Kevin Hart: What Now? (2016)
| Theatrical Performance | ||
| Domestic Box Office | $23,591,043 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,200,338 | |
| Blu-ray Sales (estimated) | $557,956 | |
| Total | $1,758,294 | |
| OpusData ID: 231040100 More info... | ||
| Further financial details... | ||
Synopsis
Comedian Kevin Hart returns to his hometown of Philadelphia to perform in front of a sold-out Lincoln Financial Field in this stand-up documentary.
Metrics
| Opening Weekend: | $11,767,210 (49.9% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 2.4 times production budget) |
| Theater counts: | 2,567 opening theaters/2,567 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $32,618,364 |
Movie Details
| Domestic Releases: | October 14th, 2016 (Wide) by Universal |
| Video Release: | January 3rd, 2017 by Universal Home Entertainment |
| MPA Rating: | R for some sexual material and language throughout. (Rating bulletin 2412 (Cert #50277), 2/17/2016) |
| Running Time: | 96 minutes |
| Geographical setting: | Philadelphia |
| Plot point: | African Americans |
| Social setting: | Stand-Up Comedy |
| Source: | Based on Real Life Events |
| Genre: | Concert/Performance |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Universal Pictures, Hartbeat Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2016 | 3 | $11,767,210 | 2,567 | $4,584 | $11,767,210 | 1 | |
| Oct 21, 2016 | 8 | $4,118,255 | -65% | 2,567 | $1,604 | $18,949,900 | 2 |
| Oct 28, 2016 | 12 | $1,713,200 | -58% | 1,656 | $1,035 | $21,941,755 | 3 |
| Nov 4, 2016 | 16 | $581,805 | -66% | 453 | $1,284 | $23,132,285 | 4 |
| Nov 11, 2016 | 29 | $168,105 | -71% | 196 | $858 | $23,485,955 | 5 |
| Nov 18, 2016 | 48 | $30,995 | -82% | 62 | $500 | $23,564,630 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 13, 2016 | P | $739,000 | 0 | $739,000 | ||||
| Oct 14, 2016 | 2 | $4,745,555 | 2,567 | $1,849 | $4,745,555 | 1 | ||
| Oct 15, 2016 | 3 | $4,520,515 | -5% | 2,567 | $1,761 | $9,266,070 | 2 | |
| Oct 16, 2016 | 4 | $2,501,140 | -45% | 2,567 | $974 | $11,767,210 | 3 | |
| Oct 17, 2016 | 3 | $867,015 | -65% | 2,567 | $338 | $12,634,225 | 4 | |
| Oct 18, 2016 | 3 | $985,830 | +14% | 2,567 | $384 | $13,620,055 | 5 | |
| Oct 19, 2016 | 3 | $638,370 | -35% | 2,567 | $249 | $14,258,425 | 6 | |
| Oct 20, 2016 | 4 | $573,220 | -10% | 2,567 | $223 | $14,831,645 | 7 | |
| Oct 21, 2016 | 8 | $1,352,270 | +136% | -72% | 2,567 | $527 | $16,183,915 | 8 |
| Oct 22, 2016 | 9 | $1,791,780 | +33% | -60% | 2,567 | $698 | $17,975,695 | 9 |
| Oct 23, 2016 | 9 | $974,205 | -46% | -61% | 2,567 | $380 | $18,949,900 | 10 |
| Oct 24, 2016 | 8 | $353,155 | -64% | -59% | 2,567 | $138 | $19,303,055 | 11 |
| Oct 25, 2016 | 8 | $384,125 | +9% | -61% | 2,567 | $150 | $19,687,180 | 12 |
| Oct 26, 2016 | 9 | $273,980 | -29% | -57% | 2,567 | $107 | $19,961,160 | 13 |
| Oct 27, 2016 | 9 | $267,395 | -2% | -53% | 2,567 | $104 | $20,228,555 | 14 |
| Oct 28, 2016 | 12 | $532,005 | +99% | -61% | 1,656 | $321 | $20,760,560 | 15 |
| Oct 29, 2016 | 12 | $744,380 | +40% | -58% | 1,656 | $450 | $21,504,940 | 16 |
| Oct 30, 2016 | 12 | $436,815 | -41% | -55% | 1,656 | $264 | $21,941,755 | 17 |
| Oct 31, 2016 | 12 | $157,620 | -64% | -55% | 1,656 | $95 | $22,099,375 | 18 |
| Nov 1, 2016 | 12 | $197,420 | +25% | -49% | 1,656 | $119 | $22,296,795 | 19 |
| Nov 2, 2016 | 10 | $147,970 | -25% | -46% | 1,656 | $89 | $22,444,765 | 20 |
| Nov 3, 2016 | 11 | $105,715 | -29% | -60% | 1,656 | $64 | $22,550,480 | 21 |
| Nov 4, 2016 | - | $177,180 | +68% | -67% | 453 | $391 | $22,727,660 | 22 |
| Nov 5, 2016 | - | $269,020 | +52% | -64% | 453 | $594 | $22,996,680 | 23 |
| Nov 6, 2016 | - | $135,605 | -50% | -69% | 453 | $299 | $23,132,285 | 24 |
| Nov 7, 2016 | 15 | $50,660 | -63% | -68% | 453 | $112 | $23,182,945 | 25 |
| Nov 8, 2016 | - | $52,125 | +3% | -74% | 453 | $115 | $23,235,070 | 26 |
| Nov 9, 2016 | - | $44,840 | -14% | -70% | 453 | $99 | $23,279,910 | 27 |
| Nov 10, 2016 | - | $37,940 | -15% | -64% | 453 | $84 | $23,317,850 | 28 |
| Nov 11, 2016 | - | $59,740 | +57% | -66% | 196 | $305 | $23,377,590 | 29 |
| Nov 12, 2016 | - | $71,145 | +19% | -74% | 196 | $363 | $23,448,735 | 30 |
| Nov 13, 2016 | - | $37,220 | -48% | -73% | 196 | $190 | $23,485,955 | 31 |
| Nov 14, 2016 | - | $13,415 | -64% | -74% | 196 | $68 | $23,499,370 | 32 |
| Nov 15, 2016 | - | $14,225 | +6% | -73% | 196 | $73 | $23,513,595 | 33 |
| Nov 16, 2016 | - | $12,285 | -14% | -73% | 196 | $63 | $23,525,880 | 34 |
| Nov 17, 2016 | - | $7,755 | -37% | -80% | 196 | $40 | $23,533,635 | 35 |
| Nov 18, 2016 | - | $9,195 | +19% | -85% | 62 | $148 | $23,542,830 | 36 |
| Nov 19, 2016 | - | $13,035 | +42% | -82% | 62 | $210 | $23,555,865 | 37 |
| Nov 20, 2016 | - | $8,765 | -33% | -76% | 62 | $141 | $23,564,630 | 38 |
| Nov 21, 2016 | - | $3,525 | -60% | -74% | 62 | $57 | $23,568,155 | 39 |
| Nov 22, 2016 | - | $3,455 | -2% | -76% | 62 | $56 | $23,571,610 | 40 |
| Nov 23, 2016 | - | $1,475 | -57% | -88% | 62 | $24 | $23,573,085 | 41 |
| Nov 24, 2016 | - | $1,520 | +3% | -80% | 62 | $25 | $23,574,605 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2016 | 3 | $14,831,645 | 2,567 | $5,778 | $14,831,645 | 1 | |
| Oct 21, 2016 | 8 | $5,396,910 | -64% | 2,567 | $2,102 | $20,228,555 | 2 |
| Oct 28, 2016 | 12 | $2,321,925 | -57% | 1,656 | $1,402 | $22,550,480 | 3 |
| Nov 4, 2016 | 16 | $767,370 | -67% | 453 | $1,694 | $23,317,850 | 4 |
| Nov 11, 2016 | 29 | $215,785 | -72% | 196 | $1,101 | $23,533,635 | 5 |
| Nov 18, 2016 | 52 | $40,970 | -81% | 62 | $661 | $23,574,605 | 6 |
| Nov 25, 2016 | 66 | $8,716 | -79% | 19 | $459 | $23,583,321 | 7 |
| Dec 2, 2016 | 77 | $4,417 | -49% | 12 | $368 | $23,587,738 | 8 |
| Dec 9, 2016 | 78 | $3,305 | -25% | 8 | $413 | $23,591,043 | 9 |
Leading
| Kevin Hart | Himself |
Supporting
| Halle Berry | Herself | |
| Don Cheadle | Himself | |
| Ed Helms | Bartender | |
| David Meunier | Victor | |
| Joey Wells | Denzel | |
| Richardson Jones | French Dealer | |
| Magali Amadei | Female Poker Player | |
| Gabriel Tsai | Distinguished Asian Gentleman | |
| Peter Mensah | African Dictator | |
| Daniel Bernhardt | Man in Black Suit #1 | |
| Dennis Keifer | Man in Black Suit #2 | |
| Ben Seaward | Valet | |
| Ashli Dowling | Waitress | |
| Sebastian Clay Varo Kinsey | KGB Player | |
| Jeffrey Baumann | Pit Boss | |
| William Horton | Bystander #1 | |
| John Clausell | Bystander #2 | |
| Tim Story | Tim |
Production and Technical Credits
| Leslie Small | Director | |
| Kevin Hart | Screenwriter | |
| Joey Wells | Screenwriter | |
| Harry Ratchford | Screenwriter | |
| Jeff Clanagan | Producer | |
| Leland “Pookey” Wigington* | Producer | |
| Dana M. Riddick | Producer | |
| Kevin Hart | Executive Producer | |
| Dave Becky | Executive Producer | |
| Cameron Barnett | Director of Photography | |
| Bruce Ryan | Production Designer | |
| Guy Harding | Editor | |
| Blake Morrison | Co-Producer | |
| Tim Story | Director (Casino Segment) | |
| Kevin Hart | Story (Casino Segment) | |
| Brian Buccellato | Screenwriter (Casino Segment) | |
| Valerie Bleth Sharp | Producer (Casino Segment) | |
| Chris Duskin | Director of Photography (Casino Segment) | |
| Gary Kordan | Production Designer (Casino Segment) | |
| Peter S. Elliot | Editor (Casino Segment) | |
| Christopher Lennertz | Music (Casino Segment) | |
| Olivia Miles | Costume Designer (Casino Segment) | |
| Mary Vernieu | Casting (Casino Segment) | |
| Venus Kanani | Casting (Casino Segment) | |
| Beau Marks | Unit Production Manager | |
| Eric Heffron | First Assistant Director | |
| Lizz Zanin | First Assistant Director | |
| David Riebel | Second Assistant Director | |
| Veda Carey | Second Assistant Director | |
| David Gaines | Post-Production Supervisor | |
| Chris Hicks | First Assistant Editor (Concert) | |
| John Dietrick | First Assistant Editor (Casino) | |
| Jeff Ravitz | Lighting Design | |
| Candice Wilson | Associate Producer | |
| Dwayne Brown | Associate Producer | |
| David Harari | Production Supervisor | |
| Jerry Stein | Sound Mixer | |
| Ye Zhang | Sound Mixer | |
| Joe Michalski | Sound Mixer (Casino Segment) | |
| Julie Drach | Set Decorator (Casino Segment) | |
| Bryan Sundstrom | Script Supervisor (Casino Segment) | |
| Annie Garrity | Costume Supervisor (Casino Segment) | |
| Lynn Barber | Make up (Casino Segment) | |
| Cynthia Hernandez | Make up (Casino Segment) | |
| Pierce Austin | Hairstylist (Casino Segment) | |
| Rhonda O'Neal | Hairstylist (Casino Segment) | |
| Eric Frazier | Special Effects Supervisor (Casino Segment) | |
| Brian O'Neill | Location Manager (Casino Segment) | |
| Aleksandra Landsberg | Set Designer (Casino Segment) | |
| Jason Overbeck | Assistand Editor (Casino Segment) | |
| Kami Asgar | Supervising Sound Editor (Casino Segment) | |
| Sean McCormack | Supervising Sound Editor (Casino Segment) | |
| Kami Asgar | Sound Designer (Casino Segment) | |
| Robert Chen | Dialogue Editor (Casino Segment) | |
| Sebastion Sheehan Visconti | Sound Effects Editor (Casino Segment) | |
| Mark Larry | Sound Effects Editor (Casino Segment) | |
| Will Riley | Re recording Mixer (Casino Segment) | |
| Greg Orloff | Re recording Mixer (Casino Segment) | |
| Jeff Vaughn | Score Recordist/Mixer (Casino Segment) | |
| Wayne Sheppard | Visual Effects Supervisor/Lead Digital Artist (Casino Segment) | |
| Raoul Yorke Bolognini | Visual Effects Producer (Casino Segment) | |
| Jason Sperling | Visual Effects Supervisor (Casino Segment) | |
| Chris O’ Hara | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Comedian Kevin Hart returns to his hometown of Philadelphia to perform in front of a sold-out Lincoln Financial Field in this stand-up documentary.
Metrics
| Opening Weekend: | $11,767,210 (49.9% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 2.4 times production budget) |
| Theater counts: | 2,567 opening theaters/2,567 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $32,618,364 |
Movie Details
| Domestic Releases: | October 14th, 2016 (Wide) by Universal |
| Video Release: | January 3rd, 2017 by Universal Home Entertainment |
| MPA Rating: | R for some sexual material and language throughout. (Rating bulletin 2412 (Cert #50277), 2/17/2016) |
| Running Time: | 96 minutes |
| Geographical setting: | Philadelphia |
| Plot point: | African Americans |
| Social setting: | Stand-Up Comedy |
| Source: | Based on Real Life Events |
| Genre: | Concert/Performance |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Universal Pictures, Hartbeat Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2016 | 3 | $11,767,210 | 2,567 | $4,584 | $11,767,210 | 1 | |
| Oct 21, 2016 | 8 | $4,118,255 | -65% | 2,567 | $1,604 | $18,949,900 | 2 |
| Oct 28, 2016 | 12 | $1,713,200 | -58% | 1,656 | $1,035 | $21,941,755 | 3 |
| Nov 4, 2016 | 16 | $581,805 | -66% | 453 | $1,284 | $23,132,285 | 4 |
| Nov 11, 2016 | 29 | $168,105 | -71% | 196 | $858 | $23,485,955 | 5 |
| Nov 18, 2016 | 48 | $30,995 | -82% | 62 | $500 | $23,564,630 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 13, 2016 | P | $739,000 | 0 | $739,000 | ||||
| Oct 14, 2016 | 2 | $4,745,555 | 2,567 | $1,849 | $4,745,555 | 1 | ||
| Oct 15, 2016 | 3 | $4,520,515 | -5% | 2,567 | $1,761 | $9,266,070 | 2 | |
| Oct 16, 2016 | 4 | $2,501,140 | -45% | 2,567 | $974 | $11,767,210 | 3 | |
| Oct 17, 2016 | 3 | $867,015 | -65% | 2,567 | $338 | $12,634,225 | 4 | |
| Oct 18, 2016 | 3 | $985,830 | +14% | 2,567 | $384 | $13,620,055 | 5 | |
| Oct 19, 2016 | 3 | $638,370 | -35% | 2,567 | $249 | $14,258,425 | 6 | |
| Oct 20, 2016 | 4 | $573,220 | -10% | 2,567 | $223 | $14,831,645 | 7 | |
| Oct 21, 2016 | 8 | $1,352,270 | +136% | -72% | 2,567 | $527 | $16,183,915 | 8 |
| Oct 22, 2016 | 9 | $1,791,780 | +33% | -60% | 2,567 | $698 | $17,975,695 | 9 |
| Oct 23, 2016 | 9 | $974,205 | -46% | -61% | 2,567 | $380 | $18,949,900 | 10 |
| Oct 24, 2016 | 8 | $353,155 | -64% | -59% | 2,567 | $138 | $19,303,055 | 11 |
| Oct 25, 2016 | 8 | $384,125 | +9% | -61% | 2,567 | $150 | $19,687,180 | 12 |
| Oct 26, 2016 | 9 | $273,980 | -29% | -57% | 2,567 | $107 | $19,961,160 | 13 |
| Oct 27, 2016 | 9 | $267,395 | -2% | -53% | 2,567 | $104 | $20,228,555 | 14 |
| Oct 28, 2016 | 12 | $532,005 | +99% | -61% | 1,656 | $321 | $20,760,560 | 15 |
| Oct 29, 2016 | 12 | $744,380 | +40% | -58% | 1,656 | $450 | $21,504,940 | 16 |
| Oct 30, 2016 | 12 | $436,815 | -41% | -55% | 1,656 | $264 | $21,941,755 | 17 |
| Oct 31, 2016 | 12 | $157,620 | -64% | -55% | 1,656 | $95 | $22,099,375 | 18 |
| Nov 1, 2016 | 12 | $197,420 | +25% | -49% | 1,656 | $119 | $22,296,795 | 19 |
| Nov 2, 2016 | 10 | $147,970 | -25% | -46% | 1,656 | $89 | $22,444,765 | 20 |
| Nov 3, 2016 | 11 | $105,715 | -29% | -60% | 1,656 | $64 | $22,550,480 | 21 |
| Nov 4, 2016 | - | $177,180 | +68% | -67% | 453 | $391 | $22,727,660 | 22 |
| Nov 5, 2016 | - | $269,020 | +52% | -64% | 453 | $594 | $22,996,680 | 23 |
| Nov 6, 2016 | - | $135,605 | -50% | -69% | 453 | $299 | $23,132,285 | 24 |
| Nov 7, 2016 | 15 | $50,660 | -63% | -68% | 453 | $112 | $23,182,945 | 25 |
| Nov 8, 2016 | - | $52,125 | +3% | -74% | 453 | $115 | $23,235,070 | 26 |
| Nov 9, 2016 | - | $44,840 | -14% | -70% | 453 | $99 | $23,279,910 | 27 |
| Nov 10, 2016 | - | $37,940 | -15% | -64% | 453 | $84 | $23,317,850 | 28 |
| Nov 11, 2016 | - | $59,740 | +57% | -66% | 196 | $305 | $23,377,590 | 29 |
| Nov 12, 2016 | - | $71,145 | +19% | -74% | 196 | $363 | $23,448,735 | 30 |
| Nov 13, 2016 | - | $37,220 | -48% | -73% | 196 | $190 | $23,485,955 | 31 |
| Nov 14, 2016 | - | $13,415 | -64% | -74% | 196 | $68 | $23,499,370 | 32 |
| Nov 15, 2016 | - | $14,225 | +6% | -73% | 196 | $73 | $23,513,595 | 33 |
| Nov 16, 2016 | - | $12,285 | -14% | -73% | 196 | $63 | $23,525,880 | 34 |
| Nov 17, 2016 | - | $7,755 | -37% | -80% | 196 | $40 | $23,533,635 | 35 |
| Nov 18, 2016 | - | $9,195 | +19% | -85% | 62 | $148 | $23,542,830 | 36 |
| Nov 19, 2016 | - | $13,035 | +42% | -82% | 62 | $210 | $23,555,865 | 37 |
| Nov 20, 2016 | - | $8,765 | -33% | -76% | 62 | $141 | $23,564,630 | 38 |
| Nov 21, 2016 | - | $3,525 | -60% | -74% | 62 | $57 | $23,568,155 | 39 |
| Nov 22, 2016 | - | $3,455 | -2% | -76% | 62 | $56 | $23,571,610 | 40 |
| Nov 23, 2016 | - | $1,475 | -57% | -88% | 62 | $24 | $23,573,085 | 41 |
| Nov 24, 2016 | - | $1,520 | +3% | -80% | 62 | $25 | $23,574,605 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2016 | 3 | $14,831,645 | 2,567 | $5,778 | $14,831,645 | 1 | |
| Oct 21, 2016 | 8 | $5,396,910 | -64% | 2,567 | $2,102 | $20,228,555 | 2 |
| Oct 28, 2016 | 12 | $2,321,925 | -57% | 1,656 | $1,402 | $22,550,480 | 3 |
| Nov 4, 2016 | 16 | $767,370 | -67% | 453 | $1,694 | $23,317,850 | 4 |
| Nov 11, 2016 | 29 | $215,785 | -72% | 196 | $1,101 | $23,533,635 | 5 |
| Nov 18, 2016 | 52 | $40,970 | -81% | 62 | $661 | $23,574,605 | 6 |
| Nov 25, 2016 | 66 | $8,716 | -79% | 19 | $459 | $23,583,321 | 7 |
| Dec 2, 2016 | 77 | $4,417 | -49% | 12 | $368 | $23,587,738 | 8 |
| Dec 9, 2016 | 78 | $3,305 | -25% | 8 | $413 | $23,591,043 | 9 |
Leading
| Kevin Hart | Himself |
Supporting
| Halle Berry | Herself | |
| Don Cheadle | Himself | |
| Ed Helms | Bartender | |
| David Meunier | Victor | |
| Joey Wells | Denzel | |
| Richardson Jones | French Dealer | |
| Magali Amadei | Female Poker Player | |
| Gabriel Tsai | Distinguished Asian Gentleman | |
| Peter Mensah | African Dictator | |
| Daniel Bernhardt | Man in Black Suit #1 | |
| Dennis Keifer | Man in Black Suit #2 | |
| Ben Seaward | Valet | |
| Ashli Dowling | Waitress | |
| Sebastian Clay Varo Kinsey | KGB Player | |
| Jeffrey Baumann | Pit Boss | |
| William Horton | Bystander #1 | |
| John Clausell | Bystander #2 | |
| Tim Story | Tim |
Production and Technical Credits
| Leslie Small | Director | |
| Kevin Hart | Screenwriter | |
| Joey Wells | Screenwriter | |
| Harry Ratchford | Screenwriter | |
| Jeff Clanagan | Producer | |
| Leland “Pookey” Wigington* | Producer | |
| Dana M. Riddick | Producer | |
| Kevin Hart | Executive Producer | |
| Dave Becky | Executive Producer | |
| Cameron Barnett | Director of Photography | |
| Bruce Ryan | Production Designer | |
| Guy Harding | Editor | |
| Blake Morrison | Co-Producer | |
| Tim Story | Director (Casino Segment) | |
| Kevin Hart | Story (Casino Segment) | |
| Brian Buccellato | Screenwriter (Casino Segment) | |
| Valerie Bleth Sharp | Producer (Casino Segment) | |
| Chris Duskin | Director of Photography (Casino Segment) | |
| Gary Kordan | Production Designer (Casino Segment) | |
| Peter S. Elliot | Editor (Casino Segment) | |
| Christopher Lennertz | Music (Casino Segment) | |
| Olivia Miles | Costume Designer (Casino Segment) | |
| Mary Vernieu | Casting (Casino Segment) | |
| Venus Kanani | Casting (Casino Segment) | |
| Beau Marks | Unit Production Manager | |
| Eric Heffron | First Assistant Director | |
| Lizz Zanin | First Assistant Director | |
| David Riebel | Second Assistant Director | |
| Veda Carey | Second Assistant Director | |
| David Gaines | Post-Production Supervisor | |
| Chris Hicks | First Assistant Editor (Concert) | |
| John Dietrick | First Assistant Editor (Casino) | |
| Jeff Ravitz | Lighting Design | |
| Candice Wilson | Associate Producer | |
| Dwayne Brown | Associate Producer | |
| David Harari | Production Supervisor | |
| Jerry Stein | Sound Mixer | |
| Ye Zhang | Sound Mixer | |
| Joe Michalski | Sound Mixer (Casino Segment) | |
| Julie Drach | Set Decorator (Casino Segment) | |
| Bryan Sundstrom | Script Supervisor (Casino Segment) | |
| Annie Garrity | Costume Supervisor (Casino Segment) | |
| Lynn Barber | Make up (Casino Segment) | |
| Cynthia Hernandez | Make up (Casino Segment) | |
| Pierce Austin | Hairstylist (Casino Segment) | |
| Rhonda O'Neal | Hairstylist (Casino Segment) | |
| Eric Frazier | Special Effects Supervisor (Casino Segment) | |
| Brian O'Neill | Location Manager (Casino Segment) | |
| Aleksandra Landsberg | Set Designer (Casino Segment) | |
| Jason Overbeck | Assistand Editor (Casino Segment) | |
| Kami Asgar | Supervising Sound Editor (Casino Segment) | |
| Sean McCormack | Supervising Sound Editor (Casino Segment) | |
| Kami Asgar | Sound Designer (Casino Segment) | |
| Robert Chen | Dialogue Editor (Casino Segment) | |
| Sebastion Sheehan Visconti | Sound Effects Editor (Casino Segment) | |
| Mark Larry | Sound Effects Editor (Casino Segment) | |
| Will Riley | Re recording Mixer (Casino Segment) | |
| Greg Orloff | Re recording Mixer (Casino Segment) | |
| Jeff Vaughn | Score Recordist/Mixer (Casino Segment) | |
| Wayne Sheppard | Visual Effects Supervisor/Lead Digital Artist (Casino Segment) | |
| Raoul Yorke Bolognini | Visual Effects Producer (Casino Segment) | |
| Jason Sperling | Visual Effects Supervisor (Casino Segment) | |
| Chris O’ Hara | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.