Judas and the Black Messiah (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $5,478,009 | Details |
| International Box Office | $2,000,000 | Details |
| Worldwide Box Office | $7,478,009 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $568,273 | |
| Blu-ray Sales (estimated) | $717,873 | |
| Total | $1,286,146 | |
| OpusData ID: 444730100 More info... | ||
| Further financial details... | ||
Synopsis
Fred Hampton was 21 years old when he was assassinated by the FBI, who coerced a petty criminal named William O’Neal to help them silence him and the Black Panther Party. But they could not kill Fred Hampton’s legacy and, 50 years later, his words still echo…louder than ever.
Metrics
| Opening Weekend: | $2,027,076 (37.0% of total gross) |
| Legs: | 2.70 (domestic box office/biggest weekend) |
| Domestic Share: | 73.3% (domestic box office/worldwide) |
| Production Budget: | $26,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 1,888 opening theaters/1,906 max. theaters, 6.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,442,182 |
Movie Details
| Domestic Releases: | February 12th, 2021 (Wide) by Warner Bros. |
| International Releases: | February 26th, 2021 (Wide) (United Kingdom)
March 11th, 2021 (Wide) (Australia) March 11th, 2021 (Wide) (New Zealand) March 12th, 2021 (Wide) (Saudi Arabia) March 12th, 2021 (Wide) (United Arab Emirates) ... Show all releases |
| Video Release: | February 12th, 2021 by Max |
| MPA Rating: | R for violence and pervasive language. (Rating bulletin 2645 (Cert #52838), 9/2/2020) |
| Running Time: | 126 minutes |
| Award nomination: | 2021 Oscars Best Picture Nominee |
| Film festival: | Sundance Film Festival 2021 |
| Plot point: | Biography, FBI |
| Social setting: | Civil Rights Movement |
| Subgenre: | Biographical Drama |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Participant Media, Bron Creative, Warner Bros., Macro Media, Proximity Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2021 | 2 | $2,027,076 | 1,888 | $1,074 | $2,027,076 | 1 | |
| Feb 19, 2021 | 3 | $865,243 | -57% | 1,906 | $454 | $3,316,304 | 2 |
| Feb 26, 2021 | 7 | $482,337 | -44% | 1,350 | $357 | $4,042,911 | 3 |
| Mar 5, 2021 | 9 | $280,755 | -42% | 984 | $285 | $4,463,637 | 4 |
| Mar 12, 2021 | 12 | $163,477 | -42% | 777 | $210 | $4,704,995 | 5 |
| Mar 19, 2021 | - | $240,067 | +47% | 951 | $252 | $5,010,521 | 6 |
| Mar 26, 2021 | - | $100,630 | -58% | 842 | $120 | $5,190,672 | 7 |
| Apr 2, 2021 | - | $24,527 | -76% | 655 | $37 | $5,246,529 | 8 |
| Apr 9, 2021 | - | $25,887 | +6% | 655 | $40 | $5,284,392 | 9 |
| Apr 16, 2021 | - | $57,393 | +122% | 783 | $73 | $5,352,415 | 10 |
| Apr 23, 2021 | - | $32,293 | -44% | 714 | $45 | $5,416,063 | 11 |
| Apr 30, 2021 | - | $19,525 | -40% | 550 | $36 | $5,446,607 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Feb 15, 2021 | - | $415,000 | 1,888 | $220 | $2,485,000 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2021 | - | $2,451,061 | 1,888 | $1,298 | $2,451,061 | 1 | |
| Feb 19, 2021 | - | $1,109,513 | -55% | 1,906 | $582 | $3,560,574 | 2 |
| Feb 26, 2021 | - | $622,308 | -44% | 1,350 | $461 | $4,182,882 | 3 |
| Mar 5, 2021 | - | $358,636 | -42% | 984 | $364 | $4,541,518 | 4 |
| Mar 12, 2021 | - | $228,936 | -36% | 777 | $295 | $4,770,454 | 5 |
| Mar 19, 2021 | - | $319,588 | +40% | 951 | $336 | $5,090,042 | 6 |
| Mar 26, 2021 | - | $131,960 | -59% | 842 | $157 | $5,222,002 | 7 |
| Apr 2, 2021 | - | $36,503 | -72% | 655 | $56 | $5,258,505 | 8 |
| Apr 9, 2021 | - | $36,517 | n/c | 655 | $56 | $5,295,022 | 9 |
| Apr 16, 2021 | - | $88,748 | +143% | 655 | $135 | $5,383,770 | 10 |
| Apr 23, 2021 | - | $43,312 | -51% | 714 | $61 | $5,427,082 | 11 |
| Apr 30, 2021 | 26 | $26,551 | -39% | 714 | $37 | $5,453,633 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/11/2021 | $100,231 | 75 | 75 | 348 | $388,539 | 10/20/2022 | |||
| Brazil | 4/23/2021 | $0 | 0 | 0 | 0 | $35,000 | 10/20/2022 | |||
| India | 4/23/2021 | $0 | 0 | 0 | 0 | $16,000 | 10/20/2022 | |||
| Mexico | 4/23/2021 | $0 | 0 | 0 | 0 | $63,000 | 10/19/2022 | |||
| Netherlands | 6/18/2021 | $50,254 | 64 | 64 | 217 | $204,097 | 10/20/2022 | |||
| New Zealand | 3/11/2021 | $10,994 | 29 | 29 | 142 | $56,230 | 10/19/2022 | |||
| Nigeria | 4/23/2021 | $0 | 0 | 0 | 0 | $19,000 | 10/20/2022 | |||
| Saudi Arabia | 3/12/2021 | $41,000 | 28 | 28 | 28 | $72,000 | 10/19/2022 | |||
| Singapore | 4/23/2021 | $0 | 0 | 0 | 0 | $21,000 | 10/20/2022 | |||
| South Korea | 4/23/2021 | $20,741 | 146 | 146 | 218 | $61,000 | 10/20/2022 | |||
| Sweden | 4/2/2021 | $0 | 0 | 0 | 0 | $73,000 | 10/20/2022 | |||
| United Arab Emirates | 3/12/2021 | $0 | 0 | 0 | 0 | $52,000 | 3/15/2021 | |||
| United Kingdom | 2/26/2021 | $0 | 0 | 289 | 372 | $515,074 | 6/2/2021 | |||
| Rest of World | $424,060 | |||||||||
| International Total | $2,000,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniel Kaluuya | Fred Hampton | |
| Lakeith Lee Stanfield | Bill O’Neal |
Supporting
| Jesse Plemons | Roy Mitchell | |
| Dominique Fishback | Deborah Johnson | |
| Martin Sheen | J. Edgar Hoover | |
| Lil Rel Howery | Wayne | |
| Ashton Sanders | Jimmy Palmer | |
| Algee Smith | Jake Winters | |
| Darrell Britt Gibson | Bobby Rush | |
| Dominique Thorne | Judy Harmon | |
| Amari Cheatom | Collins | |
| Khris Davis | Steel | |
| Ian Duff | Doc Satchel | |
| Caleb Eberhardt | Bob Lee | |
| Robert Longstreet | Leslie Carlyle | |
| Amber Chardae Robinson | Betty Coachman | |
| Ikechukwu Ufomadu | Walter Hicks | |
| James Udom | Compton | |
| Nick Fink | Fesperman | |
| Mell Bowser | Tex | |
| Alysia Joy Powell | Mrs. Winters | |
| Nicholas Velez | José Cha Cha Jiménez | |
| Ajani AJ Carr | Anthony Timmons | |
| Tommy LaFitte | Pool Hall Bartender | |
| Terayle Hill | George Sams | |
| China Shavers | College Student | |
| Crystal Lee Brown | Darlene | |
| Graham Lutes | Alex | |
| Jonathan Scialabba | CPD Officer | |
| Adam Ratcliffe | Cop | |
| Rayjonaldy Rodriguez | Mexican Teen | |
| Tyra Joy Smith | Tracy Randle | |
| Deonte Stubbs | Dice Game Onlooker | |
| Cliff Weissman | Hospital Cop | |
| Tone Tank | Officer Carcetti | |
| James Bruner | Officer Williams | |
| Winston Haynes | Captain James Byrne | |
| Raymond Seay III | Oldest Kid | |
| Latjuan Wells | Youngest Kid | |
| Michael Harrity | Menard Prison Warden | |
| Will F. Moore | Interviewer | |
| Ken Bolden | Maitre d’ | |
| Maggie Tyma | Blonde Girl | |
| Michael Buonomo | FBI Agent | |
| Aaron Kleiber | Agent Saunders | |
| Brian Bowman | Reg | |
| Cooper Bucha | James | |
| Robert 7 Shannon | Prisoner |
Production and Technical Credits
| Shaka King | Director | |
| Shaka King | Screenwriter | |
| Will Berson | Screenwriter | |
| Will Berson | Story by | |
| Shaka King | Story by | |
| Kenny Lucas | Story by | |
| Keith Lucas | Story by | |
| Ryan Coogler | Producer | |
| Charles D. King | Producer | |
| Shaka King | Producer | |
| Sev Ohanian | Executive Producer | |
| Zinzi Coogler | Executive Producer | |
| Kim Roth | Executive Producer | |
| Poppy Hanks | Executive Producer | |
| Ravi Mehta | Executive Producer | |
| Jeff Skoll | Executive Producer | |
| Anikah McLaren | Executive Producer | |
| Aaron L. Gilbert | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Ted Gidlow | Executive Producer | |
| Niija Kuykendall | Executive Producer | |
| Sam Lisenco | Production Designer | |
| Kristan Sprague | Editor | |
| Craig Harris | Composer | |
| Mark Isham | Composer | |
| Sean Bobbitt | Director of Photography | |
| Will Berson | Co-Producer | |
| Kenny Lucas | Co-Producer | |
| Keith Lucas | Co-Producer | |
| Charlese Antoinette Jones | Costume Designer | |
| Alexa L. Fogel | Casting Director | |
| Ted Gidlow | Unit Production Manager | |
| Benita Allen | First Assistant Director | |
| Fred Roth | Second Assistant Director | |
| Makiah Green | Associate Producer | |
| Allard Cantor | Associate Producer | |
| Jarrod Murray | Associate Producer | |
| Austin LaPierre | Production Supervisor | |
| Jeremy Woolsey | Art Director | |
| Marlowe Taylor | Sound Mixer | |
| Eva Z. Cabrera | Script Supervisor | |
| C. Tuezday Naper | Costume Supervisor | |
| Sian Richards | Make up | |
| Sian Richards | Make-up and Prosthetic Effects Designer | |
| John Blake | Make up | |
| Victor Del Castillo | Make up | |
| Rebecca Woodfork | Hairstylist | |
| Korrey Robinson | Hairstylist | |
| Wendy Evans | Hairstylist | |
| Rebecca Brown | Set Decorator | |
| Bill Garvey | Location Manager | |
| Russell Tyrrell | Special Effects Supervisor | |
| Dean Tyrrell | Special Effects Coordinator | |
| Francis Power | Post-Production Supervisor | |
| Jennifer Lame | Additional Editor | |
| Michael Lafond | First Assistant Editor | |
| Jeremy Newmark | Visual Effects Supervisor | |
| Marvin Morris | Music Editor | |
| Rich Bologna | Supervising Sound Editor | |
| Skip Lievsay | Re-recording Mixer | |
| Jac Rubenstein | Dialogue Editor | |
| Jack Heeren | Foley Mixer | |
| Kevin Schultz | Foley Mixer | |
| Joao Galvao | Foley Mixer | |
| Davi Aquino | Foley Editor | |
| Jenna Dalla Riva | Foley Editor | |
| Zach Cowie | Music Supervisor | |
| Ludwig Göransson | Executive Music Producer | |
| Archie Davis | Executive Music Producer | |
| Craig Harris | Score Producer | |
| Mark Isham | Score Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Fred Hampton was 21 years old when he was assassinated by the FBI, who coerced a petty criminal named William O’Neal to help them silence him and the Black Panther Party. But they could not kill Fred Hampton’s legacy and, 50 years later, his words still echo…louder than ever.
Metrics
| Opening Weekend: | $2,027,076 (37.0% of total gross) |
| Legs: | 2.70 (domestic box office/biggest weekend) |
| Domestic Share: | 73.3% (domestic box office/worldwide) |
| Production Budget: | $26,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 1,888 opening theaters/1,906 max. theaters, 6.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,442,182 |
Movie Details
| Domestic Releases: | February 12th, 2021 (Wide) by Warner Bros. |
| International Releases: | February 26th, 2021 (Wide) (United Kingdom)
March 11th, 2021 (Wide) (Australia) March 11th, 2021 (Wide) (New Zealand) March 12th, 2021 (Wide) (Saudi Arabia) March 12th, 2021 (Wide) (United Arab Emirates) ... Show all releases |
| Video Release: | February 12th, 2021 by Max |
| MPA Rating: | R for violence and pervasive language. (Rating bulletin 2645 (Cert #52838), 9/2/2020) |
| Running Time: | 126 minutes |
| Award nomination: | 2021 Oscars Best Picture Nominee |
| Film festival: | Sundance Film Festival 2021 |
| Plot point: | Biography, FBI |
| Social setting: | Civil Rights Movement |
| Subgenre: | Biographical Drama |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Participant Media, Bron Creative, Warner Bros., Macro Media, Proximity Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2021 | 2 | $2,027,076 | 1,888 | $1,074 | $2,027,076 | 1 | |
| Feb 19, 2021 | 3 | $865,243 | -57% | 1,906 | $454 | $3,316,304 | 2 |
| Feb 26, 2021 | 7 | $482,337 | -44% | 1,350 | $357 | $4,042,911 | 3 |
| Mar 5, 2021 | 9 | $280,755 | -42% | 984 | $285 | $4,463,637 | 4 |
| Mar 12, 2021 | 12 | $163,477 | -42% | 777 | $210 | $4,704,995 | 5 |
| Mar 19, 2021 | - | $240,067 | +47% | 951 | $252 | $5,010,521 | 6 |
| Mar 26, 2021 | - | $100,630 | -58% | 842 | $120 | $5,190,672 | 7 |
| Apr 2, 2021 | - | $24,527 | -76% | 655 | $37 | $5,246,529 | 8 |
| Apr 9, 2021 | - | $25,887 | +6% | 655 | $40 | $5,284,392 | 9 |
| Apr 16, 2021 | - | $57,393 | +122% | 783 | $73 | $5,352,415 | 10 |
| Apr 23, 2021 | - | $32,293 | -44% | 714 | $45 | $5,416,063 | 11 |
| Apr 30, 2021 | - | $19,525 | -40% | 550 | $36 | $5,446,607 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Feb 15, 2021 | - | $415,000 | 1,888 | $220 | $2,485,000 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 12, 2021 | - | $2,451,061 | 1,888 | $1,298 | $2,451,061 | 1 | |
| Feb 19, 2021 | - | $1,109,513 | -55% | 1,906 | $582 | $3,560,574 | 2 |
| Feb 26, 2021 | - | $622,308 | -44% | 1,350 | $461 | $4,182,882 | 3 |
| Mar 5, 2021 | - | $358,636 | -42% | 984 | $364 | $4,541,518 | 4 |
| Mar 12, 2021 | - | $228,936 | -36% | 777 | $295 | $4,770,454 | 5 |
| Mar 19, 2021 | - | $319,588 | +40% | 951 | $336 | $5,090,042 | 6 |
| Mar 26, 2021 | - | $131,960 | -59% | 842 | $157 | $5,222,002 | 7 |
| Apr 2, 2021 | - | $36,503 | -72% | 655 | $56 | $5,258,505 | 8 |
| Apr 9, 2021 | - | $36,517 | n/c | 655 | $56 | $5,295,022 | 9 |
| Apr 16, 2021 | - | $88,748 | +143% | 655 | $135 | $5,383,770 | 10 |
| Apr 23, 2021 | - | $43,312 | -51% | 714 | $61 | $5,427,082 | 11 |
| Apr 30, 2021 | 26 | $26,551 | -39% | 714 | $37 | $5,453,633 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/11/2021 | $100,231 | 75 | 75 | 348 | $388,539 | 10/20/2022 | |||
| Brazil | 4/23/2021 | $0 | 0 | 0 | 0 | $35,000 | 10/20/2022 | |||
| India | 4/23/2021 | $0 | 0 | 0 | 0 | $16,000 | 10/20/2022 | |||
| Mexico | 4/23/2021 | $0 | 0 | 0 | 0 | $63,000 | 10/19/2022 | |||
| Netherlands | 6/18/2021 | $50,254 | 64 | 64 | 217 | $204,097 | 10/20/2022 | |||
| New Zealand | 3/11/2021 | $10,994 | 29 | 29 | 142 | $56,230 | 10/19/2022 | |||
| Nigeria | 4/23/2021 | $0 | 0 | 0 | 0 | $19,000 | 10/20/2022 | |||
| Saudi Arabia | 3/12/2021 | $41,000 | 28 | 28 | 28 | $72,000 | 10/19/2022 | |||
| Singapore | 4/23/2021 | $0 | 0 | 0 | 0 | $21,000 | 10/20/2022 | |||
| South Korea | 4/23/2021 | $20,741 | 146 | 146 | 218 | $61,000 | 10/20/2022 | |||
| Sweden | 4/2/2021 | $0 | 0 | 0 | 0 | $73,000 | 10/20/2022 | |||
| United Arab Emirates | 3/12/2021 | $0 | 0 | 0 | 0 | $52,000 | 3/15/2021 | |||
| United Kingdom | 2/26/2021 | $0 | 0 | 289 | 372 | $515,074 | 6/2/2021 | |||
| Rest of World | $424,060 | |||||||||
| International Total | $2,000,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniel Kaluuya | Fred Hampton | |
| Lakeith Lee Stanfield | Bill O’Neal |
Supporting
| Jesse Plemons | Roy Mitchell | |
| Dominique Fishback | Deborah Johnson | |
| Martin Sheen | J. Edgar Hoover | |
| Lil Rel Howery | Wayne | |
| Ashton Sanders | Jimmy Palmer | |
| Algee Smith | Jake Winters | |
| Darrell Britt Gibson | Bobby Rush | |
| Dominique Thorne | Judy Harmon | |
| Amari Cheatom | Collins | |
| Khris Davis | Steel | |
| Ian Duff | Doc Satchel | |
| Caleb Eberhardt | Bob Lee | |
| Robert Longstreet | Leslie Carlyle | |
| Amber Chardae Robinson | Betty Coachman | |
| Ikechukwu Ufomadu | Walter Hicks | |
| James Udom | Compton | |
| Nick Fink | Fesperman | |
| Mell Bowser | Tex | |
| Alysia Joy Powell | Mrs. Winters | |
| Nicholas Velez | José Cha Cha Jiménez | |
| Ajani AJ Carr | Anthony Timmons | |
| Tommy LaFitte | Pool Hall Bartender | |
| Terayle Hill | George Sams | |
| China Shavers | College Student | |
| Crystal Lee Brown | Darlene | |
| Graham Lutes | Alex | |
| Jonathan Scialabba | CPD Officer | |
| Adam Ratcliffe | Cop | |
| Rayjonaldy Rodriguez | Mexican Teen | |
| Tyra Joy Smith | Tracy Randle | |
| Deonte Stubbs | Dice Game Onlooker | |
| Cliff Weissman | Hospital Cop | |
| Tone Tank | Officer Carcetti | |
| James Bruner | Officer Williams | |
| Winston Haynes | Captain James Byrne | |
| Raymond Seay III | Oldest Kid | |
| Latjuan Wells | Youngest Kid | |
| Michael Harrity | Menard Prison Warden | |
| Will F. Moore | Interviewer | |
| Ken Bolden | Maitre d’ | |
| Maggie Tyma | Blonde Girl | |
| Michael Buonomo | FBI Agent | |
| Aaron Kleiber | Agent Saunders | |
| Brian Bowman | Reg | |
| Cooper Bucha | James | |
| Robert 7 Shannon | Prisoner |
Production and Technical Credits
| Shaka King | Director | |
| Shaka King | Screenwriter | |
| Will Berson | Screenwriter | |
| Will Berson | Story by | |
| Shaka King | Story by | |
| Kenny Lucas | Story by | |
| Keith Lucas | Story by | |
| Ryan Coogler | Producer | |
| Charles D. King | Producer | |
| Shaka King | Producer | |
| Sev Ohanian | Executive Producer | |
| Zinzi Coogler | Executive Producer | |
| Kim Roth | Executive Producer | |
| Poppy Hanks | Executive Producer | |
| Ravi Mehta | Executive Producer | |
| Jeff Skoll | Executive Producer | |
| Anikah McLaren | Executive Producer | |
| Aaron L. Gilbert | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Ted Gidlow | Executive Producer | |
| Niija Kuykendall | Executive Producer | |
| Sam Lisenco | Production Designer | |
| Kristan Sprague | Editor | |
| Craig Harris | Composer | |
| Mark Isham | Composer | |
| Sean Bobbitt | Director of Photography | |
| Will Berson | Co-Producer | |
| Kenny Lucas | Co-Producer | |
| Keith Lucas | Co-Producer | |
| Charlese Antoinette Jones | Costume Designer | |
| Alexa L. Fogel | Casting Director | |
| Ted Gidlow | Unit Production Manager | |
| Benita Allen | First Assistant Director | |
| Fred Roth | Second Assistant Director | |
| Makiah Green | Associate Producer | |
| Allard Cantor | Associate Producer | |
| Jarrod Murray | Associate Producer | |
| Austin LaPierre | Production Supervisor | |
| Jeremy Woolsey | Art Director | |
| Marlowe Taylor | Sound Mixer | |
| Eva Z. Cabrera | Script Supervisor | |
| C. Tuezday Naper | Costume Supervisor | |
| Sian Richards | Make up | |
| Sian Richards | Make-up and Prosthetic Effects Designer | |
| John Blake | Make up | |
| Victor Del Castillo | Make up | |
| Rebecca Woodfork | Hairstylist | |
| Korrey Robinson | Hairstylist | |
| Wendy Evans | Hairstylist | |
| Rebecca Brown | Set Decorator | |
| Bill Garvey | Location Manager | |
| Russell Tyrrell | Special Effects Supervisor | |
| Dean Tyrrell | Special Effects Coordinator | |
| Francis Power | Post-Production Supervisor | |
| Jennifer Lame | Additional Editor | |
| Michael Lafond | First Assistant Editor | |
| Jeremy Newmark | Visual Effects Supervisor | |
| Marvin Morris | Music Editor | |
| Rich Bologna | Supervising Sound Editor | |
| Skip Lievsay | Re-recording Mixer | |
| Jac Rubenstein | Dialogue Editor | |
| Jack Heeren | Foley Mixer | |
| Kevin Schultz | Foley Mixer | |
| Joao Galvao | Foley Mixer | |
| Davi Aquino | Foley Editor | |
| Jenna Dalla Riva | Foley Editor | |
| Zach Cowie | Music Supervisor | |
| Ludwig Göransson | Executive Music Producer | |
| Archie Davis | Executive Music Producer | |
| Craig Harris | Score Producer | |
| Mark Isham | Score Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.