The Keeping Room (2015)
| Theatrical Performance | ||
| Domestic Box Office | $27,166 | Details |
| International Box Office | $37,427 | Details |
| Worldwide Box Office | $64,593 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $41,794 | |
| Total | $41,794 | |
| OpusData ID: 207380100 More info... | ||
| Further financial details... | ||
Synopsis
In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.
Metrics
| Opening Weekend: | $4,328 (15.9% of total gross) |
| Legs: | 5.49 (domestic box office/biggest weekend) |
| Domestic Share: | 42.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/10 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $38,547 |
Movie Details
| Domestic Releases: | September 25th, 2015 (Limited) by Drafthouse Films |
| International Releases: | June 17th, 2016 (Wide) (United Kingdom) |
| Video Release: | December 29th, 2015 by Cinedigm |
| MPA Rating: | R for strong violence including a sexual assault. (Rating bulletin 2321, 5/7/2014) |
| Running Time: | 95 minutes |
| Plot point: | Home Invasion, Sex Crimes |
| Social setting: | The Civil War |
| Time period setting: | 1800s |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Wind Dancer Films, Gilbert Films, Anonymous Content, Sierra Films, Affinity |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2015 | 84 | $4,328 | 2 | $2,164 | $4,328 | 1 | |
| Oct 2, 2015 | 87 | $4,949 | +14% | 10 | $495 | $11,538 | 2 |
| Oct 9, 2015 | 95 | $838 | -83% | 2 | $419 | $16,294 | 3 |
| Oct 16, 2015 | 87 | $1,550 | +85% | 4 | $388 | $18,263 | 4 |
| Oct 23, 2015 | 97 | $319 | -79% | 2 | $160 | $19,921 | 5 |
| Oct 30, 2015 | 84 | $1,138 | +257% | 5 | $228 | $21,198 | 6 |
| Nov 6, 2015 | 86 | $2,222 | +95% | 5 | $444 | $24,371 | 7 |
| Nov 13, 2015 | 97 | $545 | -75% | 4 | $136 | $26,447 | 8 |
| Nov 20, 2015 | 99 | $223 | -59% | 1 | $223 | $27,071 | 9 |
| Nov 27, 2015 | 82 | $40 | -82% | 1 | $40 | $27,166 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2015 | 89 | $6,589 | 2 | $3,295 | $6,589 | 1 | |
| Oct 2, 2015 | 84 | $8,867 | +35% | 10 | $887 | $15,456 | 2 |
| Oct 9, 2015 | 97 | $1,257 | -86% | 2 | $629 | $16,713 | 3 |
| Oct 16, 2015 | 93 | $2,889 | +130% | 4 | $722 | $19,602 | 4 |
| Oct 23, 2015 | 101 | $458 | -84% | 3 | $153 | $20,060 | 5 |
| Oct 30, 2015 | 95 | $2,089 | +356% | 9 | $232 | $22,149 | 6 |
| Nov 6, 2015 | 88 | $3,753 | +80% | 5 | $751 | $25,902 | 7 |
| Nov 13, 2015 | 104 | $946 | -75% | 4 | $237 | $26,848 | 8 |
| Nov 20, 2015 | 106 | $278 | -71% | 1 | $278 | $27,126 | 9 |
| Nov 27, 2015 | 94 | $40 | -86% | 1 | $40 | $27,166 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 6/17/2016 | $37,427 | 18 | 18 | 18 | $37,427 | 6/22/2016 | |||
| International Total | $37,427 | 6/22/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Brit Marling | Augusta | |
| Hailee Steinfeld | Louise | |
| Muna Otaru | Mad |
Supporting
| Sam Worthington | Moses | |
| Kyle Soller | Henry | |
| Ned Dennehy | Caleb | |
| Amy Nuttall | Moll | |
| Nicholas Pinnock | Bill | |
| Anna-Maria Nabirye | Alma | |
| Delia Riciu | Mary |
Production and Technical Credits
| Daniel Barber | Director | |
| Julia Hart | Screenwriter | |
| Jordan Horowitz | Producer | |
| Judd Payne | Producer | |
| Matt Williams | Producer | |
| David McFadzean | Producer | |
| Dete Meserve | Producer | |
| Patrick Newall | Producer | |
| Gary Gilbert | Executive Producer | |
| Michael Sugar | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.
Metrics
| Opening Weekend: | $4,328 (15.9% of total gross) |
| Legs: | 5.49 (domestic box office/biggest weekend) |
| Domestic Share: | 42.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/10 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $38,547 |
Movie Details
| Domestic Releases: | September 25th, 2015 (Limited) by Drafthouse Films |
| International Releases: | June 17th, 2016 (Wide) (United Kingdom) |
| Video Release: | December 29th, 2015 by Cinedigm |
| MPA Rating: | R for strong violence including a sexual assault. (Rating bulletin 2321, 5/7/2014) |
| Running Time: | 95 minutes |
| Plot point: | Home Invasion, Sex Crimes |
| Social setting: | The Civil War |
| Time period setting: | 1800s |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Wind Dancer Films, Gilbert Films, Anonymous Content, Sierra Films, Affinity |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2015 | 84 | $4,328 | 2 | $2,164 | $4,328 | 1 | |
| Oct 2, 2015 | 87 | $4,949 | +14% | 10 | $495 | $11,538 | 2 |
| Oct 9, 2015 | 95 | $838 | -83% | 2 | $419 | $16,294 | 3 |
| Oct 16, 2015 | 87 | $1,550 | +85% | 4 | $388 | $18,263 | 4 |
| Oct 23, 2015 | 97 | $319 | -79% | 2 | $160 | $19,921 | 5 |
| Oct 30, 2015 | 84 | $1,138 | +257% | 5 | $228 | $21,198 | 6 |
| Nov 6, 2015 | 86 | $2,222 | +95% | 5 | $444 | $24,371 | 7 |
| Nov 13, 2015 | 97 | $545 | -75% | 4 | $136 | $26,447 | 8 |
| Nov 20, 2015 | 99 | $223 | -59% | 1 | $223 | $27,071 | 9 |
| Nov 27, 2015 | 82 | $40 | -82% | 1 | $40 | $27,166 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2015 | 89 | $6,589 | 2 | $3,295 | $6,589 | 1 | |
| Oct 2, 2015 | 84 | $8,867 | +35% | 10 | $887 | $15,456 | 2 |
| Oct 9, 2015 | 97 | $1,257 | -86% | 2 | $629 | $16,713 | 3 |
| Oct 16, 2015 | 93 | $2,889 | +130% | 4 | $722 | $19,602 | 4 |
| Oct 23, 2015 | 101 | $458 | -84% | 3 | $153 | $20,060 | 5 |
| Oct 30, 2015 | 95 | $2,089 | +356% | 9 | $232 | $22,149 | 6 |
| Nov 6, 2015 | 88 | $3,753 | +80% | 5 | $751 | $25,902 | 7 |
| Nov 13, 2015 | 104 | $946 | -75% | 4 | $237 | $26,848 | 8 |
| Nov 20, 2015 | 106 | $278 | -71% | 1 | $278 | $27,126 | 9 |
| Nov 27, 2015 | 94 | $40 | -86% | 1 | $40 | $27,166 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 6/17/2016 | $37,427 | 18 | 18 | 18 | $37,427 | 6/22/2016 | |||
| International Total | $37,427 | 6/22/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Brit Marling | Augusta | |
| Hailee Steinfeld | Louise | |
| Muna Otaru | Mad |
Supporting
| Sam Worthington | Moses | |
| Kyle Soller | Henry | |
| Ned Dennehy | Caleb | |
| Amy Nuttall | Moll | |
| Nicholas Pinnock | Bill | |
| Anna-Maria Nabirye | Alma | |
| Delia Riciu | Mary |
Production and Technical Credits
| Daniel Barber | Director | |
| Julia Hart | Screenwriter | |
| Jordan Horowitz | Producer | |
| Judd Payne | Producer | |
| Matt Williams | Producer | |
| David McFadzean | Producer | |
| Dete Meserve | Producer | |
| Patrick Newall | Producer | |
| Gary Gilbert | Executive Producer | |
| Michael Sugar | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.