Keep The Change (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $202,788 | Details |
| International Box Office | $19,273 | Details |
| Worldwide Box Office | $222,061 | |
| OpusData ID: 312060100 More info... | ||
| Further financial details... | ||
Synopsis
The unlikely love story of two people who meet in a support group. While David, an upper-class charmer, wants nothing to do with this world, Sarah fully embraces her individuality. When paired on an assignment to take a field trip over the Brooklyn Bridge, David is less than enthused. But what he doesn’t realize is that this quirky bundle of energy just might hold the key to his happiness.
Metrics
| Opening Weekend: | $12,445 (6.1% of total gross) |
| Legs: | 11.64 (domestic box office/biggest weekend) |
| Domestic Share: | 91.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/13 max. theaters, 6.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $266,230 |
Movie Details
| Domestic Releases: | March 16th, 2018 (Limited) by Kino Lorber |
| International Releases: | October 27th, 2017 (Wide) (Australia) |
| MPA Rating: | Not Rated |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Director Remaking Their Own Movie, Remake, Remake with Returning Cast Member |
| Geographical setting: | New York City |
| Plot point: | Amateur Filmmakers, Community Service, Jewish, Romance |
| Source: | Based on Short Film |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tangerine Entertainment, Story Farm, Salem Street Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 16, 2018 | 60 | $12,445 | 1 | $12,445 | $48,769 | 1 | |
| Mar 23, 2018 | 60 | $17,425 | +40% | 8 | $2,178 | $71,213 | 2 |
| Mar 30, 2018 | 62 | $11,950 | -31% | 13 | $919 | $87,677 | 3 |
| Apr 6, 2018 | 62 | $10,835 | -9% | 9 | $1,204 | $106,207 | 4 |
| Apr 13, 2018 | 74 | $4,497 | -58% | 4 | $1,124 | $114,747 | 5 |
| Apr 20, 2018 | 64 | $11,186 | +149% | 6 | $1,864 | $128,012 | 6 |
| Apr 27, 2018 | 67 | $7,722 | -31% | 7 | $1,103 | $140,343 | 7 |
| May 4, 2018 | 67 | $6,930 | -10% | 5 | $1,386 | $155,075 | 8 |
| May 11, 2018 | 65 | $10,795 | +56% | 9 | $1,199 | $169,824 | 9 |
| May 18, 2018 | 71 | $5,049 | -53% | 7 | $721 | $181,367 | 10 |
| May 25, 2018 | 66 | $5,882 | +16% | 7 | $840 | $188,681 | 11 |
| Jun 1, 2018 | 72 | $3,596 | -39% | 6 | $599 | $196,505 | 12 |
| Jun 8, 2018 | 74 | $2,160 | -40% | 8 | $270 | $202,016 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 16, 2018 | 60 | $17,464 | 1 | $17,464 | $53,788 | 1 | |
| Mar 23, 2018 | 65 | $21,939 | +26% | 8 | $2,742 | $75,727 | 2 |
| Mar 30, 2018 | 62 | $19,645 | -10% | 13 | $1,511 | $95,372 | 3 |
| Apr 6, 2018 | 62 | $14,878 | -24% | 9 | $1,653 | $110,250 | 4 |
| Apr 13, 2018 | 74 | $6,576 | -56% | 5 | $1,315 | $116,826 | 5 |
| Apr 20, 2018 | 65 | $15,795 | +140% | 7 | $2,256 | $132,621 | 6 |
| Apr 27, 2018 | 61 | $15,524 | -2% | 7 | $2,218 | $148,145 | 7 |
| May 4, 2018 | 68 | $10,884 | -30% | 7 | $1,555 | $159,029 | 8 |
| May 11, 2018 | 64 | $17,289 | +59% | 12 | $1,441 | $176,318 | 9 |
| May 18, 2018 | 77 | $6,481 | -63% | 7 | $926 | $182,799 | 10 |
| May 25, 2018 | 67 | $10,110 | +56% | 7 | $1,444 | $192,909 | 11 |
| Jun 1, 2018 | 70 | $6,947 | -31% | 8 | $868 | $199,856 | 12 |
| Jun 8, 2018 | 77 | $2,932 | -58% | 4 | $733 | $202,788 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/27/2017 | $2,900 | 4 | 4 | 15 | $19,273 | 7/23/2018 | |||
| International Total | $19,273 | 7/23/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Brandon Polansky | David Cohen | |
| Samantha Elisofon | Sarah Silverstein |
Supporting
| Nicky Gottlieb | Sammy | |
| Will Deaver | Will | |
| Jessica Walter | Carrie Cohen | |
| Tibor Feldman | Lenny Cohen | |
| Johnathan Tchaikovsky | Matt Cone | |
| Dorsey Massey | Dorsey | |
| Heidi Landis | Delilah | |
| Anna Suzuki | Angie |
Production and Technical Credits
| Rachel Israel | Director | |
| Rachel Israel | Screenwriter | |
| Summer Shelton | Producer | |
| Todd Remis | Producer | |
| Kurt Enger | Producer | |
| Anne Hubbell | Executive Producer | |
| Amy Hobby | Executive Producer | |
| Laura Staich | Executive Producer | |
| Philip Ruedi | Executive Producer | |
| Rob Cristiano | Co-Producer | |
| Ryan Cunningham | Co-Producer | |
| Min Ding | Associate Producer | |
| Alex Camilleri | Associate Producer | |
| Adrienne Stern | Casting Director | |
| Alex Camilleri | Editor | |
| Zachary Halberd | Director of Photography | |
| Alina Smirnova | Production Designer | |
| Havi Elkaim | Costume Designer | |
| Amie Doherty | Composer | |
| Michael Hill | Music Supervisor | |
| Rob Cristiano | Unit Production Manager | |
| TJ Choi | First Assistant Director | |
| Chloe Lenihan | Second Assistant Director | |
| Eric Ambrosino | Art Director | |
| Tara Gonzalez | Additional Art Direction | |
| Renee Marie Petropoulos | Additional Art Direction |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The unlikely love story of two people who meet in a support group. While David, an upper-class charmer, wants nothing to do with this world, Sarah fully embraces her individuality. When paired on an assignment to take a field trip over the Brooklyn Bridge, David is less than enthused. But what he doesn’t realize is that this quirky bundle of energy just might hold the key to his happiness.
Metrics
| Opening Weekend: | $12,445 (6.1% of total gross) |
| Legs: | 11.64 (domestic box office/biggest weekend) |
| Domestic Share: | 91.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/13 max. theaters, 6.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $266,230 |
Movie Details
| Domestic Releases: | March 16th, 2018 (Limited) by Kino Lorber |
| International Releases: | October 27th, 2017 (Wide) (Australia) |
| MPA Rating: | Not Rated |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Director Remaking Their Own Movie, Remake, Remake with Returning Cast Member |
| Geographical setting: | New York City |
| Plot point: | Amateur Filmmakers, Community Service, Jewish, Romance |
| Source: | Based on Short Film |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tangerine Entertainment, Story Farm, Salem Street Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 16, 2018 | 60 | $12,445 | 1 | $12,445 | $48,769 | 1 | |
| Mar 23, 2018 | 60 | $17,425 | +40% | 8 | $2,178 | $71,213 | 2 |
| Mar 30, 2018 | 62 | $11,950 | -31% | 13 | $919 | $87,677 | 3 |
| Apr 6, 2018 | 62 | $10,835 | -9% | 9 | $1,204 | $106,207 | 4 |
| Apr 13, 2018 | 74 | $4,497 | -58% | 4 | $1,124 | $114,747 | 5 |
| Apr 20, 2018 | 64 | $11,186 | +149% | 6 | $1,864 | $128,012 | 6 |
| Apr 27, 2018 | 67 | $7,722 | -31% | 7 | $1,103 | $140,343 | 7 |
| May 4, 2018 | 67 | $6,930 | -10% | 5 | $1,386 | $155,075 | 8 |
| May 11, 2018 | 65 | $10,795 | +56% | 9 | $1,199 | $169,824 | 9 |
| May 18, 2018 | 71 | $5,049 | -53% | 7 | $721 | $181,367 | 10 |
| May 25, 2018 | 66 | $5,882 | +16% | 7 | $840 | $188,681 | 11 |
| Jun 1, 2018 | 72 | $3,596 | -39% | 6 | $599 | $196,505 | 12 |
| Jun 8, 2018 | 74 | $2,160 | -40% | 8 | $270 | $202,016 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 16, 2018 | 60 | $17,464 | 1 | $17,464 | $53,788 | 1 | |
| Mar 23, 2018 | 65 | $21,939 | +26% | 8 | $2,742 | $75,727 | 2 |
| Mar 30, 2018 | 62 | $19,645 | -10% | 13 | $1,511 | $95,372 | 3 |
| Apr 6, 2018 | 62 | $14,878 | -24% | 9 | $1,653 | $110,250 | 4 |
| Apr 13, 2018 | 74 | $6,576 | -56% | 5 | $1,315 | $116,826 | 5 |
| Apr 20, 2018 | 65 | $15,795 | +140% | 7 | $2,256 | $132,621 | 6 |
| Apr 27, 2018 | 61 | $15,524 | -2% | 7 | $2,218 | $148,145 | 7 |
| May 4, 2018 | 68 | $10,884 | -30% | 7 | $1,555 | $159,029 | 8 |
| May 11, 2018 | 64 | $17,289 | +59% | 12 | $1,441 | $176,318 | 9 |
| May 18, 2018 | 77 | $6,481 | -63% | 7 | $926 | $182,799 | 10 |
| May 25, 2018 | 67 | $10,110 | +56% | 7 | $1,444 | $192,909 | 11 |
| Jun 1, 2018 | 70 | $6,947 | -31% | 8 | $868 | $199,856 | 12 |
| Jun 8, 2018 | 77 | $2,932 | -58% | 4 | $733 | $202,788 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/27/2017 | $2,900 | 4 | 4 | 15 | $19,273 | 7/23/2018 | |||
| International Total | $19,273 | 7/23/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Brandon Polansky | David Cohen | |
| Samantha Elisofon | Sarah Silverstein |
Supporting
| Nicky Gottlieb | Sammy | |
| Will Deaver | Will | |
| Jessica Walter | Carrie Cohen | |
| Tibor Feldman | Lenny Cohen | |
| Johnathan Tchaikovsky | Matt Cone | |
| Dorsey Massey | Dorsey | |
| Heidi Landis | Delilah | |
| Anna Suzuki | Angie |
Production and Technical Credits
| Rachel Israel | Director | |
| Rachel Israel | Screenwriter | |
| Summer Shelton | Producer | |
| Todd Remis | Producer | |
| Kurt Enger | Producer | |
| Anne Hubbell | Executive Producer | |
| Amy Hobby | Executive Producer | |
| Laura Staich | Executive Producer | |
| Philip Ruedi | Executive Producer | |
| Rob Cristiano | Co-Producer | |
| Ryan Cunningham | Co-Producer | |
| Min Ding | Associate Producer | |
| Alex Camilleri | Associate Producer | |
| Adrienne Stern | Casting Director | |
| Alex Camilleri | Editor | |
| Zachary Halberd | Director of Photography | |
| Alina Smirnova | Production Designer | |
| Havi Elkaim | Costume Designer | |
| Amie Doherty | Composer | |
| Michael Hill | Music Supervisor | |
| Rob Cristiano | Unit Production Manager | |
| TJ Choi | First Assistant Director | |
| Chloe Lenihan | Second Assistant Director | |
| Eric Ambrosino | Art Director | |
| Tara Gonzalez | Additional Art Direction | |
| Renee Marie Petropoulos | Additional Art Direction |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.