Juliet & Romeo (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $456,624 | Details |
| International Box Office | $41,487 | Details |
| Worldwide Box Office | $498,111 | |
| OpusData ID: 671700100 More info... | ||
| Further financial details... | ||
Synopsis
Set at the end of the Medieval era, Verona’s Juliet & Romeo reimagines the world’s most famous star-crossed lovers, uncovering the true history behind Shakespeare’s story and its impact on the future of the Empire. But the biggest twist? This timeless tale trades traditional verse for original pop music, bringing its powerful themes to life in a fresh, unexpected and deeply moving way. The greatest love story of all time, set to the greatest music of our time.
Metrics
| Opening Weekend: | $289,489 (63.4% of total gross) |
| Legs: | 1.58 (domestic box office/biggest weekend) |
| Domestic Share: | 91.7% (domestic box office/worldwide) |
| Theater counts: | 1,350 opening theaters/1,350 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $456,624 |
Movie Details
| Domestic Releases: | May 9th, 2025 (Wide) by Briarcliff Entertainment |
| International Releases: | May 9th, 2025 (Wide) (South Africa)
June 11th, 2025 (Wide) (United Kingdom) August 7th, 2025 (Wide), released as Juliet & Romeo (Джульетта и Ромео) (Russia (CIS)) |
| MPA Rating: | PG-13 for some violence, bloody images and suggestive material. (Rating bulletin 2827 (cert #54848), 3/27/2024) |
| Running Time: | 122 minutes |
| Filming location (country): | Italy |
| Plot point: | Romance, Romeo and Juliet Romance |
| Subgenre: | Romantic Musical |
| Time period setting: | 1300s, Medieval |
| Source: | Based on Play |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 2025 | - | $289,489 | 1,350 | $214 | $289,489 | 1 | |
| May 16, 2025 | - | $24,799 | -91% | 322 | $77 | $441,741 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 9, 2025 | - | $96,002 | 1,350 | $71 | $96,002 | 1 | ||
| May 10, 2025 | - | $100,464 | +5% | 1,350 | $74 | $196,466 | 2 | |
| May 11, 2025 | - | $93,023 | -7% | 1,350 | $69 | $289,489 | 3 | |
| May 12, 2025 | - | $29,298 | -69% | 1,350 | $22 | $318,787 | 4 | |
| May 13, 2025 | - | $49,816 | +70% | 1,350 | $37 | $368,603 | 5 | |
| May 14, 2025 | - | $29,198 | -41% | 1,350 | $22 | $397,801 | 6 | |
| May 15, 2025 | - | $19,141 | -34% | 1,350 | $14 | $416,942 | 7 | |
| May 16, 2025 | - | $6,327 | -67% | -93% | 322 | $20 | $423,269 | 8 |
| May 17, 2025 | - | $11,213 | +77% | -89% | 322 | $35 | $434,482 | 9 |
| May 18, 2025 | - | $7,259 | -35% | -92% | 322 | $23 | $441,741 | 10 |
| May 19, 2025 | - | $2,750 | -62% | -91% | 322 | $9 | $444,491 | 11 |
| May 20, 2025 | - | $6,491 | +136% | -87% | 322 | $20 | $450,982 | 12 |
| May 21, 2025 | - | $4,478 | -31% | -85% | 322 | $14 | $455,460 | 13 |
| May 22, 2025 | - | $1,164 | -74% | -94% | 322 | $4 | $456,624 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 2025 | 14 | $416,942 | 1,350 | $309 | $416,942 | 1 | |
| May 16, 2025 | 24 | $39,682 | -90% | 322 | $123 | $456,624 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 8/7/2025 | $41,487 | 770 | 770 | 770 | $41,487 | 4/4/2026 | |||
| International Total | $41,487 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jamie Ward | Romeo | |
| Clara Rugaard | Juliet |
Supporting
| Rebel Wilson | ||
| Rupert Everett | ||
| Jason Isaacs | ||
| Derek Jacobi | ||
| Ferdia Walsh-Peelo | ||
| Rupert Graves | ||
| Dan Fogler | ||
| Tayla Parx | ||
| Nicholas Podany |
Production and Technical Credits
| Timothy Scott Bogart | Director | |
| Timothy Scott Bogart | Screenwriter | |
| Timothy Scott Bogart | Producer | |
| Jessica Martins | Producer | |
| Chris Torto | Producer | |
| Laurence Mark | Executive Producer | |
| Gary Randall | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| Clay Pecorin | Executive Producer | |
| Russell Geyser | Executive Producer | |
| Byron Werner | Cinematographer | |
| Camilla Toniolo | Editor | |
| Andrea Bottari | Editor | |
| Evan Kidd Bogart | Composer | |
| Justin Gray | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set at the end of the Medieval era, Verona’s Juliet & Romeo reimagines the world’s most famous star-crossed lovers, uncovering the true history behind Shakespeare’s story and its impact on the future of the Empire. But the biggest twist? This timeless tale trades traditional verse for original pop music, bringing its powerful themes to life in a fresh, unexpected and deeply moving way. The greatest love story of all time, set to the greatest music of our time.
Metrics
| Opening Weekend: | $289,489 (63.4% of total gross) |
| Legs: | 1.58 (domestic box office/biggest weekend) |
| Domestic Share: | 91.7% (domestic box office/worldwide) |
| Theater counts: | 1,350 opening theaters/1,350 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $456,624 |
Movie Details
| Domestic Releases: | May 9th, 2025 (Wide) by Briarcliff Entertainment |
| International Releases: | May 9th, 2025 (Wide) (South Africa)
June 11th, 2025 (Wide) (United Kingdom) August 7th, 2025 (Wide), released as Juliet & Romeo (Джульетта и Ромео) (Russia (CIS)) |
| MPA Rating: | PG-13 for some violence, bloody images and suggestive material. (Rating bulletin 2827 (cert #54848), 3/27/2024) |
| Running Time: | 122 minutes |
| Filming location (country): | Italy |
| Plot point: | Romance, Romeo and Juliet Romance |
| Subgenre: | Romantic Musical |
| Time period setting: | 1300s, Medieval |
| Source: | Based on Play |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 2025 | - | $289,489 | 1,350 | $214 | $289,489 | 1 | |
| May 16, 2025 | - | $24,799 | -91% | 322 | $77 | $441,741 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 9, 2025 | - | $96,002 | 1,350 | $71 | $96,002 | 1 | ||
| May 10, 2025 | - | $100,464 | +5% | 1,350 | $74 | $196,466 | 2 | |
| May 11, 2025 | - | $93,023 | -7% | 1,350 | $69 | $289,489 | 3 | |
| May 12, 2025 | - | $29,298 | -69% | 1,350 | $22 | $318,787 | 4 | |
| May 13, 2025 | - | $49,816 | +70% | 1,350 | $37 | $368,603 | 5 | |
| May 14, 2025 | - | $29,198 | -41% | 1,350 | $22 | $397,801 | 6 | |
| May 15, 2025 | - | $19,141 | -34% | 1,350 | $14 | $416,942 | 7 | |
| May 16, 2025 | - | $6,327 | -67% | -93% | 322 | $20 | $423,269 | 8 |
| May 17, 2025 | - | $11,213 | +77% | -89% | 322 | $35 | $434,482 | 9 |
| May 18, 2025 | - | $7,259 | -35% | -92% | 322 | $23 | $441,741 | 10 |
| May 19, 2025 | - | $2,750 | -62% | -91% | 322 | $9 | $444,491 | 11 |
| May 20, 2025 | - | $6,491 | +136% | -87% | 322 | $20 | $450,982 | 12 |
| May 21, 2025 | - | $4,478 | -31% | -85% | 322 | $14 | $455,460 | 13 |
| May 22, 2025 | - | $1,164 | -74% | -94% | 322 | $4 | $456,624 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 2025 | 14 | $416,942 | 1,350 | $309 | $416,942 | 1 | |
| May 16, 2025 | 24 | $39,682 | -90% | 322 | $123 | $456,624 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 8/7/2025 | $41,487 | 770 | 770 | 770 | $41,487 | 4/4/2026 | |||
| International Total | $41,487 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jamie Ward | Romeo | |
| Clara Rugaard | Juliet |
Supporting
| Rebel Wilson | ||
| Rupert Everett | ||
| Jason Isaacs | ||
| Derek Jacobi | ||
| Ferdia Walsh-Peelo | ||
| Rupert Graves | ||
| Dan Fogler | ||
| Tayla Parx | ||
| Nicholas Podany |
Production and Technical Credits
| Timothy Scott Bogart | Director | |
| Timothy Scott Bogart | Screenwriter | |
| Timothy Scott Bogart | Producer | |
| Jessica Martins | Producer | |
| Chris Torto | Producer | |
| Laurence Mark | Executive Producer | |
| Gary Randall | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| Clay Pecorin | Executive Producer | |
| Russell Geyser | Executive Producer | |
| Byron Werner | Cinematographer | |
| Camilla Toniolo | Editor | |
| Andrea Bottari | Editor | |
| Evan Kidd Bogart | Composer | |
| Justin Gray | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.