Junction 48 (2017)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $12,795 | Details |
| OpusData ID: 282390100 More info... | ||
| Further financial details... | ||
Synopsis
Kareem leads an aimless life between odd jobs and hanging out with his buddies in a crime-ridden Arab ghetto of the mixed city of Lyd. A family tragedy brings him closer to his singer girlfriend, Manar, and motivates him to do something more with his life. When Kareem and his group finally get a chance to perform in a Tel Aviv hip-hop club, the star potential of the ‘first Arab rapper’ is quickly noticed. Although he raps “I'm not political,” Kareem and the group use music to express their tough life as Palestinian youth. But the road to success is never easy… Kareem and his group must face violent nationalistic Jewish rappers, government-imposed gentrification and troubled drug-dealing friends. When Manar’s family threatens to harm them if she performs publicly with him, the time comes for Kareem to either surrender to conservative tradition or stand up for the woman he loves, the artist he respects…
Metrics
| Opening Weekend: | $5,516 (43.1% of total gross) |
| Legs: | 2.32 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,055 |
Movie Details
| Domestic Releases: | March 3rd, 2017 (Limited) by The Orchard |
| Video Release: | March 28th, 2017 by The Orchard |
| MPA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Geographical setting: | Israel |
| Plot point: | Big Break, Musicians |
| Social setting: | Hip Hop and Rap |
| Source: | Original Screenplay |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Metro Communications, X Filme Creative Pool, Blackbird, Dig The Movie |
| Production Countries: | Israel, Germany, United States |
| Languages: | Arabic, Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 68 | $5,516 | 2 | $2,758 | $5,516 | 1 | |
| Mar 10, 2017 | 75 | $1,210 | -78% | 1 | $1,210 | $9,083 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | - | $1,683 | 2 | $842 | $1,683 | 1 | ||
| Mar 4, 2017 | - | $2,486 | +48% | 2 | $1,243 | $4,169 | 2 | |
| Mar 5, 2017 | - | $1,347 | -46% | 2 | $674 | $5,516 | 3 | |
| Mar 6, 2017 | - | $661 | -51% | 2 | $331 | $6,177 | 4 | |
| Mar 7, 2017 | - | $672 | +2% | 2 | $336 | $6,849 | 5 | |
| Mar 8, 2017 | - | $437 | -35% | 2 | $219 | $7,286 | 6 | |
| Mar 9, 2017 | - | $587 | +34% | 2 | $294 | $7,873 | 7 | |
| Mar 10, 2017 | - | $383 | -35% | -77% | 2 | $192 | $8,256 | 8 |
| Mar 11, 2017 | - | $463 | +21% | -81% | 2 | $232 | $8,719 | 9 |
| Mar 12, 2017 | - | $364 | -21% | -73% | 2 | $182 | $9,083 | 10 |
| Mar 13, 2017 | - | $230 | -37% | -65% | 2 | $115 | $9,313 | 11 |
| Mar 14, 2017 | - | $182 | -21% | -73% | 2 | $91 | $9,495 | 12 |
| Mar 16, 2017 | - | $3,300 | +462% | 2 | $1,650 | $12,795 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 63 | $7,873 | 2 | $3,937 | $7,873 | 1 | |
| Mar 10, 2017 | 61 | $4,922 | -37% | 2 | $2,461 | $12,795 | 2 |
Leading
| Tamer Nafar | Kareem |
Supporting
| Samar Qupty | Manar | |
| Salwa Nakkara | Kareem’s Mother | |
| Saeed Dassuki | Talal | |
| Ayed Fadel | Hussam | |
| Tarik Copti | Abu Abdallah (Talal’s Father) | |
| Sameh Zakout | Amir | |
| Michael Moshonov | RPG | |
| Maryam Abu Khaled | Maryam | |
| Adeeb Safadi | Yousef |
Production and Technical Credits
| Udi Aloni | Director | |
| Oren Moverman | Screenwriter | |
| Tamer Nafar | Screenwriter | |
| David Silber | Producer | |
| Lawrence Inglee | Producer | |
| Stefan Arndt | Producer | |
| Udi Aloni | Producer | |
| Moshe Edery | Executive Producer | |
| Leon Edery | Executive Producer | |
| Susan Wrubel | Executive Producer | |
| Gideon Tadmor | Executive Producer | |
| Eyal Rimmon | Executive Producer | |
| Michael Mailis | Executive Producer | |
| James Schamus | Executive Producer | |
| Oren Moverman | Executive Producer | |
| Yasmin Zaher | Co-Producer | |
| Katie Heidy | Co-Producer | |
| Suhel Nafar | Co-Producer | |
| Ben Korman | Co-Producer | |
| Salim Sh’Hade | Production Designer | |
| Isaac Sehayek | Editor | |
| Jay Rabinowitz | Editor | |
| Tamer Nafar | Composer | |
| Itamar Ziegler | Composer | |
| Amnon Zalait | Director of Photography | |
| Micky Rabinovitz | Line Producer | |
| Gil Toren | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Kareem leads an aimless life between odd jobs and hanging out with his buddies in a crime-ridden Arab ghetto of the mixed city of Lyd. A family tragedy brings him closer to his singer girlfriend, Manar, and motivates him to do something more with his life. When Kareem and his group finally get a chance to perform in a Tel Aviv hip-hop club, the star potential of the ‘first Arab rapper’ is quickly noticed. Although he raps “I'm not political,” Kareem and the group use music to express their tough life as Palestinian youth. But the road to success is never easy… Kareem and his group must face violent nationalistic Jewish rappers, government-imposed gentrification and troubled drug-dealing friends. When Manar’s family threatens to harm them if she performs publicly with him, the time comes for Kareem to either surrender to conservative tradition or stand up for the woman he loves, the artist he respects…
Metrics
| Opening Weekend: | $5,516 (43.1% of total gross) |
| Legs: | 2.32 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,055 |
Movie Details
| Domestic Releases: | March 3rd, 2017 (Limited) by The Orchard |
| Video Release: | March 28th, 2017 by The Orchard |
| MPA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Geographical setting: | Israel |
| Plot point: | Big Break, Musicians |
| Social setting: | Hip Hop and Rap |
| Source: | Original Screenplay |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Metro Communications, X Filme Creative Pool, Blackbird, Dig The Movie |
| Production Countries: | Israel, Germany, United States |
| Languages: | Arabic, Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 68 | $5,516 | 2 | $2,758 | $5,516 | 1 | |
| Mar 10, 2017 | 75 | $1,210 | -78% | 1 | $1,210 | $9,083 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | - | $1,683 | 2 | $842 | $1,683 | 1 | ||
| Mar 4, 2017 | - | $2,486 | +48% | 2 | $1,243 | $4,169 | 2 | |
| Mar 5, 2017 | - | $1,347 | -46% | 2 | $674 | $5,516 | 3 | |
| Mar 6, 2017 | - | $661 | -51% | 2 | $331 | $6,177 | 4 | |
| Mar 7, 2017 | - | $672 | +2% | 2 | $336 | $6,849 | 5 | |
| Mar 8, 2017 | - | $437 | -35% | 2 | $219 | $7,286 | 6 | |
| Mar 9, 2017 | - | $587 | +34% | 2 | $294 | $7,873 | 7 | |
| Mar 10, 2017 | - | $383 | -35% | -77% | 2 | $192 | $8,256 | 8 |
| Mar 11, 2017 | - | $463 | +21% | -81% | 2 | $232 | $8,719 | 9 |
| Mar 12, 2017 | - | $364 | -21% | -73% | 2 | $182 | $9,083 | 10 |
| Mar 13, 2017 | - | $230 | -37% | -65% | 2 | $115 | $9,313 | 11 |
| Mar 14, 2017 | - | $182 | -21% | -73% | 2 | $91 | $9,495 | 12 |
| Mar 16, 2017 | - | $3,300 | +462% | 2 | $1,650 | $12,795 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 63 | $7,873 | 2 | $3,937 | $7,873 | 1 | |
| Mar 10, 2017 | 61 | $4,922 | -37% | 2 | $2,461 | $12,795 | 2 |
Leading
| Tamer Nafar | Kareem |
Supporting
| Samar Qupty | Manar | |
| Salwa Nakkara | Kareem’s Mother | |
| Saeed Dassuki | Talal | |
| Ayed Fadel | Hussam | |
| Tarik Copti | Abu Abdallah (Talal’s Father) | |
| Sameh Zakout | Amir | |
| Michael Moshonov | RPG | |
| Maryam Abu Khaled | Maryam | |
| Adeeb Safadi | Yousef |
Production and Technical Credits
| Udi Aloni | Director | |
| Oren Moverman | Screenwriter | |
| Tamer Nafar | Screenwriter | |
| David Silber | Producer | |
| Lawrence Inglee | Producer | |
| Stefan Arndt | Producer | |
| Udi Aloni | Producer | |
| Moshe Edery | Executive Producer | |
| Leon Edery | Executive Producer | |
| Susan Wrubel | Executive Producer | |
| Gideon Tadmor | Executive Producer | |
| Eyal Rimmon | Executive Producer | |
| Michael Mailis | Executive Producer | |
| James Schamus | Executive Producer | |
| Oren Moverman | Executive Producer | |
| Yasmin Zaher | Co-Producer | |
| Katie Heidy | Co-Producer | |
| Suhel Nafar | Co-Producer | |
| Ben Korman | Co-Producer | |
| Salim Sh’Hade | Production Designer | |
| Isaac Sehayek | Editor | |
| Jay Rabinowitz | Editor | |
| Tamer Nafar | Composer | |
| Itamar Ziegler | Composer | |
| Amnon Zalait | Director of Photography | |
| Micky Rabinovitz | Line Producer | |
| Gil Toren | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.