Katseye: Wild Hearts (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $3,950,000 | Details |
| International Box Office | $2,259,101 | Details |
| Worldwide Box Office | $6,209,101 | |
| OpusData ID: 815270100 More info... | ||
| Further financial details... | ||
Synopsis
From the intense pressure of Dream Academy to chart-topping viral success, audiences will experience the highs, setbacks, sacrifices, and breakthrough moments that transformed KATSEYE on their path to global pop stardom. Praised by outlets including The New York Times, Vogue, Rolling Stone, and Billboard, KATSEYE has earned acclaim for their relentless dedication to their craft and electrifying live performances. As one of pop’s most exciting emerging global acts, the group continues to solidify its place as a worldwide force.
Metrics
| Opening Weekend: | $3,950,000 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 63.6% (domestic box office/worldwide) |
| Theater counts: | 724 opening theaters/724 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,950,000 |
Movie Details
| Domestic Releases: | August 12th, 2026 (Special Engagement) by Trafalgar Releasing |
| International Releases: | August 12th, 2026 (Special Engagement) (Italy)
August 12th, 2026 (Special Engagement) (Japan) August 12th, 2026 (Special Engagement) (Brazil) August 12th, 2026 (Special Engagement) (Australia) August 12th, 2026 (Special Engagement) (Germany) ... Show all releases |
| Running Time: | 80 minutes |
| Plot point: | Musicians, Singers |
| Social setting: | Music Industry, Pop Music |
| Subgenre: | Social and Cultural Documentary |
| Time period setting: | 2020s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Interscope Films, Boardwalk Pictures, HYBE X GEFFEN |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 14, 2026 | 5 | $3,950,000 | 724 | $5,456 | $3,950,000 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 14, 2026 | 5 | $2,200,000 | 724 | $3,039 | $2,200,000 | 3 | |
| Aug 15, 2026 | 7 | $1,000,000 | -55% | 724 | $1,381 | $3,200,000 | 4 |
| Aug 16, 2026 | 7 | $750,000 | -25% | 724 | $1,036 | $3,950,000 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/12/2026 | $253,346 | 44 | 44 | 0 | $350,328 | 8/24/2026 | |||
| Italy | 8/12/2026 | $39,597 | 0 | 0 | 0 | $142,392 | 8/17/2026 | |||
| Mexico | 8/12/2026 | $228,074 | 0 | 0 | 0 | $544,080 | 8/26/2026 | |||
| New Zealand | 8/12/2026 | $14,330 | 6 | 6 | 0 | $20,535 | 8/24/2026 | |||
| Portugal | 8/12/2026 | $23,306 | 6 | 6 | 0 | $36,570 | 8/25/2026 | |||
| United Kingdom | 8/12/2026 | $983,352 | 163 | 163 | 303 | $1,165,196 | 8/27/2026 | |||
| International Total | $2,259,101 | 8/27/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Daniela Avanzini | Herself | |
| Lara Raj | Herself | |
| Manon Bannerman | Herself | |
| Megan Skiendiel | Herself | |
| Sophia Laforteza | Herself | |
| Yoonchae Jeong | Herself |
Production and Technical Credits
| Nadia Hallgren | Director | |
| Lana Barkin | Producer | |
| Lauren Cioffi | Producer | |
| Mitra Darab | Producer | |
| Andrew Ibea | Producer | |
| Jay Ihn | Producer | |
| Hayan Park | Producer | |
| Sarina Roma | Producer | |
| Jared Shelton | Producer | |
| Page Marsella | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
From the intense pressure of Dream Academy to chart-topping viral success, audiences will experience the highs, setbacks, sacrifices, and breakthrough moments that transformed KATSEYE on their path to global pop stardom. Praised by outlets including The New York Times, Vogue, Rolling Stone, and Billboard, KATSEYE has earned acclaim for their relentless dedication to their craft and electrifying live performances. As one of pop’s most exciting emerging global acts, the group continues to solidify its place as a worldwide force.
Metrics
| Opening Weekend: | $3,950,000 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 63.6% (domestic box office/worldwide) |
| Theater counts: | 724 opening theaters/724 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,950,000 |
Movie Details
| Domestic Releases: | August 12th, 2026 (Special Engagement) by Trafalgar Releasing |
| International Releases: | August 12th, 2026 (Special Engagement) (Italy)
August 12th, 2026 (Special Engagement) (Japan) August 12th, 2026 (Special Engagement) (Brazil) August 12th, 2026 (Special Engagement) (Australia) August 12th, 2026 (Special Engagement) (Germany) ... Show all releases |
| Running Time: | 80 minutes |
| Plot point: | Musicians, Singers |
| Social setting: | Music Industry, Pop Music |
| Subgenre: | Social and Cultural Documentary |
| Time period setting: | 2020s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Interscope Films, Boardwalk Pictures, HYBE X GEFFEN |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 14, 2026 | 5 | $3,950,000 | 724 | $5,456 | $3,950,000 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 14, 2026 | 5 | $2,200,000 | 724 | $3,039 | $2,200,000 | 3 | |
| Aug 15, 2026 | 7 | $1,000,000 | -55% | 724 | $1,381 | $3,200,000 | 4 |
| Aug 16, 2026 | 7 | $750,000 | -25% | 724 | $1,036 | $3,950,000 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/12/2026 | $253,346 | 44 | 44 | 0 | $350,328 | 8/24/2026 | |||
| Italy | 8/12/2026 | $39,597 | 0 | 0 | 0 | $142,392 | 8/17/2026 | |||
| Mexico | 8/12/2026 | $228,074 | 0 | 0 | 0 | $544,080 | 8/26/2026 | |||
| New Zealand | 8/12/2026 | $14,330 | 6 | 6 | 0 | $20,535 | 8/24/2026 | |||
| Portugal | 8/12/2026 | $23,306 | 6 | 6 | 0 | $36,570 | 8/25/2026 | |||
| United Kingdom | 8/12/2026 | $983,352 | 163 | 163 | 303 | $1,165,196 | 8/27/2026 | |||
| International Total | $2,259,101 | 8/27/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Daniela Avanzini | Herself | |
| Lara Raj | Herself | |
| Manon Bannerman | Herself | |
| Megan Skiendiel | Herself | |
| Sophia Laforteza | Herself | |
| Yoonchae Jeong | Herself |
Production and Technical Credits
| Nadia Hallgren | Director | |
| Lana Barkin | Producer | |
| Lauren Cioffi | Producer | |
| Mitra Darab | Producer | |
| Andrew Ibea | Producer | |
| Jay Ihn | Producer | |
| Hayan Park | Producer | |
| Sarina Roma | Producer | |
| Jared Shelton | Producer | |
| Page Marsella | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.