Jing yi wui long (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $210,187 | Details |
| International Box Office | $132,211 | Details |
| Worldwide Box Office | $342,398 | |
| OpusData ID: 579440100 More info... | ||
| Further financial details... | ||
Synopsis
Based on actual events: in 2013, Henry Cheung collaborated with a friend to murder and dismember his parents. While the case may have looked simple on the surface, the truth proved to be increasingly difficult to untangle. As the defendants take on the distinct personas of the scheming genius and the naive, simple-minded victim of circumstances in court, the nine jury members must wrestle with their own conceptions of right and wrong as two men’s lives lay in the balance.
Metrics
| Opening Weekend: | $56,766 (27.0% of total gross) |
| Legs: | 3.70 (domestic box office/biggest weekend) |
| Domestic Share: | 61.4% (domestic box office/worldwide) |
| Theater counts: | 13 opening theaters/13 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $237,561 |
Movie Details
| Domestic Releases: | December 9th, 2022 (Limited) by Well Go USA, released as The Sparring Partner |
| International Releases: | November 18th, 2022 (Limited), released as The Sparring Partner (United Kingdom)
December 22nd, 2022 (Limited), released as The Sparring Partner (New Zealand) December 23rd, 2022 (Limited), released as The Sparring Partner (Australia) February 27th, 2026 (Limited), released as Jing yi wui long (正義廻廊) (Japan) ... Show all releases |
| Running Time: | 135 minutes |
| Plot point: | Dysfunctional Family |
| Subgenre: | Courtroom / Legal Drama |
| Time period setting: | 2010s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | Hong Kong |
| Languages: | Cantonese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 2022 | - | $56,766 | 13 | $4,367 | $56,766 | 1 | |
| Dec 16, 2022 | - | $24,575 | -57% | 11 | $2,234 | $121,696 | 2 |
| Dec 23, 2022 | - | $9,600 | -61% | 3 | $3,200 | $154,199 | 3 |
| Dec 30, 2022 | - | $9,693 | +1% | 3 | $3,231 | $182,660 | 4 |
| Jan 6, 2023 | - | $8,048 | -17% | 3 | $2,683 | $202,101 | 5 |
| Jan 13, 2023 | - | $4,355 | -46% | 2 | $2,178 | $210,187 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 26, 2022 | - | $4,180 | 3 | $1,393 | $158,379 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 2022 | 25 | $97,121 | 13 | $7,471 | $97,121 | 1 | |
| Dec 16, 2022 | 26 | $47,478 | -51% | 13 | $3,652 | $144,599 | 2 |
| Dec 23, 2022 | 26 | $28,368 | -40% | 3 | $9,456 | $172,967 | 3 |
| Dec 30, 2022 | 30 | $21,086 | -26% | 3 | $7,029 | $194,053 | 4 |
| Jan 6, 2023 | 32 | $11,779 | -44% | 3 | $3,926 | $205,832 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/23/2022 | $11,639 | 7 | 7 | 22 | $41,468 | 2/20/2023 | |||
| New Zealand | 12/22/2022 | $2,079 | 3 | 3 | 6 | $4,635 | 1/4/2023 | |||
| United Kingdom | 11/18/2022 | $54,990 | 31 | 31 | 31 | $86,108 | 11/28/2022 | |||
| International Total | $132,211 | 2/20/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Alan Yeung | ||
| Mak Pui-tung | ||
| Louisa So | ||
| Michael Chow | ||
| Jan Lamb |
Production and Technical Credits
| Cheuk Tin Ho | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Based on actual events: in 2013, Henry Cheung collaborated with a friend to murder and dismember his parents. While the case may have looked simple on the surface, the truth proved to be increasingly difficult to untangle. As the defendants take on the distinct personas of the scheming genius and the naive, simple-minded victim of circumstances in court, the nine jury members must wrestle with their own conceptions of right and wrong as two men’s lives lay in the balance.
Metrics
| Opening Weekend: | $56,766 (27.0% of total gross) |
| Legs: | 3.70 (domestic box office/biggest weekend) |
| Domestic Share: | 61.4% (domestic box office/worldwide) |
| Theater counts: | 13 opening theaters/13 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $237,561 |
Movie Details
| Domestic Releases: | December 9th, 2022 (Limited) by Well Go USA, released as The Sparring Partner |
| International Releases: | November 18th, 2022 (Limited), released as The Sparring Partner (United Kingdom)
December 22nd, 2022 (Limited), released as The Sparring Partner (New Zealand) December 23rd, 2022 (Limited), released as The Sparring Partner (Australia) February 27th, 2026 (Limited), released as Jing yi wui long (正義廻廊) (Japan) ... Show all releases |
| Running Time: | 135 minutes |
| Plot point: | Dysfunctional Family |
| Subgenre: | Courtroom / Legal Drama |
| Time period setting: | 2010s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | Hong Kong |
| Languages: | Cantonese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 2022 | - | $56,766 | 13 | $4,367 | $56,766 | 1 | |
| Dec 16, 2022 | - | $24,575 | -57% | 11 | $2,234 | $121,696 | 2 |
| Dec 23, 2022 | - | $9,600 | -61% | 3 | $3,200 | $154,199 | 3 |
| Dec 30, 2022 | - | $9,693 | +1% | 3 | $3,231 | $182,660 | 4 |
| Jan 6, 2023 | - | $8,048 | -17% | 3 | $2,683 | $202,101 | 5 |
| Jan 13, 2023 | - | $4,355 | -46% | 2 | $2,178 | $210,187 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 26, 2022 | - | $4,180 | 3 | $1,393 | $158,379 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 2022 | 25 | $97,121 | 13 | $7,471 | $97,121 | 1 | |
| Dec 16, 2022 | 26 | $47,478 | -51% | 13 | $3,652 | $144,599 | 2 |
| Dec 23, 2022 | 26 | $28,368 | -40% | 3 | $9,456 | $172,967 | 3 |
| Dec 30, 2022 | 30 | $21,086 | -26% | 3 | $7,029 | $194,053 | 4 |
| Jan 6, 2023 | 32 | $11,779 | -44% | 3 | $3,926 | $205,832 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/23/2022 | $11,639 | 7 | 7 | 22 | $41,468 | 2/20/2023 | |||
| New Zealand | 12/22/2022 | $2,079 | 3 | 3 | 6 | $4,635 | 1/4/2023 | |||
| United Kingdom | 11/18/2022 | $54,990 | 31 | 31 | 31 | $86,108 | 11/28/2022 | |||
| International Total | $132,211 | 2/20/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Alan Yeung | ||
| Mak Pui-tung | ||
| Louisa So | ||
| Michael Chow | ||
| Jan Lamb |
Production and Technical Credits
| Cheuk Tin Ho | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.