Kate and Leopold (2001)
| Theatrical Performance | ||
| Domestic Box Office | $47,095,453 | Details |
| International Box Office | $23,842,325 | |
| Worldwide Box Office | $70,937,778 | |
| OpusData ID: 11780100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $9,725,408 (20.7% of total gross) |
| Legs: | 4.84 (domestic box office/biggest weekend) |
| Domestic Share: | 66.4% (domestic box office/worldwide) |
| Production Budget: | $48,000,000 (worldwide box office is 1.5 times production budget) |
| Theater counts: | 2,459 opening theaters/2,467 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $98,026,181 |
Movie Details
| Domestic Releases: | December 25th, 2001 (Wide) by Miramax |
| Video Release: | June 11th, 2002 by Lionsgate Home Entertainment, released as Kate & Leopold |
| MPA Rating: | PG-13 for brief strong language |
| Running Time: | 120 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Money Troubles, Romance, Time Travel |
| Subgenre: | Romantic Comedy |
| Time period setting: | 1870s |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 28, 2001 | 7 | $9,725,408 | 2,459 | $3,955 | $22,103,269 | 1 | |
| Jan 4, 2002 | 8 | $6,125,410 | -37% | 2,467 | $2,483 | $30,588,006 | 2 |
| Jan 11, 2002 | 8 | $4,744,908 | -23% | 2,467 | $1,923 | $37,209,760 | 3 |
| Jan 18, 2002 | 8 | $3,444,455 | -27% | 2,381 | $1,447 | $42,756,969 | 4 |
| Jan 25, 2002 | 19 | $1,448,767 | -58% | 1,540 | $941 | $45,023,594 | 5 |
| Feb 1, 2002 | 22 | $826,691 | -43% | 1,085 | $762 | $46,296,502 | 6 |
| Feb 8, 2002 | 29 | $290,905 | -65% | 505 | $576 | $46,849,533 | 7 |
| Feb 15, 2002 | 47 | $60,936 | -79% | 178 | $342 | $47,095,453 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 25, 2001 | 5 | $2,562,448 | 2,449 | $1,046 | $2,562,448 | 1 | ||
| Dec 26, 2001 | 7 | $2,626,000 | +2% | 2,449 | $1,072 | $5,188,000 | 2 | |
| Dec 27, 2001 | 7 | $2,489,000 | -5% | 2,449 | $1,016 | $7,677,000 | 3 | |
| Dec 28, 2001 | 7 | $3,261,000 | +31% | 2,449 | $1,332 | $10,938,000 | 4 | |
| Dec 29, 2001 | 7 | $3,657,000 | +12% | 2,449 | $1,493 | $14,595,000 | 5 | |
| Dec 30, 2001 | 7 | $2,850,000 | -22% | 2,449 | $1,164 | $17,445,000 | 6 | |
| Dec 31, 2001 | 5 | $2,338,000 | -18% | 2,449 | $955 | $19,783,000 | 7 | |
| Jan 1, 2002 | 8 | $2,595,000 | +11% | +1% | 2,449 | $1,060 | $22,103,269 | 8 |
| Jan 2, 2002 | 8 | $1,268,000 | -51% | -52% | 2,452 | $517 | $23,495,000 | 9 |
| Jan 3, 2002 | 7 | $1,080,000 | -15% | -57% | 2,452 | $440 | $24,463,000 | 10 |
| Jan 4, 2002 | 8 | $2,059,000 | +91% | -37% | 2,467 | $835 | $26,522,000 | 11 |
| Jan 5, 2002 | 8 | $2,745,000 | +33% | -25% | 2,467 | $1,113 | $29,396,000 | 12 |
| Jan 6, 2002 | 9 | $1,305,000 | -52% | -54% | 2,467 | $529 | $30,588,006 | 13 |
| Jan 7, 2002 | 8 | $415,000 | -68% | -82% | 2,467 | $168 | $31,003,000 | 14 |
| Jan 8, 2002 | 6 | $539,000 | +30% | -79% | 2,467 | $218 | $31,543,000 | 15 |
| Jan 9, 2002 | 6 | $460,000 | -15% | -64% | 2,467 | $186 | $32,002,000 | 16 |
| Jan 10, 2002 | 6 | $468,000 | +2% | -57% | 2,467 | $190 | $32,465,000 | 17 |
| Jan 11, 2002 | 6 | $1,518,000 | +224% | -26% | 2,467 | $615 | $33,983,000 | 18 |
| Jan 12, 2002 | 8 | $2,071,000 | +36% | -25% | 2,467 | $839 | $36,054,000 | 19 |
| Jan 13, 2002 | 9 | $1,067,000 | -48% | -18% | 2,467 | $433 | $37,209,760 | 20 |
| Jan 14, 2002 | 7 | $315,000 | -70% | -24% | 2,467 | $128 | $37,525,000 | 21 |
| Jan 15, 2002 | 7 | $394,000 | +25% | -27% | 2,467 | $160 | $37,920,000 | 22 |
| Jan 16, 2002 | 7 | $343,000 | -13% | -25% | 2,467 | $139 | $38,262,000 | 23 |
| Jan 17, 2002 | 7 | $358,000 | +4% | -24% | 2,467 | $145 | $38,630,000 | 24 |
| Jan 18, 2002 | 8 | $1,025,000 | +186% | -32% | 2,381 | $430 | $39,655,000 | 25 |
| Jan 22, 2002 | 9 | $281,000 | -29% | 2,381 | $118 | $43,038,000 | 29 | |
| Jan 23, 2002 | 9 | $255,000 | -9% | -26% | 2,381 | $107 | $43,293,000 | 30 |
| Jan 24, 2002 | 9 | $276,000 | +8% | -23% | 2,381 | $116 | $43,575,000 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 21, 2001 | 13 | $7,677,448 | 2,449 | $3,135 | $7,677,000 | 1 | |
| Dec 28, 2001 | 7 | $12,084,735 | +57% | 2,459 | $4,914 | $24,462,596 | 2 |
| Jan 4, 2002 | 8 | $8,002,256 | -34% | 2,467 | $3,244 | $32,464,852 | 3 |
| Jan 11, 2002 | 8 | $6,847,662 | -14% | 2,467 | $2,776 | $39,312,514 | 4 |
| Jan 18, 2002 | 9 | $4,262,313 | -38% | 2,381 | $1,790 | $43,574,827 | 5 |
| Jan 25, 2002 | 19 | $1,894,984 | -56% | 1,540 | $1,231 | $45,469,811 | 6 |
| Feb 1, 2002 | 23 | $1,088,817 | -43% | 1,085 | $1,004 | $46,558,628 | 7 |
| Feb 8, 2002 | 29 | $475,889 | -56% | 505 | $942 | $47,034,517 | 8 |
| Feb 15, 2002 | 52 | $60,936 | -87% | 178 | $342 | $47,095,453 | 9 |
Leading
| Meg Ryan | Kate McKay | |
| Hugh Jackman | Leopold |
Supporting
| Liev Schreiber | Stuart Besser | |
| Breckin Meyer | Charlie McKay | |
| Natasha Lyonne | Darci | |
| Bradley Whitford | J.J. Camden (Kate's boss) | |
| Philip Bosco | Otis | |
| Paxton Whitehead | Uncle Millard | |
| Spalding Gray | Dr. Geisler | |
| Josh Stamberg | Colleague Bob | |
| Matthew Sussman | Ad Executive Phil | |
| Charlotte Ayanna | Patrice | |
| Andrew Jack | Roebling | |
| Stan Tracy | Photographer | |
| Kristen Schaal | Miss Tree | |
| Andrea Barnes | Clara |
Cameo
| James Mangold | Movie Director |
Supporting
| William Sanford | Barry | |
| David Aaron Baker | Studio Executive | |
| Arthur Nascarella | Gracy | |
| Robert Manning* | Passerby | |
| Roma Torre | TV Newscaster | |
| Viola Davis | Policewoman | |
| Ray Seiden* | Sanitation Worker | |
| Jonathan Fried | Faux Wolfgang | |
| Francis Dumaurier | Faux Emeril | |
| Cole Hawkins | Hector | |
| Stephanie Montalvo | CRG Intern | |
| Ebony Jo-Ann | Nurse Ester | |
| George Hahn | Assistant Director | |
| Joe Mosso | Cameraman | |
| Cornelius Byrne | Carriage Driver | |
| Chazz Menendez | Purse Thief | |
| Brandon Parrish | Dennis | |
| Brittney Startzman | Monica | |
| Martha Madison | Office Woman | |
| Stephanie Sanditz | Gretchen | |
| Nai Yuan Hu | Rooftop Violinist | |
| Michael Shelle | Distinguished Actor | |
| Matthew Beisner | Commercial Director | |
| Bill Corsair | Kate's Limo driver, Morty | |
| John Rothman | Executive #1 | |
| Dennis Rees | Executive #2 | |
| Michael Cassady | Executive #3 | |
| Brian Letscher | Ad Executive | |
| Meg Gibson | Executive's Wife | |
| Kevin Daniels | Doorman at Party | |
| Henry Boyle | Cab Driver | |
| Russell Di Perna | Bridge Cop | |
| Frank Arcuri | 1876 Doorman | |
| Bart DeFinna | Film Editor |
Production and Technical Credits
| James Mangold | Director | |
| Cathy Konrad | Producer | |
| Steven Rogers | Story Creator | |
| James Mangold | Screenwriter | |
| Steven Rogers | Screenwriter | |
| Kerry Orent | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Meryl Poster | Executive Producer | |
| Christopher Goode | Co-Producer | |
| Stuart Dryburgh | Cinematographer | |
| Mark Friedberg | Production Designer | |
| David Brenner | Editor | |
| Rolfe Kent | Composer | |
| Donna Zakowska | Costume Designer | |
| Billy Hopkins | Casting Director | |
| Suzanne Smith | Casting Director | |
| Nicholas Mastandrea | Assistant Director | |
| Christopher Goode | Unit Production Manager | |
| Alyson Evans | Production Supervisor | |
| Jess Gonchor | Art Director | |
| Stephanie Carroll | Set Decorator | |
| Amy Andrews | Costume Supervisor | |
| Francine Ritacco | Costume Supervisor | |
| Mathew Price | Sound Mixer | |
| Jeffrey J. Haboush | Re-recording Mixer | |
| Bill W. Benton | Re-recording Mixer | |
| Howell Gibbens | Supervising Sound Editor | |
| Donald Flick | Sound Effects Editor | |
| Elizabeth Kenton | Dialogue Editor | |
| Larry Kemp | Dialogue Editor | |
| Mike Chock | Dialogue Editor | |
| Nick South | Music Editor | |
| Paul Rabjohns | Music Editor | |
| Carla White | Makeup | |
| John Quaglia | Hairstylist | |
| Kerry Barden | Additional Casting | |
| Peter Bucossi | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $9,725,408 (20.7% of total gross) |
| Legs: | 4.84 (domestic box office/biggest weekend) |
| Domestic Share: | 66.4% (domestic box office/worldwide) |
| Production Budget: | $48,000,000 (worldwide box office is 1.5 times production budget) |
| Theater counts: | 2,459 opening theaters/2,467 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $98,026,181 |
Movie Details
| Domestic Releases: | December 25th, 2001 (Wide) by Miramax |
| Video Release: | June 11th, 2002 by Lionsgate Home Entertainment, released as Kate & Leopold |
| MPA Rating: | PG-13 for brief strong language |
| Running Time: | 120 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Money Troubles, Romance, Time Travel |
| Subgenre: | Romantic Comedy |
| Time period setting: | 1870s |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 28, 2001 | 7 | $9,725,408 | 2,459 | $3,955 | $22,103,269 | 1 | |
| Jan 4, 2002 | 8 | $6,125,410 | -37% | 2,467 | $2,483 | $30,588,006 | 2 |
| Jan 11, 2002 | 8 | $4,744,908 | -23% | 2,467 | $1,923 | $37,209,760 | 3 |
| Jan 18, 2002 | 8 | $3,444,455 | -27% | 2,381 | $1,447 | $42,756,969 | 4 |
| Jan 25, 2002 | 19 | $1,448,767 | -58% | 1,540 | $941 | $45,023,594 | 5 |
| Feb 1, 2002 | 22 | $826,691 | -43% | 1,085 | $762 | $46,296,502 | 6 |
| Feb 8, 2002 | 29 | $290,905 | -65% | 505 | $576 | $46,849,533 | 7 |
| Feb 15, 2002 | 47 | $60,936 | -79% | 178 | $342 | $47,095,453 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 25, 2001 | 5 | $2,562,448 | 2,449 | $1,046 | $2,562,448 | 1 | ||
| Dec 26, 2001 | 7 | $2,626,000 | +2% | 2,449 | $1,072 | $5,188,000 | 2 | |
| Dec 27, 2001 | 7 | $2,489,000 | -5% | 2,449 | $1,016 | $7,677,000 | 3 | |
| Dec 28, 2001 | 7 | $3,261,000 | +31% | 2,449 | $1,332 | $10,938,000 | 4 | |
| Dec 29, 2001 | 7 | $3,657,000 | +12% | 2,449 | $1,493 | $14,595,000 | 5 | |
| Dec 30, 2001 | 7 | $2,850,000 | -22% | 2,449 | $1,164 | $17,445,000 | 6 | |
| Dec 31, 2001 | 5 | $2,338,000 | -18% | 2,449 | $955 | $19,783,000 | 7 | |
| Jan 1, 2002 | 8 | $2,595,000 | +11% | +1% | 2,449 | $1,060 | $22,103,269 | 8 |
| Jan 2, 2002 | 8 | $1,268,000 | -51% | -52% | 2,452 | $517 | $23,495,000 | 9 |
| Jan 3, 2002 | 7 | $1,080,000 | -15% | -57% | 2,452 | $440 | $24,463,000 | 10 |
| Jan 4, 2002 | 8 | $2,059,000 | +91% | -37% | 2,467 | $835 | $26,522,000 | 11 |
| Jan 5, 2002 | 8 | $2,745,000 | +33% | -25% | 2,467 | $1,113 | $29,396,000 | 12 |
| Jan 6, 2002 | 9 | $1,305,000 | -52% | -54% | 2,467 | $529 | $30,588,006 | 13 |
| Jan 7, 2002 | 8 | $415,000 | -68% | -82% | 2,467 | $168 | $31,003,000 | 14 |
| Jan 8, 2002 | 6 | $539,000 | +30% | -79% | 2,467 | $218 | $31,543,000 | 15 |
| Jan 9, 2002 | 6 | $460,000 | -15% | -64% | 2,467 | $186 | $32,002,000 | 16 |
| Jan 10, 2002 | 6 | $468,000 | +2% | -57% | 2,467 | $190 | $32,465,000 | 17 |
| Jan 11, 2002 | 6 | $1,518,000 | +224% | -26% | 2,467 | $615 | $33,983,000 | 18 |
| Jan 12, 2002 | 8 | $2,071,000 | +36% | -25% | 2,467 | $839 | $36,054,000 | 19 |
| Jan 13, 2002 | 9 | $1,067,000 | -48% | -18% | 2,467 | $433 | $37,209,760 | 20 |
| Jan 14, 2002 | 7 | $315,000 | -70% | -24% | 2,467 | $128 | $37,525,000 | 21 |
| Jan 15, 2002 | 7 | $394,000 | +25% | -27% | 2,467 | $160 | $37,920,000 | 22 |
| Jan 16, 2002 | 7 | $343,000 | -13% | -25% | 2,467 | $139 | $38,262,000 | 23 |
| Jan 17, 2002 | 7 | $358,000 | +4% | -24% | 2,467 | $145 | $38,630,000 | 24 |
| Jan 18, 2002 | 8 | $1,025,000 | +186% | -32% | 2,381 | $430 | $39,655,000 | 25 |
| Jan 22, 2002 | 9 | $281,000 | -29% | 2,381 | $118 | $43,038,000 | 29 | |
| Jan 23, 2002 | 9 | $255,000 | -9% | -26% | 2,381 | $107 | $43,293,000 | 30 |
| Jan 24, 2002 | 9 | $276,000 | +8% | -23% | 2,381 | $116 | $43,575,000 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 21, 2001 | 13 | $7,677,448 | 2,449 | $3,135 | $7,677,000 | 1 | |
| Dec 28, 2001 | 7 | $12,084,735 | +57% | 2,459 | $4,914 | $24,462,596 | 2 |
| Jan 4, 2002 | 8 | $8,002,256 | -34% | 2,467 | $3,244 | $32,464,852 | 3 |
| Jan 11, 2002 | 8 | $6,847,662 | -14% | 2,467 | $2,776 | $39,312,514 | 4 |
| Jan 18, 2002 | 9 | $4,262,313 | -38% | 2,381 | $1,790 | $43,574,827 | 5 |
| Jan 25, 2002 | 19 | $1,894,984 | -56% | 1,540 | $1,231 | $45,469,811 | 6 |
| Feb 1, 2002 | 23 | $1,088,817 | -43% | 1,085 | $1,004 | $46,558,628 | 7 |
| Feb 8, 2002 | 29 | $475,889 | -56% | 505 | $942 | $47,034,517 | 8 |
| Feb 15, 2002 | 52 | $60,936 | -87% | 178 | $342 | $47,095,453 | 9 |
Leading
| Meg Ryan | Kate McKay | |
| Hugh Jackman | Leopold |
Supporting
| Liev Schreiber | Stuart Besser | |
| Breckin Meyer | Charlie McKay | |
| Natasha Lyonne | Darci | |
| Bradley Whitford | J.J. Camden (Kate's boss) | |
| Philip Bosco | Otis | |
| Paxton Whitehead | Uncle Millard | |
| Spalding Gray | Dr. Geisler | |
| Josh Stamberg | Colleague Bob | |
| Matthew Sussman | Ad Executive Phil | |
| Charlotte Ayanna | Patrice | |
| Andrew Jack | Roebling | |
| Stan Tracy | Photographer | |
| Kristen Schaal | Miss Tree | |
| Andrea Barnes | Clara |
Cameo
| James Mangold | Movie Director |
Supporting
| William Sanford | Barry | |
| David Aaron Baker | Studio Executive | |
| Arthur Nascarella | Gracy | |
| Robert Manning* | Passerby | |
| Roma Torre | TV Newscaster | |
| Viola Davis | Policewoman | |
| Ray Seiden* | Sanitation Worker | |
| Jonathan Fried | Faux Wolfgang | |
| Francis Dumaurier | Faux Emeril | |
| Cole Hawkins | Hector | |
| Stephanie Montalvo | CRG Intern | |
| Ebony Jo-Ann | Nurse Ester | |
| George Hahn | Assistant Director | |
| Joe Mosso | Cameraman | |
| Cornelius Byrne | Carriage Driver | |
| Chazz Menendez | Purse Thief | |
| Brandon Parrish | Dennis | |
| Brittney Startzman | Monica | |
| Martha Madison | Office Woman | |
| Stephanie Sanditz | Gretchen | |
| Nai Yuan Hu | Rooftop Violinist | |
| Michael Shelle | Distinguished Actor | |
| Matthew Beisner | Commercial Director | |
| Bill Corsair | Kate's Limo driver, Morty | |
| John Rothman | Executive #1 | |
| Dennis Rees | Executive #2 | |
| Michael Cassady | Executive #3 | |
| Brian Letscher | Ad Executive | |
| Meg Gibson | Executive's Wife | |
| Kevin Daniels | Doorman at Party | |
| Henry Boyle | Cab Driver | |
| Russell Di Perna | Bridge Cop | |
| Frank Arcuri | 1876 Doorman | |
| Bart DeFinna | Film Editor |
Production and Technical Credits
| James Mangold | Director | |
| Cathy Konrad | Producer | |
| Steven Rogers | Story Creator | |
| James Mangold | Screenwriter | |
| Steven Rogers | Screenwriter | |
| Kerry Orent | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Meryl Poster | Executive Producer | |
| Christopher Goode | Co-Producer | |
| Stuart Dryburgh | Cinematographer | |
| Mark Friedberg | Production Designer | |
| David Brenner | Editor | |
| Rolfe Kent | Composer | |
| Donna Zakowska | Costume Designer | |
| Billy Hopkins | Casting Director | |
| Suzanne Smith | Casting Director | |
| Nicholas Mastandrea | Assistant Director | |
| Christopher Goode | Unit Production Manager | |
| Alyson Evans | Production Supervisor | |
| Jess Gonchor | Art Director | |
| Stephanie Carroll | Set Decorator | |
| Amy Andrews | Costume Supervisor | |
| Francine Ritacco | Costume Supervisor | |
| Mathew Price | Sound Mixer | |
| Jeffrey J. Haboush | Re-recording Mixer | |
| Bill W. Benton | Re-recording Mixer | |
| Howell Gibbens | Supervising Sound Editor | |
| Donald Flick | Sound Effects Editor | |
| Elizabeth Kenton | Dialogue Editor | |
| Larry Kemp | Dialogue Editor | |
| Mike Chock | Dialogue Editor | |
| Nick South | Music Editor | |
| Paul Rabjohns | Music Editor | |
| Carla White | Makeup | |
| John Quaglia | Hairstylist | |
| Kerry Barden | Additional Casting | |
| Peter Bucossi | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.