Kalank (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $2,729,336 | Details |
| International Box Office | $11,203,094 | Details |
| Worldwide Box Office | $13,932,430 | |
| OpusData ID: 401640100 More info... | ||
| Further financial details... | ||
Synopsis
A romantic drama of six enigmatic, esoteric and wistful characters entangled in search of love but separated by the dichotomy between the two worlds of Husnabad, a town in North India. The elite, opulent and solemn world of the Chaudhry family, and the wild, mysterious and musical underbelly of the town, Hira Mandi, clash when Roop Chaudhry encounters Zafar, a daredevil from Hira Mandi, unleashing deep-buried truths, secrets of betrayal and affairs that threaten to bring the both worlds crashing down.
Metrics
| Opening Weekend: | $1,276,581 (46.8% of total gross) |
| Legs: | 2.14 (domestic box office/biggest weekend) |
| Domestic Share: | 19.6% (domestic box office/worldwide) |
| Theater counts: | 320 opening theaters/320 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,563,626 |
Movie Details
| Domestic Releases: | April 17th, 2019 (Limited) by FIP |
| International Releases: | April 12th, 2019 (Wide) (Australia)
April 19th, 2019 (Wide) (India) April 19th, 2019 (Limited) (United Kingdom) April 19th, 2019 (Wide) (Portugal) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 166 minutes |
| Cast, crew, or production detail: | Bollywood |
| Plot point: | Betrayal, Cancer, Daredevil, Dysfunctional Family, Infidelity, Political, Relationships Gone Wrong, Religious, Religious Extremism, Romance, Terminal Illness |
| Subgenre: | Romantic Drama |
| Time period setting: | 1940s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Fox Star Studios, Dharma Productions, Nadiadwala Grandson Entertainment |
| Production Countries: | India |
| Languages: | Hindi |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 13 | $1,276,581 | 320 | $3,989 | $1,786,766 | 1 | |
| Apr 26, 2019 | 16 | $278,702 | -78% | 283 | $985 | $2,482,587 | 2 |
| May 3, 2019 | 24 | $84,217 | -70% | 85 | $991 | $2,699,301 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 17, 2019 | 12 | $267,772 | 320 | $837 | $267,772 | 1 | ||
| Apr 18, 2019 | 12 | $242,413 | -9% | 320 | $758 | $510,185 | 2 | |
| Apr 19, 2019 | 13 | $461,089 | +90% | 320 | $1,441 | $971,274 | 3 | |
| Apr 20, 2019 | 13 | $449,385 | -3% | 320 | $1,404 | $1,420,659 | 4 | |
| Apr 21, 2019 | 13 | $366,107 | -19% | 320 | $1,144 | $1,786,766 | 5 | |
| Apr 22, 2019 | 14 | $109,436 | -70% | 320 | $342 | $1,896,202 | 6 | |
| Apr 23, 2019 | 13 | $187,336 | +71% | 320 | $585 | $2,083,538 | 7 | |
| Apr 24, 2019 | 14 | $83,004 | -56% | -69% | 320 | $259 | $2,166,542 | 8 |
| Apr 25, 2019 | - | $37,343 | -55% | -85% | 320 | $117 | $2,203,885 | 9 |
| Apr 26, 2019 | 15 | $78,814 | +111% | -83% | 283 | $278 | $2,282,699 | 10 |
| Apr 27, 2019 | - | $116,747 | +48% | -74% | 283 | $413 | $2,399,446 | 11 |
| Apr 28, 2019 | - | $83,141 | -29% | -77% | 283 | $294 | $2,482,587 | 12 |
| Apr 29, 2019 | - | $26,643 | -68% | -76% | 283 | $94 | $2,509,230 | 13 |
| Apr 30, 2019 | 15 | $53,928 | +102% | -71% | 283 | $191 | $2,563,158 | 14 |
| May 1, 2019 | - | $30,442 | -44% | -63% | 283 | $108 | $2,593,600 | 15 |
| May 2, 2019 | - | $21,484 | -29% | -42% | 283 | $76 | $2,615,084 | 16 |
| May 3, 2019 | - | $23,346 | +9% | -70% | 85 | $275 | $2,638,430 | 17 |
| May 4, 2019 | - | $37,886 | +62% | -68% | 85 | $446 | $2,676,316 | 18 |
| May 5, 2019 | - | $22,985 | -39% | -72% | 85 | $270 | $2,699,301 | 19 |
| May 6, 2019 | - | $6,318 | -73% | -76% | 85 | $74 | $2,705,619 | 20 |
| May 7, 2019 | - | $12,895 | +104% | -76% | 85 | $152 | $2,718,514 | 21 |
| May 8, 2019 | - | $6,827 | -47% | -78% | 85 | $80 | $2,725,341 | 22 |
| May 9, 2019 | - | $3,995 | -41% | -81% | 85 | $47 | $2,729,336 | 23 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 19 | $510,185 | 320 | $1,594 | $510,185 | 1 | |
| Apr 19, 2019 | 13 | $1,693,700 | +232% | 320 | $5,293 | $2,203,885 | 2 |
| Apr 26, 2019 | 16 | $411,199 | -76% | 283 | $1,453 | $2,615,084 | 3 |
| May 3, 2019 | 27 | $114,252 | -72% | 85 | $1,344 | $2,729,336 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/12/2019 | $0 | 0 | 66 | 195 | $582,058 | 5/7/2019 | |||
| India | 4/19/2019 | $9,500,000 | 0 | 0 | 0 | $9,500,000 | 4/23/2019 | |||
| Portugal | 4/19/2019 | $0 | 0 | 1 | 1 | $2,427 | 4/30/2019 | |||
| United Kingdom | 4/19/2019 | $772,646 | 149 | 149 | 230 | $1,118,609 | 5/1/2019 | |||
| International Total | $11,203,094 | 5/7/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Varun Dhawan | Zafar | |
| Aditya Roy Kapur | Dev Chaudhry | |
| Sanjay Dutt | Halraj Chaudhry | |
| Alia Bhatt | Roop | |
| Sonakshi Sinha | Satya Chaudhry | |
| Madhuri Dixit | Bahaar Begum |
Supporting
| Kunal Khemu | Abdul | |
| Hiten Tejwani | Abbas |
Cameo
| Kriti Sanon | Herself | |
| Kiara Advani | Herself |
Production and Technical Credits
| Abhishek Varman | Director | |
| Abhishek Varman | Screenwriter | |
| Shibani Bathija | Story by | |
| Karan Johar | Producer | |
| Sajid Nadiadwala | Producer | |
| Hiroo Yash Johar | Producer | |
| Apoorva Mehta | Producer | |
| Amrita Mahal Nakai | Production Designer | |
| Shweta Venkat Mathew | Editor | |
| Binod Pradhan | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A romantic drama of six enigmatic, esoteric and wistful characters entangled in search of love but separated by the dichotomy between the two worlds of Husnabad, a town in North India. The elite, opulent and solemn world of the Chaudhry family, and the wild, mysterious and musical underbelly of the town, Hira Mandi, clash when Roop Chaudhry encounters Zafar, a daredevil from Hira Mandi, unleashing deep-buried truths, secrets of betrayal and affairs that threaten to bring the both worlds crashing down.
Metrics
| Opening Weekend: | $1,276,581 (46.8% of total gross) |
| Legs: | 2.14 (domestic box office/biggest weekend) |
| Domestic Share: | 19.6% (domestic box office/worldwide) |
| Theater counts: | 320 opening theaters/320 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,563,626 |
Movie Details
| Domestic Releases: | April 17th, 2019 (Limited) by FIP |
| International Releases: | April 12th, 2019 (Wide) (Australia)
April 19th, 2019 (Wide) (India) April 19th, 2019 (Limited) (United Kingdom) April 19th, 2019 (Wide) (Portugal) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 166 minutes |
| Cast, crew, or production detail: | Bollywood |
| Plot point: | Betrayal, Cancer, Daredevil, Dysfunctional Family, Infidelity, Political, Relationships Gone Wrong, Religious, Religious Extremism, Romance, Terminal Illness |
| Subgenre: | Romantic Drama |
| Time period setting: | 1940s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Fox Star Studios, Dharma Productions, Nadiadwala Grandson Entertainment |
| Production Countries: | India |
| Languages: | Hindi |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 13 | $1,276,581 | 320 | $3,989 | $1,786,766 | 1 | |
| Apr 26, 2019 | 16 | $278,702 | -78% | 283 | $985 | $2,482,587 | 2 |
| May 3, 2019 | 24 | $84,217 | -70% | 85 | $991 | $2,699,301 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 17, 2019 | 12 | $267,772 | 320 | $837 | $267,772 | 1 | ||
| Apr 18, 2019 | 12 | $242,413 | -9% | 320 | $758 | $510,185 | 2 | |
| Apr 19, 2019 | 13 | $461,089 | +90% | 320 | $1,441 | $971,274 | 3 | |
| Apr 20, 2019 | 13 | $449,385 | -3% | 320 | $1,404 | $1,420,659 | 4 | |
| Apr 21, 2019 | 13 | $366,107 | -19% | 320 | $1,144 | $1,786,766 | 5 | |
| Apr 22, 2019 | 14 | $109,436 | -70% | 320 | $342 | $1,896,202 | 6 | |
| Apr 23, 2019 | 13 | $187,336 | +71% | 320 | $585 | $2,083,538 | 7 | |
| Apr 24, 2019 | 14 | $83,004 | -56% | -69% | 320 | $259 | $2,166,542 | 8 |
| Apr 25, 2019 | - | $37,343 | -55% | -85% | 320 | $117 | $2,203,885 | 9 |
| Apr 26, 2019 | 15 | $78,814 | +111% | -83% | 283 | $278 | $2,282,699 | 10 |
| Apr 27, 2019 | - | $116,747 | +48% | -74% | 283 | $413 | $2,399,446 | 11 |
| Apr 28, 2019 | - | $83,141 | -29% | -77% | 283 | $294 | $2,482,587 | 12 |
| Apr 29, 2019 | - | $26,643 | -68% | -76% | 283 | $94 | $2,509,230 | 13 |
| Apr 30, 2019 | 15 | $53,928 | +102% | -71% | 283 | $191 | $2,563,158 | 14 |
| May 1, 2019 | - | $30,442 | -44% | -63% | 283 | $108 | $2,593,600 | 15 |
| May 2, 2019 | - | $21,484 | -29% | -42% | 283 | $76 | $2,615,084 | 16 |
| May 3, 2019 | - | $23,346 | +9% | -70% | 85 | $275 | $2,638,430 | 17 |
| May 4, 2019 | - | $37,886 | +62% | -68% | 85 | $446 | $2,676,316 | 18 |
| May 5, 2019 | - | $22,985 | -39% | -72% | 85 | $270 | $2,699,301 | 19 |
| May 6, 2019 | - | $6,318 | -73% | -76% | 85 | $74 | $2,705,619 | 20 |
| May 7, 2019 | - | $12,895 | +104% | -76% | 85 | $152 | $2,718,514 | 21 |
| May 8, 2019 | - | $6,827 | -47% | -78% | 85 | $80 | $2,725,341 | 22 |
| May 9, 2019 | - | $3,995 | -41% | -81% | 85 | $47 | $2,729,336 | 23 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 19 | $510,185 | 320 | $1,594 | $510,185 | 1 | |
| Apr 19, 2019 | 13 | $1,693,700 | +232% | 320 | $5,293 | $2,203,885 | 2 |
| Apr 26, 2019 | 16 | $411,199 | -76% | 283 | $1,453 | $2,615,084 | 3 |
| May 3, 2019 | 27 | $114,252 | -72% | 85 | $1,344 | $2,729,336 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/12/2019 | $0 | 0 | 66 | 195 | $582,058 | 5/7/2019 | |||
| India | 4/19/2019 | $9,500,000 | 0 | 0 | 0 | $9,500,000 | 4/23/2019 | |||
| Portugal | 4/19/2019 | $0 | 0 | 1 | 1 | $2,427 | 4/30/2019 | |||
| United Kingdom | 4/19/2019 | $772,646 | 149 | 149 | 230 | $1,118,609 | 5/1/2019 | |||
| International Total | $11,203,094 | 5/7/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Varun Dhawan | Zafar | |
| Aditya Roy Kapur | Dev Chaudhry | |
| Sanjay Dutt | Halraj Chaudhry | |
| Alia Bhatt | Roop | |
| Sonakshi Sinha | Satya Chaudhry | |
| Madhuri Dixit | Bahaar Begum |
Supporting
| Kunal Khemu | Abdul | |
| Hiten Tejwani | Abbas |
Cameo
| Kriti Sanon | Herself | |
| Kiara Advani | Herself |
Production and Technical Credits
| Abhishek Varman | Director | |
| Abhishek Varman | Screenwriter | |
| Shibani Bathija | Story by | |
| Karan Johar | Producer | |
| Sajid Nadiadwala | Producer | |
| Hiroo Yash Johar | Producer | |
| Apoorva Mehta | Producer | |
| Amrita Mahal Nakai | Production Designer | |
| Shweta Venkat Mathew | Editor | |
| Binod Pradhan | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.