Kiba Ôkaminosuke: jigoku giri (1967)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 590620100 More info... | ||
| Further financial details... | ||
Synopsis
Charismatic ronin Kiba returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.
Metrics
Movie Details
| Domestic Releases: | December 26th, 2022 (Limited) by Film Movement, released as Samurai Wolf 2: Hell Cut |
| International Releases: | May 13th, 1967 (Limited) (Japan) |
| Franchise: | Samurai Wolf |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Production and Technical Credits
| Hideo Gosha | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Synopsis
Charismatic ronin Kiba returns, once again entangled in a complex web of intrigue, involving a crooked goldmine owner, a cynical swordsman, and an arrogant dojo master. Master filmmaker Hideo Gosha brings his trademark tight pacing and stylish action to this brisk morality play, inevitably punctuated by the explosions of violent swordplay beloved by fans of the genre.
Metrics
Movie Details
| Domestic Releases: | December 26th, 2022 (Limited) by Film Movement, released as Samurai Wolf 2: Hell Cut |
| International Releases: | May 13th, 1967 (Limited) (Japan) |
| Franchise: | Samurai Wolf |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Production and Technical Credits
| Hideo Gosha | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.