Kamera o tomeru na! (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $52,406 | Details |
| International Box Office | $26,643,632 | Details |
| Worldwide Box Office | $26,696,038 | |
| OpusData ID: 352860100 More info... | ||
| Further financial details... | ||
Synopsis
While shooting a low-budget zombie film in an abandoned warehouse, the crew find themselves caught between actual zombies and a mad director who won’t stop rolling. If you think you know what happens next, think again.
Metrics
| Opening Weekend: | $6,360 (12.1% of total gross) |
| Legs: | 4.46 (domestic box office/biggest weekend) |
| Domestic Share: | 0.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $68,423 |
Movie Details
| Domestic Releases: | September 13th, 2019 (Limited) by Shudder, released as One Cut of the Dead |
| International Releases: | June 22nd, 2018 (Wide) (Japan)
August 23rd, 2018 (Wide), released as One Cut of the Dead (South Korea) August 21st, 2024 (Limited), released as One Cut of the Dead (South Korea) |
| Video Release: | December 10th, 2019 by RLJ, released as One Cut of the Dead |
| MPA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Franchise: | One Cut of the Dead |
| Cast, crew, or production detail: | Segments |
| Plot point: | Boss From Hell, Non-Chronological, Story within a Story, Zombies |
| Social setting: | Movie Business |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 61 | $6,360 | 2 | $3,180 | $6,360 | 1 | |
| Sep 20, 2019 | 56 | $11,753 | +85% | 7 | $1,679 | $37,311 | 2 |
| Sep 27, 2019 | 69 | $3,465 | -71% | 4 | $866 | $46,276 | 3 |
| Oct 18, 2019 | 87 | $586 | 2 | $293 | $52,406 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 54 | $25,558 | 2 | $12,779 | $25,558 | 1 | |
| Sep 20, 2019 | 60 | $17,253 | -32% | 7 | $2,465 | $42,811 | 2 |
| Sep 27, 2019 | 75 | $5,372 | -69% | 4 | $1,343 | $48,183 | 3 |
| Oct 4, 2019 | 76 | $3,637 | -32% | 2 | $1,819 | $51,820 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Japan | 6/22/2018 | $0 | 0 | 0 | 0 | $26,495,502 | 11/9/2018 | |||
| South Korea | 8/23/2018 | $18,722 | 58 | 58 | 144 | $148,130 | 8/28/2024 | |||
| International Total | $26,643,632 | 8/28/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Takayuki Hamatsu | Director Higurashi | |
| Yuzuki Akiyama | Chinatsu |
Production and Technical Credits
| Shin'ichirô Ueda | Director | |
| Shin'ichirô Ueda | Screenwriter | |
| Koji Ichihashi | Producer | |
| Takeshi Sone | Cinematographer | |
| Shin'ichirô Ueda | Editor | |
| Nobuhiro Suzuki | Composer | |
| Kyle Nagai | Composer | |
| Shôma Itô | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
While shooting a low-budget zombie film in an abandoned warehouse, the crew find themselves caught between actual zombies and a mad director who won’t stop rolling. If you think you know what happens next, think again.
Metrics
| Opening Weekend: | $6,360 (12.1% of total gross) |
| Legs: | 4.46 (domestic box office/biggest weekend) |
| Domestic Share: | 0.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $68,423 |
Movie Details
| Domestic Releases: | September 13th, 2019 (Limited) by Shudder, released as One Cut of the Dead |
| International Releases: | June 22nd, 2018 (Wide) (Japan)
August 23rd, 2018 (Wide), released as One Cut of the Dead (South Korea) August 21st, 2024 (Limited), released as One Cut of the Dead (South Korea) |
| Video Release: | December 10th, 2019 by RLJ, released as One Cut of the Dead |
| MPA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Franchise: | One Cut of the Dead |
| Cast, crew, or production detail: | Segments |
| Plot point: | Boss From Hell, Non-Chronological, Story within a Story, Zombies |
| Social setting: | Movie Business |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 61 | $6,360 | 2 | $3,180 | $6,360 | 1 | |
| Sep 20, 2019 | 56 | $11,753 | +85% | 7 | $1,679 | $37,311 | 2 |
| Sep 27, 2019 | 69 | $3,465 | -71% | 4 | $866 | $46,276 | 3 |
| Oct 18, 2019 | 87 | $586 | 2 | $293 | $52,406 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 54 | $25,558 | 2 | $12,779 | $25,558 | 1 | |
| Sep 20, 2019 | 60 | $17,253 | -32% | 7 | $2,465 | $42,811 | 2 |
| Sep 27, 2019 | 75 | $5,372 | -69% | 4 | $1,343 | $48,183 | 3 |
| Oct 4, 2019 | 76 | $3,637 | -32% | 2 | $1,819 | $51,820 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Japan | 6/22/2018 | $0 | 0 | 0 | 0 | $26,495,502 | 11/9/2018 | |||
| South Korea | 8/23/2018 | $18,722 | 58 | 58 | 144 | $148,130 | 8/28/2024 | |||
| International Total | $26,643,632 | 8/28/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Takayuki Hamatsu | Director Higurashi | |
| Yuzuki Akiyama | Chinatsu |
Production and Technical Credits
| Shin'ichirô Ueda | Director | |
| Shin'ichirô Ueda | Screenwriter | |
| Koji Ichihashi | Producer | |
| Takeshi Sone | Cinematographer | |
| Shin'ichirô Ueda | Editor | |
| Nobuhiro Suzuki | Composer | |
| Kyle Nagai | Composer | |
| Shôma Itô | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.