Jexi (2019)
| Theatrical Performance | ||
| Domestic Box Office | $6,546,159 | Details |
| International Box Office | $4,054,968 | Details |
| Worldwide Box Office | $10,601,127 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $320,629 | |
| Blu-ray Sales (estimated) | $2,142,211 | |
| Total | $2,462,840 | |
| OpusData ID: 383700100 More info... | ||
| Further financial details... | ||
Synopsis
Phil is a smart, funny, lovable guy with a major dependency issue. From the time he gets up in the morning until the minute his head hits the pillow at night, every waking moment is made possible by his mobile device. When he is forced to buy a new phone, the latest model comes with a digital assistant named Jexi. At first, his new artificially intelligent friend is helpful and solicitous, challenging Phil to change his life for the better, whether it be asking for a promotion at work or pursuing the girl of his dreams. But as Phil becomes more independent, Jexi turns from helpful to hostile… and suddenly Phil is confronted with a trash-talking tech nightmare who has very specific ideas about what constitutes a service contract.
Metrics
| Opening Weekend: | $3,106,730 (47.5% of total gross) |
| Legs: | 2.11 (domestic box office/biggest weekend) |
| Domestic Share: | 61.7% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 2.1 times production budget) |
| Theater counts: | 2,332 opening theaters/2,332 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,547,166 |
Movie Details
| Domestic Releases: | October 11th, 2019 (Wide) by Lionsgate |
| International Releases: | October 11th, 2019 (Wide), released as Mažulė Džeksi (Lithuania)
October 17th, 2019 (Wide), released as Окей, Лекси! (Russia (CIS)) November 29th, 2019 (Wide), released as SEXI JEXI (Slovakia) November 29th, 2019 (Wide), released as Într-o relație cu telefonul meu (Romania) December 25th, 2019 (Wide), released as Jexi: Un Celular Sin Filtro (Mexico) ... Show all releases |
| Video Release: | December 24th, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong/crude sexual content and language throughout, some drug use and graphic nudity. (Rating bulletin 2597 (Cert #52249), 9/25/2019) |
| Running Time: | 84 minutes |
| Plot point: | Artificial Intelligence, Fired, Internet, Love Triangle, Relationships Gone Wrong, Revenge, Romance |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | CBS Films, Entertainment One, Suzanne Todd |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2019 | 9 | $3,106,730 | 2,332 | $1,332 | $3,106,730 | 1 | |
| Oct 18, 2019 | 12 | $1,203,092 | -61% | 2,332 | $516 | $5,722,776 | 2 |
| Oct 25, 2019 | 28 | $129,748 | -89% | 322 | $403 | $6,449,670 | 3 |
| Nov 1, 2019 | 36 | $28,330 | -78% | 878 | $32 | $6,532,838 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 10, 2019 | P | $235,000 | 1,900 | $124 | $235,000 | |||
| Oct 11, 2019 | 7 | $1,140,762 | 2,332 | $489 | $1,140,762 | 1 | ||
| Oct 12, 2019 | 9 | $1,151,500 | +1% | 2,332 | $494 | $2,292,262 | 2 | |
| Oct 13, 2019 | 9 | $814,468 | -29% | 2,332 | $349 | $3,106,730 | 3 | |
| Oct 14, 2019 | 8 | $409,608 | -50% | 2,332 | $176 | $3,516,338 | 4 | |
| Oct 15, 2019 | 9 | $475,277 | +16% | 2,332 | $204 | $3,991,615 | 5 | |
| Oct 16, 2019 | 8 | $304,230 | -36% | 2,332 | $130 | $4,295,845 | 6 | |
| Oct 17, 2019 | 9 | $223,839 | -26% | 2,332 | $96 | $4,519,684 | 7 | |
| Oct 18, 2019 | 12 | $346,290 | +55% | -70% | 2,332 | $148 | $4,865,974 | 8 |
| Oct 19, 2019 | 11 | $522,226 | +51% | -55% | 2,332 | $224 | $5,388,200 | 9 |
| Oct 20, 2019 | 12 | $334,576 | -36% | -59% | 2,332 | $143 | $5,722,776 | 10 |
| Oct 21, 2019 | 10 | $139,577 | -58% | -66% | 2,332 | $60 | $5,862,353 | 11 |
| Oct 22, 2019 | 10 | $224,059 | +61% | -53% | 2,332 | $96 | $6,086,412 | 12 |
| Oct 23, 2019 | 10 | $139,371 | -38% | -54% | 2,332 | $60 | $6,225,783 | 13 |
| Oct 24, 2019 | 11 | $94,139 | -32% | -58% | 2,332 | $40 | $6,319,922 | 14 |
| Oct 25, 2019 | - | $38,490 | -59% | -89% | 322 | $120 | $6,358,412 | 15 |
| Oct 26, 2019 | - | $55,822 | +45% | -89% | 322 | $173 | $6,414,234 | 16 |
| Oct 27, 2019 | - | $35,436 | -37% | -89% | 322 | $110 | $6,449,670 | 17 |
| Oct 28, 2019 | - | $13,468 | -62% | -90% | 322 | $42 | $6,463,138 | 18 |
| Oct 29, 2019 | - | $19,362 | +44% | -91% | 322 | $60 | $6,482,500 | 19 |
| Oct 30, 2019 | - | $11,620 | -40% | -92% | 322 | $36 | $6,494,120 | 20 |
| Oct 31, 2019 | - | $10,388 | -11% | -89% | 322 | $32 | $6,504,508 | 21 |
| Nov 1, 2019 | - | $7,994 | -23% | -79% | 878 | $9 | $6,512,502 | 22 |
| Nov 2, 2019 | - | $11,944 | +49% | -79% | 878 | $14 | $6,524,446 | 23 |
| Nov 3, 2019 | - | $8,392 | -30% | -76% | 878 | $10 | $6,532,838 | 24 |
| Nov 4, 2019 | - | $3,273 | -61% | -76% | 878 | $4 | $6,536,111 | 25 |
| Nov 5, 2019 | - | $4,221 | +29% | -78% | 878 | $5 | $6,540,332 | 26 |
| Nov 6, 2019 | - | $3,032 | -28% | -74% | 878 | $3 | $6,543,364 | 27 |
| Nov 7, 2019 | - | $2,795 | -8% | -73% | 878 | $3 | $6,546,159 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2019 | 8 | $4,519,684 | 2,332 | $1,938 | $4,519,684 | 1 | |
| Oct 18, 2019 | 11 | $1,800,238 | -60% | 2,332 | $772 | $6,319,922 | 2 |
| Oct 25, 2019 | 28 | $184,586 | -90% | 322 | $573 | $6,504,508 | 3 |
| Nov 1, 2019 | 39 | $41,651 | -77% | 878 | $47 | $6,546,159 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Lithuania | 10/11/2019 | $17,661 | 13 | 13 | 23 | $31,531 | 10/30/2019 | |||
| Mexico | 12/25/2019 | $201,924 | 0 | 0 | 0 | $313,513 | 4/4/2026 | |||
| Portugal | 12/26/2019 | $75,149 | 45 | 45 | 126 | $188,895 | 10/19/2022 | |||
| Romania | 11/29/2019 | $89,535 | 60 | 60 | 238 | $316,627 | 2/5/2020 | |||
| Russia (CIS) | 10/17/2019 | $172,221 | 423 | 423 | 676 | $280,319 | 10/19/2022 | |||
| Slovakia | 11/29/2019 | $28,377 | 38 | 38 | 102 | $72,886 | 6/16/2020 | |||
| South Korea | 2/19/2020 | $62,198 | 182 | 182 | 316 | $189,572 | 3/11/2020 | |||
| Turkey | 2/28/2020 | $16,358 | 95 | 95 | 103 | $24,658 | 4/4/2026 | |||
| Rest of World | $2,636,967 | |||||||||
| International Total | $4,054,968 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adam DeVine | Phil | |
| Alexandra Shipp | Cate |
Supporting
| Michael Peña | Kai | |
| Rose Byrne | Jexi | |
| Ron Funches | Craig | |
| Charlyne Yi | Elaine | |
| Wanda Sykes | Denice | |
| Justin Hartley | Brody |
Cameo
| Kid Cudi | Himself |
Supporting
| Gavin Root | Phil (10 Years) | |
| Blake Grunder | Phil (5 Years) | |
| Richard Harder | Kickball Umpire | |
| Ray Reinhardt | Old Man | |
| Diana Jackson | Phil’s Mother | |
| Aaron Wilton | Phil’s Father | |
| Kenny Lorenzetti | Fillmore Security Guard | |
| A.J. Kirsch | Big SUV Driver | |
| C.J. Stuart | Neon Rider |
Production and Technical Credits
| Jon Lucas | Director | |
| Scott Moore | Director | |
| Jon Lucas | Screenwriter | |
| Scott Moore | Screenwriter | |
| Suzanne Todd | Producer | |
| Mark Kamine | Executive Producer | |
| Ben Kutchins | Director of Photography | |
| Marcia Hinds | Production Designer | |
| James Thomas | Editor | |
| Julia Caston | Costume Designer | |
| Christopher Lennertz | Composer | |
| Philip White | Composer | |
| Maggie Phillips | Music Supervisor | |
| Cathy Sandrich Gelfond* | Casting Director | |
| Amanda Mackey | Casting Director | |
| Mark Kamine | Unit Production Manager | |
| Michele Ziegler | First Assistant Director | |
| Xanthus Valan | Key Second Assistant Director | |
| Andy Gill | Stunt Coordinator | |
| Buddy Joe Hooker | Stunt Coordinator | |
| Michael E. Goldman | Art Director | |
| Bo Johnson | Set Designer | |
| Alexandra Brandenburg | Set Decorator | |
| Nancy Jarzynko | Costume Supervisor | |
| Gretchen Davis | Make up | |
| Lisa Patnoe | Make up | |
| Yvette Rivas | Hairstylist | |
| Robert A. Mrazik | Hairstylist | |
| Carol DePasquale | Script Supervisor | |
| Fred Runner | Sound Mixer | |
| Sharlene F. Duale | Location Manager | |
| Simon Lake | Location Manager | |
| Shadi Enayati | Post-Production Supervisor | |
| Delaney Del Vecchio | First Assistant Editor | |
| Clarence Deng | Assistant Editor | |
| Sean McCormack | Supervising Sound Editor | |
| Erin Oakley | Supervising Sound Editor | |
| Julian Slater | Re-recording Mixer | |
| David Esparza | Re-recording Mixer | |
| Paul Pirola | Sound Designer | |
| Tom Scott-Toft | Sound Effects Editor | |
| Harvey James | Sound Effects Editor | |
| Robert Chen | Dialogue Editor | |
| Adam Shaw | Foley Editor | |
| Jamie Famularo | Foley Editor | |
| Scott Hemming | Foley Mixer | |
| Craig Becket | Foley Mixer | |
| Matt Heron | Special Effects Coordinator | |
| Heidi Anna Erl | Production Supervisor | |
| Ben Schor | Supervising Music Editor | |
| Jay B. Richardson | Music Editor | |
| Matt Bowen | Score Producer | |
| Dara Taylor | Score Coordinator | |
| Damon Tedesco | Score Mixer | |
| Andy Gill | Second Unit Director | |
| David Van Dyke | Visual Effects Supervisor | |
| David Lebensfeld | Visual Effects Supervisor | |
| Grant Miller | Visual Effects Supervisor | |
| Bill Georgiou | Visual Effects Supervisor | |
| Craig Weiss | Visual Effects Supervisor | |
| Shane Strickman | Visual Effects Producer | |
| Chad Hudson | Visual Effects Producer | |
| Amol Parulekar | Visual Effects Producer | |
| Mary Joy Macalintal | Visual Effects Producer | |
| Chris Tezber | Visual Effects Producer | |
| Sarah Paul | Visual Effects Producer | |
| Senior Visual Effects Producer* | Visual Effects Producer | |
| James Kinnings | Animation Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Phil is a smart, funny, lovable guy with a major dependency issue. From the time he gets up in the morning until the minute his head hits the pillow at night, every waking moment is made possible by his mobile device. When he is forced to buy a new phone, the latest model comes with a digital assistant named Jexi. At first, his new artificially intelligent friend is helpful and solicitous, challenging Phil to change his life for the better, whether it be asking for a promotion at work or pursuing the girl of his dreams. But as Phil becomes more independent, Jexi turns from helpful to hostile… and suddenly Phil is confronted with a trash-talking tech nightmare who has very specific ideas about what constitutes a service contract.
Metrics
| Opening Weekend: | $3,106,730 (47.5% of total gross) |
| Legs: | 2.11 (domestic box office/biggest weekend) |
| Domestic Share: | 61.7% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 2.1 times production budget) |
| Theater counts: | 2,332 opening theaters/2,332 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,547,166 |
Movie Details
| Domestic Releases: | October 11th, 2019 (Wide) by Lionsgate |
| International Releases: | October 11th, 2019 (Wide), released as Mažulė Džeksi (Lithuania)
October 17th, 2019 (Wide), released as Окей, Лекси! (Russia (CIS)) November 29th, 2019 (Wide), released as SEXI JEXI (Slovakia) November 29th, 2019 (Wide), released as Într-o relație cu telefonul meu (Romania) December 25th, 2019 (Wide), released as Jexi: Un Celular Sin Filtro (Mexico) ... Show all releases |
| Video Release: | December 24th, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong/crude sexual content and language throughout, some drug use and graphic nudity. (Rating bulletin 2597 (Cert #52249), 9/25/2019) |
| Running Time: | 84 minutes |
| Plot point: | Artificial Intelligence, Fired, Internet, Love Triangle, Relationships Gone Wrong, Revenge, Romance |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | CBS Films, Entertainment One, Suzanne Todd |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2019 | 9 | $3,106,730 | 2,332 | $1,332 | $3,106,730 | 1 | |
| Oct 18, 2019 | 12 | $1,203,092 | -61% | 2,332 | $516 | $5,722,776 | 2 |
| Oct 25, 2019 | 28 | $129,748 | -89% | 322 | $403 | $6,449,670 | 3 |
| Nov 1, 2019 | 36 | $28,330 | -78% | 878 | $32 | $6,532,838 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 10, 2019 | P | $235,000 | 1,900 | $124 | $235,000 | |||
| Oct 11, 2019 | 7 | $1,140,762 | 2,332 | $489 | $1,140,762 | 1 | ||
| Oct 12, 2019 | 9 | $1,151,500 | +1% | 2,332 | $494 | $2,292,262 | 2 | |
| Oct 13, 2019 | 9 | $814,468 | -29% | 2,332 | $349 | $3,106,730 | 3 | |
| Oct 14, 2019 | 8 | $409,608 | -50% | 2,332 | $176 | $3,516,338 | 4 | |
| Oct 15, 2019 | 9 | $475,277 | +16% | 2,332 | $204 | $3,991,615 | 5 | |
| Oct 16, 2019 | 8 | $304,230 | -36% | 2,332 | $130 | $4,295,845 | 6 | |
| Oct 17, 2019 | 9 | $223,839 | -26% | 2,332 | $96 | $4,519,684 | 7 | |
| Oct 18, 2019 | 12 | $346,290 | +55% | -70% | 2,332 | $148 | $4,865,974 | 8 |
| Oct 19, 2019 | 11 | $522,226 | +51% | -55% | 2,332 | $224 | $5,388,200 | 9 |
| Oct 20, 2019 | 12 | $334,576 | -36% | -59% | 2,332 | $143 | $5,722,776 | 10 |
| Oct 21, 2019 | 10 | $139,577 | -58% | -66% | 2,332 | $60 | $5,862,353 | 11 |
| Oct 22, 2019 | 10 | $224,059 | +61% | -53% | 2,332 | $96 | $6,086,412 | 12 |
| Oct 23, 2019 | 10 | $139,371 | -38% | -54% | 2,332 | $60 | $6,225,783 | 13 |
| Oct 24, 2019 | 11 | $94,139 | -32% | -58% | 2,332 | $40 | $6,319,922 | 14 |
| Oct 25, 2019 | - | $38,490 | -59% | -89% | 322 | $120 | $6,358,412 | 15 |
| Oct 26, 2019 | - | $55,822 | +45% | -89% | 322 | $173 | $6,414,234 | 16 |
| Oct 27, 2019 | - | $35,436 | -37% | -89% | 322 | $110 | $6,449,670 | 17 |
| Oct 28, 2019 | - | $13,468 | -62% | -90% | 322 | $42 | $6,463,138 | 18 |
| Oct 29, 2019 | - | $19,362 | +44% | -91% | 322 | $60 | $6,482,500 | 19 |
| Oct 30, 2019 | - | $11,620 | -40% | -92% | 322 | $36 | $6,494,120 | 20 |
| Oct 31, 2019 | - | $10,388 | -11% | -89% | 322 | $32 | $6,504,508 | 21 |
| Nov 1, 2019 | - | $7,994 | -23% | -79% | 878 | $9 | $6,512,502 | 22 |
| Nov 2, 2019 | - | $11,944 | +49% | -79% | 878 | $14 | $6,524,446 | 23 |
| Nov 3, 2019 | - | $8,392 | -30% | -76% | 878 | $10 | $6,532,838 | 24 |
| Nov 4, 2019 | - | $3,273 | -61% | -76% | 878 | $4 | $6,536,111 | 25 |
| Nov 5, 2019 | - | $4,221 | +29% | -78% | 878 | $5 | $6,540,332 | 26 |
| Nov 6, 2019 | - | $3,032 | -28% | -74% | 878 | $3 | $6,543,364 | 27 |
| Nov 7, 2019 | - | $2,795 | -8% | -73% | 878 | $3 | $6,546,159 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2019 | 8 | $4,519,684 | 2,332 | $1,938 | $4,519,684 | 1 | |
| Oct 18, 2019 | 11 | $1,800,238 | -60% | 2,332 | $772 | $6,319,922 | 2 |
| Oct 25, 2019 | 28 | $184,586 | -90% | 322 | $573 | $6,504,508 | 3 |
| Nov 1, 2019 | 39 | $41,651 | -77% | 878 | $47 | $6,546,159 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Lithuania | 10/11/2019 | $17,661 | 13 | 13 | 23 | $31,531 | 10/30/2019 | |||
| Mexico | 12/25/2019 | $201,924 | 0 | 0 | 0 | $313,513 | 4/4/2026 | |||
| Portugal | 12/26/2019 | $75,149 | 45 | 45 | 126 | $188,895 | 10/19/2022 | |||
| Romania | 11/29/2019 | $89,535 | 60 | 60 | 238 | $316,627 | 2/5/2020 | |||
| Russia (CIS) | 10/17/2019 | $172,221 | 423 | 423 | 676 | $280,319 | 10/19/2022 | |||
| Slovakia | 11/29/2019 | $28,377 | 38 | 38 | 102 | $72,886 | 6/16/2020 | |||
| South Korea | 2/19/2020 | $62,198 | 182 | 182 | 316 | $189,572 | 3/11/2020 | |||
| Turkey | 2/28/2020 | $16,358 | 95 | 95 | 103 | $24,658 | 4/4/2026 | |||
| Rest of World | $2,636,967 | |||||||||
| International Total | $4,054,968 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adam DeVine | Phil | |
| Alexandra Shipp | Cate |
Supporting
| Michael Peña | Kai | |
| Rose Byrne | Jexi | |
| Ron Funches | Craig | |
| Charlyne Yi | Elaine | |
| Wanda Sykes | Denice | |
| Justin Hartley | Brody |
Cameo
| Kid Cudi | Himself |
Supporting
| Gavin Root | Phil (10 Years) | |
| Blake Grunder | Phil (5 Years) | |
| Richard Harder | Kickball Umpire | |
| Ray Reinhardt | Old Man | |
| Diana Jackson | Phil’s Mother | |
| Aaron Wilton | Phil’s Father | |
| Kenny Lorenzetti | Fillmore Security Guard | |
| A.J. Kirsch | Big SUV Driver | |
| C.J. Stuart | Neon Rider |
Production and Technical Credits
| Jon Lucas | Director | |
| Scott Moore | Director | |
| Jon Lucas | Screenwriter | |
| Scott Moore | Screenwriter | |
| Suzanne Todd | Producer | |
| Mark Kamine | Executive Producer | |
| Ben Kutchins | Director of Photography | |
| Marcia Hinds | Production Designer | |
| James Thomas | Editor | |
| Julia Caston | Costume Designer | |
| Christopher Lennertz | Composer | |
| Philip White | Composer | |
| Maggie Phillips | Music Supervisor | |
| Cathy Sandrich Gelfond* | Casting Director | |
| Amanda Mackey | Casting Director | |
| Mark Kamine | Unit Production Manager | |
| Michele Ziegler | First Assistant Director | |
| Xanthus Valan | Key Second Assistant Director | |
| Andy Gill | Stunt Coordinator | |
| Buddy Joe Hooker | Stunt Coordinator | |
| Michael E. Goldman | Art Director | |
| Bo Johnson | Set Designer | |
| Alexandra Brandenburg | Set Decorator | |
| Nancy Jarzynko | Costume Supervisor | |
| Gretchen Davis | Make up | |
| Lisa Patnoe | Make up | |
| Yvette Rivas | Hairstylist | |
| Robert A. Mrazik | Hairstylist | |
| Carol DePasquale | Script Supervisor | |
| Fred Runner | Sound Mixer | |
| Sharlene F. Duale | Location Manager | |
| Simon Lake | Location Manager | |
| Shadi Enayati | Post-Production Supervisor | |
| Delaney Del Vecchio | First Assistant Editor | |
| Clarence Deng | Assistant Editor | |
| Sean McCormack | Supervising Sound Editor | |
| Erin Oakley | Supervising Sound Editor | |
| Julian Slater | Re-recording Mixer | |
| David Esparza | Re-recording Mixer | |
| Paul Pirola | Sound Designer | |
| Tom Scott-Toft | Sound Effects Editor | |
| Harvey James | Sound Effects Editor | |
| Robert Chen | Dialogue Editor | |
| Adam Shaw | Foley Editor | |
| Jamie Famularo | Foley Editor | |
| Scott Hemming | Foley Mixer | |
| Craig Becket | Foley Mixer | |
| Matt Heron | Special Effects Coordinator | |
| Heidi Anna Erl | Production Supervisor | |
| Ben Schor | Supervising Music Editor | |
| Jay B. Richardson | Music Editor | |
| Matt Bowen | Score Producer | |
| Dara Taylor | Score Coordinator | |
| Damon Tedesco | Score Mixer | |
| Andy Gill | Second Unit Director | |
| David Van Dyke | Visual Effects Supervisor | |
| David Lebensfeld | Visual Effects Supervisor | |
| Grant Miller | Visual Effects Supervisor | |
| Bill Georgiou | Visual Effects Supervisor | |
| Craig Weiss | Visual Effects Supervisor | |
| Shane Strickman | Visual Effects Producer | |
| Chad Hudson | Visual Effects Producer | |
| Amol Parulekar | Visual Effects Producer | |
| Mary Joy Macalintal | Visual Effects Producer | |
| Chris Tezber | Visual Effects Producer | |
| Sarah Paul | Visual Effects Producer | |
| Senior Visual Effects Producer* | Visual Effects Producer | |
| James Kinnings | Animation Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.