It’s A Wonderful Knife (2023)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $811,818 | Details |
| International Box Office | $308,952 | Details |
| Worldwide Box Office | $1,120,770 | |
| OpusData ID: 633910100 More info... | ||
| Further financial details... | ||
Synopsis
A year after saving her town from a psychotic killer, Winnie Carruthers finds herself in a nightmare parallel universe where without her, things are much, much worse.
Metrics
| Opening Weekend: | $598,826 (73.8% of total gross) |
| Legs: | 1.36 (domestic box office/biggest weekend) |
| Domestic Share: | 72.4% (domestic box office/worldwide) |
| Theater counts: | 923 opening theaters/923 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $887,504 |
Movie Details
| Domestic Releases: | November 10th, 2023 (Wide) by RLJ Entertainment |
| International Releases: | November 23rd, 2023 (Limited) (Germany)
December 20th, 2023 (Limited) (Belgium) December 21st, 2023 (Limited), released as It’s A Wonderful Knife (РЕЗНЯ ПЕРЕД РОЖДЕСТВОМ) (Russia (CIS)) December 21st, 2023 (Limited), released as Um Conto Fatal (Portugal) ... Show all releases |
| Video Release: | December 1st, 2023 by Shudder |
| MPA Rating: | R for bloody violence, drug use and language. (Rating bulletin 2805 (cert #54690), 10/18/2023) |
| Running Time: | 87 minutes |
| Plot point: | Alternative Dimensions / Parallel universe, Serial Killer, Spoof, Wish Granters |
| Release detail: | Christmas in November |
| Social setting: | Christmas |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Divide/Conquer, Fourth Culture Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 10, 2023 | 14 | $598,826 | 923 | $649 | $598,826 | 1 | |
| Nov 17, 2023 | - | $22,435 | -96% | 241 | $93 | $799,090 | 2 |
| Nov 24, 2023 | - | $2,269 | -90% | 5 | $454 | $811,307 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Nov 10, 2023 | 11 | $334,623 | 923 | $363 | $334,623 | 1 | |
| Nov 11, 2023 | - | $165,091 | -51% | 923 | $179 | $499,714 | 2 |
| Nov 12, 2023 | - | $99,112 | -40% | 923 | $107 | $598,826 | 3 |
| Nov 13, 2023 | - | $50,296 | -49% | 923 | $54 | $649,122 | 4 |
| Nov 14, 2023 | - | $62,034 | +23% | 923 | $67 | $711,156 | 5 |
| Nov 15, 2023 | - | $47,504 | -23% | 923 | $51 | $758,660 | 6 |
| Nov 16, 2023 | - | $17,995 | -62% | 923 | $19 | $776,655 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 10, 2023 | 13 | $776,655 | 923 | $841 | $776,655 | 1 | |
| Nov 17, 2023 | 27 | $32,383 | -96% | 241 | $134 | $809,038 | 2 |
| Nov 24, 2023 | 39 | $2,780 | -91% | 5 | $556 | $811,818 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 12/21/2023 | $4,717 | 23 | 23 | 35 | $13,038 | 1/7/2024 | |||
| Russia (CIS) | 12/21/2023 | $95,791 | 509 | 509 | 1,106 | $295,914 | 1/11/2024 | |||
| International Total | $308,952 | 1/11/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jane Widdop | ||
| Justin Long | ||
| Joel McHale |
Production and Technical Credits
| Tyler MacIntyre | Director | |
| Michael Kennedy | Screenwriter | |
| Seth Caplan | Producer | |
| Michael Kennedy | Producer | |
| Daniel Bekerman | Producer | |
| Greg Gilreath | Producer | |
| Adam Hendricks | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A year after saving her town from a psychotic killer, Winnie Carruthers finds herself in a nightmare parallel universe where without her, things are much, much worse.
Metrics
| Opening Weekend: | $598,826 (73.8% of total gross) |
| Legs: | 1.36 (domestic box office/biggest weekend) |
| Domestic Share: | 72.4% (domestic box office/worldwide) |
| Theater counts: | 923 opening theaters/923 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $887,504 |
Movie Details
| Domestic Releases: | November 10th, 2023 (Wide) by RLJ Entertainment |
| International Releases: | November 23rd, 2023 (Limited) (Germany)
December 20th, 2023 (Limited) (Belgium) December 21st, 2023 (Limited), released as It’s A Wonderful Knife (РЕЗНЯ ПЕРЕД РОЖДЕСТВОМ) (Russia (CIS)) December 21st, 2023 (Limited), released as Um Conto Fatal (Portugal) ... Show all releases |
| Video Release: | December 1st, 2023 by Shudder |
| MPA Rating: | R for bloody violence, drug use and language. (Rating bulletin 2805 (cert #54690), 10/18/2023) |
| Running Time: | 87 minutes |
| Plot point: | Alternative Dimensions / Parallel universe, Serial Killer, Spoof, Wish Granters |
| Release detail: | Christmas in November |
| Social setting: | Christmas |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Divide/Conquer, Fourth Culture Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 10, 2023 | 14 | $598,826 | 923 | $649 | $598,826 | 1 | |
| Nov 17, 2023 | - | $22,435 | -96% | 241 | $93 | $799,090 | 2 |
| Nov 24, 2023 | - | $2,269 | -90% | 5 | $454 | $811,307 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Nov 10, 2023 | 11 | $334,623 | 923 | $363 | $334,623 | 1 | |
| Nov 11, 2023 | - | $165,091 | -51% | 923 | $179 | $499,714 | 2 |
| Nov 12, 2023 | - | $99,112 | -40% | 923 | $107 | $598,826 | 3 |
| Nov 13, 2023 | - | $50,296 | -49% | 923 | $54 | $649,122 | 4 |
| Nov 14, 2023 | - | $62,034 | +23% | 923 | $67 | $711,156 | 5 |
| Nov 15, 2023 | - | $47,504 | -23% | 923 | $51 | $758,660 | 6 |
| Nov 16, 2023 | - | $17,995 | -62% | 923 | $19 | $776,655 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 10, 2023 | 13 | $776,655 | 923 | $841 | $776,655 | 1 | |
| Nov 17, 2023 | 27 | $32,383 | -96% | 241 | $134 | $809,038 | 2 |
| Nov 24, 2023 | 39 | $2,780 | -91% | 5 | $556 | $811,818 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 12/21/2023 | $4,717 | 23 | 23 | 35 | $13,038 | 1/7/2024 | |||
| Russia (CIS) | 12/21/2023 | $95,791 | 509 | 509 | 1,106 | $295,914 | 1/11/2024 | |||
| International Total | $308,952 | 1/11/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jane Widdop | ||
| Justin Long | ||
| Joel McHale |
Production and Technical Credits
| Tyler MacIntyre | Director | |
| Michael Kennedy | Screenwriter | |
| Seth Caplan | Producer | |
| Michael Kennedy | Producer | |
| Daniel Bekerman | Producer | |
| Greg Gilreath | Producer | |
| Adam Hendricks | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.