Johnny Mnemonic (1995)
| Theatrical Performance | ||
| Domestic Box Office | $19,006,201 | Details |
| OpusData ID: 26160100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $7,420,808 (39.0% of total gross) |
| Legs: | 2.56 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,825 opening theaters/1,825 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $49,416,116 |
Movie Details
| Domestic Releases: | May 26th, 1995 (Wide) by Sony Pictures |
| International Releases: | October 23rd, 2025 (Limited), released as Johnny Mnemonic (Джонни Мнемоник) (Russia (CIS)) |
| Video Release: | April 9th, 1996 by Sony Pictures Home Entertainment |
| MPA Rating: | R for strong sci-fi violence, and for language |
| Running Time: | 96 minutes |
| Plot point: | Corporate Malfeasance, Fugitive / On the Run, Medical and Hospitals, Yakuza |
| Social setting: | Film Noir |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Action Thriller |
| Time period setting: | 2020s, Cyberpunk, Yesterday's Tomorrow |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Tri-Star Pictures |
| Production Countries: | Canada, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 26, 1995 | 6 | $7,420,808 | 1,825 | $4,066 | $7,420,808 | 1 | |
| Jun 2, 1995 | 7 | $3,241,903 | -56% | 1,732 | $1,872 | $12,207,947 | 2 |
| Jun 9, 1995 | 9 | $1,575,562 | -51% | 1,250 | $1,260 | $15,250,768 | 3 |
| Jun 16, 1995 | 12 | $644,466 | -59% | 900 | $716 | $16,748,164 | 4 |
| Jun 23, 1995 | 12 | $415,522 | -36% | 436 | $953 | $17,552,034 | 5 |
| Jun 30, 1995 | 36 | $75,611 | -82% | 144 | $525 | $17,854,876 | 6 |
| Jul 7, 1995 | 40 | $48,152 | -36% | 88 | $547 | $17,945,883 | 7 |
| Jul 14, 1995 | 23 | $284,100 | +490% | 550 | $517 | $18,241,249 | 8 |
| Jul 21, 1995 | 29 | $125,158 | -56% | 268 | $467 | $18,515,772 | 9 |
| Jul 28, 1995 | 34 | $117,636 | -6% | 172 | $684 | $18,725,162 | 10 |
| Aug 4, 1995 | 42 | $74,977 | -36% | 86 | $872 | $18,839,487 | 11 |
| Aug 11, 1995 | 50 | $46,235 | -38% | 53 | $872 | $18,951,414 | 12 |
| Aug 18, 1995 | 59 | $20,977 | -55% | 34 | $617 | $19,006,201 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 26, 1995 | 6 | $8,966,044 | 1,825 | $4,913 | $8,966,044 | 1 | |
| Jun 2, 1995 | 7 | $4,709,162 | -47% | 1,732 | $2,719 | $13,675,206 | 2 |
| Jun 9, 1995 | 9 | $2,428,492 | -48% | 1,250 | $1,943 | $16,103,698 | 3 |
| Jun 16, 1995 | 12 | $1,032,814 | -57% | 900 | $1,148 | $17,136,512 | 4 |
| Jun 23, 1995 | 12 | $642,753 | -38% | 436 | $1,474 | $17,779,265 | 5 |
| Jun 30, 1995 | 36 | $118,466 | -82% | 144 | $823 | $17,897,731 | 6 |
| Jul 7, 1995 | 43 | $59,418 | -50% | 88 | $675 | $17,957,149 | 7 |
| Jul 14, 1995 | 24 | $433,465 | +630% | 550 | $788 | $18,390,614 | 8 |
| Jul 21, 1995 | 28 | $216,912 | -50% | 268 | $809 | $18,607,526 | 9 |
| Jul 28, 1995 | 35 | $156,984 | -28% | 172 | $913 | $18,764,510 | 10 |
| Aug 4, 1995 | 38 | $140,669 | -10% | 86 | $1,636 | $18,905,179 | 11 |
| Aug 11, 1995 | 49 | $80,045 | -43% | 53 | $1,510 | $18,985,224 | 12 |
Leading
| Keanu Reeves | Johnny Mnemonic | |
| Dolph Lundgren | Street Preacher | |
| Takeshi* | Takahashi | |
| Ice-T | J-Bone | |
| Dina Meyer | Jane |
Supporting
| Udo Kier | Ralfi | |
| Denis Akiyama | Shinji | |
| Henry Rollins | Spider | |
| Tracy Tweed | Pretty | |
| Don Francks | Hooky | |
| Barbara Sukowa | Anna K | |
| Falconer Abraham | Yomamma | |
| Diego Chambers | Henson | |
| Sherry Miller | Takahashi's Secreatary | |
| Arthur Eng | Viet | |
| Von Flores | Viet | |
| Vitoria Tengelis | Pharmakom Receptionist | |
| Warren Sulatycky | Yakuza Operator | |
| Celina Wu | Mikiyo | |
| Gene Mack | Laslo | |
| Jamie Elman | Toad | |
| Simon Sinn | Man in Hotel Lobby | |
| Caitlin Carmody | Twin in Hotel Lobby | |
| Erin Carmody | Twin in Hotel Lobby | |
| Doug O'Keefe | Pharmakom Security | |
| Marlow Vella | Lotek Kid | |
| Howard Szafer | Strike | |
| Paul Brogen | Stump | |
| Arthi Sambasivan | Nurse | |
| Silvio Oliviero | Stick | |
| Coyote Shivers | Buddy | |
| Lynne Adams | Rocket Launcher Yakuza | |
| Mike Shearer | Yakuza Partner | |
| Susan Tsagkaris | Opera Singer | |
| Christopher Comrie | Beijing Riot Newscaster | |
| Robin Crosby | Girl in Hotel Room |
Production and Technical Credits
| Robert Longo | Director | |
| Brad Fiedel | Music by | |
| Mychael Danna | Composer | |
| Ronald Sanders | Editor | |
| Nilo Rodis-Jamero | Production Designer | |
| Jean Desormeaux | Supervising Producer | |
| Staffan Ahrenberg | Executive Producer | |
| B.J Rack | Executive Producer | |
| Victoria Hamburg | Executive Producer | |
| Robert Lantos | Executive Producer | |
| William Ford Gibson | Screenplay by | |
| William Ford Gibson | Story Creator | |
| Don Carmody | Producer | |
| Michael Zenon | Assistant Director | |
| Vic Armstrong | Second Unit Director | |
| Ian McDougall | Production Manager | |
| Dennis Davenport | Art Director | |
| Enrico Campana | Set Decorator | |
| Syd Mead | Visual Consultant | |
| François Protat | Director of Photography | |
| Gene Warren | Visual Effects Supervisor | |
| Rory Cutler | Special Effects Supervisor | |
| Olga Dimitrov | Costume Designer | |
| Michael Rea | Associate Editor | |
| Doug Ganton | Production Sound Mixer | |
| Bill W. Benton | Re-recording Mixer | |
| Paul Massey | Re-recording Mixer | |
| Chris David | Re-recording Mixer | |
| Patrick Dodd | Supervising Sound Editor | |
| Jay Boekelheide | Sound Editor | |
| Mark Jan Wlodarkiewicz | Sound Editor | |
| David Williams | Sound Editor | |
| Jeremy Gordon | Sound Editor | |
| Mark A. Lanza | Sound Editor | |
| Douglas Murray | Sound Designer | |
| Mark Levinson | Dialogue Editor | |
| Allan K. Rosen | Music Editor | |
| Patty Von Arx | Music Editor | |
| Linda Gill | Makeup by | |
| Jennifer Bower | Hairstylist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $7,420,808 (39.0% of total gross) |
| Legs: | 2.56 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,825 opening theaters/1,825 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $49,416,116 |
Movie Details
| Domestic Releases: | May 26th, 1995 (Wide) by Sony Pictures |
| International Releases: | October 23rd, 2025 (Limited), released as Johnny Mnemonic (Джонни Мнемоник) (Russia (CIS)) |
| Video Release: | April 9th, 1996 by Sony Pictures Home Entertainment |
| MPA Rating: | R for strong sci-fi violence, and for language |
| Running Time: | 96 minutes |
| Plot point: | Corporate Malfeasance, Fugitive / On the Run, Medical and Hospitals, Yakuza |
| Social setting: | Film Noir |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Action Thriller |
| Time period setting: | 2020s, Cyberpunk, Yesterday's Tomorrow |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Tri-Star Pictures |
| Production Countries: | Canada, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 26, 1995 | 6 | $7,420,808 | 1,825 | $4,066 | $7,420,808 | 1 | |
| Jun 2, 1995 | 7 | $3,241,903 | -56% | 1,732 | $1,872 | $12,207,947 | 2 |
| Jun 9, 1995 | 9 | $1,575,562 | -51% | 1,250 | $1,260 | $15,250,768 | 3 |
| Jun 16, 1995 | 12 | $644,466 | -59% | 900 | $716 | $16,748,164 | 4 |
| Jun 23, 1995 | 12 | $415,522 | -36% | 436 | $953 | $17,552,034 | 5 |
| Jun 30, 1995 | 36 | $75,611 | -82% | 144 | $525 | $17,854,876 | 6 |
| Jul 7, 1995 | 40 | $48,152 | -36% | 88 | $547 | $17,945,883 | 7 |
| Jul 14, 1995 | 23 | $284,100 | +490% | 550 | $517 | $18,241,249 | 8 |
| Jul 21, 1995 | 29 | $125,158 | -56% | 268 | $467 | $18,515,772 | 9 |
| Jul 28, 1995 | 34 | $117,636 | -6% | 172 | $684 | $18,725,162 | 10 |
| Aug 4, 1995 | 42 | $74,977 | -36% | 86 | $872 | $18,839,487 | 11 |
| Aug 11, 1995 | 50 | $46,235 | -38% | 53 | $872 | $18,951,414 | 12 |
| Aug 18, 1995 | 59 | $20,977 | -55% | 34 | $617 | $19,006,201 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 26, 1995 | 6 | $8,966,044 | 1,825 | $4,913 | $8,966,044 | 1 | |
| Jun 2, 1995 | 7 | $4,709,162 | -47% | 1,732 | $2,719 | $13,675,206 | 2 |
| Jun 9, 1995 | 9 | $2,428,492 | -48% | 1,250 | $1,943 | $16,103,698 | 3 |
| Jun 16, 1995 | 12 | $1,032,814 | -57% | 900 | $1,148 | $17,136,512 | 4 |
| Jun 23, 1995 | 12 | $642,753 | -38% | 436 | $1,474 | $17,779,265 | 5 |
| Jun 30, 1995 | 36 | $118,466 | -82% | 144 | $823 | $17,897,731 | 6 |
| Jul 7, 1995 | 43 | $59,418 | -50% | 88 | $675 | $17,957,149 | 7 |
| Jul 14, 1995 | 24 | $433,465 | +630% | 550 | $788 | $18,390,614 | 8 |
| Jul 21, 1995 | 28 | $216,912 | -50% | 268 | $809 | $18,607,526 | 9 |
| Jul 28, 1995 | 35 | $156,984 | -28% | 172 | $913 | $18,764,510 | 10 |
| Aug 4, 1995 | 38 | $140,669 | -10% | 86 | $1,636 | $18,905,179 | 11 |
| Aug 11, 1995 | 49 | $80,045 | -43% | 53 | $1,510 | $18,985,224 | 12 |
Leading
| Keanu Reeves | Johnny Mnemonic | |
| Dolph Lundgren | Street Preacher | |
| Takeshi* | Takahashi | |
| Ice-T | J-Bone | |
| Dina Meyer | Jane |
Supporting
| Udo Kier | Ralfi | |
| Denis Akiyama | Shinji | |
| Henry Rollins | Spider | |
| Tracy Tweed | Pretty | |
| Don Francks | Hooky | |
| Barbara Sukowa | Anna K | |
| Falconer Abraham | Yomamma | |
| Diego Chambers | Henson | |
| Sherry Miller | Takahashi's Secreatary | |
| Arthur Eng | Viet | |
| Von Flores | Viet | |
| Vitoria Tengelis | Pharmakom Receptionist | |
| Warren Sulatycky | Yakuza Operator | |
| Celina Wu | Mikiyo | |
| Gene Mack | Laslo | |
| Jamie Elman | Toad | |
| Simon Sinn | Man in Hotel Lobby | |
| Caitlin Carmody | Twin in Hotel Lobby | |
| Erin Carmody | Twin in Hotel Lobby | |
| Doug O'Keefe | Pharmakom Security | |
| Marlow Vella | Lotek Kid | |
| Howard Szafer | Strike | |
| Paul Brogen | Stump | |
| Arthi Sambasivan | Nurse | |
| Silvio Oliviero | Stick | |
| Coyote Shivers | Buddy | |
| Lynne Adams | Rocket Launcher Yakuza | |
| Mike Shearer | Yakuza Partner | |
| Susan Tsagkaris | Opera Singer | |
| Christopher Comrie | Beijing Riot Newscaster | |
| Robin Crosby | Girl in Hotel Room |
Production and Technical Credits
| Robert Longo | Director | |
| Brad Fiedel | Music by | |
| Mychael Danna | Composer | |
| Ronald Sanders | Editor | |
| Nilo Rodis-Jamero | Production Designer | |
| Jean Desormeaux | Supervising Producer | |
| Staffan Ahrenberg | Executive Producer | |
| B.J Rack | Executive Producer | |
| Victoria Hamburg | Executive Producer | |
| Robert Lantos | Executive Producer | |
| William Ford Gibson | Screenplay by | |
| William Ford Gibson | Story Creator | |
| Don Carmody | Producer | |
| Michael Zenon | Assistant Director | |
| Vic Armstrong | Second Unit Director | |
| Ian McDougall | Production Manager | |
| Dennis Davenport | Art Director | |
| Enrico Campana | Set Decorator | |
| Syd Mead | Visual Consultant | |
| François Protat | Director of Photography | |
| Gene Warren | Visual Effects Supervisor | |
| Rory Cutler | Special Effects Supervisor | |
| Olga Dimitrov | Costume Designer | |
| Michael Rea | Associate Editor | |
| Doug Ganton | Production Sound Mixer | |
| Bill W. Benton | Re-recording Mixer | |
| Paul Massey | Re-recording Mixer | |
| Chris David | Re-recording Mixer | |
| Patrick Dodd | Supervising Sound Editor | |
| Jay Boekelheide | Sound Editor | |
| Mark Jan Wlodarkiewicz | Sound Editor | |
| David Williams | Sound Editor | |
| Jeremy Gordon | Sound Editor | |
| Mark A. Lanza | Sound Editor | |
| Douglas Murray | Sound Designer | |
| Mark Levinson | Dialogue Editor | |
| Allan K. Rosen | Music Editor | |
| Patty Von Arx | Music Editor | |
| Linda Gill | Makeup by | |
| Jennifer Bower | Hairstylist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.