Ji Xian Feng (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $793,525 | Details |
| International Box Office | $45,192,820 | Details |
| Worldwide Box Office | $45,986,345 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $534,270 | |
| Blu-ray Sales (estimated) | $509,286 | |
| Total | $1,043,556 | |
| OpusData ID: 447200100 More info... | ||
| Further financial details... | ||
Synopsis
After wealthy businessman Qin rats out his corrupt partner in an arms deal gone fatally wrong, he and his family become targets of the world’s deadliest mercenary organization—and the fighting power of Tang’s team is their only hope to survive.
Metrics
| Opening Weekend: | $380,428 (47.9% of total gross) |
| Legs: | 2.09 (domestic box office/biggest weekend) |
| Domestic Share: | 1.7% (domestic box office/worldwide) |
| Theater counts: | 1,375 opening theaters/1,375 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,033,834 |
Movie Details
| Domestic Releases: | November 20th, 2020 (Wide) by Gravitas Ventures, released as Vanguard November 20th, 2020 (IMAX) by Gravitas Ventures, released as Vanguard |
| International Releases: | January 25th, 2020 (Wide) (China)
October 15th, 2020 (Wide), released as Vanguard (Russia (CIS)) November 20th, 2020 (Wide) (Netherlands) December 30th, 2020 (Wide) (South Korea) ... Show all releases |
| Video Release: | March 2nd, 2021 by Lionsgate Home Entertainment, released as Vanguard |
| MPA Rating: | PG-13 for sequences of strong violence including prolonged gun battles, and some language. (Rating bulletin 2657 (cert #52992), 11/25/2020) |
| Running Time: | 107 minutes |
| Filming location (country): | United Arab Emirates |
| Plot point: | Accountants, Mercenaries |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | China Film Company, China Film International Media Co., LTD, Tencent Pictures , Culture Media , Shanghai Lix Entertainment, Epitome Capital, Shenzhen Media Film and Television, Peoples Daily Digital Communication, Zhujiang Film Group, Beijing Startime Cinema Investment, Omnijoi, Cultural Investment Holdings, China Film Investment Fund, Horgos Lix Entertainment, Shenzhen Bigwill Culture Communication, Horgos Skyworth, Wuxi Jingli Cinema Management, Shanghai Insane Media, Jujiang Province |
| Production Countries: | China |
| Languages: | Mandarin, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 20, 2020 | 7 | $380,428 | 1,375 | $277 | $380,428 | 1 | |
| Nov 27, 2020 | - | $159,482 | -58% | 1,200 | $133 | $681,437 | 2 |
| Dec 4, 2020 | - | $37,172 | -77% | 350 | $106 | $766,664 | 3 |
| Dec 11, 2020 | - | $12,000 | -68% | 200 | $60 | $793,525 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 20, 2020 | 7 | $127,665 | 1,375 | $93 | $127,665 | 1 | ||
| Nov 21, 2020 | 7 | $155,111 | +21% | 1,375 | $113 | $282,776 | 2 | |
| Nov 22, 2020 | 7 | $97,652 | -37% | 1,375 | $71 | $380,428 | 3 | |
| Nov 23, 2020 | - | $30,490 | -69% | 604 | $50 | $410,918 | 4 | |
| Nov 24, 2020 | - | $44,226 | +45% | 776 | $57 | $455,144 | 5 | |
| Nov 25, 2020 | - | $27,175 | -39% | 632 | $43 | $482,319 | 6 | |
| Nov 26, 2020 | - | $39,636 | +46% | 1,200 | $33 | $521,955 | 7 | |
| Nov 27, 2020 | - | $57,185 | +44% | -55% | 1,200 | $48 | $579,140 | 8 |
| Nov 28, 2020 | - | $62,859 | +10% | -59% | 1,200 | $52 | $641,999 | 9 |
| Nov 29, 2020 | - | $39,438 | -37% | -60% | 1,200 | $33 | $681,437 | 10 |
| Nov 30, 2020 | - | $10,244 | -74% | -66% | 312 | $33 | $691,681 | 11 |
| Dec 1, 2020 | - | $17,146 | +67% | -61% | 312 | $55 | $708,827 | 12 |
| Dec 2, 2020 | - | $12,082 | -30% | -56% | 450 | $27 | $720,909 | 13 |
| Dec 3, 2020 | - | $8,583 | -29% | -78% | 450 | $19 | $729,492 | 14 |
| Dec 4, 2020 | - | $12,500 | +46% | -78% | 350 | $36 | $741,992 | 15 |
| Dec 5, 2020 | - | $14,800 | +18% | -76% | 350 | $42 | $756,792 | 16 |
| Dec 6, 2020 | - | $9,872 | -33% | -75% | 350 | $28 | $766,664 | 17 |
| Dec 7, 2020 | - | $3,162 | -68% | -69% | 97 | $33 | $769,826 | 18 |
| Dec 8, 2020 | - | $4,861 | +54% | -72% | 132 | $37 | $774,687 | 19 |
| Dec 9, 2020 | - | $2,811 | -42% | -77% | 88 | $32 | $777,498 | 20 |
| Dec 10, 2020 | - | $4,027 | +43% | -53% | 101 | $40 | $781,525 | 21 |
| Dec 11, 2020 | - | $4,000 | -1% | -68% | 200 | $20 | $785,525 | 22 |
| Dec 12, 2020 | - | $5,000 | +25% | -66% | 200 | $25 | $790,525 | 23 |
| Dec 13, 2020 | - | $3,000 | -40% | -70% | 200 | $15 | $793,525 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 20, 2020 | - | $521,955 | 1,200 | $435 | $521,955 | 1 | |
| Nov 27, 2020 | - | $207,537 | -60% | 450 | $461 | $729,492 | 2 |
| Dec 4, 2020 | - | $52,033 | -75% | 101 | $515 | $781,525 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 1/25/2020 | $131,577 | 0 | 148,021 | 104,601 | $44,500,000 | 4/4/2026 | |||
| Netherlands | 11/20/2020 | $48,730 | 33 | 33 | 65 | $95,653 | 10/19/2022 | |||
| Russia (CIS) | 10/15/2020 | $189,320 | 1,014 | 1,014 | 1,921 | $323,505 | 4/4/2026 | |||
| South Korea | 12/30/2020 | $96,842 | 265 | 265 | 645 | $237,511 | 2/1/2021 | |||
| Rest of World | $36,151 | |||||||||
| International Total | $45,192,820 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jackie Chan | Tang Huating | |
| Yang Yang | Lei Zhenyu | |
| Lun Ai | Zhang Kaixuan | |
| Mu Qimiya | Mi Ya | |
| Xu Ruohan | Fareeda | |
| Jackson Lou | ||
| Eyad Hourani |
Supporting
| Zhu Zhengting | Shendiao |
Production and Technical Credits
| Stanley Tong | Director | |
| Stanley Tong | Screenwriter | |
| Stanley Tong | Producer | |
| Barbie Tung | Producer | |
| Stanley Tong | Executive Producer | |
| Hongfen Jiao | Executive Producer | |
| Edward Cheng | Executive Producer | |
| Yong Zhang | Executive Producer | |
| Jwanwat Ahriyavraromp | Executive Producer | |
| Junming Deng | Executive Producer | |
| Tao Xu | Co-Executive Producer | |
| Chunlin Wang | Co-Executive Producer | |
| Xi Yang | Co-Executive Producer | |
| Xiaoping Jiang | Co-Executive Producer | |
| Zhou Maofei | Co-Executive Producer | |
| Wanghu Zhang | Co-Executive Producer | |
| Yong Zhang | Co-Executive Producer | |
| Yuehui Zhao | Co-Executive Producer | |
| Yunhe Wu | Co-Executive Producer | |
| Yu Xu | Co-Executive Producer | |
| Xiao Yu | Co-Executive Producer | |
| Feng Hu | Co-Executive Producer | |
| Meng Deng | Associate Producer | |
| Juanyu Tao | Associate Producer | |
| Dan Zho | Associate Producer | |
| Liqun Huang | Associate Producer | |
| Aroonkamol Sucharochana | Associate Producer | |
| Rudding Fu | Co-Producer | |
| Yong Zhang | Co-Producer | |
| Katy Chen | Co-Producer | |
| Minfang Wan | Co-Producer | |
| Jasckson Lin | Co-Producer | |
| Wei Xie | Co-Producer | |
| Stanley Tong | Stunt Coordinator | |
| Han Guanhua | Stunt Coordinator | |
| Steve Burgess | Sound Designer | |
| Wang Zhouyuan | Sound Designer | |
| Nathan Wang | Composer | |
| Yau Chi-Wai | Editor | |
| Chi-Wah Lee | Director of Photography | |
| Miriam Chen | Costume Designer | |
| Connie Leung | Costume Designer | |
| James Cheung | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After wealthy businessman Qin rats out his corrupt partner in an arms deal gone fatally wrong, he and his family become targets of the world’s deadliest mercenary organization—and the fighting power of Tang’s team is their only hope to survive.
Metrics
| Opening Weekend: | $380,428 (47.9% of total gross) |
| Legs: | 2.09 (domestic box office/biggest weekend) |
| Domestic Share: | 1.7% (domestic box office/worldwide) |
| Theater counts: | 1,375 opening theaters/1,375 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,033,834 |
Movie Details
| Domestic Releases: | November 20th, 2020 (Wide) by Gravitas Ventures, released as Vanguard November 20th, 2020 (IMAX) by Gravitas Ventures, released as Vanguard |
| International Releases: | January 25th, 2020 (Wide) (China)
October 15th, 2020 (Wide), released as Vanguard (Russia (CIS)) November 20th, 2020 (Wide) (Netherlands) December 30th, 2020 (Wide) (South Korea) ... Show all releases |
| Video Release: | March 2nd, 2021 by Lionsgate Home Entertainment, released as Vanguard |
| MPA Rating: | PG-13 for sequences of strong violence including prolonged gun battles, and some language. (Rating bulletin 2657 (cert #52992), 11/25/2020) |
| Running Time: | 107 minutes |
| Filming location (country): | United Arab Emirates |
| Plot point: | Accountants, Mercenaries |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | China Film Company, China Film International Media Co., LTD, Tencent Pictures , Culture Media , Shanghai Lix Entertainment, Epitome Capital, Shenzhen Media Film and Television, Peoples Daily Digital Communication, Zhujiang Film Group, Beijing Startime Cinema Investment, Omnijoi, Cultural Investment Holdings, China Film Investment Fund, Horgos Lix Entertainment, Shenzhen Bigwill Culture Communication, Horgos Skyworth, Wuxi Jingli Cinema Management, Shanghai Insane Media, Jujiang Province |
| Production Countries: | China |
| Languages: | Mandarin, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 20, 2020 | 7 | $380,428 | 1,375 | $277 | $380,428 | 1 | |
| Nov 27, 2020 | - | $159,482 | -58% | 1,200 | $133 | $681,437 | 2 |
| Dec 4, 2020 | - | $37,172 | -77% | 350 | $106 | $766,664 | 3 |
| Dec 11, 2020 | - | $12,000 | -68% | 200 | $60 | $793,525 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 20, 2020 | 7 | $127,665 | 1,375 | $93 | $127,665 | 1 | ||
| Nov 21, 2020 | 7 | $155,111 | +21% | 1,375 | $113 | $282,776 | 2 | |
| Nov 22, 2020 | 7 | $97,652 | -37% | 1,375 | $71 | $380,428 | 3 | |
| Nov 23, 2020 | - | $30,490 | -69% | 604 | $50 | $410,918 | 4 | |
| Nov 24, 2020 | - | $44,226 | +45% | 776 | $57 | $455,144 | 5 | |
| Nov 25, 2020 | - | $27,175 | -39% | 632 | $43 | $482,319 | 6 | |
| Nov 26, 2020 | - | $39,636 | +46% | 1,200 | $33 | $521,955 | 7 | |
| Nov 27, 2020 | - | $57,185 | +44% | -55% | 1,200 | $48 | $579,140 | 8 |
| Nov 28, 2020 | - | $62,859 | +10% | -59% | 1,200 | $52 | $641,999 | 9 |
| Nov 29, 2020 | - | $39,438 | -37% | -60% | 1,200 | $33 | $681,437 | 10 |
| Nov 30, 2020 | - | $10,244 | -74% | -66% | 312 | $33 | $691,681 | 11 |
| Dec 1, 2020 | - | $17,146 | +67% | -61% | 312 | $55 | $708,827 | 12 |
| Dec 2, 2020 | - | $12,082 | -30% | -56% | 450 | $27 | $720,909 | 13 |
| Dec 3, 2020 | - | $8,583 | -29% | -78% | 450 | $19 | $729,492 | 14 |
| Dec 4, 2020 | - | $12,500 | +46% | -78% | 350 | $36 | $741,992 | 15 |
| Dec 5, 2020 | - | $14,800 | +18% | -76% | 350 | $42 | $756,792 | 16 |
| Dec 6, 2020 | - | $9,872 | -33% | -75% | 350 | $28 | $766,664 | 17 |
| Dec 7, 2020 | - | $3,162 | -68% | -69% | 97 | $33 | $769,826 | 18 |
| Dec 8, 2020 | - | $4,861 | +54% | -72% | 132 | $37 | $774,687 | 19 |
| Dec 9, 2020 | - | $2,811 | -42% | -77% | 88 | $32 | $777,498 | 20 |
| Dec 10, 2020 | - | $4,027 | +43% | -53% | 101 | $40 | $781,525 | 21 |
| Dec 11, 2020 | - | $4,000 | -1% | -68% | 200 | $20 | $785,525 | 22 |
| Dec 12, 2020 | - | $5,000 | +25% | -66% | 200 | $25 | $790,525 | 23 |
| Dec 13, 2020 | - | $3,000 | -40% | -70% | 200 | $15 | $793,525 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 20, 2020 | - | $521,955 | 1,200 | $435 | $521,955 | 1 | |
| Nov 27, 2020 | - | $207,537 | -60% | 450 | $461 | $729,492 | 2 |
| Dec 4, 2020 | - | $52,033 | -75% | 101 | $515 | $781,525 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 1/25/2020 | $131,577 | 0 | 148,021 | 104,601 | $44,500,000 | 4/4/2026 | |||
| Netherlands | 11/20/2020 | $48,730 | 33 | 33 | 65 | $95,653 | 10/19/2022 | |||
| Russia (CIS) | 10/15/2020 | $189,320 | 1,014 | 1,014 | 1,921 | $323,505 | 4/4/2026 | |||
| South Korea | 12/30/2020 | $96,842 | 265 | 265 | 645 | $237,511 | 2/1/2021 | |||
| Rest of World | $36,151 | |||||||||
| International Total | $45,192,820 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jackie Chan | Tang Huating | |
| Yang Yang | Lei Zhenyu | |
| Lun Ai | Zhang Kaixuan | |
| Mu Qimiya | Mi Ya | |
| Xu Ruohan | Fareeda | |
| Jackson Lou | ||
| Eyad Hourani |
Supporting
| Zhu Zhengting | Shendiao |
Production and Technical Credits
| Stanley Tong | Director | |
| Stanley Tong | Screenwriter | |
| Stanley Tong | Producer | |
| Barbie Tung | Producer | |
| Stanley Tong | Executive Producer | |
| Hongfen Jiao | Executive Producer | |
| Edward Cheng | Executive Producer | |
| Yong Zhang | Executive Producer | |
| Jwanwat Ahriyavraromp | Executive Producer | |
| Junming Deng | Executive Producer | |
| Tao Xu | Co-Executive Producer | |
| Chunlin Wang | Co-Executive Producer | |
| Xi Yang | Co-Executive Producer | |
| Xiaoping Jiang | Co-Executive Producer | |
| Zhou Maofei | Co-Executive Producer | |
| Wanghu Zhang | Co-Executive Producer | |
| Yong Zhang | Co-Executive Producer | |
| Yuehui Zhao | Co-Executive Producer | |
| Yunhe Wu | Co-Executive Producer | |
| Yu Xu | Co-Executive Producer | |
| Xiao Yu | Co-Executive Producer | |
| Feng Hu | Co-Executive Producer | |
| Meng Deng | Associate Producer | |
| Juanyu Tao | Associate Producer | |
| Dan Zho | Associate Producer | |
| Liqun Huang | Associate Producer | |
| Aroonkamol Sucharochana | Associate Producer | |
| Rudding Fu | Co-Producer | |
| Yong Zhang | Co-Producer | |
| Katy Chen | Co-Producer | |
| Minfang Wan | Co-Producer | |
| Jasckson Lin | Co-Producer | |
| Wei Xie | Co-Producer | |
| Stanley Tong | Stunt Coordinator | |
| Han Guanhua | Stunt Coordinator | |
| Steve Burgess | Sound Designer | |
| Wang Zhouyuan | Sound Designer | |
| Nathan Wang | Composer | |
| Yau Chi-Wai | Editor | |
| Chi-Wah Lee | Director of Photography | |
| Miriam Chen | Costume Designer | |
| Connie Leung | Costume Designer | |
| James Cheung | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.