Jay Myself (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $151,331 | Details |
| OpusData ID: 377510100 More info... | ||
| Further financial details... | ||
Synopsis
A documentary feature about renowned photographer and artist, Jay Maisel, who, in February 2015 after 48 years, begrudgingly sold his home; the 35,000 square‐foot, 100‐year‐old landmark building in Manhattan known simply as “The Bank.” The film documents Jay’s monumental move through the eyes of filmmaker and Jay’s protege, noted artist and photographer Stephen Wilkes. It is through this inmate lens that the viewer is taken on a remarkable journey through Jay’s life as an artist, mentor and man; a man grappling with me, life, change, and the end of an era in New York City.
Metrics
| Opening Weekend: | $18,909 (12.5% of total gross) |
| Legs: | 8.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/17 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $197,591 |
Movie Details
| Domestic Releases: | July 31st, 2019 (Limited) by Oscilloscope Pictures |
| MPA Rating: | Not Rated |
| Running Time: | 76 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Mind Hive Films, Crooked Mile Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 2, 2019 | 45 | $18,909 | 1 | $18,909 | $27,571 | 1 | |
| Aug 9, 2019 | 54 | $10,828 | -43% | 1 | $10,828 | $48,813 | 2 |
| Aug 16, 2019 | 57 | $11,512 | +6% | 2 | $5,756 | $69,541 | 3 |
| Aug 23, 2019 | 58 | $10,850 | -6% | 9 | $1,206 | $85,530 | 4 |
| Aug 30, 2019 | 62 | $14,730 | +36% | 16 | $921 | $105,979 | 5 |
| Sep 6, 2019 | 62 | $7,430 | -50% | 14 | $531 | $123,913 | 6 |
| Sep 13, 2019 | 78 | $3,115 | -58% | 7 | $445 | $131,818 | 7 |
| Sep 20, 2019 | 86 | $1,340 | -57% | 2 | $670 | $135,468 | 8 |
| Oct 4, 2019 | 85 | $691 | 2 | $346 | $139,792 | 10 | |
| Oct 25, 2019 | 59 | $6,038 | 2 | $3,019 | $146,493 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2019 | 51 | $8,662 | 1 | $8,662 | $8,662 | 1 | |
| Aug 2, 2019 | 45 | $29,323 | +239% | 1 | $29,323 | $37,985 | 2 |
| Aug 9, 2019 | 54 | $20,044 | -32% | 1 | $20,044 | $58,029 | 3 |
| Aug 16, 2019 | 57 | $16,651 | -17% | 2 | $8,326 | $74,680 | 4 |
| Aug 23, 2019 | 58 | $16,569 | n/c | 10 | $1,657 | $91,249 | 5 |
| Aug 30, 2019 | 62 | $25,234 | +52% | 17 | $1,484 | $116,483 | 6 |
| Sep 6, 2019 | 61 | $12,220 | -52% | 15 | $815 | $128,703 | 7 |
| Sep 13, 2019 | 78 | $5,425 | -56% | 10 | $543 | $134,128 | 8 |
| Sep 20, 2019 | 83 | $2,578 | -52% | 3 | $859 | $136,706 | 9 |
| Sep 27, 2019 | 90 | $2,395 | -7% | 6 | $399 | $139,101 | 10 |
| Oct 4, 2019 | 86 | $1,354 | -43% | 2 | $677 | $140,455 | 11 |
| Oct 25, 2019 | 59 | $9,655 | 2 | $4,828 | $150,110 | 14 | |
| Nov 1, 2019 | 83 | $1,221 | -87% | 3 | $407 | $151,331 | 15 |
Documentary Subject
| Jay Maisel | Himself |
Production and Technical Credits
| Stephen Wilkes | Director | |
| Bette Wilkes | Producer | |
| Henry Jacobson | Producer | |
| Emma Tammi | Producer | |
| Josh Alexander | Screenwriter | |
| Stephen Wilkes | Executive Producer | |
| Michael Hirschmann | Executive Producer | |
| Jennie Wilkes | Executive Producer | |
| Doug Blush | Executive Producer | |
| Joel Goodman | Composer | |
| Armando Croda | Editor | |
| Daniel Haworth | Additional Editor | |
| Jason Greene | Cinematographer | |
| Stephen Wilkes | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A documentary feature about renowned photographer and artist, Jay Maisel, who, in February 2015 after 48 years, begrudgingly sold his home; the 35,000 square‐foot, 100‐year‐old landmark building in Manhattan known simply as “The Bank.” The film documents Jay’s monumental move through the eyes of filmmaker and Jay’s protege, noted artist and photographer Stephen Wilkes. It is through this inmate lens that the viewer is taken on a remarkable journey through Jay’s life as an artist, mentor and man; a man grappling with me, life, change, and the end of an era in New York City.
Metrics
| Opening Weekend: | $18,909 (12.5% of total gross) |
| Legs: | 8.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/17 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $197,591 |
Movie Details
| Domestic Releases: | July 31st, 2019 (Limited) by Oscilloscope Pictures |
| MPA Rating: | Not Rated |
| Running Time: | 76 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Mind Hive Films, Crooked Mile Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 2, 2019 | 45 | $18,909 | 1 | $18,909 | $27,571 | 1 | |
| Aug 9, 2019 | 54 | $10,828 | -43% | 1 | $10,828 | $48,813 | 2 |
| Aug 16, 2019 | 57 | $11,512 | +6% | 2 | $5,756 | $69,541 | 3 |
| Aug 23, 2019 | 58 | $10,850 | -6% | 9 | $1,206 | $85,530 | 4 |
| Aug 30, 2019 | 62 | $14,730 | +36% | 16 | $921 | $105,979 | 5 |
| Sep 6, 2019 | 62 | $7,430 | -50% | 14 | $531 | $123,913 | 6 |
| Sep 13, 2019 | 78 | $3,115 | -58% | 7 | $445 | $131,818 | 7 |
| Sep 20, 2019 | 86 | $1,340 | -57% | 2 | $670 | $135,468 | 8 |
| Oct 4, 2019 | 85 | $691 | 2 | $346 | $139,792 | 10 | |
| Oct 25, 2019 | 59 | $6,038 | 2 | $3,019 | $146,493 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2019 | 51 | $8,662 | 1 | $8,662 | $8,662 | 1 | |
| Aug 2, 2019 | 45 | $29,323 | +239% | 1 | $29,323 | $37,985 | 2 |
| Aug 9, 2019 | 54 | $20,044 | -32% | 1 | $20,044 | $58,029 | 3 |
| Aug 16, 2019 | 57 | $16,651 | -17% | 2 | $8,326 | $74,680 | 4 |
| Aug 23, 2019 | 58 | $16,569 | n/c | 10 | $1,657 | $91,249 | 5 |
| Aug 30, 2019 | 62 | $25,234 | +52% | 17 | $1,484 | $116,483 | 6 |
| Sep 6, 2019 | 61 | $12,220 | -52% | 15 | $815 | $128,703 | 7 |
| Sep 13, 2019 | 78 | $5,425 | -56% | 10 | $543 | $134,128 | 8 |
| Sep 20, 2019 | 83 | $2,578 | -52% | 3 | $859 | $136,706 | 9 |
| Sep 27, 2019 | 90 | $2,395 | -7% | 6 | $399 | $139,101 | 10 |
| Oct 4, 2019 | 86 | $1,354 | -43% | 2 | $677 | $140,455 | 11 |
| Oct 25, 2019 | 59 | $9,655 | 2 | $4,828 | $150,110 | 14 | |
| Nov 1, 2019 | 83 | $1,221 | -87% | 3 | $407 | $151,331 | 15 |
Documentary Subject
| Jay Maisel | Himself |
Production and Technical Credits
| Stephen Wilkes | Director | |
| Bette Wilkes | Producer | |
| Henry Jacobson | Producer | |
| Emma Tammi | Producer | |
| Josh Alexander | Screenwriter | |
| Stephen Wilkes | Executive Producer | |
| Michael Hirschmann | Executive Producer | |
| Jennie Wilkes | Executive Producer | |
| Doug Blush | Executive Producer | |
| Joel Goodman | Composer | |
| Armando Croda | Editor | |
| Daniel Haworth | Additional Editor | |
| Jason Greene | Cinematographer | |
| Stephen Wilkes | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.