The Invisible Woman (2013)
| Theatrical Performance | ||
| Domestic Box Office | $1,233,347 | Details |
| International Box Office | $262,051 | Details |
| Worldwide Box Office | $1,495,398 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $317,179 | |
| Total | $317,179 | |
| OpusData ID: 195630100 More info... | ||
| Further financial details... | ||
Synopsis
Nelly, a happily-married mother and schoolteacher, is haunted by her past. Her memories, provoked by remorse and guilt, take us back in time to follow the story of her relationship with Charles Dickens with whom she discovered an exciting but fragile complicity. Dickens – famous, controlling and emotionally isolated within his success – falls for Nelly, who comes from a family of actors. The theatre is a vital arena for Dickens – a brilliant amateur actor – a man more emotionally coherent on the page or on stage, than in life. As Nelly becomes the focus of Dickens’ passion and his muse, for both of them secrecy is the price, and for Nelly a life of “invisibility”.
Metrics
| Opening Weekend: | $37,149 (3.0% of total gross) |
| Legs: | 7.88 (domestic box office/biggest weekend) |
| Domestic Share: | 82.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/136 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,805,912 |
Movie Details
| Domestic Releases: | December 25th, 2013 (Limited) by Sony Pictures Classics |
| International Releases: | February 14th, 2014 (Wide) (Poland)
May 22nd, 2014 (Wide) (Serbia and Montenegro) June 6th, 2014 (Wide) (Spain) July 4th, 2014 (Wide) (South Africa) ... Show all releases |
| Video Release: | April 15th, 2014 by Sony Pictures Home Entertainment |
| MPA Rating: | R for some sexual content. (Rating bulletin 2294, 10/16/2013) |
| Running Time: | 111 minutes |
| Plot point: | Biography, Performing Arts, Romance, Writing and Writers |
| Subgenre: | Historical Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Headline Pictures, Magnolia Mae Films, Lonely Dragon |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 27, 2013 | - | $37,149 | 3 | $12,383 | $58,265 | 1 | |
| Jan 3, 2014 | 43 | $30,151 | -19% | 4 | $7,538 | $116,840 | 2 |
| Jan 10, 2014 | 37 | $48,160 | +60% | 9 | $5,351 | $174,284 | 3 |
| Jan 17, 2014 | - | $100,304 | +108% | 26 | $3,858 | $292,708 | 4 |
| Jan 31, 2014 | 33 | $156,462 | 136 | $1,150 | $860,286 | 6 | |
| Feb 7, 2014 | 41 | $56,958 | -64% | 74 | $770 | $981,264 | 7 |
| Feb 14, 2014 | 44 | $43,236 | -24% | 44 | $983 | $1,051,482 | 8 |
| Feb 21, 2014 | 53 | $22,869 | -47% | 32 | $715 | $1,088,113 | 9 |
| Feb 28, 2014 | 64 | $12,631 | -45% | 32 | $395 | $1,132,262 | 10 |
| Mar 14, 2014 | 66 | $11,127 | 18 | $618 | $1,176,731 | 12 | |
| Mar 28, 2014 | 65 | $7,837 | 16 | $490 | $1,206,953 | 14 | |
| Apr 4, 2014 | 80 | $5,185 | -34% | 9 | $576 | $1,219,897 | 15 |
| Apr 11, 2014 | 86 | $1,941 | -63% | 7 | $277 | $1,222,863 | 16 |
| Apr 18, 2014 | 86 | $1,083 | -44% | 1 | $1,083 | $1,226,036 | 17 |
| Apr 25, 2014 | 100 | $1,322 | +22% | 2 | $661 | $1,228,295 | 18 |
| May 9, 2014 | 97 | $1,438 | 4 | $360 | $1,233,347 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2014 | 42 | $56,998 | 44 | $1,295 | $1,065,244 | 9 | |
| Feb 21, 2014 | 48 | $54,387 | -5% | 32 | $1,700 | $1,119,631 | 10 |
| Mar 28, 2014 | 63 | $15,596 | 16 | $975 | $1,214,712 | 15 | |
| Apr 4, 2014 | 74 | $6,210 | -60% | 9 | $690 | $1,220,922 | 16 |
| Apr 11, 2014 | 65 | $4,031 | -35% | 7 | $576 | $1,224,953 | 17 |
| Apr 18, 2014 | 77 | $2,020 | -50% | 1 | $2,020 | $1,226,973 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Poland | 2/14/2014 | $0 | 0 | 2 | 2 | $5,757 | 12/30/2018 | |||
| Serbia and Montenegro | 5/22/2014 | $0 | 0 | 9 | 9 | $19,884 | 12/30/2018 | |||
| South Africa | 7/4/2014 | $6,678 | 5 | 5 | 17 | $29,922 | 12/17/2015 | |||
| Spain | 6/6/2014 | $0 | 0 | 11 | 34 | $206,488 | 12/17/2015 | |||
| International Total | $262,051 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ralph Fiennes | Charles Dickens | |
| Felicity Jones | Nelly Ternan |
Supporting
| Kristin Scott Thomas | Mrs. Ternan | |
| Tom Hollander | Wilkie Collins | |
| Joanna Scanlan | Catherine Dickens | |
| Perdita Weeks | Maria Ternan | |
| Amanda Hale | Fanny Ternan | |
| Tom Burke | Mr. George Wharton | |
| John Kavanagh | Reverend Benham | |
| Michael Marcus | Charley Dickens |
Production and Technical Credits
| Ralph Fiennes | Director | |
| Abi Morgan | Screenwriter | |
| Claire Tomalin | Story Creator | |
| Gabrielle Tana | Producer | |
| Stewart Mackinnon | Producer | |
| Christian Baute | Producer | |
| Carolyn Marks Blackwood | Producer | |
| Sharon Harel | Executive Producer | |
| Maya Amsellem | Executive Producer | |
| Eve Schoukroun | Executive Producer | |
| Stefano Ferrari | Executive Producer | |
| Christine Langan | Executive Producer | |
| Jamie Laurenson | Executive Producer | |
| Kevan Van Thompson | Co-Producer | |
| Rob Hardy | Director of Photography | |
| Nicolas Gaster | Editor | |
| Maria Djurkovic | Production Designer | |
| Ilan Eshkeri | Composer | |
| Michael O’Connor | Costume Designer | |
| Jenny Shircore | Make-up and Hair Designer | |
| Leo Davis | Casting Director | |
| Lissy Holm | Casting Director | |
| Ben Howard | Second Assistant Director | |
| Josh Robertson | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Nelly, a happily-married mother and schoolteacher, is haunted by her past. Her memories, provoked by remorse and guilt, take us back in time to follow the story of her relationship with Charles Dickens with whom she discovered an exciting but fragile complicity. Dickens – famous, controlling and emotionally isolated within his success – falls for Nelly, who comes from a family of actors. The theatre is a vital arena for Dickens – a brilliant amateur actor – a man more emotionally coherent on the page or on stage, than in life. As Nelly becomes the focus of Dickens’ passion and his muse, for both of them secrecy is the price, and for Nelly a life of “invisibility”.
Metrics
| Opening Weekend: | $37,149 (3.0% of total gross) |
| Legs: | 7.88 (domestic box office/biggest weekend) |
| Domestic Share: | 82.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/136 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,805,912 |
Movie Details
| Domestic Releases: | December 25th, 2013 (Limited) by Sony Pictures Classics |
| International Releases: | February 14th, 2014 (Wide) (Poland)
May 22nd, 2014 (Wide) (Serbia and Montenegro) June 6th, 2014 (Wide) (Spain) July 4th, 2014 (Wide) (South Africa) ... Show all releases |
| Video Release: | April 15th, 2014 by Sony Pictures Home Entertainment |
| MPA Rating: | R for some sexual content. (Rating bulletin 2294, 10/16/2013) |
| Running Time: | 111 minutes |
| Plot point: | Biography, Performing Arts, Romance, Writing and Writers |
| Subgenre: | Historical Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Headline Pictures, Magnolia Mae Films, Lonely Dragon |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 27, 2013 | - | $37,149 | 3 | $12,383 | $58,265 | 1 | |
| Jan 3, 2014 | 43 | $30,151 | -19% | 4 | $7,538 | $116,840 | 2 |
| Jan 10, 2014 | 37 | $48,160 | +60% | 9 | $5,351 | $174,284 | 3 |
| Jan 17, 2014 | - | $100,304 | +108% | 26 | $3,858 | $292,708 | 4 |
| Jan 31, 2014 | 33 | $156,462 | 136 | $1,150 | $860,286 | 6 | |
| Feb 7, 2014 | 41 | $56,958 | -64% | 74 | $770 | $981,264 | 7 |
| Feb 14, 2014 | 44 | $43,236 | -24% | 44 | $983 | $1,051,482 | 8 |
| Feb 21, 2014 | 53 | $22,869 | -47% | 32 | $715 | $1,088,113 | 9 |
| Feb 28, 2014 | 64 | $12,631 | -45% | 32 | $395 | $1,132,262 | 10 |
| Mar 14, 2014 | 66 | $11,127 | 18 | $618 | $1,176,731 | 12 | |
| Mar 28, 2014 | 65 | $7,837 | 16 | $490 | $1,206,953 | 14 | |
| Apr 4, 2014 | 80 | $5,185 | -34% | 9 | $576 | $1,219,897 | 15 |
| Apr 11, 2014 | 86 | $1,941 | -63% | 7 | $277 | $1,222,863 | 16 |
| Apr 18, 2014 | 86 | $1,083 | -44% | 1 | $1,083 | $1,226,036 | 17 |
| Apr 25, 2014 | 100 | $1,322 | +22% | 2 | $661 | $1,228,295 | 18 |
| May 9, 2014 | 97 | $1,438 | 4 | $360 | $1,233,347 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2014 | 42 | $56,998 | 44 | $1,295 | $1,065,244 | 9 | |
| Feb 21, 2014 | 48 | $54,387 | -5% | 32 | $1,700 | $1,119,631 | 10 |
| Mar 28, 2014 | 63 | $15,596 | 16 | $975 | $1,214,712 | 15 | |
| Apr 4, 2014 | 74 | $6,210 | -60% | 9 | $690 | $1,220,922 | 16 |
| Apr 11, 2014 | 65 | $4,031 | -35% | 7 | $576 | $1,224,953 | 17 |
| Apr 18, 2014 | 77 | $2,020 | -50% | 1 | $2,020 | $1,226,973 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Poland | 2/14/2014 | $0 | 0 | 2 | 2 | $5,757 | 12/30/2018 | |||
| Serbia and Montenegro | 5/22/2014 | $0 | 0 | 9 | 9 | $19,884 | 12/30/2018 | |||
| South Africa | 7/4/2014 | $6,678 | 5 | 5 | 17 | $29,922 | 12/17/2015 | |||
| Spain | 6/6/2014 | $0 | 0 | 11 | 34 | $206,488 | 12/17/2015 | |||
| International Total | $262,051 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ralph Fiennes | Charles Dickens | |
| Felicity Jones | Nelly Ternan |
Supporting
| Kristin Scott Thomas | Mrs. Ternan | |
| Tom Hollander | Wilkie Collins | |
| Joanna Scanlan | Catherine Dickens | |
| Perdita Weeks | Maria Ternan | |
| Amanda Hale | Fanny Ternan | |
| Tom Burke | Mr. George Wharton | |
| John Kavanagh | Reverend Benham | |
| Michael Marcus | Charley Dickens |
Production and Technical Credits
| Ralph Fiennes | Director | |
| Abi Morgan | Screenwriter | |
| Claire Tomalin | Story Creator | |
| Gabrielle Tana | Producer | |
| Stewart Mackinnon | Producer | |
| Christian Baute | Producer | |
| Carolyn Marks Blackwood | Producer | |
| Sharon Harel | Executive Producer | |
| Maya Amsellem | Executive Producer | |
| Eve Schoukroun | Executive Producer | |
| Stefano Ferrari | Executive Producer | |
| Christine Langan | Executive Producer | |
| Jamie Laurenson | Executive Producer | |
| Kevan Van Thompson | Co-Producer | |
| Rob Hardy | Director of Photography | |
| Nicolas Gaster | Editor | |
| Maria Djurkovic | Production Designer | |
| Ilan Eshkeri | Composer | |
| Michael O’Connor | Costume Designer | |
| Jenny Shircore | Make-up and Hair Designer | |
| Leo Davis | Casting Director | |
| Lissy Holm | Casting Director | |
| Ben Howard | Second Assistant Director | |
| Josh Robertson | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.