It Ends (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $1,043,475 | Details |
| International Box Office | $34,255 | Details |
| Worldwide Box Office | $1,077,730 | |
| OpusData ID: 803370100 More info... | ||
| Further financial details... | ||
Synopsis
A group of recent grads head out on a late night drive for grub, hoping to enjoy one final hangout before their paths diverge. Instead, they accidentally turn onto a never-ending, two lane hellscape surrounded by untold horrors and cosmic forces beyond their understanding.
Metrics
| Opening Weekend: | $61,287 (5.9% of total gross) |
| Legs: | 1.45 (domestic box office/biggest weekend) |
| Domestic Share: | 96.8% (domestic box office/worldwide) |
| Production Budget: | $80,000 (worldwide box office is 13.5 times production budget) |
| Theater counts: | 5 opening theaters/340 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,043,475 |
Movie Details
| Domestic Releases: | August 21st, 2026 (Limited) by Neon |
| International Releases: | September 3rd, 2026 (Wide) (Australia)
September 3rd, 2026 (Limited) (Egypt) October 8th, 2026 (Limited), released as It Ends (Всё закончится) (Russia (CIS)) October 15th, 2026 (Wide), released as El Final (Mexico) October 28th, 2026 (Limited) (Italy) ... Show all releases |
| Video Release: | September 15th, 2026 by Neon |
| MPA Rating: | R for pervasive language. (Rating bulletin 2944 (cert #56098), 7/8/2026) |
| Running Time: | 87 minutes |
| Cast, crew, or production detail: | One Location |
| Plot point: | Trapped |
| Social setting: | Surrealism / Absurdism |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Neon Films, Growing Up Dead, Snoot Entertainment, Above .330 |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 2026 | - | $61,287 | 5 | $12,257 | $61,287 | 1 | |
| Aug 28, 2026 | - | $719,690 | +1,074% | 340 | $2,117 | $809,235 | 2 |
| Sep 4, 2026 | - | $58,388 | -92% | 124 | $471 | $1,028,586 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 21, 2026 | - | $25,034 | 5 | $5,007 | $25,034 | 1 | ||
| Aug 22, 2026 | - | $20,478 | -18% | 5 | $4,096 | $45,512 | 2 | |
| Aug 23, 2026 | - | $15,775 | -23% | 5 | $3,155 | $61,287 | 3 | |
| Aug 24, 2026 | - | $6,626 | -58% | 5 | $1,325 | $67,913 | 4 | |
| Aug 25, 2026 | - | $8,613 | +30% | 5 | $1,723 | $76,526 | 5 | |
| Aug 26, 2026 | - | $10,250 | +19% | 5 | $2,050 | $86,776 | 6 | |
| Aug 27, 2026 | - | $2,770 | -73% | 5 | $554 | $89,545 | 7 | |
| Aug 28, 2026 | - | $547,244 | +19,656% | +2,086% | 340 | $1,610 | $636,789 | 8 |
| Aug 29, 2026 | - | $95,708 | -83% | +367% | 340 | $281 | $732,497 | 9 |
| Aug 30, 2026 | - | $76,738 | -20% | +386% | 340 | $226 | $809,235 | 10 |
| Aug 31, 2026 | - | $42,206 | -45% | +537% | 340 | $124 | $851,441 | 11 |
| Sep 1, 2026 | - | $52,757 | +25% | +513% | 340 | $155 | $904,198 | 12 |
| Sep 2, 2026 | - | $47,482 | -10% | +363% | 340 | $140 | $951,680 | 13 |
| Sep 3, 2026 | - | $18,518 | -61% | +569% | 340 | $54 | $970,198 | 14 |
| Sep 4, 2026 | - | $16,212 | -12% | -97% | 124 | $131 | $986,410 | 15 |
| Sep 5, 2026 | - | $19,617 | +21% | -80% | 124 | $158 | $1,006,027 | 16 |
| Sep 6, 2026 | - | $22,559 | +15% | -71% | 124 | $182 | $1,028,586 | 17 |
| Sep 7, 2026 | - | $14,889 | -34% | -65% | 124 | $120 | $1,043,475 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 2026 | - | $89,546 | 5 | $17,909 | $89,545 | 1 | |
| Aug 28, 2026 | 16 | $880,653 | +883% | 340 | $2,590 | $970,198 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/3/2026 | $9,798 | 10 | 10 | 0 | $33,024 | 10/5/2026 | |||
| Egypt | 9/3/2026 | $0 | 0 | 0 | 0 | $1,231 | 9/11/2026 | |||
| International Total | $34,255 | 10/5/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Mitchell Cole | Tyler | |
| Phinehas Yoon | James | |
| Akira Jackson | Day | |
| Noah Toth | Fisher |
Supporting
| Ian Weir | Lost Man | |
| Jenny Doyle | Fisher’s Mom | |
| Jon Linstad | Interrogated Man | |
| Alex Ullom | New Passenger |
Production and Technical Credits
| Alex Ullom | Director | |
| Alex Ullom | Screenwriter | |
| Carrie Carusone | Producer | |
| Evan Barber | Producer | |
| Andrew Mayne | Executive Producer | |
| Ben Mekler | Executive Producer | |
| Carson Tappan | Executive Producer | |
| Christopher Amick | Executive Producer | |
| Elle León Nostas | Executive Producer | |
| Jessica Wu | Executive Producer | |
| Keith Calder | Executive Producer | |
| Roshni Rush Bhatia | Executive Producer | |
| Ryan Keely | Executive Producer | |
| Evan Draper | Director of Photography | |
| Jazleana Jones | Director of Photography | |
| Carrie Carusone | Production Designer | |
| Alex Ullom | Editor | |
| Brittany Douziech | Music Supervisor | |
| Matthew Robert Cooper | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A group of recent grads head out on a late night drive for grub, hoping to enjoy one final hangout before their paths diverge. Instead, they accidentally turn onto a never-ending, two lane hellscape surrounded by untold horrors and cosmic forces beyond their understanding.
Metrics
| Opening Weekend: | $61,287 (5.9% of total gross) |
| Legs: | 1.45 (domestic box office/biggest weekend) |
| Domestic Share: | 96.8% (domestic box office/worldwide) |
| Production Budget: | $80,000 (worldwide box office is 13.5 times production budget) |
| Theater counts: | 5 opening theaters/340 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,043,475 |
Movie Details
| Domestic Releases: | August 21st, 2026 (Limited) by Neon |
| International Releases: | September 3rd, 2026 (Wide) (Australia)
September 3rd, 2026 (Limited) (Egypt) October 8th, 2026 (Limited), released as It Ends (Всё закончится) (Russia (CIS)) October 15th, 2026 (Wide), released as El Final (Mexico) October 28th, 2026 (Limited) (Italy) ... Show all releases |
| Video Release: | September 15th, 2026 by Neon |
| MPA Rating: | R for pervasive language. (Rating bulletin 2944 (cert #56098), 7/8/2026) |
| Running Time: | 87 minutes |
| Cast, crew, or production detail: | One Location |
| Plot point: | Trapped |
| Social setting: | Surrealism / Absurdism |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Neon Films, Growing Up Dead, Snoot Entertainment, Above .330 |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 2026 | - | $61,287 | 5 | $12,257 | $61,287 | 1 | |
| Aug 28, 2026 | - | $719,690 | +1,074% | 340 | $2,117 | $809,235 | 2 |
| Sep 4, 2026 | - | $58,388 | -92% | 124 | $471 | $1,028,586 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 21, 2026 | - | $25,034 | 5 | $5,007 | $25,034 | 1 | ||
| Aug 22, 2026 | - | $20,478 | -18% | 5 | $4,096 | $45,512 | 2 | |
| Aug 23, 2026 | - | $15,775 | -23% | 5 | $3,155 | $61,287 | 3 | |
| Aug 24, 2026 | - | $6,626 | -58% | 5 | $1,325 | $67,913 | 4 | |
| Aug 25, 2026 | - | $8,613 | +30% | 5 | $1,723 | $76,526 | 5 | |
| Aug 26, 2026 | - | $10,250 | +19% | 5 | $2,050 | $86,776 | 6 | |
| Aug 27, 2026 | - | $2,770 | -73% | 5 | $554 | $89,545 | 7 | |
| Aug 28, 2026 | - | $547,244 | +19,656% | +2,086% | 340 | $1,610 | $636,789 | 8 |
| Aug 29, 2026 | - | $95,708 | -83% | +367% | 340 | $281 | $732,497 | 9 |
| Aug 30, 2026 | - | $76,738 | -20% | +386% | 340 | $226 | $809,235 | 10 |
| Aug 31, 2026 | - | $42,206 | -45% | +537% | 340 | $124 | $851,441 | 11 |
| Sep 1, 2026 | - | $52,757 | +25% | +513% | 340 | $155 | $904,198 | 12 |
| Sep 2, 2026 | - | $47,482 | -10% | +363% | 340 | $140 | $951,680 | 13 |
| Sep 3, 2026 | - | $18,518 | -61% | +569% | 340 | $54 | $970,198 | 14 |
| Sep 4, 2026 | - | $16,212 | -12% | -97% | 124 | $131 | $986,410 | 15 |
| Sep 5, 2026 | - | $19,617 | +21% | -80% | 124 | $158 | $1,006,027 | 16 |
| Sep 6, 2026 | - | $22,559 | +15% | -71% | 124 | $182 | $1,028,586 | 17 |
| Sep 7, 2026 | - | $14,889 | -34% | -65% | 124 | $120 | $1,043,475 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 21, 2026 | - | $89,546 | 5 | $17,909 | $89,545 | 1 | |
| Aug 28, 2026 | 16 | $880,653 | +883% | 340 | $2,590 | $970,198 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/3/2026 | $9,798 | 10 | 10 | 0 | $33,024 | 10/5/2026 | |||
| Egypt | 9/3/2026 | $0 | 0 | 0 | 0 | $1,231 | 9/11/2026 | |||
| International Total | $34,255 | 10/5/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Mitchell Cole | Tyler | |
| Phinehas Yoon | James | |
| Akira Jackson | Day | |
| Noah Toth | Fisher |
Supporting
| Ian Weir | Lost Man | |
| Jenny Doyle | Fisher’s Mom | |
| Jon Linstad | Interrogated Man | |
| Alex Ullom | New Passenger |
Production and Technical Credits
| Alex Ullom | Director | |
| Alex Ullom | Screenwriter | |
| Carrie Carusone | Producer | |
| Evan Barber | Producer | |
| Andrew Mayne | Executive Producer | |
| Ben Mekler | Executive Producer | |
| Carson Tappan | Executive Producer | |
| Christopher Amick | Executive Producer | |
| Elle León Nostas | Executive Producer | |
| Jessica Wu | Executive Producer | |
| Keith Calder | Executive Producer | |
| Roshni Rush Bhatia | Executive Producer | |
| Ryan Keely | Executive Producer | |
| Evan Draper | Director of Photography | |
| Jazleana Jones | Director of Photography | |
| Carrie Carusone | Production Designer | |
| Alex Ullom | Editor | |
| Brittany Douziech | Music Supervisor | |
| Matthew Robert Cooper | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.