The Journey (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $164,994 | Details |
| International Box Office | $306,348 | Details |
| Worldwide Box Office | $471,342 | |
| OpusData ID: 241050100 More info... | ||
| Further financial details... | ||
Synopsis
The real life account of how two men from opposite sides of the political spectrum came together to change the course of history. In 2006, amidst the ongoing, decades-lssong conflict in Northern Ireland, representatives from the two warring factions meet for negotiations. In one corner is Ian Paisley, the deeply conservative British loyalist; in the other is Martin McGuinness, a former Irish Republican Army leader who has devoted his life to the cause of Irish reunification. Opposites in every way, the two men at first seem to have little chance of ever finding common ground. But over the course of an impromptu, detour-filled car ride through the Scottish countryside, each begins to see the other less as an enemy, and more as an individual—a breakthrough that promises to at last bring peace to the troubled region.
Metrics
| Opening Weekend: | $32,895 (19.9% of total gross) |
| Legs: | 5.02 (domestic box office/biggest weekend) |
| Domestic Share: | 35.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/26 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $219,992 |
Movie Details
| Domestic Releases: | June 16th, 2017 (Limited) by IFC Films |
| International Releases: | February 27th, 2017 (Wide) (South Korea)
March 31st, 2017 (Wide), released as Il Viaggio (Italy) May 5th, 2017 (Wide) (United Kingdom) July 14th, 2017 (Wide) (New Zealand) October 6th, 2017 (Wide), released as A Viagem (Portugal) ... Show all releases |
| MPA Rating: | PG-13 for thematic elements including violent images and language. (Rating bulletin 2472 (Cert #50394), 4/19/2017) |
| Running Time: | 95 minutes |
| Geographical setting: | Ireland, Northern Ireland |
| Plot point: | Enemies Forced to Work Together, Political, Politicians |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Greenroom Entertainment, Tempo Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 16, 2017 | 40 | $32,895 | 2 | $16,448 | $32,895 | 1 | |
| Jun 23, 2017 | 46 | $14,306 | -57% | 17 | $842 | $50,531 | 2 |
| Jun 30, 2017 | 54 | $7,477 | -48% | 16 | $467 | $65,924 | 3 |
| Jul 7, 2017 | 45 | $16,373 | +119% | 21 | $780 | $89,939 | 4 |
| Jul 14, 2017 | 45 | $14,228 | -13% | 26 | $547 | $112,360 | 5 |
| Jul 21, 2017 | 45 | $16,358 | +15% | 13 | $1,258 | $145,156 | 6 |
| Jul 28, 2017 | 54 | $9,305 | -43% | 7 | $1,329 | $161,979 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 16, 2017 | 44 | $36,225 | 2 | $18,113 | $36,225 | 1 | |
| Jun 23, 2017 | 48 | $22,222 | -39% | 17 | $1,307 | $58,447 | 2 |
| Jun 30, 2017 | 55 | $15,119 | -32% | 16 | $945 | $73,566 | 3 |
| Jul 7, 2017 | 47 | $24,566 | +62% | 21 | $1,170 | $98,132 | 4 |
| Jul 14, 2017 | 45 | $24,975 | +2% | 24 | $1,041 | $128,798 | 5 |
| Jul 21, 2017 | 47 | $23,876 | -4% | 13 | $1,837 | $152,674 | 6 |
| Jul 28, 2017 | 57 | $12,320 | -48% | 7 | $1,760 | $164,994 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 3/31/2017 | $76,591 | 0 | 0 | 0 | $76,591 | 4/5/2017 | |||
| New Zealand | 7/14/2017 | $24,291 | 24 | 27 | 142 | $79,554 | 10/16/2017 | |||
| Portugal | 10/6/2017 | $5,005 | 10 | 10 | 20 | $11,388 | 10/19/2017 | |||
| South Korea | 2/27/2017 | $0 | 0 | 1 | 0 | $15,295 | 4/4/2026 | |||
| Spain | 12/8/2017 | $23,629 | 34 | 34 | 34 | $23,629 | 12/14/2017 | |||
| United Kingdom | 5/5/2017 | $31,203 | 34 | 34 | 98 | $99,891 | 6/21/2017 | |||
| International Total | $306,348 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Timothy Spall | Ian Paisley | |
| Colm Meaney | Martin McGuinness |
Supporting
| Freddie Highmore | Jack The Driver | |
| John Hurt | Harry Patterson | |
| Catherine McCormack | Kate | |
| Toby Stephens | Tony Blair | |
| Mark Lambert | Bertie Ahern | |
| Barry Ward | Paisley Junior | |
| Ian Beattie | Gerry Adams | |
| Ian McElhinney | Rory McBride |
Production and Technical Credits
| Nick Hamm | Director | |
| Colin Bateman | Screenwriter | |
| Piers Tempest | Producer | |
| Mark Huffam | Producer | |
| Nick Hamm | Producer | |
| Matt Jackson | Producer | |
| Stuart Ford | Producer | |
| Jo Bamford | Executive Producer | |
| Norman Merry | Executive Producer | |
| Janine Modder | Executive Producer | |
| Miguel Palos, Jr. | Executive Producer | |
| Isabel Freer | Co-Producer | |
| Greg Gardiner | Director of Photography | |
| Chris Gill | Editor | |
| David Craig | Production Designer | |
| Stephen Warbeck | Composer | |
| Susan Scott | Costume Designer | |
| Olivia Scott-Webb | Casting Director | |
| Carla Stronge | Casting Director | |
| Janine Modder | Unit Production Manager | |
| Hannah Quinn | First Assistant Director | |
| Adrienne Greenhalgh | Second Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The real life account of how two men from opposite sides of the political spectrum came together to change the course of history. In 2006, amidst the ongoing, decades-lssong conflict in Northern Ireland, representatives from the two warring factions meet for negotiations. In one corner is Ian Paisley, the deeply conservative British loyalist; in the other is Martin McGuinness, a former Irish Republican Army leader who has devoted his life to the cause of Irish reunification. Opposites in every way, the two men at first seem to have little chance of ever finding common ground. But over the course of an impromptu, detour-filled car ride through the Scottish countryside, each begins to see the other less as an enemy, and more as an individual—a breakthrough that promises to at last bring peace to the troubled region.
Metrics
| Opening Weekend: | $32,895 (19.9% of total gross) |
| Legs: | 5.02 (domestic box office/biggest weekend) |
| Domestic Share: | 35.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/26 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $219,992 |
Movie Details
| Domestic Releases: | June 16th, 2017 (Limited) by IFC Films |
| International Releases: | February 27th, 2017 (Wide) (South Korea)
March 31st, 2017 (Wide), released as Il Viaggio (Italy) May 5th, 2017 (Wide) (United Kingdom) July 14th, 2017 (Wide) (New Zealand) October 6th, 2017 (Wide), released as A Viagem (Portugal) ... Show all releases |
| MPA Rating: | PG-13 for thematic elements including violent images and language. (Rating bulletin 2472 (Cert #50394), 4/19/2017) |
| Running Time: | 95 minutes |
| Geographical setting: | Ireland, Northern Ireland |
| Plot point: | Enemies Forced to Work Together, Political, Politicians |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Greenroom Entertainment, Tempo Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 16, 2017 | 40 | $32,895 | 2 | $16,448 | $32,895 | 1 | |
| Jun 23, 2017 | 46 | $14,306 | -57% | 17 | $842 | $50,531 | 2 |
| Jun 30, 2017 | 54 | $7,477 | -48% | 16 | $467 | $65,924 | 3 |
| Jul 7, 2017 | 45 | $16,373 | +119% | 21 | $780 | $89,939 | 4 |
| Jul 14, 2017 | 45 | $14,228 | -13% | 26 | $547 | $112,360 | 5 |
| Jul 21, 2017 | 45 | $16,358 | +15% | 13 | $1,258 | $145,156 | 6 |
| Jul 28, 2017 | 54 | $9,305 | -43% | 7 | $1,329 | $161,979 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 16, 2017 | 44 | $36,225 | 2 | $18,113 | $36,225 | 1 | |
| Jun 23, 2017 | 48 | $22,222 | -39% | 17 | $1,307 | $58,447 | 2 |
| Jun 30, 2017 | 55 | $15,119 | -32% | 16 | $945 | $73,566 | 3 |
| Jul 7, 2017 | 47 | $24,566 | +62% | 21 | $1,170 | $98,132 | 4 |
| Jul 14, 2017 | 45 | $24,975 | +2% | 24 | $1,041 | $128,798 | 5 |
| Jul 21, 2017 | 47 | $23,876 | -4% | 13 | $1,837 | $152,674 | 6 |
| Jul 28, 2017 | 57 | $12,320 | -48% | 7 | $1,760 | $164,994 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 3/31/2017 | $76,591 | 0 | 0 | 0 | $76,591 | 4/5/2017 | |||
| New Zealand | 7/14/2017 | $24,291 | 24 | 27 | 142 | $79,554 | 10/16/2017 | |||
| Portugal | 10/6/2017 | $5,005 | 10 | 10 | 20 | $11,388 | 10/19/2017 | |||
| South Korea | 2/27/2017 | $0 | 0 | 1 | 0 | $15,295 | 4/4/2026 | |||
| Spain | 12/8/2017 | $23,629 | 34 | 34 | 34 | $23,629 | 12/14/2017 | |||
| United Kingdom | 5/5/2017 | $31,203 | 34 | 34 | 98 | $99,891 | 6/21/2017 | |||
| International Total | $306,348 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Timothy Spall | Ian Paisley | |
| Colm Meaney | Martin McGuinness |
Supporting
| Freddie Highmore | Jack The Driver | |
| John Hurt | Harry Patterson | |
| Catherine McCormack | Kate | |
| Toby Stephens | Tony Blair | |
| Mark Lambert | Bertie Ahern | |
| Barry Ward | Paisley Junior | |
| Ian Beattie | Gerry Adams | |
| Ian McElhinney | Rory McBride |
Production and Technical Credits
| Nick Hamm | Director | |
| Colin Bateman | Screenwriter | |
| Piers Tempest | Producer | |
| Mark Huffam | Producer | |
| Nick Hamm | Producer | |
| Matt Jackson | Producer | |
| Stuart Ford | Producer | |
| Jo Bamford | Executive Producer | |
| Norman Merry | Executive Producer | |
| Janine Modder | Executive Producer | |
| Miguel Palos, Jr. | Executive Producer | |
| Isabel Freer | Co-Producer | |
| Greg Gardiner | Director of Photography | |
| Chris Gill | Editor | |
| David Craig | Production Designer | |
| Stephen Warbeck | Composer | |
| Susan Scott | Costume Designer | |
| Olivia Scott-Webb | Casting Director | |
| Carla Stronge | Casting Director | |
| Janine Modder | Unit Production Manager | |
| Hannah Quinn | First Assistant Director | |
| Adrienne Greenhalgh | Second Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.