/2020 | $18,452 | 15 | 15 | 67 | $52,537 | ||||
| South Africa | 2/28/2020 | $0 | 0 | 71 | 160 | $224,984 | ||||
| South Korea | 2/26/2020 | $834,024 | 745 | 745 | 3,790 | $4,195,677 | ||||
| Spain | 2/28/2020 | $1,109,254 | 327 | 436 | 1,356 | $2,818,697 | ||||
| Sweden | 2/28/2020 | $0 | 0 | 87 | 313 | $635,263 | ||||
| Switzerland | 2/26/2020 | $0 | 0 | 45 | 218 | $580,172 | ||||
| Taiwan | 2/28/2020 | $0 | 0 | 117 | 488 | $1,742,662 | ||||
| Thailand | 3/5/2020 | $210,298 | 128 | 128 | 259 | $325,141 | ||||
| Trinidad | 3/4/2020 | $48,757 | 19 | 19 | 51 | $93,958 | ||||
| Turkey | 2/28/2020 | $122,762 | 215 | 215 | 671 | $259,481 | ||||
| Ukraine | 2/27/2020 | $0 | 0 | 187 | 298 | $796,164 | ||||
| United Arab Emirates | 2/27/2020 | $0 | 0 | 53 | 216 | $937,337 | ||||
| United Kingdom | 2/28/2020 | $2,764,884 | 580 | 580 | 2,225 | $8,831,811 | ||||
| Uruguay | 3/5/2020 | $13,166 | 14 | 14 | 22 | $22,164 | ||||
| Venezuela | 2/28/2020 | $0 | 0 | 0 | 0 | $23,885 | ||||
| Vietnam | 2/28/2020 | $0 | 0 | 201 | 359 | $710,438 | ||||
| Rest of World | $486,635 | |||||||||
| International Total | $74,097,915 | 11/18/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Elisabeth Moss | Cecilia Kass |
Supporting
| Aldis Hodge | James Lanier | |
| Storm Reid | Sydney | |
| Harriet Dyer | Emily Kass | |
| Michael Dorman | Tom Griffin |
Leading
| Oliver Jackson-Cohen | Adrian Griffin |
Supporting
| Benedict Hardie | Marc (Architect) | |
| Renee Lim | Doctor Lee | |
| Brian Meegan | Lyft Driver | |
| Nick Kici | Taylor (Waiter) | |
| Vivienne Greer | Screaming Woman | |
| Nicholas Hope | Head Doctor | |
| Cleave Williams | Orderly | |
| Cardwell Lynch | Police Officer | |
| Sam Smith | Detective Reckley | |
| Zara Michales | Nurse | |
| Serag Mohammed | Strike-Stun Guard | |
| Nash Edgerton | Security Guard | |
| Anthony Brandon Wong | Accident Victim | |
| Xavier Fernandez | Detective |
Production and Technical Credits
| Leigh Whannell | Director | |
| Leigh Whannell | Screenwriter | |
| H.G. Wells | Story Based on the Novel by | |
| Jason Blum | Producer | |
| Kylie du Fresne | Producer | |
| Leigh Whannell | Executive Producer | |
| Couper Samuelson | Executive Producer | |
| Beatriz Sequeira | Executive Producer | |
| Jeanette Volturno-Brill | Executive Producer | |
| Rosemary Blight | Executive Producer | |
| Ben Grant | Executive Producer | |
| Alex Holmes | Production Designer | |
| Andy Canny | Editor | |
| Benjamin Wallfisch | Composer | |
| Stefan Duscio | Director of Photography | |
| Emily Seresin | Costume Designer | |
| Megan Wynn | Line Producer | |
| Jonathan Dearing | Visual Effects Supervisor | |
| Terri Taylor | Casting Director | |
| Sarah Domeier Lindo* | Casting Director | |
| Nikki Barrett | Casting Director | |
| Jennifer Scudder Trent | Co-Producer | |
| Deborah Antoniou | First Assistant Director | |
| Killian Maguire | Second Assistant Director | |
| Alice Lanagan | Art Director | |
| Katie Sharrock | Set Decorator | |
| Prue Parsons | Set Designer | |
| Matt Hatton | Story Artist | |
| Dan Oliver | Special Effects Supervisor | |
| Harry Dakanalis | Stunt Coordinator | |
| Elly Kamal | Costume Supervisor | |
| Aria Harrison | Script Supervisor | |
| Edward Donovan | Location Manager | |
| Brad Kennerley | Location Manager | |
| Jeremy Peek | Location Manager | |
| Samantha Keough | Assistant Editor | |
| Kali Kasashima | Assistant Editor | |
| Melissa Brockman | Visual Effects Producer | |
| Will Files | Supervising Sound Editor | |
| P.K. Hooker | Supervising Sound Editor | |
| P.K. Hooker | Sound Designer | |
| Ryan Cole | Dialogue Editor | |
| Chris Terhune | Sound Designer | |
| Christopher Bonis | Sound Effects Editor | |
| Matt Yocum | Sound Effects Editor | |
| Goeun Lee | Sound Effects Editor | |
| Andrew Twite | Sound Effects Editor | |
| Will Files | Re-recording Mixer | |
| Ryan Collison | Foley Mixer | |
| Connor Nagy | Foley Mixer | |
| Nick Seaman | Foley Editor | |
| Laura Heinzinger | Foley Editor | |
| Benjamin Wallfisch | Music Producer | |
| Brett Pierce | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.