Jiang hu er nv (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $414,578 | Details |
| International Box Office | $11,564,879 | Details |
| Worldwide Box Office | $11,979,457 | |
| OpusData ID: 368830100 More info... | ||
| Further financial details... | ||
Synopsis
Qiao is in love with Bin, a local mobster. During a fight between rival gangs, she fires a gun to protect him. Qiao gets five years in prison for this act of loyalty. Upon her release, she goes looking for Bin to pick up where they left off.
Metrics
| Legs: | 7.32 (domestic box office/biggest weekend) |
| Domestic Share: | 3.5% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $541,310 |
Movie Details
| Domestic Releases: | March 15th, 2019 (Limited) by Cohen Media Group, released as Ash is Purest White |
| International Releases: | September 21st, 2018 (Wide) (China)
March 1st, 2019 (Wide), released as As Cinzas Brancas Mais Puras (Portugal) March 1st, 2019 (Wide) (France) March 29th, 2019 (Wide), released as Ash Is Purest White (Netherlands) April 26th, 2019 (Limited), released as Ash is Purest White (United Kingdom) ... Show all releases |
| Video Release: | July 16th, 2019 by Universal Home Entertainment, released as Ash is Purest White |
| MPA Rating: | Not Rated |
| Running Time: | 141 minutes |
| Plot point: | Confidence Men, Forgery, Gangs, Romance |
| Social setting: | Night Club |
| Time period setting: | 2000s, 2010s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Shanghai Film Group, Xstream Pictures, Huanxi Media Group Limited, MK Productions, ARTE France, Arte France Cinema, Beijing Runjin Investment, Wishart Media Co, Enchant Film and Television Culture Co |
| Production Countries: | China, France |
| Languages: | Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 29, 2019 | 36 | $56,642 | 47 | $1,205 | $56,642 | 3 | |
| Apr 12, 2019 | 48 | $26,474 | 24 | $1,103 | $352,640 | 5 | |
| Apr 26, 2019 | 77 | $2,127 | 5 | $425 | $394,052 | 7 | |
| May 3, 2019 | 66 | $5,168 | +143% | 10 | $517 | $402,713 | 8 |
| May 10, 2019 | 68 | $3,428 | -34% | 5 | $686 | $410,678 | 9 |
| May 17, 2019 | 61 | $3,900 | +14% | 5 | $780 | $414,578 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2019 | 73 | $5,620 | 5 | $1,124 | $397,545 | 7 | |
| May 3, 2019 | 64 | $9,705 | +73% | 10 | $971 | $407,250 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/12/2019 | $13,185 | 0 | 0 | 0 | $25,939 | 4/4/2026 | |||
| China | 9/21/2018 | $5,870,000 | 55,084 | 55,084 | 55,084 | $10,067,571 | 10/26/2018 | |||
| France | 3/1/2019 | $319,304 | 90 | 187 | 636 | $998,901 | 4/7/2019 | |||
| Germany | 5/10/2019 | $0 | 0 | 62 | 62 | $168,787 | 5/24/2019 | |||
| Italy | 5/9/2019 | $90,320 | 0 | 4 | 4 | $219,330 | 6/14/2019 | |||
| Netherlands | 3/29/2019 | $13,906 | 21 | 21 | 21 | $1,601 | 4/1/2019 | |||
| Portugal | 3/1/2019 | $5,893 | 6 | 6 | 16 | $22,675 | 4/2/2019 | |||
| South Korea | 6/10/2021 | $6,399 | 42 | 42 | 59 | $12,810 | 6/23/2021 | |||
| Spain | 5/31/2019 | $17,012 | 35 | 35 | 35 | $18,508 | 6/7/2019 | |||
| Turkey | 7/5/2019 | $2,202 | 21 | 21 | 29 | $5,075 | 7/18/2019 | |||
| United Kingdom | 4/26/2019 | $16,588 | 10 | 10 | 10 | $16,588 | 5/2/2019 | |||
| Rest of World | $7,094 | |||||||||
| International Total | $11,564,879 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Zhao Tao | Qiao |
Supporting
| Liao Fan | Bin | |
| Xu Zheng | ||
| Casper Liang |
Cameo
| Xiaogang Feng | ||
| Diao Yinan | ||
| Yibai Zhang | ||
| Jiali Ding | ||
| Zhang Yi | ||
| Zijian Dong |
Production and Technical Credits
| Zhangke Jia | Director | |
| Zhangke Jia | Screenwriter | |
| Shozo Ichiyama | Producer | |
| Zhang Dong | Co-Producer | |
| Xiang Shaokun | Co-Producer | |
| Juliette Schrameck | Co-Producer | |
| Wang Tianyun | Associate Producer | |
| Josie Chou | Associate Producer | |
| Wan Jiahuan | Associate Producer | |
| Zhao Yijun | Associate Producer | |
| Liu Zhe | Associate Producer | |
| Lim Giong | Composer | |
| Zhang Dong | Production Manager | |
| Jing Wang | First Assistant Director | |
| Eric Gautier | Director of Photography | |
| Matthieu Laclau | Editor | |
| Lin Xudong | Editor | |
| Zhang Yang | Sound Designer | |
| Olivier Goinard | Sound Mixer | |
| Liu Weixin | Art Director | |
| Ren Zhonglun | Executive Producer | |
| Zhangke Jia | Executive Producer | |
| Dong Ping | Executive Producer | |
| Nathanael Karmitz | Executive Producer | |
| Elisha Karmitz | Executive Producer | |
| Liu Shiyu | Executive Producer | |
| Zhu Weijie | Executive Producer | |
| Yang Jinsong | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Qiao is in love with Bin, a local mobster. During a fight between rival gangs, she fires a gun to protect him. Qiao gets five years in prison for this act of loyalty. Upon her release, she goes looking for Bin to pick up where they left off.
Metrics
| Legs: | 7.32 (domestic box office/biggest weekend) |
| Domestic Share: | 3.5% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $541,310 |
Movie Details
| Domestic Releases: | March 15th, 2019 (Limited) by Cohen Media Group, released as Ash is Purest White |
| International Releases: | September 21st, 2018 (Wide) (China)
March 1st, 2019 (Wide), released as As Cinzas Brancas Mais Puras (Portugal) March 1st, 2019 (Wide) (France) March 29th, 2019 (Wide), released as Ash Is Purest White (Netherlands) April 26th, 2019 (Limited), released as Ash is Purest White (United Kingdom) ... Show all releases |
| Video Release: | July 16th, 2019 by Universal Home Entertainment, released as Ash is Purest White |
| MPA Rating: | Not Rated |
| Running Time: | 141 minutes |
| Plot point: | Confidence Men, Forgery, Gangs, Romance |
| Social setting: | Night Club |
| Time period setting: | 2000s, 2010s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Shanghai Film Group, Xstream Pictures, Huanxi Media Group Limited, MK Productions, ARTE France, Arte France Cinema, Beijing Runjin Investment, Wishart Media Co, Enchant Film and Television Culture Co |
| Production Countries: | China, France |
| Languages: | Mandarin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 29, 2019 | 36 | $56,642 | 47 | $1,205 | $56,642 | 3 | |
| Apr 12, 2019 | 48 | $26,474 | 24 | $1,103 | $352,640 | 5 | |
| Apr 26, 2019 | 77 | $2,127 | 5 | $425 | $394,052 | 7 | |
| May 3, 2019 | 66 | $5,168 | +143% | 10 | $517 | $402,713 | 8 |
| May 10, 2019 | 68 | $3,428 | -34% | 5 | $686 | $410,678 | 9 |
| May 17, 2019 | 61 | $3,900 | +14% | 5 | $780 | $414,578 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2019 | 73 | $5,620 | 5 | $1,124 | $397,545 | 7 | |
| May 3, 2019 | 64 | $9,705 | +73% | 10 | $971 | $407,250 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/12/2019 | $13,185 | 0 | 0 | 0 | $25,939 | 4/4/2026 | |||
| China | 9/21/2018 | $5,870,000 | 55,084 | 55,084 | 55,084 | $10,067,571 | 10/26/2018 | |||
| France | 3/1/2019 | $319,304 | 90 | 187 | 636 | $998,901 | 4/7/2019 | |||
| Germany | 5/10/2019 | $0 | 0 | 62 | 62 | $168,787 | 5/24/2019 | |||
| Italy | 5/9/2019 | $90,320 | 0 | 4 | 4 | $219,330 | 6/14/2019 | |||
| Netherlands | 3/29/2019 | $13,906 | 21 | 21 | 21 | $1,601 | 4/1/2019 | |||
| Portugal | 3/1/2019 | $5,893 | 6 | 6 | 16 | $22,675 | 4/2/2019 | |||
| South Korea | 6/10/2021 | $6,399 | 42 | 42 | 59 | $12,810 | 6/23/2021 | |||
| Spain | 5/31/2019 | $17,012 | 35 | 35 | 35 | $18,508 | 6/7/2019 | |||
| Turkey | 7/5/2019 | $2,202 | 21 | 21 | 29 | $5,075 | 7/18/2019 | |||
| United Kingdom | 4/26/2019 | $16,588 | 10 | 10 | 10 | $16,588 | 5/2/2019 | |||
| Rest of World | $7,094 | |||||||||
| International Total | $11,564,879 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Zhao Tao | Qiao |
Supporting
| Liao Fan | Bin | |
| Xu Zheng | ||
| Casper Liang |
Cameo
| Xiaogang Feng | ||
| Diao Yinan | ||
| Yibai Zhang | ||
| Jiali Ding | ||
| Zhang Yi | ||
| Zijian Dong |
Production and Technical Credits
| Zhangke Jia | Director | |
| Zhangke Jia | Screenwriter | |
| Shozo Ichiyama | Producer | |
| Zhang Dong | Co-Producer | |
| Xiang Shaokun | Co-Producer | |
| Juliette Schrameck | Co-Producer | |
| Wang Tianyun | Associate Producer | |
| Josie Chou | Associate Producer | |
| Wan Jiahuan | Associate Producer | |
| Zhao Yijun | Associate Producer | |
| Liu Zhe | Associate Producer | |
| Lim Giong | Composer | |
| Zhang Dong | Production Manager | |
| Jing Wang | First Assistant Director | |
| Eric Gautier | Director of Photography | |
| Matthieu Laclau | Editor | |
| Lin Xudong | Editor | |
| Zhang Yang | Sound Designer | |
| Olivier Goinard | Sound Mixer | |
| Liu Weixin | Art Director | |
| Ren Zhonglun | Executive Producer | |
| Zhangke Jia | Executive Producer | |
| Dong Ping | Executive Producer | |
| Nathanael Karmitz | Executive Producer | |
| Elisha Karmitz | Executive Producer | |
| Liu Shiyu | Executive Producer | |
| Zhu Weijie | Executive Producer | |
| Yang Jinsong | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.