Jumanji (1995)
| Theatrical Performance | ||
| Domestic Box Office | $100,458,310 | Details |
| International Box Office | $162,300,000 | Details |
| Worldwide Box Office | $262,758,310 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,715,645 | |
| Blu-ray Sales (estimated) | $1,431,645 | |
| Total | $5,147,290 | |
| OpusData ID: 4300100 More info... | ||
| Further financial details... | ||
Synopsis
A magical board game unleashes a world of adventure on siblings Peter and Judy Shepherd. While exploring an old mansion, the youngsters find a curious, jungle-themed game called Jumanji in the attic. When they start playing, they free Alan Parrish, who’s been stuck in the game’s inner world for decades. If they win Jumanji, the kids can free Alan for good — but that means braving giant bugs, ill-mannered monkeys and even stampeding rhinos!
Metrics
| Opening Weekend: | $11,084,370 (11.0% of total gross) |
| Legs: | 5.66 (domestic box office/biggest weekend) |
| Domestic Share: | 38.2% (domestic box office/worldwide) |
| Production Budget: | $65,000,000 (worldwide box office is 4.0 times production budget) |
| Theater counts: | 2,487 opening theaters/2,530 max. theaters, 9.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $259,437,082 |
Movie Details
| Domestic Releases: | December 15th, 1995 (Wide) by Sony Pictures |
| International Releases: | March 22nd, 1996 (Wide) (Australia)
February 4th, 2022 (Wide), released as Jumanji (Re: 2022) (United Kingdom) June 23rd, 2023 (Limited) (Australia) October 2nd, 2025 (Limited) (New Zealand) ... Show all releases |
| Video Release: | September 22nd, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | PG for menacing fantasy action and some mild language |
| Running Time: | 100 minutes |
| Franchise: | Jumanji |
| Cast, crew, or production detail: | Same Actor, Multiple Roles, Visual Effects |
| Subgenre: | Action Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Tri-Star Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 15, 1995 | 1 | $11,084,370 | 2,487 | $4,457 | $11,084,370 | 1 | |
| Dec 22, 1995 | 3 | $10,612,184 | -4% | 2,530 | $4,195 | $27,714,422 | 2 |
| Dec 29, 1995 | 2 | $17,758,997 | +67% | 2,530 | $7,019 | $57,500,265 | 3 |
| Jan 5, 1996 | 3 | $7,522,134 | -58% | 2,530 | $2,973 | $68,400,785 | 4 |
| Jan 12, 1996 | 6 | $7,014,656 | -7% | 2,218 | $3,163 | $77,101,225 | 5 |
| Jan 19, 1996 | 6 | $4,252,065 | -39% | 1,941 | $2,191 | $82,124,347 | 6 |
| Jan 26, 1996 | 6 | $3,121,223 | -27% | 1,771 | $1,762 | $86,004,677 | 7 |
| Feb 2, 1996 | 9 | $2,278,067 | -27% | 1,530 | $1,489 | $88,851,873 | 8 |
| Feb 9, 1996 | 12 | $1,431,678 | -37% | 1,300 | $1,101 | $90,631,907 | 9 |
| Feb 16, 1996 | 16 | $1,230,506 | -14% | 854 | $1,441 | $92,205,716 | 10 |
| Feb 23, 1996 | 22 | $548,357 | -55% | 447 | $1,227 | $93,059,882 | 11 |
| Mar 1, 1996 | 22 | $462,675 | -16% | 471 | $982 | $93,725,363 | 12 |
| Mar 8, 1996 | 25 | $412,615 | -11% | 407 | $1,014 | $94,303,227 | 13 |
| Mar 15, 1996 | 27 | $312,110 | -24% | 377 | $828 | $94,765,124 | 14 |
| Mar 22, 1996 | 28 | $257,863 | -17% | 325 | $793 | $95,138,631 | 15 |
| Mar 29, 1996 | 12 | $1,317,415 | +411% | 762 | $1,729 | $96,559,261 | 16 |
| Apr 5, 1996 | 15 | $1,017,888 | -23% | 783 | $1,300 | $98,135,121 | 17 |
| Apr 12, 1996 | 16 | $742,295 | -27% | 695 | $1,068 | $99,408,648 | 18 |
| Apr 19, 1996 | 21 | $406,660 | -45% | 615 | $661 | $100,109,938 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 15, 1995 | 2 | $17,102,238 | 2,487 | $6,877 | $17,102,238 | 1 | |
| Dec 22, 1995 | 3 | $22,639,030 | +32% | 2,530 | $8,948 | $39,741,268 | 2 |
| Dec 29, 1995 | 2 | $21,137,383 | -7% | 2,530 | $8,355 | $60,878,651 | 3 |
| Jan 5, 1996 | 3 | $9,207,918 | -56% | 2,530 | $3,639 | $70,086,569 | 4 |
| Jan 12, 1996 | 7 | $7,785,713 | -15% | 2,218 | $3,510 | $77,872,282 | 5 |
| Jan 19, 1996 | 6 | $5,011,172 | -36% | 1,941 | $2,582 | $82,883,454 | 6 |
| Jan 26, 1996 | 10 | $3,690,352 | -26% | 1,771 | $2,084 | $86,573,806 | 7 |
| Feb 2, 1996 | 13 | $2,626,423 | -29% | 1,530 | $1,717 | $89,200,229 | 8 |
| Feb 9, 1996 | 14 | $1,774,981 | -32% | 1,300 | $1,365 | $90,975,210 | 9 |
| Feb 16, 1996 | 16 | $1,536,315 | -13% | 854 | $1,799 | $92,511,525 | 10 |
| Feb 23, 1996 | 21 | $751,163 | -51% | 447 | $1,680 | $93,262,688 | 11 |
| Mar 1, 1996 | 22 | $627,924 | -16% | 471 | $1,333 | $93,890,612 | 12 |
| Mar 8, 1996 | 26 | $562,402 | -10% | 407 | $1,382 | $94,453,014 | 13 |
| Mar 15, 1996 | 26 | $427,754 | -24% | 377 | $1,135 | $94,880,768 | 14 |
| Mar 22, 1996 | 29 | $361,078 | -16% | 325 | $1,111 | $95,241,846 | 15 |
| Mar 29, 1996 | 12 | $1,875,387 | +419% | 762 | $2,461 | $97,117,233 | 16 |
| Apr 5, 1996 | 14 | $1,549,120 | -17% | 783 | $1,978 | $98,666,353 | 17 |
| Apr 12, 1996 | 14 | $1,036,925 | -33% | 695 | $1,492 | $99,703,278 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 10/2/2025 | $464 | 1 | 1 | 0 | $2,203 | 4/4/2026 | |||
| United Kingdom | 2/4/2022 | $5,418 | 75 | 297 | 372 | $57,558 | 9/11/2025 | |||
| Rest of World | $162,240,239 | |||||||||
| International Total | $162,300,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Robin Williams | Alan Parrish |
Supporting
| Kirsten Dunst | Judy Shepherd | |
| David Alan Grier | Carl Bentley, Shoe Factory Cobbler 1969 / Police Officer 1995 | |
| Bonnie Hunt | Sarah Whittle | |
| Jonathan Hyde | Samuel Alan Parrish / Hunter Van Pelt | |
| Bebe Neuwirth | Aunt Nora | |
| Adam Hann-Byrd | Young Alan | |
| Bradley Pierce | Peter | |
| James Handy | Exterminator | |
| Patricia Clarkson | Carol Parrish | |
| Laura Bell Bundy | Young Sarah | |
| Gillian Barber | Mrs. Thomas | |
| Brandon Obray | Benjamin | |
| Cyrus Thiedeke | Caleb | |
| Gary Joseph Thorup | Billy Jessup | |
| Leonard Zola | Cop | |
| Lloyd Berry | Bum | |
| Malcolm Stewart | Jim Shepherd | |
| Annabel Kershaw | Martha Shepherd | |
| Darryl Henriques | Gun Salesman | |
| Robyn Driscoll | Paramedic | |
| Peter Bryant | Paramedic | |
| Sarah Gilson | Girl | |
| Florica Vlad | Girl | |
| June Lion | Baker | |
| Brenda Lockmuller | Pianist | |
| Frederick Richardson | Barber |
Production and Technical Credits
| Joe Johnston | Director | |
| Scott Kroopf | Producer | |
| William Teitler | Producer | |
| Jonathan Hensleigh | Screenwriter | |
| Greg Taylor | Screenwriter | |
| Jim Strain | Screenwriter | |
| Greg Taylor | Story Creator | |
| Jim Strain | Story Creator | |
| Chris Van Allsburg | Story Creator | |
| Robert W. Cort | Executive Producer | |
| Ted Field | Executive Producer | |
| Larry Franco | Executive Producer | |
| Thomas Ackerman | Director of Photography | |
| James D. Bissell | Production Designer | |
| Robert Dalva | Editor | |
| James Horner | Composer | |
| Betsy Magruder | Assistant Director | |
| Marty P. Ewing | Unit Production Manager | |
| Brent O’Connor | Production Manager | |
| James Teegarden | Art Director | |
| Tedd Kuchera | Set Decorator | |
| Cynthia T. Lewis | Set Decorator | |
| Martha Wynne Snetsinger | Costume Designer | |
| Tracey Boulton | Costume Supervisor | |
| Rob Young | Sound Mixer | |
| Shawn Murphy | Re-recording Mixer | |
| Gary Summers | Re-recording Mixer | |
| Randy Thom | Re-recording Mixer | |
| Richard Hymns | Supervising Sound Editor | |
| Frank Eulner | Sound Effects Editor | |
| Teresa Eckton | Sound Effects Editor | |
| Ethan Van der Ryn | Sound Effects Editor | |
| Randy Thom | Sound Designer | |
| Gary Rydstrom | Sound Designer | |
| Sara Bolder | Dialogue Editor | |
| Michael Silvers | Dialogue Editor | |
| Sandy Cooper | Make up | |
| Charles Porlier | Special Make-up Effects | |
| Nancy Foy | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Synopsis
A magical board game unleashes a world of adventure on siblings Peter and Judy Shepherd. While exploring an old mansion, the youngsters find a curious, jungle-themed game called Jumanji in the attic. When they start playing, they free Alan Parrish, who’s been stuck in the game’s inner world for decades. If they win Jumanji, the kids can free Alan for good — but that means braving giant bugs, ill-mannered monkeys and even stampeding rhinos!
Metrics
| Opening Weekend: | $11,084,370 (11.0% of total gross) |
| Legs: | 5.66 (domestic box office/biggest weekend) |
| Domestic Share: | 38.2% (domestic box office/worldwide) |
| Production Budget: | $65,000,000 (worldwide box office is 4.0 times production budget) |
| Theater counts: | 2,487 opening theaters/2,530 max. theaters, 9.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $259,437,082 |
Movie Details
| Domestic Releases: | December 15th, 1995 (Wide) by Sony Pictures |
| International Releases: | March 22nd, 1996 (Wide) (Australia)
February 4th, 2022 (Wide), released as Jumanji (Re: 2022) (United Kingdom) June 23rd, 2023 (Limited) (Australia) October 2nd, 2025 (Limited) (New Zealand) ... Show all releases |
| Video Release: | September 22nd, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | PG for menacing fantasy action and some mild language |
| Running Time: | 100 minutes |
| Franchise: | Jumanji |
| Cast, crew, or production detail: | Same Actor, Multiple Roles, Visual Effects |
| Subgenre: | Action Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Tri-Star Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 15, 1995 | 1 | $11,084,370 | 2,487 | $4,457 | $11,084,370 | 1 | |
| Dec 22, 1995 | 3 | $10,612,184 | -4% | 2,530 | $4,195 | $27,714,422 | 2 |
| Dec 29, 1995 | 2 | $17,758,997 | +67% | 2,530 | $7,019 | $57,500,265 | 3 |
| Jan 5, 1996 | 3 | $7,522,134 | -58% | 2,530 | $2,973 | $68,400,785 | 4 |
| Jan 12, 1996 | 6 | $7,014,656 | -7% | 2,218 | $3,163 | $77,101,225 | 5 |
| Jan 19, 1996 | 6 | $4,252,065 | -39% | 1,941 | $2,191 | $82,124,347 | 6 |
| Jan 26, 1996 | 6 | $3,121,223 | -27% | 1,771 | $1,762 | $86,004,677 | 7 |
| Feb 2, 1996 | 9 | $2,278,067 | -27% | 1,530 | $1,489 | $88,851,873 | 8 |
| Feb 9, 1996 | 12 | $1,431,678 | -37% | 1,300 | $1,101 | $90,631,907 | 9 |
| Feb 16, 1996 | 16 | $1,230,506 | -14% | 854 | $1,441 | $92,205,716 | 10 |
| Feb 23, 1996 | 22 | $548,357 | -55% | 447 | $1,227 | $93,059,882 | 11 |
| Mar 1, 1996 | 22 | $462,675 | -16% | 471 | $982 | $93,725,363 | 12 |
| Mar 8, 1996 | 25 | $412,615 | -11% | 407 | $1,014 | $94,303,227 | 13 |
| Mar 15, 1996 | 27 | $312,110 | -24% | 377 | $828 | $94,765,124 | 14 |
| Mar 22, 1996 | 28 | $257,863 | -17% | 325 | $793 | $95,138,631 | 15 |
| Mar 29, 1996 | 12 | $1,317,415 | +411% | 762 | $1,729 | $96,559,261 | 16 |
| Apr 5, 1996 | 15 | $1,017,888 | -23% | 783 | $1,300 | $98,135,121 | 17 |
| Apr 12, 1996 | 16 | $742,295 | -27% | 695 | $1,068 | $99,408,648 | 18 |
| Apr 19, 1996 | 21 | $406,660 | -45% | 615 | $661 | $100,109,938 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 15, 1995 | 2 | $17,102,238 | 2,487 | $6,877 | $17,102,238 | 1 | |
| Dec 22, 1995 | 3 | $22,639,030 | +32% | 2,530 | $8,948 | $39,741,268 | 2 |
| Dec 29, 1995 | 2 | $21,137,383 | -7% | 2,530 | $8,355 | $60,878,651 | 3 |
| Jan 5, 1996 | 3 | $9,207,918 | -56% | 2,530 | $3,639 | $70,086,569 | 4 |
| Jan 12, 1996 | 7 | $7,785,713 | -15% | 2,218 | $3,510 | $77,872,282 | 5 |
| Jan 19, 1996 | 6 | $5,011,172 | -36% | 1,941 | $2,582 | $82,883,454 | 6 |
| Jan 26, 1996 | 10 | $3,690,352 | -26% | 1,771 | $2,084 | $86,573,806 | 7 |
| Feb 2, 1996 | 13 | $2,626,423 | -29% | 1,530 | $1,717 | $89,200,229 | 8 |
| Feb 9, 1996 | 14 | $1,774,981 | -32% | 1,300 | $1,365 | $90,975,210 | 9 |
| Feb 16, 1996 | 16 | $1,536,315 | -13% | 854 | $1,799 | $92,511,525 | 10 |
| Feb 23, 1996 | 21 | $751,163 | -51% | 447 | $1,680 | $93,262,688 | 11 |
| Mar 1, 1996 | 22 | $627,924 | -16% | 471 | $1,333 | $93,890,612 | 12 |
| Mar 8, 1996 | 26 | $562,402 | -10% | 407 | $1,382 | $94,453,014 | 13 |
| Mar 15, 1996 | 26 | $427,754 | -24% | 377 | $1,135 | $94,880,768 | 14 |
| Mar 22, 1996 | 29 | $361,078 | -16% | 325 | $1,111 | $95,241,846 | 15 |
| Mar 29, 1996 | 12 | $1,875,387 | +419% | 762 | $2,461 | $97,117,233 | 16 |
| Apr 5, 1996 | 14 | $1,549,120 | -17% | 783 | $1,978 | $98,666,353 | 17 |
| Apr 12, 1996 | 14 | $1,036,925 | -33% | 695 | $1,492 | $99,703,278 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 10/2/2025 | $464 | 1 | 1 | 0 | $2,203 | 4/4/2026 | |||
| United Kingdom | 2/4/2022 | $5,418 | 75 | 297 | 372 | $57,558 | 9/11/2025 | |||
| Rest of World | $162,240,239 | |||||||||
| International Total | $162,300,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Robin Williams | Alan Parrish |
Supporting
| Kirsten Dunst | Judy Shepherd | |
| David Alan Grier | Carl Bentley, Shoe Factory Cobbler 1969 / Police Officer 1995 | |
| Bonnie Hunt | Sarah Whittle | |
| Jonathan Hyde | Samuel Alan Parrish / Hunter Van Pelt | |
| Bebe Neuwirth | Aunt Nora | |
| Adam Hann-Byrd | Young Alan | |
| Bradley Pierce | Peter | |
| James Handy | Exterminator | |
| Patricia Clarkson | Carol Parrish | |
| Laura Bell Bundy | Young Sarah | |
| Gillian Barber | Mrs. Thomas | |
| Brandon Obray | Benjamin | |
| Cyrus Thiedeke | Caleb | |
| Gary Joseph Thorup | Billy Jessup | |
| Leonard Zola | Cop | |
| Lloyd Berry | Bum | |
| Malcolm Stewart | Jim Shepherd | |
| Annabel Kershaw | Martha Shepherd | |
| Darryl Henriques | Gun Salesman | |
| Robyn Driscoll | Paramedic | |
| Peter Bryant | Paramedic | |
| Sarah Gilson | Girl | |
| Florica Vlad | Girl | |
| June Lion | Baker | |
| Brenda Lockmuller | Pianist | |
| Frederick Richardson | Barber |
Production and Technical Credits
| Joe Johnston | Director | |
| Scott Kroopf | Producer | |
| William Teitler | Producer | |
| Jonathan Hensleigh | Screenwriter | |
| Greg Taylor | Screenwriter | |
| Jim Strain | Screenwriter | |
| Greg Taylor | Story Creator | |
| Jim Strain | Story Creator | |
| Chris Van Allsburg | Story Creator | |
| Robert W. Cort | Executive Producer | |
| Ted Field | Executive Producer | |
| Larry Franco | Executive Producer | |
| Thomas Ackerman | Director of Photography | |
| James D. Bissell | Production Designer | |
| Robert Dalva | Editor | |
| James Horner | Composer | |
| Betsy Magruder | Assistant Director | |
| Marty P. Ewing | Unit Production Manager | |
| Brent O’Connor | Production Manager | |
| James Teegarden | Art Director | |
| Tedd Kuchera | Set Decorator | |
| Cynthia T. Lewis | Set Decorator | |
| Martha Wynne Snetsinger | Costume Designer | |
| Tracey Boulton | Costume Supervisor | |
| Rob Young | Sound Mixer | |
| Shawn Murphy | Re-recording Mixer | |
| Gary Summers | Re-recording Mixer | |
| Randy Thom | Re-recording Mixer | |
| Richard Hymns | Supervising Sound Editor | |
| Frank Eulner | Sound Effects Editor | |
| Teresa Eckton | Sound Effects Editor | |
| Ethan Van der Ryn | Sound Effects Editor | |
| Randy Thom | Sound Designer | |
| Gary Rydstrom | Sound Designer | |
| Sara Bolder | Dialogue Editor | |
| Michael Silvers | Dialogue Editor | |
| Sandy Cooper | Make up | |
| Charles Porlier | Special Make-up Effects | |
| Nancy Foy | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.