Joe Bell (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $1,405,488 | Details |
| International Box Office | $331,918 | Details |
| Worldwide Box Office | $1,737,406 | |
| OpusData ID: 406020100 More info... | ||
| Further financial details... | ||
Synopsis
The true story of Oregonian father Joe Bell, who, in the wake of his 15-year old son’s suicide, sets out on a walk across America, hoping to promote awareness about the consequences of bullying.
Metrics
| Opening Weekend: | $749,635 (53.3% of total gross) |
| Legs: | 1.87 (domestic box office/biggest weekend) |
| Domestic Share: | 80.9% (domestic box office/worldwide) |
| Theater counts: | 1,094 opening theaters/1,094 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,652,860 |
Movie Details
| Domestic Releases: | July 23rd, 2021 (Wide) by Roadside Attractions |
| International Releases: | October 7th, 2021 (Wide) (Australia) |
| Video Release: | August 10th, 2021 by Vertical Entertainment |
| MPA Rating: | R for language including offensive slurs, some disturbing material, and teen partying. (Rating bulletin 2687 (cert #52874), 6/30/2021) |
| Running Time: | 93 minutes |
| Plot point: | Bullies, Death of a Son or Daughter, LGBTQ+, Suicide |
| Social setting: | LGBT Rights Movement |
| Subgenre: | Biographical Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Nine Stories Productions, Argent Pictures, Stay Gold Features, VisionChaos Productions, Parliament of Owls, Closest to the Hole, Leverage, Endeavor Content, Rhea Films, Hercules Film Fund, Roadside Attractions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 23, 2021 | 11 | $749,635 | 1,094 | $685 | $749,635 | 1 | |
| Jul 30, 2021 | - | $178,495 | -76% | 1,053 | $170 | $1,273,939 | 2 |
| Aug 6, 2021 | - | $19,353 | -89% | 113 | $171 | $1,389,107 | 3 |
| Aug 13, 2021 | - | $3,730 | -81% | 43 | $87 | $1,403,048 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 23, 2021 | - | $245,645 | 1,094 | $225 | $245,645 | 1 | ||
| Jul 24, 2021 | - | $280,593 | +14% | 1,094 | $256 | $526,238 | 2 | |
| Jul 25, 2021 | - | $223,397 | -20% | 1,094 | $204 | $749,635 | 3 | |
| Jul 26, 2021 | - | $81,067 | -64% | 1,094 | $74 | $830,702 | 4 | |
| Jul 27, 2021 | - | $119,344 | +47% | 1,094 | $109 | $950,046 | 5 | |
| Jul 28, 2021 | - | $84,691 | -29% | 1,094 | $77 | $1,034,737 | 6 | |
| Jul 29, 2021 | - | $60,707 | -28% | 1,094 | $55 | $1,095,444 | 7 | |
| Jul 30, 2021 | - | $50,531 | -17% | -79% | 1,053 | $48 | $1,145,975 | 8 |
| Jul 31, 2021 | - | $69,205 | +37% | -75% | 1,053 | $66 | $1,215,180 | 9 |
| Aug 1, 2021 | - | $58,759 | -15% | -74% | 1,053 | $56 | $1,273,939 | 10 |
| Aug 2, 2021 | - | $20,715 | -65% | -74% | 1,053 | $20 | $1,294,654 | 11 |
| Aug 3, 2021 | - | $29,259 | +41% | -75% | 1,053 | $28 | $1,323,913 | 12 |
| Aug 4, 2021 | - | $23,159 | -21% | -73% | 1,053 | $22 | $1,347,072 | 13 |
| Aug 5, 2021 | - | $22,682 | -2% | -63% | 1,053 | $22 | $1,369,754 | 14 |
| Aug 6, 2021 | - | $4,500 | -80% | -91% | 113 | $40 | $1,374,254 | 15 |
| Aug 7, 2021 | - | $7,894 | +75% | -89% | 113 | $70 | $1,382,148 | 16 |
| Aug 8, 2021 | - | $6,959 | -12% | -88% | 113 | $62 | $1,389,107 | 17 |
| Aug 9, 2021 | - | $2,789 | -60% | -87% | 113 | $25 | $1,391,896 | 18 |
| Aug 10, 2021 | - | $2,993 | +7% | -90% | 113 | $26 | $1,394,889 | 19 |
| Aug 11, 2021 | - | $2,744 | -8% | -88% | 113 | $24 | $1,397,633 | 20 |
| Aug 12, 2021 | - | $1,685 | -39% | -93% | 113 | $15 | $1,399,318 | 21 |
| Aug 13, 2021 | - | $905 | -46% | -80% | 43 | $21 | $1,400,223 | 22 |
| Aug 14, 2021 | - | $1,347 | +49% | -83% | 43 | $31 | $1,401,570 | 23 |
| Aug 15, 2021 | - | $1,478 | +10% | -79% | 43 | $34 | $1,403,048 | 24 |
| Aug 16, 2021 | - | $613 | -59% | -78% | 43 | $14 | $1,403,661 | 25 |
| Aug 17, 2021 | - | $400 | -35% | -87% | 43 | $9 | $1,404,061 | 26 |
| Aug 18, 2021 | - | $706 | +77% | -74% | 43 | $16 | $1,404,767 | 27 |
| Aug 19, 2021 | - | $721 | +2% | -57% | 43 | $17 | $1,405,488 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 23, 2021 | 11 | $1,095,444 | 1,094 | $1,001 | $1,095,444 | 1 | |
| Jul 30, 2021 | - | $274,310 | -75% | 1,053 | $261 | $1,369,754 | 2 |
| Aug 6, 2021 | - | $29,564 | -89% | 113 | $262 | $1,399,318 | 3 |
| Aug 13, 2021 | - | $6,170 | -79% | 43 | $143 | $1,405,488 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/7/2021 | $39,372 | 132 | 132 | 401 | $331,918 | 10/20/2022 | |||
| International Total | $331,918 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Mark Wahlberg | Joe Bell | |
| Reid Miller | Jadin Bell |
Supporting
| Connie Britton | Lola Bell | |
| Gary Sinise | Sheriff Westin | |
| Maxwell Jenkins | Joseph Bell | |
| Morgan Lily | Marcie | |
| Blaine Maye | Boyd | |
| Igby Rigney | Chance | |
| Coral Chambers | Dutch | |
| Scout Smith | Colleen | |
| David H. Stevens | Jimmy Crowder | |
| Blake Barlow | Victor | |
| Charles Halford | Will | |
| Jayne Luke | Samantha Sims | |
| Juan Antonio | Utah Highway Patrolman | |
| Kenadee Clark | Tandy | |
| Ashley Santos | Kim | |
| Cassie Beck | Mrs. Swift | |
| Christina Thurmond | Waitress Molly | |
| Raquel Horton | Mother of Player | |
| Jason Cozmo | Drag Queen | |
| Christina Torriente | Dolores | |
| Ben Hopkin | Father of Player | |
| Brandon Ray Olive | Charles Green | |
| Jake Brown | Student #1 | |
| Brock McKinney | Student #2 | |
| Paul Kiernan | Husband at Motel | |
| Jordan Davis | Boyd’s Buddy | |
| Dustin Bell | Sedan Driver | |
| Chris Harvey | Trucker One | |
| Karla Hernandez | Wife at Motel | |
| Tara Buck | Mary Ivy | |
| Austin R. Grant | Locker Room Boy |
Cameo
| James Harvey | Himself |
Supporting
| Cindy Perez | Driver (woman in truck) | |
| Charla Bocchicchio | Jogger | |
| Jaci Twiss | Passenger in Truck | |
| Alexiss Garcia | Girl at Auditorium | |
| Elijah Mendoza | Boy at Auditorium 1 | |
| Klayton Johnson | Boy at Auditorium 2 | |
| Jason Kelly | Rodeo Announcer | |
| Warren Tharp | Waiter | |
| Eric Weinstein | Bingo Announcer | |
| Mark “Cowboy” Schotz* | Head Coach | |
| Linda Kay Stewart | Bingo Winner | |
| Tiye Amenechi | Interviewer | |
| Elizabeth Bartley | Additional Voice | |
| Vicki Davis | Additional Voice | |
| David Heckel | Additional Voice | |
| Cassidy Rawlinson | Additional Voice | |
| Nicholas Shriner | Additional Voice | |
| Shane Sweet | Additional Voice | |
| Makenna Cowgill | Additional Voice | |
| Ann Maera Gray | Additional Voice | |
| Scott Menville | Additional Voice | |
| Julian Rawlinson | Additional Voice | |
| Warren Sroka | Additional Voice | |
| Shelby Young | Additional Voice |
Production and Technical Credits
| Reinaldo Marcus Green | Director | |
| Diana Ossana | Screenwriter | |
| Larry McMurtry | Screenwriter | |
| Daniela Taplin Lundberg | Producer | |
| Riva Marker | Producer | |
| Eva Maria Daniels | Producer | |
| Cary Joji Fukunaga | Producer | |
| Ryan Ahrens | Producer | |
| Mark Wahlberg | Producer | |
| Stephen Levinson | Producer | |
| Jill Ahrens | Executive Producer | |
| Benjamin Renzo | Executive Producer | |
| Derrick Brooks | Executive Producer | |
| Paris Kasidokostas Latsis | Executive Producer | |
| Terry Dougas | Executive Producer | |
| Jean-Luc De Fanti | Executive Producer | |
| Jake Gyllenhaal | Executive Producer | |
| Diana Ossana | Executive Producer | |
| Larry McMurtry | Executive Producer | |
| Peter Pastorelli | Executive Producer | |
| Uwe R. Feuersenger | Executive Producer | |
| Mark Sanger | Co-Producer | |
| Jacques Jouffret | Director of Photography | |
| Kelly McGehee | Production Designer | |
| Mark Sanger | Editor | |
| Antonio Pinto | Composer | |
| Avy Kaufman | Casting Director | |
| Susan Jacobs | Music Supervisor | |
| Susan Matheson | Costume Designer | |
| Peter Pastorelli | Unit Production Manager | |
| Christopher Carroll | First Assistant Director | |
| Justin Chan | Additional Editor | |
| Colby Parker, Jr | Additional Editor | |
| Eric Friedenberg | Additional Editor | |
| Morten Højbjerg | Additional Editor | |
| Affonso Goncalves | Additional Editor | |
| Rebecca Cammarata | Co-Producer | |
| Lola Lathrop | Associate Producer | |
| Hayden Kiessling | Associate Producer | |
| Paul A. Levin | Associate Producer | |
| Roger Crandall | Art Director | |
| Les Boothe | Set Decorator | |
| Jenna Dayton | Script Supervisor | |
| Edward Tise | Sound Mixer | |
| Ryan Roundy | Special Effects Supervisor | |
| Mimi Davis-Taylor | Location Manager | |
| Allan Apone | Make up | |
| Greg Moon | Make up | |
| Johnny Villanueva | Hairstylist | |
| Kathy Lynch | Hairstylist | |
| David Oliver | Assistant Editor | |
| Conor Burke | Assistant Editor | |
| Richard Conkling | Assistant Editor | |
| Nicholas Haridopolos | Assistant Editor | |
| Eric Schusterman | Assistant Editor | |
| John To | Assistant Editor | |
| Paul Davies | Supervising Sound Editor | |
| Andrew Sirk | Supervising Dialogue Editor | |
| Morgan Muse | Sound Effects Editor | |
| Andrew Sirk | Re-recording Mixer | |
| Simon Trundle | Foley Mixer | |
| Robin Whittaker | Music Editor | |
| Maximilian Rubell | Music Editor | |
| John Kurlander | Score Mixer | |
| George A. Loucas | Visual Effects Supervisor | |
| Matthew Dean Russell | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The true story of Oregonian father Joe Bell, who, in the wake of his 15-year old son’s suicide, sets out on a walk across America, hoping to promote awareness about the consequences of bullying.
Metrics
| Opening Weekend: | $749,635 (53.3% of total gross) |
| Legs: | 1.87 (domestic box office/biggest weekend) |
| Domestic Share: | 80.9% (domestic box office/worldwide) |
| Theater counts: | 1,094 opening theaters/1,094 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,652,860 |
Movie Details
| Domestic Releases: | July 23rd, 2021 (Wide) by Roadside Attractions |
| International Releases: | October 7th, 2021 (Wide) (Australia) |
| Video Release: | August 10th, 2021 by Vertical Entertainment |
| MPA Rating: | R for language including offensive slurs, some disturbing material, and teen partying. (Rating bulletin 2687 (cert #52874), 6/30/2021) |
| Running Time: | 93 minutes |
| Plot point: | Bullies, Death of a Son or Daughter, LGBTQ+, Suicide |
| Social setting: | LGBT Rights Movement |
| Subgenre: | Biographical Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Nine Stories Productions, Argent Pictures, Stay Gold Features, VisionChaos Productions, Parliament of Owls, Closest to the Hole, Leverage, Endeavor Content, Rhea Films, Hercules Film Fund, Roadside Attractions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 23, 2021 | 11 | $749,635 | 1,094 | $685 | $749,635 | 1 | |
| Jul 30, 2021 | - | $178,495 | -76% | 1,053 | $170 | $1,273,939 | 2 |
| Aug 6, 2021 | - | $19,353 | -89% | 113 | $171 | $1,389,107 | 3 |
| Aug 13, 2021 | - | $3,730 | -81% | 43 | $87 | $1,403,048 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 23, 2021 | - | $245,645 | 1,094 | $225 | $245,645 | 1 | ||
| Jul 24, 2021 | - | $280,593 | +14% | 1,094 | $256 | $526,238 | 2 | |
| Jul 25, 2021 | - | $223,397 | -20% | 1,094 | $204 | $749,635 | 3 | |
| Jul 26, 2021 | - | $81,067 | -64% | 1,094 | $74 | $830,702 | 4 | |
| Jul 27, 2021 | - | $119,344 | +47% | 1,094 | $109 | $950,046 | 5 | |
| Jul 28, 2021 | - | $84,691 | -29% | 1,094 | $77 | $1,034,737 | 6 | |
| Jul 29, 2021 | - | $60,707 | -28% | 1,094 | $55 | $1,095,444 | 7 | |
| Jul 30, 2021 | - | $50,531 | -17% | -79% | 1,053 | $48 | $1,145,975 | 8 |
| Jul 31, 2021 | - | $69,205 | +37% | -75% | 1,053 | $66 | $1,215,180 | 9 |
| Aug 1, 2021 | - | $58,759 | -15% | -74% | 1,053 | $56 | $1,273,939 | 10 |
| Aug 2, 2021 | - | $20,715 | -65% | -74% | 1,053 | $20 | $1,294,654 | 11 |
| Aug 3, 2021 | - | $29,259 | +41% | -75% | 1,053 | $28 | $1,323,913 | 12 |
| Aug 4, 2021 | - | $23,159 | -21% | -73% | 1,053 | $22 | $1,347,072 | 13 |
| Aug 5, 2021 | - | $22,682 | -2% | -63% | 1,053 | $22 | $1,369,754 | 14 |
| Aug 6, 2021 | - | $4,500 | -80% | -91% | 113 | $40 | $1,374,254 | 15 |
| Aug 7, 2021 | - | $7,894 | +75% | -89% | 113 | $70 | $1,382,148 | 16 |
| Aug 8, 2021 | - | $6,959 | -12% | -88% | 113 | $62 | $1,389,107 | 17 |
| Aug 9, 2021 | - | $2,789 | -60% | -87% | 113 | $25 | $1,391,896 | 18 |
| Aug 10, 2021 | - | $2,993 | +7% | -90% | 113 | $26 | $1,394,889 | 19 |
| Aug 11, 2021 | - | $2,744 | -8% | -88% | 113 | $24 | $1,397,633 | 20 |
| Aug 12, 2021 | - | $1,685 | -39% | -93% | 113 | $15 | $1,399,318 | 21 |
| Aug 13, 2021 | - | $905 | -46% | -80% | 43 | $21 | $1,400,223 | 22 |
| Aug 14, 2021 | - | $1,347 | +49% | -83% | 43 | $31 | $1,401,570 | 23 |
| Aug 15, 2021 | - | $1,478 | +10% | -79% | 43 | $34 | $1,403,048 | 24 |
| Aug 16, 2021 | - | $613 | -59% | -78% | 43 | $14 | $1,403,661 | 25 |
| Aug 17, 2021 | - | $400 | -35% | -87% | 43 | $9 | $1,404,061 | 26 |
| Aug 18, 2021 | - | $706 | +77% | -74% | 43 | $16 | $1,404,767 | 27 |
| Aug 19, 2021 | - | $721 | +2% | -57% | 43 | $17 | $1,405,488 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 23, 2021 | 11 | $1,095,444 | 1,094 | $1,001 | $1,095,444 | 1 | |
| Jul 30, 2021 | - | $274,310 | -75% | 1,053 | $261 | $1,369,754 | 2 |
| Aug 6, 2021 | - | $29,564 | -89% | 113 | $262 | $1,399,318 | 3 |
| Aug 13, 2021 | - | $6,170 | -79% | 43 | $143 | $1,405,488 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/7/2021 | $39,372 | 132 | 132 | 401 | $331,918 | 10/20/2022 | |||
| International Total | $331,918 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Mark Wahlberg | Joe Bell | |
| Reid Miller | Jadin Bell |
Supporting
| Connie Britton | Lola Bell | |
| Gary Sinise | Sheriff Westin | |
| Maxwell Jenkins | Joseph Bell | |
| Morgan Lily | Marcie | |
| Blaine Maye | Boyd | |
| Igby Rigney | Chance | |
| Coral Chambers | Dutch | |
| Scout Smith | Colleen | |
| David H. Stevens | Jimmy Crowder | |
| Blake Barlow | Victor | |
| Charles Halford | Will | |
| Jayne Luke | Samantha Sims | |
| Juan Antonio | Utah Highway Patrolman | |
| Kenadee Clark | Tandy | |
| Ashley Santos | Kim | |
| Cassie Beck | Mrs. Swift | |
| Christina Thurmond | Waitress Molly | |
| Raquel Horton | Mother of Player | |
| Jason Cozmo | Drag Queen | |
| Christina Torriente | Dolores | |
| Ben Hopkin | Father of Player | |
| Brandon Ray Olive | Charles Green | |
| Jake Brown | Student #1 | |
| Brock McKinney | Student #2 | |
| Paul Kiernan | Husband at Motel | |
| Jordan Davis | Boyd’s Buddy | |
| Dustin Bell | Sedan Driver | |
| Chris Harvey | Trucker One | |
| Karla Hernandez | Wife at Motel | |
| Tara Buck | Mary Ivy | |
| Austin R. Grant | Locker Room Boy |
Cameo
| James Harvey | Himself |
Supporting
| Cindy Perez | Driver (woman in truck) | |
| Charla Bocchicchio | Jogger | |
| Jaci Twiss | Passenger in Truck | |
| Alexiss Garcia | Girl at Auditorium | |
| Elijah Mendoza | Boy at Auditorium 1 | |
| Klayton Johnson | Boy at Auditorium 2 | |
| Jason Kelly | Rodeo Announcer | |
| Warren Tharp | Waiter | |
| Eric Weinstein | Bingo Announcer | |
| Mark “Cowboy” Schotz* | Head Coach | |
| Linda Kay Stewart | Bingo Winner | |
| Tiye Amenechi | Interviewer | |
| Elizabeth Bartley | Additional Voice | |
| Vicki Davis | Additional Voice | |
| David Heckel | Additional Voice | |
| Cassidy Rawlinson | Additional Voice | |
| Nicholas Shriner | Additional Voice | |
| Shane Sweet | Additional Voice | |
| Makenna Cowgill | Additional Voice | |
| Ann Maera Gray | Additional Voice | |
| Scott Menville | Additional Voice | |
| Julian Rawlinson | Additional Voice | |
| Warren Sroka | Additional Voice | |
| Shelby Young | Additional Voice |
Production and Technical Credits
| Reinaldo Marcus Green | Director | |
| Diana Ossana | Screenwriter | |
| Larry McMurtry | Screenwriter | |
| Daniela Taplin Lundberg | Producer | |
| Riva Marker | Producer | |
| Eva Maria Daniels | Producer | |
| Cary Joji Fukunaga | Producer | |
| Ryan Ahrens | Producer | |
| Mark Wahlberg | Producer | |
| Stephen Levinson | Producer | |
| Jill Ahrens | Executive Producer | |
| Benjamin Renzo | Executive Producer | |
| Derrick Brooks | Executive Producer | |
| Paris Kasidokostas Latsis | Executive Producer | |
| Terry Dougas | Executive Producer | |
| Jean-Luc De Fanti | Executive Producer | |
| Jake Gyllenhaal | Executive Producer | |
| Diana Ossana | Executive Producer | |
| Larry McMurtry | Executive Producer | |
| Peter Pastorelli | Executive Producer | |
| Uwe R. Feuersenger | Executive Producer | |
| Mark Sanger | Co-Producer | |
| Jacques Jouffret | Director of Photography | |
| Kelly McGehee | Production Designer | |
| Mark Sanger | Editor | |
| Antonio Pinto | Composer | |
| Avy Kaufman | Casting Director | |
| Susan Jacobs | Music Supervisor | |
| Susan Matheson | Costume Designer | |
| Peter Pastorelli | Unit Production Manager | |
| Christopher Carroll | First Assistant Director | |
| Justin Chan | Additional Editor | |
| Colby Parker, Jr | Additional Editor | |
| Eric Friedenberg | Additional Editor | |
| Morten Højbjerg | Additional Editor | |
| Affonso Goncalves | Additional Editor | |
| Rebecca Cammarata | Co-Producer | |
| Lola Lathrop | Associate Producer | |
| Hayden Kiessling | Associate Producer | |
| Paul A. Levin | Associate Producer | |
| Roger Crandall | Art Director | |
| Les Boothe | Set Decorator | |
| Jenna Dayton | Script Supervisor | |
| Edward Tise | Sound Mixer | |
| Ryan Roundy | Special Effects Supervisor | |
| Mimi Davis-Taylor | Location Manager | |
| Allan Apone | Make up | |
| Greg Moon | Make up | |
| Johnny Villanueva | Hairstylist | |
| Kathy Lynch | Hairstylist | |
| David Oliver | Assistant Editor | |
| Conor Burke | Assistant Editor | |
| Richard Conkling | Assistant Editor | |
| Nicholas Haridopolos | Assistant Editor | |
| Eric Schusterman | Assistant Editor | |
| John To | Assistant Editor | |
| Paul Davies | Supervising Sound Editor | |
| Andrew Sirk | Supervising Dialogue Editor | |
| Morgan Muse | Sound Effects Editor | |
| Andrew Sirk | Re-recording Mixer | |
| Simon Trundle | Foley Mixer | |
| Robin Whittaker | Music Editor | |
| Maximilian Rubell | Music Editor | |
| John Kurlander | Score Mixer | |
| George A. Loucas | Visual Effects Supervisor | |
| Matthew Dean Russell | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.