Kaj ti je deklica (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $25,487 | Details |
| International Box Office | $48,998 | Details |
| Worldwide Box Office | $74,485 | |
| OpusData ID: 749170100 More info... | ||
| Further financial details... | ||
Synopsis
Introverted 16-year-old Lucia joins her Catholic school’s all-girls choir, where she befriends Ana-Maria, a popular and flirty third-year student. But when the choir travels to a countryside convent for a weekend of intensive rehearsals, Lucia’s interest in a dark-eyed restoration worker tests her friendship with Ana-Maria and the other girls. As she navigates unfamiliar surroundings and her budding sexuality, Lucia begins to question her beliefs and values, disrupting the harmony within the choir.
Metrics
| Opening Weekend: | $2,826 (11.1% of total gross) |
| Legs: | 9.02 (domestic box office/biggest weekend) |
| Domestic Share: | 34.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,487 |
Movie Details
| Domestic Releases: | December 5th, 2025 (Oscar Qualifying Run) by Kino Lorber, released as Little Trouble Girls |
| International Releases: | August 29th, 2025 (Limited), released as Little Trouble Girls (United Kingdom)
October 9th, 2025 (Limited), released as La ragazza del coro (Italy) November 3rd, 2025 (Limited) (Belgium) January 29th, 2026 (Limited), released as Little Trouble Girls (Germany) March 11th, 2026 (Limited), released as Little Trouble Girls (France) ... Show all releases |
| MPA Rating: | Not Rated (Rated 12/8/2025) |
| Running Time: | 89 minutes |
| Plot point: | Catholic, Coming of Age, Sexual Awakening, Singers |
| Subgenre: | Coming-of-Age Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Slovenia, Croatia, Serbia, Italy |
| Languages: | Slovenian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2025 | - | $2,826 | 1 | $2,826 | $17,390 | 1 | |
| Dec 19, 2025 | - | $2,429 | 4 | $607 | $23,045 | 3 | |
| Dec 26, 2025 | - | $81 | -97% | 1 | $81 | $23,166 | 4 |
| Jan 2, 2026 | - | $440 | +443% | 1 | $440 | $23,693 | 5 |
| Jan 9, 2026 | - | $1,429 | +225% | 1 | $1,429 | $25,487 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2025 | 45 | $4,215 | 1 | $4,215 | $18,779 | 1 | |
| Dec 12, 2025 | 51 | $1,837 | -56% | 4 | $459 | $20,616 | 2 |
| Dec 19, 2025 | 45 | $2,469 | +34% | 4 | $617 | $23,085 | 3 |
| Dec 26, 2025 | 48 | $168 | -93% | 1 | $168 | $23,253 | 4 |
| Jan 2, 2026 | 47 | $805 | +379% | 1 | $805 | $24,058 | 5 |
| Jan 9, 2026 | 50 | $1,429 | +78% | 1 | $1,429 | $25,487 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/30/2026 | $18,703 | 36 | 36 | 36 | $31,819 | 8/4/2026 | |||
| Portugal | 6/25/2026 | $1,485 | 7 | 7 | 0 | $2,501 | 7/7/2026 | |||
| United Kingdom | 8/29/2025 | $14,678 | 15 | 15 | 15 | $14,678 | 4/4/2026 | |||
| International Total | $48,998 | 8/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jara Sofija Ostan | Lucija | |
| Mina Švajger | Ana-Marija |
Production and Technical Credits
| Urska Djukic | Director | |
| Urska Djukic | Screenwriter | |
| Maria Bohr | Screenwriter | |
| Jozko Rutar | Producer | |
| Miha Cernec | Producer | |
| Lev Predan Kowarski | Cinematographer | |
| Vlado Gojun | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Introverted 16-year-old Lucia joins her Catholic school’s all-girls choir, where she befriends Ana-Maria, a popular and flirty third-year student. But when the choir travels to a countryside convent for a weekend of intensive rehearsals, Lucia’s interest in a dark-eyed restoration worker tests her friendship with Ana-Maria and the other girls. As she navigates unfamiliar surroundings and her budding sexuality, Lucia begins to question her beliefs and values, disrupting the harmony within the choir.
Metrics
| Opening Weekend: | $2,826 (11.1% of total gross) |
| Legs: | 9.02 (domestic box office/biggest weekend) |
| Domestic Share: | 34.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,487 |
Movie Details
| Domestic Releases: | December 5th, 2025 (Oscar Qualifying Run) by Kino Lorber, released as Little Trouble Girls |
| International Releases: | August 29th, 2025 (Limited), released as Little Trouble Girls (United Kingdom)
October 9th, 2025 (Limited), released as La ragazza del coro (Italy) November 3rd, 2025 (Limited) (Belgium) January 29th, 2026 (Limited), released as Little Trouble Girls (Germany) March 11th, 2026 (Limited), released as Little Trouble Girls (France) ... Show all releases |
| MPA Rating: | Not Rated (Rated 12/8/2025) |
| Running Time: | 89 minutes |
| Plot point: | Catholic, Coming of Age, Sexual Awakening, Singers |
| Subgenre: | Coming-of-Age Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Slovenia, Croatia, Serbia, Italy |
| Languages: | Slovenian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2025 | - | $2,826 | 1 | $2,826 | $17,390 | 1 | |
| Dec 19, 2025 | - | $2,429 | 4 | $607 | $23,045 | 3 | |
| Dec 26, 2025 | - | $81 | -97% | 1 | $81 | $23,166 | 4 |
| Jan 2, 2026 | - | $440 | +443% | 1 | $440 | $23,693 | 5 |
| Jan 9, 2026 | - | $1,429 | +225% | 1 | $1,429 | $25,487 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2025 | 45 | $4,215 | 1 | $4,215 | $18,779 | 1 | |
| Dec 12, 2025 | 51 | $1,837 | -56% | 4 | $459 | $20,616 | 2 |
| Dec 19, 2025 | 45 | $2,469 | +34% | 4 | $617 | $23,085 | 3 |
| Dec 26, 2025 | 48 | $168 | -93% | 1 | $168 | $23,253 | 4 |
| Jan 2, 2026 | 47 | $805 | +379% | 1 | $805 | $24,058 | 5 |
| Jan 9, 2026 | 50 | $1,429 | +78% | 1 | $1,429 | $25,487 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/30/2026 | $18,703 | 36 | 36 | 36 | $31,819 | 8/4/2026 | |||
| Portugal | 6/25/2026 | $1,485 | 7 | 7 | 0 | $2,501 | 7/7/2026 | |||
| United Kingdom | 8/29/2025 | $14,678 | 15 | 15 | 15 | $14,678 | 4/4/2026 | |||
| International Total | $48,998 | 8/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jara Sofija Ostan | Lucija | |
| Mina Švajger | Ana-Marija |
Production and Technical Credits
| Urska Djukic | Director | |
| Urska Djukic | Screenwriter | |
| Maria Bohr | Screenwriter | |
| Jozko Rutar | Producer | |
| Miha Cernec | Producer | |
| Lev Predan Kowarski | Cinematographer | |
| Vlado Gojun | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.