Jerry Maguire (1996)
| Theatrical Performance | ||
| Domestic Box Office | $153,952,592 | Details |
| International Box Office | $119,600,000 | |
| Worldwide Box Office | $273,552,592 | |
| OpusData ID: 1770100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $17,084,296 (11.1% of total gross) |
| Legs: | 9.01 (domestic box office/biggest weekend) |
| Domestic Share: | 56.3% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 5.5 times production budget) |
| Theater counts: | 2,531 opening theaters/2,531 max. theaters, 14.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $387,245,284 |
Movie Details
| Domestic Releases: | December 13th, 1996 (Wide) by Sony Pictures April 10th, 2026 (Wide) by Sony Pictures (30th Anniversary) |
| Video Release: | May 29th, 1997 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language and sexuality |
| Running Time: | 135 minutes |
| Award nomination: | 1997 Oscars Best Picture Nominee |
| Plot point: | Fired, Football, Marriage of Convenience, Money Troubles, Relationships Gone Wrong, Romance, Sports Injury, Talent Agent, Underdog |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tri-Star Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 1996 | 1 | $17,084,296 | 2,531 | $6,750 | $17,084,296 | 1 | |
| Dec 20, 1996 | 2 | $13,125,660 | -23% | 2,531 | $5,186 | $36,287,093 | 2 |
| Dec 27, 1996 | 2 | $14,024,111 | +7% | 2,531 | $5,541 | $60,351,092 | 3 |
| Jan 3, 1997 | 2 | $12,030,145 | -14% | 2,531 | $4,753 | $83,006,355 | 4 |
| Jan 10, 1997 | 5 | $7,011,880 | -42% | 2,450 | $2,862 | $93,318,786 | 5 |
| Jan 17, 1997 | 5 | $7,515,771 | +7% | 2,286 | $3,288 | $102,837,983 | 6 |
| Jan 24, 1997 | 1 | $5,518,727 | -27% | 2,207 | $2,501 | $109,785,743 | 7 |
| Jan 31, 1997 | 2 | $5,183,347 | -6% | 2,140 | $2,422 | $116,588,785 | 8 |
| Feb 7, 1997 | 4 | $3,580,033 | -31% | 1,964 | $1,823 | $121,282,251 | 9 |
| Feb 14, 1997 | 7 | $5,205,845 | +45% | 1,730 | $3,009 | $127,708,151 | 10 |
| Feb 21, 1997 | 9 | $3,080,444 | -41% | 1,506 | $2,045 | $131,653,945 | 11 |
| Feb 28, 1997 | 11 | $2,581,293 | -16% | 1,353 | $1,908 | $135,106,602 | 12 |
| Mar 7, 1997 | 12 | $2,153,022 | -17% | 1,174 | $1,834 | $138,005,881 | 13 |
| Mar 14, 1997 | 14 | $1,878,030 | -13% | 977 | $1,922 | $140,629,285 | 14 |
| Mar 21, 1997 | 11 | $1,820,775 | -3% | 909 | $2,003 | $143,039,108 | 15 |
| Mar 28, 1997 | 13 | $1,647,901 | -9% | 830 | $1,985 | $145,443,291 | 16 |
| Apr 4, 1997 | 15 | $1,244,495 | -24% | 810 | $1,536 | $147,251,273 | 17 |
| Apr 11, 1997 | 17 | $702,018 | -44% | 710 | $989 | $148,244,457 | 18 |
| Apr 18, 1997 | 19 | $614,347 | -12% | 643 | $955 | $149,089,725 | 19 |
| Apr 25, 1997 | 20 | $416,929 | -32% | 579 | $720 | $149,721,931 | 20 |
| May 2, 1997 | 13 | $562,809 | +35% | 650 | $866 | $150,429,185 | 21 |
| May 9, 1997 | 16 | $289,900 | -48% | 412 | $704 | $150,850,000 | 22 |
| May 16, 1997 | 17 | $278,594 | -4% | 409 | $681 | $151,239,479 | 23 |
| May 23, 1997 | 18 | $505,238 | +81% | 406 | $1,244 | $151,829,539 | 24 |
| May 30, 1997 | 19 | $334,836 | -34% | 425 | $788 | $152,275,400 | 25 |
| Jun 6, 1997 | 21 | $305,552 | -9% | 408 | $749 | $152,720,926 | 26 |
| Jun 13, 1997 | 26 | $232,100 | -24% | 260 | $893 | $153,047,411 | 27 |
| Jun 20, 1997 | 30 | $142,450 | -39% | 175 | $814 | $153,361,413 | 28 |
| Jun 27, 1997 | 33 | $59,348 | -58% | 74 | $802 | $153,519,343 | 29 |
| Jul 4, 1997 | 34 | $51,530 | -13% | 66 | $781 | $153,620,822 | 30 |
| Apr 10, 2026 | - | $51,863 | 612 | $85 | $153,672,685 | 1,531 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 12, 2026 | - | $51,863 | 612 | $85 | $153,672,685 | 10,713 | ||
| Apr 14, 2026 | - | $36,739 | 612 | $60 | $153,709,424 | 10,715 | ||
| Apr 15, 2026 | - | $28,445 | -23% | 612 | $46 | $153,737,869 | 10,716 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 1996 | 1 | $23,161,433 | 2,531 | $9,151 | $23,161,433 | 1 | |
| Dec 20, 1996 | 2 | $23,165,548 | n/c | 2,531 | $9,153 | $46,326,981 | 2 |
| Dec 27, 1996 | 2 | $24,649,229 | +6% | 2,531 | $9,739 | $70,976,210 | 3 |
| Jan 3, 1997 | 1 | $15,330,696 | -38% | 2,531 | $6,057 | $86,306,906 | 4 |
| Jan 10, 1997 | 5 | $9,015,306 | -41% | 2,450 | $3,680 | $95,322,212 | 5 |
| Jan 17, 1997 | 5 | $8,944,804 | -1% | 2,286 | $3,913 | $104,267,016 | 6 |
| Jan 24, 1997 | 3 | $7,138,422 | -20% | 2,207 | $3,234 | $111,405,438 | 7 |
| Jan 31, 1997 | 2 | $6,296,780 | -12% | 2,140 | $2,942 | $117,702,218 | 8 |
| Feb 7, 1997 | 4 | $4,800,088 | -24% | 1,964 | $2,444 | $122,502,306 | 9 |
| Feb 14, 1997 | 7 | $6,071,195 | +26% | 1,730 | $3,509 | $128,573,501 | 10 |
| Feb 21, 1997 | 9 | $3,951,808 | -35% | 1,506 | $2,624 | $132,525,309 | 11 |
| Feb 28, 1997 | 11 | $3,327,550 | -16% | 1,353 | $2,459 | $135,852,859 | 12 |
| Mar 7, 1997 | 11 | $2,898,396 | -13% | 1,174 | $2,469 | $138,751,255 | 13 |
| Mar 14, 1997 | 14 | $2,467,078 | -15% | 977 | $2,525 | $141,218,333 | 14 |
| Mar 21, 1997 | 11 | $2,577,057 | +4% | 909 | $2,835 | $143,795,390 | 15 |
| Mar 28, 1997 | 13 | $2,211,388 | -14% | 830 | $2,664 | $146,006,778 | 16 |
| Apr 4, 1997 | 15 | $1,535,661 | -31% | 810 | $1,896 | $147,542,439 | 17 |
| Apr 11, 1997 | 17 | $932,939 | -39% | 710 | $1,314 | $148,475,378 | 18 |
| Apr 18, 1997 | 19 | $829,624 | -11% | 643 | $1,290 | $149,305,002 | 19 |
| Apr 25, 1997 | 20 | $561,374 | -32% | 579 | $970 | $149,866,376 | 20 |
| May 2, 1997 | 13 | $693,724 | +24% | 650 | $1,067 | $150,560,100 | 21 |
| May 9, 1997 | 16 | $400,785 | -42% | 412 | $973 | $150,960,885 | 22 |
| May 16, 1997 | 17 | $363,416 | -9% | 409 | $889 | $151,324,301 | 23 |
| May 23, 1997 | 18 | $616,263 | +70% | 406 | $1,518 | $151,940,564 | 24 |
| May 30, 1997 | 19 | $474,810 | -23% | 425 | $1,117 | $152,415,374 | 25 |
| Jun 6, 1997 | 22 | $399,937 | -16% | 408 | $980 | $152,815,311 | 26 |
| Jun 13, 1997 | 25 | $403,652 | +1% | 260 | $1,553 | $153,218,963 | 27 |
| Jun 20, 1997 | 29 | $241,032 | -40% | 175 | $1,377 | $153,459,995 | 28 |
| Jun 27, 1997 | 31 | $109,297 | -55% | 74 | $1,477 | $153,569,292 | 29 |
| Apr 10, 2026 | 18 | $117,047 | 612 | $191 | $153,737,869 | 1,531 |
Leading
| Tom Cruise | Jerry Maguire |
Supporting
| Cuba Gooding, Jr. | Rod Tidwell | |
| Renée Zellweger | Dorothy Boyd | |
| Kelly Preston | Avery Bishop | |
| Jerry O'Connell | Frank Cushman | |
| Jay Mohr | Bob Sugar | |
| Bonnie Hunt | Laurel Boyd | |
| Jonathan Lipnicki | Ray Boyd | |
| Todd Louiso | Chad the Nanny | |
| Mark Pellington | Bill Dooler | |
| Jeremy Suarez | Tyson Tidwell | |
| Jared Jussim | Dicky Fox | |
| Benjamin Kimball Smith | Keith Cushman | |
| Ingrid Beer | Anne-Louise | |
| Nada Despotovich | Wendy | |
| Jann Wenner | Scully | |
| Alexandra Wentworth | Bobby Fallon | |
| Aries Spears | Tee Pee | |
| Kelly Coffield | Jan | |
| Alice Crowe | Alice | |
| Larina Adamson | Women's Group Member | |
| Diana Jordan | Women's Group Member | |
| Cha-Cha Sandoval | Women's Group Member | |
| Hynden Walch | Women's Group Member | |
| Glenn Frey | Dennis Wilburn | |
| Donal Logue | Rick, Junior Agent | |
| Tom Gallop | Ben | |
| Beaumont Bacon | Cleo | |
| Lisa Amsterdam | Patricia Logan | |
| Angela Goethals | Kathy Sanders | |
| Leslie Upson | Flight Attendant | |
| Rick Johnson | John Swenson | |
| Lightfield Lewis | Room Service Waiter | |
| Jerry Cantrell | Jesus of CopyMat | |
| Toby Huss | Steve Remo | |
| Drake Bell | Jesse Remo | |
| Christina Cavanaugh | Mrs. Remo | |
| Eric Stoltz | Ethan Valhere | |
| Russel Lunday | Doctor | |
| Lamont Johnson | Weepy Athlete | |
| Brent Barry | Calvin Nack | |
| Rod Tate | "Baja" Brunard | |
| Charlie Cronin | Hootie Fan | |
| Theo Greenly | Hootie Fan | |
| Danny Rimmer | Sad Autograph Boy | |
| Michael James Johnson | Clark Hodd | |
| Jordan Ross | Art Stallings | |
| Brandon Christianson | Young Golfer | |
| Jerry Ziesmer | Trainer | |
| Kristen Krueger | Draft Reporter | |
| Shannon Shornton | Pressbox Columnist | |
| Andrea Ferrell | Elevator Woman | |
| Anthony Natale | Elevator Man |
Cameo
| Lucy Alexis Liu | Former Girlfriend |
Supporting
| Stephanie Furst | Former Girlfriend | |
| Justina Vail | Former Girlfriend | |
| Sam Smith | Former Girlfriend | |
| Ivana Maria | Former Girlfriend | |
| Lisa Rotondi | Former Girlfriend | |
| Lisa Stahl | Former Girlfriend | |
| Emily Procter | Former Girlfriend | |
| Amaryllis Borrego | Former Girlfriend | |
| Stacey Williams | Former Girlfriend | |
| Lauren Parker | Former Girlfriend | |
| Lisa Ann Hadley | Former Girlfriend | |
| Kymberly Kalil | Former Girlfriend | |
| Alison Armitage | Former Girlfriend | |
| Rebecca Rigg | Former Girlfriend | |
| Golde Starger | Former Girlfriend | |
| David Ursin | General Manager | |
| Thomas J. Reilly | Reverend | |
| Reagan Gomez-Preston | Tidwell's Cousin | |
| Jim Moffatt | NFL Guest | |
| Leo Zick | NFL Guest | |
| Klaire Bybee | NFL Guest | |
| Stanley Sessoms | Shower Man | |
| Gale Hillman | Locker Room Athlete | |
| Heather Cheney | Idealized Kissing Wife | |
| Dennis Fitzgerald | Idealized Kissing Husband |
Cameo
| Roy Firestone | Himself | |
| Al Michaels | Himself | |
| Dan Dierdorf | Himself | |
| Frank Gifford | Himself | |
| Mel Kiper | Himself | |
| Jeff Lurie* | Himself | |
| Drew Rosenhaus | Himself | |
| Richie Kotite | Himself | |
| Tim McDonald | Himself | |
| Mike Trico | Himself | |
| Wayne Fontes | Himself | |
| Evelyn Fontes | Herself | |
| Mike White | Himself | |
| Johnnie Morton | Himself | |
| Rick Mirer | Himself | |
| Drew Bledsoe | Himself | |
| Rob Moore | Himself | |
| Ki-Jana Carter | Himself | |
| Herman Moore | Himself | |
| Art Monk | Himself | |
| Troy Aikman | Himself | |
| Katerina Witt | Herself | |
| Dean Biasucci | Himself | |
| Warren Moon | Himself | |
| Kerry Collins | Herself | |
| Erica Sorgi | Herself | |
| Tom Friend | Himself | |
| Dallas Malloy | Himself | |
| Jim Irsay | Himself |
Production and Technical Credits
| Cameron Crowe | Director | |
| Cameron Crowe | Screenwriter | |
| James L. Brooks | Producer | |
| Richard Sakai | Producer | |
| Laurence Mark | Producer | |
| Cameron Crowe | Producer | |
| Bruce S. Pustin | Co-Producer | |
| John D. Schofield | Co-Producer | |
| Janusz Kaminski | Director of Photography | |
| Stephen Lineweaver | Production Designer | |
| Joe Hutshing | Editor | |
| Betsy Heimann | Costume Designer | |
| Danny Bramson | Music Supervisor | |
| Lisa Stewart | Associate Producer | |
| J. Michael Mendel | Associate Producer | |
| Jerry Ziesmer | Assistant Director | |
| Allan Graf | Second Unit Director | |
| Andrew Stone | Unit Production Manager | |
| Virginia Randolph* | Art Director | |
| Clayton Hartley | Art Director | |
| Clay A. Griffith | Set Decorator | |
| Chuck Cohen | Second Unit Camera | |
| Brad Kuehn | Visual Effects Supervisor | |
| Paul Haines, Jr. | Special Effects Coordinator | |
| Lori Stilson | Costume Designer | |
| Linda Matthews | Costume Supervisor | |
| James Lapidus | Costume Supervisor | |
| David Moritz | Co-Editor | |
| Jeff Wexler | Sound Mixer | |
| Paul Massey | Re-recording Mixer | |
| D.M. Hemphill | Re-recording Mixer | |
| Rick Kline | Re-recording Mixer | |
| Mike Wilhoit | Supervising Sound Editor | |
| Wylie Stateman | Supervising Sound Editor | |
| Tony Lamberti | Sound Effects Editor | |
| Hector Gika | Sound Effects Editor | |
| Jon Title | Sound Effects Editor | |
| Randy Kelley | Sound Effects Editor | |
| Dan A. Rich | Dialogue Editor | |
| Christopher Hogan | Dialogue Editor | |
| Paul Timothy Carden* | Dialogue Editor | |
| Carlton Kaller | Music Editor | |
| Michele Burke | Makeup Supervisor | |
| Linda Arnold | Hairstylist Supervisor | |
| Nancy Wilson | Composer | |
| Nancy Wilson | Song Writer | |
| Gail Levin | Casting | |
| Allan Graf | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $17,084,296 (11.1% of total gross) |
| Legs: | 9.01 (domestic box office/biggest weekend) |
| Domestic Share: | 56.3% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 5.5 times production budget) |
| Theater counts: | 2,531 opening theaters/2,531 max. theaters, 14.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $387,245,284 |
Movie Details
| Domestic Releases: | December 13th, 1996 (Wide) by Sony Pictures April 10th, 2026 (Wide) by Sony Pictures (30th Anniversary) |
| Video Release: | May 29th, 1997 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language and sexuality |
| Running Time: | 135 minutes |
| Award nomination: | 1997 Oscars Best Picture Nominee |
| Plot point: | Fired, Football, Marriage of Convenience, Money Troubles, Relationships Gone Wrong, Romance, Sports Injury, Talent Agent, Underdog |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tri-Star Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 1996 | 1 | $17,084,296 | 2,531 | $6,750 | $17,084,296 | 1 | |
| Dec 20, 1996 | 2 | $13,125,660 | -23% | 2,531 | $5,186 | $36,287,093 | 2 |
| Dec 27, 1996 | 2 | $14,024,111 | +7% | 2,531 | $5,541 | $60,351,092 | 3 |
| Jan 3, 1997 | 2 | $12,030,145 | -14% | 2,531 | $4,753 | $83,006,355 | 4 |
| Jan 10, 1997 | 5 | $7,011,880 | -42% | 2,450 | $2,862 | $93,318,786 | 5 |
| Jan 17, 1997 | 5 | $7,515,771 | +7% | 2,286 | $3,288 | $102,837,983 | 6 |
| Jan 24, 1997 | 1 | $5,518,727 | -27% | 2,207 | $2,501 | $109,785,743 | 7 |
| Jan 31, 1997 | 2 | $5,183,347 | -6% | 2,140 | $2,422 | $116,588,785 | 8 |
| Feb 7, 1997 | 4 | $3,580,033 | -31% | 1,964 | $1,823 | $121,282,251 | 9 |
| Feb 14, 1997 | 7 | $5,205,845 | +45% | 1,730 | $3,009 | $127,708,151 | 10 |
| Feb 21, 1997 | 9 | $3,080,444 | -41% | 1,506 | $2,045 | $131,653,945 | 11 |
| Feb 28, 1997 | 11 | $2,581,293 | -16% | 1,353 | $1,908 | $135,106,602 | 12 |
| Mar 7, 1997 | 12 | $2,153,022 | -17% | 1,174 | $1,834 | $138,005,881 | 13 |
| Mar 14, 1997 | 14 | $1,878,030 | -13% | 977 | $1,922 | $140,629,285 | 14 |
| Mar 21, 1997 | 11 | $1,820,775 | -3% | 909 | $2,003 | $143,039,108 | 15 |
| Mar 28, 1997 | 13 | $1,647,901 | -9% | 830 | $1,985 | $145,443,291 | 16 |
| Apr 4, 1997 | 15 | $1,244,495 | -24% | 810 | $1,536 | $147,251,273 | 17 |
| Apr 11, 1997 | 17 | $702,018 | -44% | 710 | $989 | $148,244,457 | 18 |
| Apr 18, 1997 | 19 | $614,347 | -12% | 643 | $955 | $149,089,725 | 19 |
| Apr 25, 1997 | 20 | $416,929 | -32% | 579 | $720 | $149,721,931 | 20 |
| May 2, 1997 | 13 | $562,809 | +35% | 650 | $866 | $150,429,185 | 21 |
| May 9, 1997 | 16 | $289,900 | -48% | 412 | $704 | $150,850,000 | 22 |
| May 16, 1997 | 17 | $278,594 | -4% | 409 | $681 | $151,239,479 | 23 |
| May 23, 1997 | 18 | $505,238 | +81% | 406 | $1,244 | $151,829,539 | 24 |
| May 30, 1997 | 19 | $334,836 | -34% | 425 | $788 | $152,275,400 | 25 |
| Jun 6, 1997 | 21 | $305,552 | -9% | 408 | $749 | $152,720,926 | 26 |
| Jun 13, 1997 | 26 | $232,100 | -24% | 260 | $893 | $153,047,411 | 27 |
| Jun 20, 1997 | 30 | $142,450 | -39% | 175 | $814 | $153,361,413 | 28 |
| Jun 27, 1997 | 33 | $59,348 | -58% | 74 | $802 | $153,519,343 | 29 |
| Jul 4, 1997 | 34 | $51,530 | -13% | 66 | $781 | $153,620,822 | 30 |
| Apr 10, 2026 | - | $51,863 | 612 | $85 | $153,672,685 | 1,531 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 12, 2026 | - | $51,863 | 612 | $85 | $153,672,685 | 10,713 | ||
| Apr 14, 2026 | - | $36,739 | 612 | $60 | $153,709,424 | 10,715 | ||
| Apr 15, 2026 | - | $28,445 | -23% | 612 | $46 | $153,737,869 | 10,716 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 1996 | 1 | $23,161,433 | 2,531 | $9,151 | $23,161,433 | 1 | |
| Dec 20, 1996 | 2 | $23,165,548 | n/c | 2,531 | $9,153 | $46,326,981 | 2 |
| Dec 27, 1996 | 2 | $24,649,229 | +6% | 2,531 | $9,739 | $70,976,210 | 3 |
| Jan 3, 1997 | 1 | $15,330,696 | -38% | 2,531 | $6,057 | $86,306,906 | 4 |
| Jan 10, 1997 | 5 | $9,015,306 | -41% | 2,450 | $3,680 | $95,322,212 | 5 |
| Jan 17, 1997 | 5 | $8,944,804 | -1% | 2,286 | $3,913 | $104,267,016 | 6 |
| Jan 24, 1997 | 3 | $7,138,422 | -20% | 2,207 | $3,234 | $111,405,438 | 7 |
| Jan 31, 1997 | 2 | $6,296,780 | -12% | 2,140 | $2,942 | $117,702,218 | 8 |
| Feb 7, 1997 | 4 | $4,800,088 | -24% | 1,964 | $2,444 | $122,502,306 | 9 |
| Feb 14, 1997 | 7 | $6,071,195 | +26% | 1,730 | $3,509 | $128,573,501 | 10 |
| Feb 21, 1997 | 9 | $3,951,808 | -35% | 1,506 | $2,624 | $132,525,309 | 11 |
| Feb 28, 1997 | 11 | $3,327,550 | -16% | 1,353 | $2,459 | $135,852,859 | 12 |
| Mar 7, 1997 | 11 | $2,898,396 | -13% | 1,174 | $2,469 | $138,751,255 | 13 |
| Mar 14, 1997 | 14 | $2,467,078 | -15% | 977 | $2,525 | $141,218,333 | 14 |
| Mar 21, 1997 | 11 | $2,577,057 | +4% | 909 | $2,835 | $143,795,390 | 15 |
| Mar 28, 1997 | 13 | $2,211,388 | -14% | 830 | $2,664 | $146,006,778 | 16 |
| Apr 4, 1997 | 15 | $1,535,661 | -31% | 810 | $1,896 | $147,542,439 | 17 |
| Apr 11, 1997 | 17 | $932,939 | -39% | 710 | $1,314 | $148,475,378 | 18 |
| Apr 18, 1997 | 19 | $829,624 | -11% | 643 | $1,290 | $149,305,002 | 19 |
| Apr 25, 1997 | 20 | $561,374 | -32% | 579 | $970 | $149,866,376 | 20 |
| May 2, 1997 | 13 | $693,724 | +24% | 650 | $1,067 | $150,560,100 | 21 |
| May 9, 1997 | 16 | $400,785 | -42% | 412 | $973 | $150,960,885 | 22 |
| May 16, 1997 | 17 | $363,416 | -9% | 409 | $889 | $151,324,301 | 23 |
| May 23, 1997 | 18 | $616,263 | +70% | 406 | $1,518 | $151,940,564 | 24 |
| May 30, 1997 | 19 | $474,810 | -23% | 425 | $1,117 | $152,415,374 | 25 |
| Jun 6, 1997 | 22 | $399,937 | -16% | 408 | $980 | $152,815,311 | 26 |
| Jun 13, 1997 | 25 | $403,652 | +1% | 260 | $1,553 | $153,218,963 | 27 |
| Jun 20, 1997 | 29 | $241,032 | -40% | 175 | $1,377 | $153,459,995 | 28 |
| Jun 27, 1997 | 31 | $109,297 | -55% | 74 | $1,477 | $153,569,292 | 29 |
| Apr 10, 2026 | 18 | $117,047 | 612 | $191 | $153,737,869 | 1,531 |
Leading
| Tom Cruise | Jerry Maguire |
Supporting
| Cuba Gooding, Jr. | Rod Tidwell | |
| Renée Zellweger | Dorothy Boyd | |
| Kelly Preston | Avery Bishop | |
| Jerry O'Connell | Frank Cushman | |
| Jay Mohr | Bob Sugar | |
| Bonnie Hunt | Laurel Boyd | |
| Jonathan Lipnicki | Ray Boyd | |
| Todd Louiso | Chad the Nanny | |
| Mark Pellington | Bill Dooler | |
| Jeremy Suarez | Tyson Tidwell | |
| Jared Jussim | Dicky Fox | |
| Benjamin Kimball Smith | Keith Cushman | |
| Ingrid Beer | Anne-Louise | |
| Nada Despotovich | Wendy | |
| Jann Wenner | Scully | |
| Alexandra Wentworth | Bobby Fallon | |
| Aries Spears | Tee Pee | |
| Kelly Coffield | Jan | |
| Alice Crowe | Alice | |
| Larina Adamson | Women's Group Member | |
| Diana Jordan | Women's Group Member | |
| Cha-Cha Sandoval | Women's Group Member | |
| Hynden Walch | Women's Group Member | |
| Glenn Frey | Dennis Wilburn | |
| Donal Logue | Rick, Junior Agent | |
| Tom Gallop | Ben | |
| Beaumont Bacon | Cleo | |
| Lisa Amsterdam | Patricia Logan | |
| Angela Goethals | Kathy Sanders | |
| Leslie Upson | Flight Attendant | |
| Rick Johnson | John Swenson | |
| Lightfield Lewis | Room Service Waiter | |
| Jerry Cantrell | Jesus of CopyMat | |
| Toby Huss | Steve Remo | |
| Drake Bell | Jesse Remo | |
| Christina Cavanaugh | Mrs. Remo | |
| Eric Stoltz | Ethan Valhere | |
| Russel Lunday | Doctor | |
| Lamont Johnson | Weepy Athlete | |
| Brent Barry | Calvin Nack | |
| Rod Tate | "Baja" Brunard | |
| Charlie Cronin | Hootie Fan | |
| Theo Greenly | Hootie Fan | |
| Danny Rimmer | Sad Autograph Boy | |
| Michael James Johnson | Clark Hodd | |
| Jordan Ross | Art Stallings | |
| Brandon Christianson | Young Golfer | |
| Jerry Ziesmer | Trainer | |
| Kristen Krueger | Draft Reporter | |
| Shannon Shornton | Pressbox Columnist | |
| Andrea Ferrell | Elevator Woman | |
| Anthony Natale | Elevator Man |
Cameo
| Lucy Alexis Liu | Former Girlfriend |
Supporting
| Stephanie Furst | Former Girlfriend | |
| Justina Vail | Former Girlfriend | |
| Sam Smith | Former Girlfriend | |
| Ivana Maria | Former Girlfriend | |
| Lisa Rotondi | Former Girlfriend | |
| Lisa Stahl | Former Girlfriend | |
| Emily Procter | Former Girlfriend | |
| Amaryllis Borrego | Former Girlfriend | |
| Stacey Williams | Former Girlfriend | |
| Lauren Parker | Former Girlfriend | |
| Lisa Ann Hadley | Former Girlfriend | |
| Kymberly Kalil | Former Girlfriend | |
| Alison Armitage | Former Girlfriend | |
| Rebecca Rigg | Former Girlfriend | |
| Golde Starger | Former Girlfriend | |
| David Ursin | General Manager | |
| Thomas J. Reilly | Reverend | |
| Reagan Gomez-Preston | Tidwell's Cousin | |
| Jim Moffatt | NFL Guest | |
| Leo Zick | NFL Guest | |
| Klaire Bybee | NFL Guest | |
| Stanley Sessoms | Shower Man | |
| Gale Hillman | Locker Room Athlete | |
| Heather Cheney | Idealized Kissing Wife | |
| Dennis Fitzgerald | Idealized Kissing Husband |
Cameo
| Roy Firestone | Himself | |
| Al Michaels | Himself | |
| Dan Dierdorf | Himself | |
| Frank Gifford | Himself | |
| Mel Kiper | Himself | |
| Jeff Lurie* | Himself | |
| Drew Rosenhaus | Himself | |
| Richie Kotite | Himself | |
| Tim McDonald | Himself | |
| Mike Trico | Himself | |
| Wayne Fontes | Himself | |
| Evelyn Fontes | Herself | |
| Mike White | Himself | |
| Johnnie Morton | Himself | |
| Rick Mirer | Himself | |
| Drew Bledsoe | Himself | |
| Rob Moore | Himself | |
| Ki-Jana Carter | Himself | |
| Herman Moore | Himself | |
| Art Monk | Himself | |
| Troy Aikman | Himself | |
| Katerina Witt | Herself | |
| Dean Biasucci | Himself | |
| Warren Moon | Himself | |
| Kerry Collins | Herself | |
| Erica Sorgi | Herself | |
| Tom Friend | Himself | |
| Dallas Malloy | Himself | |
| Jim Irsay | Himself |
Production and Technical Credits
| Cameron Crowe | Director | |
| Cameron Crowe | Screenwriter | |
| James L. Brooks | Producer | |
| Richard Sakai | Producer | |
| Laurence Mark | Producer | |
| Cameron Crowe | Producer | |
| Bruce S. Pustin | Co-Producer | |
| John D. Schofield | Co-Producer | |
| Janusz Kaminski | Director of Photography | |
| Stephen Lineweaver | Production Designer | |
| Joe Hutshing | Editor | |
| Betsy Heimann | Costume Designer | |
| Danny Bramson | Music Supervisor | |
| Lisa Stewart | Associate Producer | |
| J. Michael Mendel | Associate Producer | |
| Jerry Ziesmer | Assistant Director | |
| Allan Graf | Second Unit Director | |
| Andrew Stone | Unit Production Manager | |
| Virginia Randolph* | Art Director | |
| Clayton Hartley | Art Director | |
| Clay A. Griffith | Set Decorator | |
| Chuck Cohen | Second Unit Camera | |
| Brad Kuehn | Visual Effects Supervisor | |
| Paul Haines, Jr. | Special Effects Coordinator | |
| Lori Stilson | Costume Designer | |
| Linda Matthews | Costume Supervisor | |
| James Lapidus | Costume Supervisor | |
| David Moritz | Co-Editor | |
| Jeff Wexler | Sound Mixer | |
| Paul Massey | Re-recording Mixer | |
| D.M. Hemphill | Re-recording Mixer | |
| Rick Kline | Re-recording Mixer | |
| Mike Wilhoit | Supervising Sound Editor | |
| Wylie Stateman | Supervising Sound Editor | |
| Tony Lamberti | Sound Effects Editor | |
| Hector Gika | Sound Effects Editor | |
| Jon Title | Sound Effects Editor | |
| Randy Kelley | Sound Effects Editor | |
| Dan A. Rich | Dialogue Editor | |
| Christopher Hogan | Dialogue Editor | |
| Paul Timothy Carden* | Dialogue Editor | |
| Carlton Kaller | Music Editor | |
| Michele Burke | Makeup Supervisor | |
| Linda Arnold | Hairstylist Supervisor | |
| Nancy Wilson | Composer | |
| Nancy Wilson | Song Writer | |
| Gail Levin | Casting | |
| Allan Graf | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.