Jane Got a Gun (2015)
| Theatrical Performance | ||
| Domestic Box Office | $1,513,793 | Details |
| International Box Office | $2,257,552 | Details |
| Worldwide Box Office | $3,771,345 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,285,113 | |
| Blu-ray Sales (estimated) | $534,387 | |
| Total | $1,819,500 | |
| OpusData ID: 200410100 More info... | ||
| Further financial details... | ||
Synopsis
Jane Hammond has built a life on the rugged western plains with her husband Bill “Ham” Hammond and young daughter. When Ham stumbles home riddled with bullets after a run-in with the relentless John Bishop and his gang, she knows they will not stop until her family is dead. In desperation, Jane turns to Dan Frost, a man from her past, for help. Haunted by old memories, Jane’s past meets the present in a battle for survival.
Metrics
| Opening Weekend: | $835,572 (55.2% of total gross) |
| Legs: | 1.81 (domestic box office/biggest weekend) |
| Domestic Share: | 40.1% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 1,210 opening theaters/1,210 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,093,060 |
Movie Details
| Domestic Releases: | January 29th, 2016 (Wide) by Weinstein Co. |
| International Releases: | December 31st, 2015 (Wide) (Germany)
January 27th, 2016 (Wide) (France) February 4th, 2016 (Wide) (Oman) February 4th, 2016 (Wide) (United Arab Emirates) February 10th, 2016 (Wide) (Philippines) ... Show all releases |
| Video Release: | April 15th, 2016 by Anchor Bay Home Entertainment |
| MPA Rating: | R for violence and some language. (Rating bulletin 2405 (Cert #49540), 12/23/2015) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Gangs, Relationships Gone Wrong |
| Release detail: | Delayed Release |
| Subgenre: | Western Drama |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Boies/Schiller, 1821 Pictures, Handsomecharlie Films, Stone Village, Weathervane Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 17 | $835,572 | 1,210 | $691 | $835,572 | 1 | |
| Feb 5, 2016 | 35 | $137,523 | -84% | 1,031 | $133 | $1,397,284 | 2 |
| Feb 12, 2016 | 76 | $2,740 | -98% | 8 | $343 | $1,510,133 | 3 |
| Feb 19, 2016 | 90 | $1,012 | -63% | 6 | $169 | $1,512,815 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 15 | $276,458 | 1,210 | $228 | $276,458 | 1 | ||
| Jan 30, 2016 | - | $328,657 | +19% | 1,210 | $272 | $605,115 | 2 | |
| Jan 31, 2016 | - | $230,457 | -30% | 1,210 | $190 | $835,572 | 3 | |
| Feb 1, 2016 | 15 | $102,949 | -55% | 1,210 | $85 | $938,521 | 4 | |
| Feb 2, 2016 | 15 | $137,510 | +34% | 1,210 | $114 | $1,076,031 | 5 | |
| Feb 3, 2016 | 15 | $102,641 | -25% | 1,210 | $85 | $1,178,672 | 6 | |
| Feb 4, 2016 | 15 | $81,089 | -21% | 1,210 | $67 | $1,259,761 | 7 | |
| Feb 5, 2016 | - | $45,436 | -44% | -84% | 1,031 | $44 | $1,305,197 | 8 |
| Feb 6, 2016 | - | $61,333 | +35% | -81% | 1,031 | $59 | $1,366,530 | 9 |
| Feb 7, 2016 | - | $30,754 | -50% | -87% | 1,031 | $30 | $1,397,284 | 10 |
| Feb 8, 2016 | - | $25,465 | -17% | -75% | 1,031 | $25 | $1,422,749 | 11 |
| Feb 9, 2016 | - | $35,397 | +39% | -74% | 1,031 | $34 | $1,458,146 | 12 |
| Feb 10, 2016 | - | $26,828 | -24% | -74% | 1,031 | $26 | $1,484,974 | 13 |
| Feb 11, 2016 | - | $22,419 | -16% | -72% | 1,031 | $22 | $1,507,393 | 14 |
| Feb 12, 2016 | - | $567 | -97% | -99% | 8 | $71 | $1,507,960 | 15 |
| Feb 13, 2016 | - | $1,008 | +78% | -98% | 8 | $126 | $1,508,968 | 16 |
| Feb 14, 2016 | - | $1,165 | +16% | -96% | 8 | $146 | $1,510,133 | 17 |
| Feb 15, 2016 | - | $343 | -71% | -99% | 8 | $43 | $1,510,476 | 18 |
| Feb 16, 2016 | - | $404 | +18% | -99% | 8 | $51 | $1,510,880 | 19 |
| Feb 17, 2016 | - | $552 | +37% | -98% | 8 | $69 | $1,511,432 | 20 |
| Feb 18, 2016 | - | $371 | -33% | -98% | 8 | $46 | $1,511,803 | 21 |
| Feb 19, 2016 | - | $218 | -41% | -62% | 6 | $36 | $1,512,021 | 22 |
| Feb 20, 2016 | - | $471 | +116% | -53% | 6 | $79 | $1,512,492 | 23 |
| Feb 21, 2016 | - | $323 | -31% | -72% | 6 | $54 | $1,512,815 | 24 |
| Feb 22, 2016 | - | $190 | -41% | -45% | 6 | $32 | $1,513,005 | 25 |
| Feb 23, 2016 | - | $276 | +45% | -32% | 6 | $46 | $1,513,281 | 26 |
| Feb 24, 2016 | - | $305 | +11% | -45% | 6 | $51 | $1,513,586 | 27 |
| Feb 25, 2016 | - | $207 | -32% | -44% | 6 | $35 | $1,513,793 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 16 | $1,259,761 | 1,210 | $1,041 | $1,259,761 | 1 | |
| Feb 5, 2016 | 30 | $247,632 | -80% | 1,031 | $240 | $1,507,393 | 2 |
| Feb 12, 2016 | 78 | $4,410 | -98% | 8 | $551 | $1,511,803 | 3 |
| Feb 19, 2016 | 91 | $1,990 | -55% | 6 | $332 | $1,513,793 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 2/24/2016 | $15,759 | 10 | 10 | 10 | $15,880 | 6/9/2016 | |||
| France | 1/27/2016 | $632,836 | 301 | 301 | 602 | $1,027,749 | 6/9/2016 | |||
| Germany | 12/31/2015 | $46,482 | 78 | 78 | 129 | $79,615 | 6/9/2016 | |||
| Iraq | 2/11/2016 | $1,390 | 2 | 2 | 2 | $1,390 | 12/31/2018 | |||
| Oman | 2/4/2016 | $4,607 | 5 | 5 | 5 | $4,607 | 12/31/2018 | |||
| Philippines | 2/10/2016 | $3,028 | 15 | 15 | 15 | $3,028 | 12/31/2018 | |||
| Portugal | 10/14/2016 | $8,786 | 15 | 15 | 28 | $14,459 | 10/27/2016 | |||
| Russia (CIS) | 3/17/2016 | $73,599 | 430 | 430 | 430 | $108,868 | 12/31/2018 | |||
| Singapore | 2/18/2016 | $2,170 | 3 | 3 | 4 | $3,724 | 6/9/2016 | |||
| Spain | 5/6/2016 | $70,765 | 113 | 113 | 181 | $132,138 | 6/9/2016 | |||
| Thailand | 3/17/2016 | $20,286 | 62 | 62 | 67 | $29,241 | 6/9/2016 | |||
| Ukraine | 3/17/2016 | $8,060 | 58 | 58 | 91 | $11,822 | 12/31/2018 | |||
| United Arab Emirates | 2/4/2016 | $23,540 | 17 | 17 | 17 | $23,540 | 12/31/2018 | |||
| United Kingdom | 4/22/2016 | $45,255 | 119 | 119 | 119 | $45,255 | 6/9/2016 | |||
| Rest of World | $756,236 | |||||||||
| International Total | $2,257,552 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Natalie Portman | Jane Hammond | |
| Joel Edgerton | Dan Frost | |
| Ewan McGregor | Colin McCann | |
| Noah Emmerich | Bill Hammond |
Supporting
| Rodrigo Santoro | Fitchum | |
| Boyd Holbrook | Vic | |
| Alex Manette | Buck | |
| Todd Stashwick | O'Dowd | |
| James Burnett | Cunny Charlie | |
| Sam Quinn | Slow Jeremiah | |
| River Shields | Kid | |
| Chad Brummett | Theodore | |
| Boots Southerland | Marshal | |
| Cunny Charlie | James Burnett |
Production and Technical Credits
| Gavin O’Connor | Director | |
| Gavin O’Connor | Screenwriter | |
| Anthony Tambakis | Screenwriter | |
| Joel Edgerton | Screenwriter | |
| Brian Duffield | Screenwriter | |
| Brian Duffield | Story by | |
| Natalie Portman | Producer | |
| Terry Douglas | Producer | |
| Scott Steindorff | Producer | |
| Mary Regency Boies | Producer | |
| Scott LaStaiti | Producer | |
| Aleen Keshishian | Producer | |
| David Boies | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Ryan Kavanaugh | Executive Producer | |
| Tucker Tooley | Executive Producer | |
| Dylan Russell | Executive Producer | |
| Chris Coen | Executive Producer | |
| Paris Latsis | Executive Producer | |
| Jason Rose | Executive Producer | |
| Ron Burkle | Co-Executive Producer | |
| Jason Colbeck | Co-Executive Producer | |
| Ross Marroso | Co-Executive Producer | |
| Ben McConley | Co-Executive Producer | |
| Jason Van Eman | Co-Executive Producer | |
| Mandy Walker | Director of Photography | |
| Tim Grimes | Production Designer | |
| Jim Oberlander* | Production Designer | |
| Alan Cody | Editor | |
| Catherine George | Costume Designer | |
| Terry Anderson | Costume Designer | |
| Lisa Gerrard | Composer | |
| Marcello De Francisci | Composer | |
| Billy Hopkins | Casting Director | |
| Jo Edna Boldin | Casting Director | |
| Laray Mayfield | Casting Director | |
| Marisa Polvino | Co-Producer | |
| Kate Cohen | Co-Producer | |
| Alton Walpole | Unit Production Manager | |
| Al Goto | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Jane Hammond has built a life on the rugged western plains with her husband Bill “Ham” Hammond and young daughter. When Ham stumbles home riddled with bullets after a run-in with the relentless John Bishop and his gang, she knows they will not stop until her family is dead. In desperation, Jane turns to Dan Frost, a man from her past, for help. Haunted by old memories, Jane’s past meets the present in a battle for survival.
Metrics
| Opening Weekend: | $835,572 (55.2% of total gross) |
| Legs: | 1.81 (domestic box office/biggest weekend) |
| Domestic Share: | 40.1% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 1,210 opening theaters/1,210 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,093,060 |
Movie Details
| Domestic Releases: | January 29th, 2016 (Wide) by Weinstein Co. |
| International Releases: | December 31st, 2015 (Wide) (Germany)
January 27th, 2016 (Wide) (France) February 4th, 2016 (Wide) (Oman) February 4th, 2016 (Wide) (United Arab Emirates) February 10th, 2016 (Wide) (Philippines) ... Show all releases |
| Video Release: | April 15th, 2016 by Anchor Bay Home Entertainment |
| MPA Rating: | R for violence and some language. (Rating bulletin 2405 (Cert #49540), 12/23/2015) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Gangs, Relationships Gone Wrong |
| Release detail: | Delayed Release |
| Subgenre: | Western Drama |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Boies/Schiller, 1821 Pictures, Handsomecharlie Films, Stone Village, Weathervane Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 17 | $835,572 | 1,210 | $691 | $835,572 | 1 | |
| Feb 5, 2016 | 35 | $137,523 | -84% | 1,031 | $133 | $1,397,284 | 2 |
| Feb 12, 2016 | 76 | $2,740 | -98% | 8 | $343 | $1,510,133 | 3 |
| Feb 19, 2016 | 90 | $1,012 | -63% | 6 | $169 | $1,512,815 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 15 | $276,458 | 1,210 | $228 | $276,458 | 1 | ||
| Jan 30, 2016 | - | $328,657 | +19% | 1,210 | $272 | $605,115 | 2 | |
| Jan 31, 2016 | - | $230,457 | -30% | 1,210 | $190 | $835,572 | 3 | |
| Feb 1, 2016 | 15 | $102,949 | -55% | 1,210 | $85 | $938,521 | 4 | |
| Feb 2, 2016 | 15 | $137,510 | +34% | 1,210 | $114 | $1,076,031 | 5 | |
| Feb 3, 2016 | 15 | $102,641 | -25% | 1,210 | $85 | $1,178,672 | 6 | |
| Feb 4, 2016 | 15 | $81,089 | -21% | 1,210 | $67 | $1,259,761 | 7 | |
| Feb 5, 2016 | - | $45,436 | -44% | -84% | 1,031 | $44 | $1,305,197 | 8 |
| Feb 6, 2016 | - | $61,333 | +35% | -81% | 1,031 | $59 | $1,366,530 | 9 |
| Feb 7, 2016 | - | $30,754 | -50% | -87% | 1,031 | $30 | $1,397,284 | 10 |
| Feb 8, 2016 | - | $25,465 | -17% | -75% | 1,031 | $25 | $1,422,749 | 11 |
| Feb 9, 2016 | - | $35,397 | +39% | -74% | 1,031 | $34 | $1,458,146 | 12 |
| Feb 10, 2016 | - | $26,828 | -24% | -74% | 1,031 | $26 | $1,484,974 | 13 |
| Feb 11, 2016 | - | $22,419 | -16% | -72% | 1,031 | $22 | $1,507,393 | 14 |
| Feb 12, 2016 | - | $567 | -97% | -99% | 8 | $71 | $1,507,960 | 15 |
| Feb 13, 2016 | - | $1,008 | +78% | -98% | 8 | $126 | $1,508,968 | 16 |
| Feb 14, 2016 | - | $1,165 | +16% | -96% | 8 | $146 | $1,510,133 | 17 |
| Feb 15, 2016 | - | $343 | -71% | -99% | 8 | $43 | $1,510,476 | 18 |
| Feb 16, 2016 | - | $404 | +18% | -99% | 8 | $51 | $1,510,880 | 19 |
| Feb 17, 2016 | - | $552 | +37% | -98% | 8 | $69 | $1,511,432 | 20 |
| Feb 18, 2016 | - | $371 | -33% | -98% | 8 | $46 | $1,511,803 | 21 |
| Feb 19, 2016 | - | $218 | -41% | -62% | 6 | $36 | $1,512,021 | 22 |
| Feb 20, 2016 | - | $471 | +116% | -53% | 6 | $79 | $1,512,492 | 23 |
| Feb 21, 2016 | - | $323 | -31% | -72% | 6 | $54 | $1,512,815 | 24 |
| Feb 22, 2016 | - | $190 | -41% | -45% | 6 | $32 | $1,513,005 | 25 |
| Feb 23, 2016 | - | $276 | +45% | -32% | 6 | $46 | $1,513,281 | 26 |
| Feb 24, 2016 | - | $305 | +11% | -45% | 6 | $51 | $1,513,586 | 27 |
| Feb 25, 2016 | - | $207 | -32% | -44% | 6 | $35 | $1,513,793 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 16 | $1,259,761 | 1,210 | $1,041 | $1,259,761 | 1 | |
| Feb 5, 2016 | 30 | $247,632 | -80% | 1,031 | $240 | $1,507,393 | 2 |
| Feb 12, 2016 | 78 | $4,410 | -98% | 8 | $551 | $1,511,803 | 3 |
| Feb 19, 2016 | 91 | $1,990 | -55% | 6 | $332 | $1,513,793 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 2/24/2016 | $15,759 | 10 | 10 | 10 | $15,880 | 6/9/2016 | |||
| France | 1/27/2016 | $632,836 | 301 | 301 | 602 | $1,027,749 | 6/9/2016 | |||
| Germany | 12/31/2015 | $46,482 | 78 | 78 | 129 | $79,615 | 6/9/2016 | |||
| Iraq | 2/11/2016 | $1,390 | 2 | 2 | 2 | $1,390 | 12/31/2018 | |||
| Oman | 2/4/2016 | $4,607 | 5 | 5 | 5 | $4,607 | 12/31/2018 | |||
| Philippines | 2/10/2016 | $3,028 | 15 | 15 | 15 | $3,028 | 12/31/2018 | |||
| Portugal | 10/14/2016 | $8,786 | 15 | 15 | 28 | $14,459 | 10/27/2016 | |||
| Russia (CIS) | 3/17/2016 | $73,599 | 430 | 430 | 430 | $108,868 | 12/31/2018 | |||
| Singapore | 2/18/2016 | $2,170 | 3 | 3 | 4 | $3,724 | 6/9/2016 | |||
| Spain | 5/6/2016 | $70,765 | 113 | 113 | 181 | $132,138 | 6/9/2016 | |||
| Thailand | 3/17/2016 | $20,286 | 62 | 62 | 67 | $29,241 | 6/9/2016 | |||
| Ukraine | 3/17/2016 | $8,060 | 58 | 58 | 91 | $11,822 | 12/31/2018 | |||
| United Arab Emirates | 2/4/2016 | $23,540 | 17 | 17 | 17 | $23,540 | 12/31/2018 | |||
| United Kingdom | 4/22/2016 | $45,255 | 119 | 119 | 119 | $45,255 | 6/9/2016 | |||
| Rest of World | $756,236 | |||||||||
| International Total | $2,257,552 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Natalie Portman | Jane Hammond | |
| Joel Edgerton | Dan Frost | |
| Ewan McGregor | Colin McCann | |
| Noah Emmerich | Bill Hammond |
Supporting
| Rodrigo Santoro | Fitchum | |
| Boyd Holbrook | Vic | |
| Alex Manette | Buck | |
| Todd Stashwick | O'Dowd | |
| James Burnett | Cunny Charlie | |
| Sam Quinn | Slow Jeremiah | |
| River Shields | Kid | |
| Chad Brummett | Theodore | |
| Boots Southerland | Marshal | |
| Cunny Charlie | James Burnett |
Production and Technical Credits
| Gavin O’Connor | Director | |
| Gavin O’Connor | Screenwriter | |
| Anthony Tambakis | Screenwriter | |
| Joel Edgerton | Screenwriter | |
| Brian Duffield | Screenwriter | |
| Brian Duffield | Story by | |
| Natalie Portman | Producer | |
| Terry Douglas | Producer | |
| Scott Steindorff | Producer | |
| Mary Regency Boies | Producer | |
| Scott LaStaiti | Producer | |
| Aleen Keshishian | Producer | |
| David Boies | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Ryan Kavanaugh | Executive Producer | |
| Tucker Tooley | Executive Producer | |
| Dylan Russell | Executive Producer | |
| Chris Coen | Executive Producer | |
| Paris Latsis | Executive Producer | |
| Jason Rose | Executive Producer | |
| Ron Burkle | Co-Executive Producer | |
| Jason Colbeck | Co-Executive Producer | |
| Ross Marroso | Co-Executive Producer | |
| Ben McConley | Co-Executive Producer | |
| Jason Van Eman | Co-Executive Producer | |
| Mandy Walker | Director of Photography | |
| Tim Grimes | Production Designer | |
| Jim Oberlander* | Production Designer | |
| Alan Cody | Editor | |
| Catherine George | Costume Designer | |
| Terry Anderson | Costume Designer | |
| Lisa Gerrard | Composer | |
| Marcello De Francisci | Composer | |
| Billy Hopkins | Casting Director | |
| Jo Edna Boldin | Casting Director | |
| Laray Mayfield | Casting Director | |
| Marisa Polvino | Co-Producer | |
| Kate Cohen | Co-Producer | |
| Alton Walpole | Unit Production Manager | |
| Al Goto | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.