El Jockey (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $89,456 | Details |
| International Box Office | $113,224 | Details |
| Worldwide Box Office | $202,680 | |
| OpusData ID: 693150100 More info... | ||
| Further financial details... | ||
Synopsis
Remo Manfredini is a famous jockey in debt to the underworld: drug and alcohol addictions are compromising his career. The boss of his stable, the mafioso Sirena, begins to lose patience, even though Abril, Remo’s girlfriend, wins the races in his place. During an important race, Remo has a serious accident and ends up in a coma: when he wakes up he assumes a female identity, with the name of Delores, and wanders around Buenos Aires in a confused state. The gangsters, aware that they will no longer be able to get a cent from him, hunt him down to get rid of him.
Metrics
| Opening Weekend: | $4,610 (5.2% of total gross) |
| Legs: | 4.60 (domestic box office/biggest weekend) |
| Domestic Share: | 44.1% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/16 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $89,456 |
Movie Details
| Domestic Releases: | July 2nd, 2025 (Limited) by Music Box Films, released as Kill The Jockey |
| International Releases: | May 30th, 2025 (Limited) (Spain)
July 17th, 2025 (Limited) (Italy) September 11th, 2025 (Limited) (Netherlands) September 18th, 2025 (Limited), released as Kill the Jockey (Germany) January 28th, 2026 (Limited) (Belgium) ... Show all releases |
| MPA Rating: | Not Rated (Rated 7/17/2025) |
| Running Time: | 96 minutes |
| Plot point: | Crime, Death of a Pet, Fugitive / On the Run, Horse Racing |
| Social setting: | Film Noir, Organized Crime |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Music Box Films, Exile Content, El Despacho, Infinity Hill |
| Production Countries: | Argentina, Spain, Mexico, Denmark |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 4, 2025 | - | $4,610 | 1 | $4,610 | $7,730 | 1 | |
| Jul 11, 2025 | - | $19,457 | +322% | 14 | $1,390 | $31,719 | 2 |
| Jul 18, 2025 | - | $10,203 | -48% | 9 | $1,134 | $61,087 | 3 |
| Jul 25, 2025 | - | $4,811 | -53% | 7 | $687 | $73,377 | 4 |
| Aug 1, 2025 | - | $2,352 | -51% | 3 | $784 | $80,408 | 5 |
| Aug 8, 2025 | - | $1,493 | -37% | 3 | $498 | $84,342 | 6 |
| Aug 15, 2025 | - | $68 | -95% | 1 | $68 | $87,204 | 7 |
| Aug 22, 2025 | - | $272 | +300% | 1 | $272 | $87,512 | 8 |
| Aug 29, 2025 | - | $214 | -21% | 1 | $214 | $87,986 | 9 |
| Sep 19, 2025 | - | $873 | 2 | $437 | $89,280 | 12 | |
| Oct 10, 2025 | - | $176 | 1 | $176 | $89,456 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 27, 2025 | 45 | $3,120 | 1 | $3,120 | $3,120 | 1 | |
| Jul 4, 2025 | 33 | $9,142 | +193% | 1 | $9,142 | $12,262 | 2 |
| Jul 11, 2025 | 24 | $38,622 | +322% | 16 | $2,414 | $50,884 | 3 |
| Jul 18, 2025 | 28 | $17,682 | -54% | 9 | $1,965 | $68,566 | 4 |
| Jul 25, 2025 | 36 | $9,490 | -46% | 8 | $1,186 | $78,056 | 5 |
| Aug 1, 2025 | 40 | $4,793 | -49% | 3 | $1,598 | $82,849 | 6 |
| Aug 8, 2025 | 43 | $4,287 | -11% | 3 | $1,429 | $87,136 | 7 |
| Aug 15, 2025 | 67 | $104 | -98% | 1 | $104 | $87,240 | 8 |
| Aug 22, 2025 | 67 | $532 | +412% | 1 | $532 | $87,772 | 9 |
| Aug 29, 2025 | 63 | $517 | -3% | 2 | $259 | $88,289 | 10 |
| Sep 5, 2025 | 76 | $118 | -77% | 1 | $118 | $88,407 | 11 |
| Sep 19, 2025 | 68 | $873 | 2 | $437 | $89,280 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 7/17/2025 | $18,651 | 0 | 0 | 0 | $22,236 | 4/4/2026 | |||
| Netherlands | 9/11/2025 | $23,802 | 37 | 37 | 37 | $29,202 | 4/4/2026 | |||
| Spain | 5/30/2025 | $22,543 | 59 | 59 | 95 | $61,786 | 4/4/2026 | |||
| International Total | $113,224 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nahuel Perez Biscayart | Remo |
Supporting
| Úrsula Corberó | Abril | |
| Daniel Gimenez Cacho | Sirena | |
| Mariana Di Girolamo | Ana |
Production and Technical Credits
| Luis Ortega | Director | |
| Fabian Casas | Screenwriter | |
| Luis Ortega | Screenwriter | |
| Rodolfo Palacios | Screenwriter | |
| Benjamin Domenech | Producer | |
| Santiago Gallelli | Producer | |
| Matias Roveda | Producer | |
| Luis Ortega | Producer | |
| Esteban Perroud | Producer | |
| Axel Kuschevatzky | Producer | |
| Cindy Teperman | Producer | |
| Charlie Cohen | Producer | |
| Paz Lázaro | Producer | |
| Nando Vila | Producer | |
| Julio Chavezmontes | Co-Producer | |
| Diego Suárez Chialvo | Co-Producer | |
| Pablo Cruz | Co-Producer | |
| Enrique Lopez Lavigne | Co-Producer | |
| Katrin Pors | Co-Producer | |
| Eva Jakobsen | Co-Producer | |
| Mikkel Jersin | Co-Producer | |
| Lorena Villareal | Co-Producer | |
| Darian De La Fuente | Co-Producer | |
| Benicio del Toro | Executive Producer | |
| Isaac Lee | Executive Producer | |
| Ron Broitman | Executive Producer | |
| Federico Frágola | Executive Producer | |
| Phin Glynn | Executive Producer | |
| Delfina Montecchia | Executive Producer | |
| Martín Fisner | Executive Producer | |
| Guido Naya | Associate Producer | |
| Ezequiel Naya | Associate Producer | |
| Damián Moon | Associate Producer | |
| Matías Tamborenea | Associate Producer | |
| Alejandro Mares | Associate Producer | |
| Sebastián Hoffman | Associate Producer | |
| Alejandro Musich | Associate Producer | |
| Amalia Amoedo | Associate Producer | |
| Cabe Bossi | Associate Producer | |
| Pol Bossi | Associate Producer | |
| Timo Salminen | Cinematographer | |
| Julia Freid | Production Designer | |
| Germán Naglieri | Art Director | |
| Beatriz Di Benedetto | Costume Designer | |
| Rosario Suárez | Editor | |
| Yibran Asuad | Editor | |
| Guido Berenblum | Sound Designer | |
| Javier Umpierrez | Sound Designer | |
| Claus Lynge | Sound Designer | |
| Sune Rose Wagner | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Remo Manfredini is a famous jockey in debt to the underworld: drug and alcohol addictions are compromising his career. The boss of his stable, the mafioso Sirena, begins to lose patience, even though Abril, Remo’s girlfriend, wins the races in his place. During an important race, Remo has a serious accident and ends up in a coma: when he wakes up he assumes a female identity, with the name of Delores, and wanders around Buenos Aires in a confused state. The gangsters, aware that they will no longer be able to get a cent from him, hunt him down to get rid of him.
Metrics
| Opening Weekend: | $4,610 (5.2% of total gross) |
| Legs: | 4.60 (domestic box office/biggest weekend) |
| Domestic Share: | 44.1% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/16 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $89,456 |
Movie Details
| Domestic Releases: | July 2nd, 2025 (Limited) by Music Box Films, released as Kill The Jockey |
| International Releases: | May 30th, 2025 (Limited) (Spain)
July 17th, 2025 (Limited) (Italy) September 11th, 2025 (Limited) (Netherlands) September 18th, 2025 (Limited), released as Kill the Jockey (Germany) January 28th, 2026 (Limited) (Belgium) ... Show all releases |
| MPA Rating: | Not Rated (Rated 7/17/2025) |
| Running Time: | 96 minutes |
| Plot point: | Crime, Death of a Pet, Fugitive / On the Run, Horse Racing |
| Social setting: | Film Noir, Organized Crime |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Music Box Films, Exile Content, El Despacho, Infinity Hill |
| Production Countries: | Argentina, Spain, Mexico, Denmark |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 4, 2025 | - | $4,610 | 1 | $4,610 | $7,730 | 1 | |
| Jul 11, 2025 | - | $19,457 | +322% | 14 | $1,390 | $31,719 | 2 |
| Jul 18, 2025 | - | $10,203 | -48% | 9 | $1,134 | $61,087 | 3 |
| Jul 25, 2025 | - | $4,811 | -53% | 7 | $687 | $73,377 | 4 |
| Aug 1, 2025 | - | $2,352 | -51% | 3 | $784 | $80,408 | 5 |
| Aug 8, 2025 | - | $1,493 | -37% | 3 | $498 | $84,342 | 6 |
| Aug 15, 2025 | - | $68 | -95% | 1 | $68 | $87,204 | 7 |
| Aug 22, 2025 | - | $272 | +300% | 1 | $272 | $87,512 | 8 |
| Aug 29, 2025 | - | $214 | -21% | 1 | $214 | $87,986 | 9 |
| Sep 19, 2025 | - | $873 | 2 | $437 | $89,280 | 12 | |
| Oct 10, 2025 | - | $176 | 1 | $176 | $89,456 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 27, 2025 | 45 | $3,120 | 1 | $3,120 | $3,120 | 1 | |
| Jul 4, 2025 | 33 | $9,142 | +193% | 1 | $9,142 | $12,262 | 2 |
| Jul 11, 2025 | 24 | $38,622 | +322% | 16 | $2,414 | $50,884 | 3 |
| Jul 18, 2025 | 28 | $17,682 | -54% | 9 | $1,965 | $68,566 | 4 |
| Jul 25, 2025 | 36 | $9,490 | -46% | 8 | $1,186 | $78,056 | 5 |
| Aug 1, 2025 | 40 | $4,793 | -49% | 3 | $1,598 | $82,849 | 6 |
| Aug 8, 2025 | 43 | $4,287 | -11% | 3 | $1,429 | $87,136 | 7 |
| Aug 15, 2025 | 67 | $104 | -98% | 1 | $104 | $87,240 | 8 |
| Aug 22, 2025 | 67 | $532 | +412% | 1 | $532 | $87,772 | 9 |
| Aug 29, 2025 | 63 | $517 | -3% | 2 | $259 | $88,289 | 10 |
| Sep 5, 2025 | 76 | $118 | -77% | 1 | $118 | $88,407 | 11 |
| Sep 19, 2025 | 68 | $873 | 2 | $437 | $89,280 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 7/17/2025 | $18,651 | 0 | 0 | 0 | $22,236 | 4/4/2026 | |||
| Netherlands | 9/11/2025 | $23,802 | 37 | 37 | 37 | $29,202 | 4/4/2026 | |||
| Spain | 5/30/2025 | $22,543 | 59 | 59 | 95 | $61,786 | 4/4/2026 | |||
| International Total | $113,224 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nahuel Perez Biscayart | Remo |
Supporting
| Úrsula Corberó | Abril | |
| Daniel Gimenez Cacho | Sirena | |
| Mariana Di Girolamo | Ana |
Production and Technical Credits
| Luis Ortega | Director | |
| Fabian Casas | Screenwriter | |
| Luis Ortega | Screenwriter | |
| Rodolfo Palacios | Screenwriter | |
| Benjamin Domenech | Producer | |
| Santiago Gallelli | Producer | |
| Matias Roveda | Producer | |
| Luis Ortega | Producer | |
| Esteban Perroud | Producer | |
| Axel Kuschevatzky | Producer | |
| Cindy Teperman | Producer | |
| Charlie Cohen | Producer | |
| Paz Lázaro | Producer | |
| Nando Vila | Producer | |
| Julio Chavezmontes | Co-Producer | |
| Diego Suárez Chialvo | Co-Producer | |
| Pablo Cruz | Co-Producer | |
| Enrique Lopez Lavigne | Co-Producer | |
| Katrin Pors | Co-Producer | |
| Eva Jakobsen | Co-Producer | |
| Mikkel Jersin | Co-Producer | |
| Lorena Villareal | Co-Producer | |
| Darian De La Fuente | Co-Producer | |
| Benicio del Toro | Executive Producer | |
| Isaac Lee | Executive Producer | |
| Ron Broitman | Executive Producer | |
| Federico Frágola | Executive Producer | |
| Phin Glynn | Executive Producer | |
| Delfina Montecchia | Executive Producer | |
| Martín Fisner | Executive Producer | |
| Guido Naya | Associate Producer | |
| Ezequiel Naya | Associate Producer | |
| Damián Moon | Associate Producer | |
| Matías Tamborenea | Associate Producer | |
| Alejandro Mares | Associate Producer | |
| Sebastián Hoffman | Associate Producer | |
| Alejandro Musich | Associate Producer | |
| Amalia Amoedo | Associate Producer | |
| Cabe Bossi | Associate Producer | |
| Pol Bossi | Associate Producer | |
| Timo Salminen | Cinematographer | |
| Julia Freid | Production Designer | |
| Germán Naglieri | Art Director | |
| Beatriz Di Benedetto | Costume Designer | |
| Rosario Suárez | Editor | |
| Yibran Asuad | Editor | |
| Guido Berenblum | Sound Designer | |
| Javier Umpierrez | Sound Designer | |
| Claus Lynge | Sound Designer | |
| Sune Rose Wagner | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.