Juste La Fin Du Monde (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $9,122,927 | Details |
| Worldwide Box Office | $9,122,927 | |
| OpusData ID: 229980100 More info... | ||
| Further financial details... | ||
Synopsis
After 12 years of absence, a writer goes back to his home town, planning on announcing his upcoming death to his family. As resentment soon rewrites the course of the afternoon, fits and feuds unfold, fueled by loneliness and doubt, while all attempts at empathy are sabotaged by people's incapacity to listen and love.
Metrics
Movie Details
| Domestic Releases: | September 21st, 2016 (Limited) by Entertainment One, released as It’s Only the End of the World |
| International Releases: | September 23rd, 2016 (Wide) (France)
October 21st, 2016 (Wide) (Russia (CIS)) October 28th, 2016 (Wide), released as Tão só o fim do Mundo (Portugal) December 7th, 2016 (Wide), released as È solo la fine del mondo (Italy) December 15th, 2016 (Wide) (Netherlands) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Geographical setting: | France |
| Plot point: | LGBTQ+, Terminal Illness, Writing and Writers, You Can't Go Home Again |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Son's of Manual, MK2, Telefilm Canada, Seville International, Sodec, Harold Greenberg Fund, Radio-Canada Television, France 2 Cinema, France Television, Canal Plus, Cine Plus |
| Production Countries: | France, Canada |
| Languages: | French |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/20/2017 | $14,343 | 0 | 0 | 0 | $41,331 | 1/1/2019 | |||
| Bulgaria | 2/3/2017 | $7,609 | 0 | 0 | 0 | $9,310 | 2/26/2019 | |||
| France | 9/23/2016 | $2,441,424 | 0 | 0 | 0 | $7,689,552 | 8/17/2018 | |||
| Italy | 12/7/2016 | $324,748 | 0 | 0 | 0 | $648,982 | 12/28/2016 | |||
| Netherlands | 12/15/2016 | $20,152 | 29 | 29 | 29 | $32,262 | 12/21/2016 | |||
| Portugal | 10/28/2016 | $8,227 | 9 | 9 | 24 | $29,295 | 8/3/2017 | |||
| Russia (CIS) | 10/21/2016 | $101,312 | 150 | 150 | 344 | $286,481 | 1/1/2019 | |||
| Slovakia | 1/13/2017 | $1,856 | 15 | 15 | 15 | $2,146 | 1/18/2017 | |||
| South Korea | 1/16/2017 | $53,542 | 118 | 124 | 214 | $212,626 | 4/4/2026 | |||
| Spain | 1/6/2017 | $41,547 | 50 | 50 | 108 | $99,842 | 2/3/2017 | |||
| Turkey | 3/3/2017 | $5,283 | 0 | 0 | 0 | $27,275 | 1/1/2019 | |||
| United Kingdom | 2/24/2017 | $43,825 | 0 | 0 | 0 | $43,825 | 9/17/2018 | |||
| International Total | $9,122,927 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Gaspard Ulliel | Louis | |
| Nathalie Baye | La Mere | |
| Lea Seydoux | Suzanne | |
| Vincent Cassel | Antoine | |
| Marion Cotillard | Catherine |
Supporting
| Antoine Desrochers | Pierre Jolicoeur | |
| Sasha Samar | Chauffeur de taxi | |
| Theodore Pellerin | Antoine (16-22 yrs) | |
| William Boyce Blanchette | Louis (15 yrs) | |
| Arthur Couillard | Petit garçon - avion |
Production and Technical Credits
| Xavier Dolan | Director | |
| Xavier Dolan | Screenwriter | |
| Patrick Roy | Executive Producer | |
| Michel Merkt | Producer | |
| Elisha Karmitz | Producer | |
| Nathanael Karmitz | Producer | |
| Sylvain Corbeil | Producer | |
| Xavier Dolan | Producer | |
| Nancy Grant | Producer | |
| Sylvain Brassard | Sound Design & Mix | |
| Alchemy24 | Visual Effects | |
| Xavier Dolan | Editor | |
| Colombe Raby | Production Designer | |
| Gabriel Yared | Original Score | |
| Andre Turpin | Cinematographer | |
| Jean-Luc Lagarce | Based on the play by |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After 12 years of absence, a writer goes back to his home town, planning on announcing his upcoming death to his family. As resentment soon rewrites the course of the afternoon, fits and feuds unfold, fueled by loneliness and doubt, while all attempts at empathy are sabotaged by people's incapacity to listen and love.
Metrics
Movie Details
| Domestic Releases: | September 21st, 2016 (Limited) by Entertainment One, released as It’s Only the End of the World |
| International Releases: | September 23rd, 2016 (Wide) (France)
October 21st, 2016 (Wide) (Russia (CIS)) October 28th, 2016 (Wide), released as Tão só o fim do Mundo (Portugal) December 7th, 2016 (Wide), released as È solo la fine del mondo (Italy) December 15th, 2016 (Wide) (Netherlands) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Geographical setting: | France |
| Plot point: | LGBTQ+, Terminal Illness, Writing and Writers, You Can't Go Home Again |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Son's of Manual, MK2, Telefilm Canada, Seville International, Sodec, Harold Greenberg Fund, Radio-Canada Television, France 2 Cinema, France Television, Canal Plus, Cine Plus |
| Production Countries: | France, Canada |
| Languages: | French |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/20/2017 | $14,343 | 0 | 0 | 0 | $41,331 | 1/1/2019 | |||
| Bulgaria | 2/3/2017 | $7,609 | 0 | 0 | 0 | $9,310 | 2/26/2019 | |||
| France | 9/23/2016 | $2,441,424 | 0 | 0 | 0 | $7,689,552 | 8/17/2018 | |||
| Italy | 12/7/2016 | $324,748 | 0 | 0 | 0 | $648,982 | 12/28/2016 | |||
| Netherlands | 12/15/2016 | $20,152 | 29 | 29 | 29 | $32,262 | 12/21/2016 | |||
| Portugal | 10/28/2016 | $8,227 | 9 | 9 | 24 | $29,295 | 8/3/2017 | |||
| Russia (CIS) | 10/21/2016 | $101,312 | 150 | 150 | 344 | $286,481 | 1/1/2019 | |||
| Slovakia | 1/13/2017 | $1,856 | 15 | 15 | 15 | $2,146 | 1/18/2017 | |||
| South Korea | 1/16/2017 | $53,542 | 118 | 124 | 214 | $212,626 | 4/4/2026 | |||
| Spain | 1/6/2017 | $41,547 | 50 | 50 | 108 | $99,842 | 2/3/2017 | |||
| Turkey | 3/3/2017 | $5,283 | 0 | 0 | 0 | $27,275 | 1/1/2019 | |||
| United Kingdom | 2/24/2017 | $43,825 | 0 | 0 | 0 | $43,825 | 9/17/2018 | |||
| International Total | $9,122,927 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Gaspard Ulliel | Louis | |
| Nathalie Baye | La Mere | |
| Lea Seydoux | Suzanne | |
| Vincent Cassel | Antoine | |
| Marion Cotillard | Catherine |
Supporting
| Antoine Desrochers | Pierre Jolicoeur | |
| Sasha Samar | Chauffeur de taxi | |
| Theodore Pellerin | Antoine (16-22 yrs) | |
| William Boyce Blanchette | Louis (15 yrs) | |
| Arthur Couillard | Petit garçon - avion |
Production and Technical Credits
| Xavier Dolan | Director | |
| Xavier Dolan | Screenwriter | |
| Patrick Roy | Executive Producer | |
| Michel Merkt | Producer | |
| Elisha Karmitz | Producer | |
| Nathanael Karmitz | Producer | |
| Sylvain Corbeil | Producer | |
| Xavier Dolan | Producer | |
| Nancy Grant | Producer | |
| Sylvain Brassard | Sound Design & Mix | |
| Alchemy24 | Visual Effects | |
| Xavier Dolan | Editor | |
| Colombe Raby | Production Designer | |
| Gabriel Yared | Original Score | |
| Andre Turpin | Cinematographer | |
| Jean-Luc Lagarce | Based on the play by |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.