The Kid (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $1,508,593 | Details |
| International Box Office | $84,580 | Details |
| Worldwide Box Office | $1,593,173 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,237,647 | |
| Blu-ray Sales (estimated) | $1,003,121 | |
| Total | $2,240,768 | |
| OpusData ID: 396280100 More info... | ||
| Further financial details... | ||
Synopsis
A young boy, Rio, is forced to go on the run across the American Southwest in a desperate attempt to save his sister from his villainous uncle. Along the way, he encounters Sheriff Pat Garrett, on the hunt for the infamous outlaw Billy the Kid. Rio finds himself increasingly entwined in the lives of these two legendary figures as the cat and mouse game of Billy the Kid’s final year of life plays out. Ultimately Rio is forced to choose which type of man he is going to become, the outlaw or the man of valor, and will use this self-realization in a final act to save his family.
Metrics
| Opening Weekend: | $514,286 (34.1% of total gross) |
| Legs: | 2.93 (domestic box office/biggest weekend) |
| Domestic Share: | 94.7% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 268 opening theaters/268 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,969,740 |
Movie Details
| Domestic Releases: | March 8th, 2019 (Limited) by Lionsgate |
| International Releases: | May 16th, 2019 (Wide), released as МАЛЫШ КИД (Russia (CIS))
May 24th, 2019 (Wide), released as Billy the Kid - A Lenda (Portugal) |
| Video Release: | June 4th, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for violence and language. (Rating bulletin 2565 (Cert #51679), 2/13/2019) |
| Running Time: | 99 minutes |
| Cast, crew, or production detail: | Directing Yourself |
| Plot point: | Coming of Age, Domestic Abuse, Dysfunctional Family, Outlaws, Parricide, Rescue, Sheriff, Young Child Dealing with the Death of a Parent |
| Time period setting: | 1880s |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Lionsgate, Mimran Schur Pictures, Suretone Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 8, 2019 | 18 | $514,286 | 268 | $1,919 | $514,286 | 1 | |
| Mar 15, 2019 | 23 | $269,265 | -48% | 268 | $1,005 | $1,052,691 | 2 |
| Mar 22, 2019 | 28 | $125,494 | -53% | 167 | $751 | $1,339,671 | 3 |
| Mar 29, 2019 | 39 | $44,828 | -64% | 77 | $582 | $1,451,543 | 4 |
| Apr 5, 2019 | 53 | $11,137 | -75% | 22 | $506 | $1,485,106 | 5 |
| Apr 12, 2019 | 55 | $11,231 | +1% | 49 | $229 | $1,501,788 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 8, 2019 | - | $166,931 | 268 | $623 | $166,931 | 1 | ||
| Mar 9, 2019 | - | $204,656 | +23% | 268 | $764 | $371,587 | 2 | |
| Mar 10, 2019 | - | $142,699 | -30% | 268 | $532 | $514,286 | 3 | |
| Mar 11, 2019 | - | $59,305 | -58% | 268 | $221 | $573,591 | 4 | |
| Mar 12, 2019 | - | $92,997 | +57% | 268 | $347 | $666,588 | 5 | |
| Mar 13, 2019 | - | $62,543 | -33% | 268 | $233 | $729,131 | 6 | |
| Mar 14, 2019 | - | $54,295 | -13% | 268 | $203 | $783,426 | 7 | |
| Mar 15, 2019 | - | $85,465 | +57% | -49% | 268 | $319 | $868,891 | 8 |
| Mar 16, 2019 | - | $111,162 | +30% | -46% | 268 | $415 | $980,053 | 9 |
| Mar 17, 2019 | - | $72,638 | -35% | -49% | 268 | $271 | $1,052,691 | 10 |
| Mar 18, 2019 | - | $36,243 | -50% | -39% | 268 | $135 | $1,088,934 | 11 |
| Mar 19, 2019 | - | $54,272 | +50% | -42% | 268 | $203 | $1,143,206 | 12 |
| Mar 20, 2019 | - | $40,679 | -25% | -35% | 268 | $152 | $1,183,885 | 13 |
| Mar 21, 2019 | - | $30,292 | -26% | -44% | 268 | $113 | $1,214,177 | 14 |
| Mar 22, 2019 | - | $36,380 | +20% | -57% | 167 | $218 | $1,250,557 | 15 |
| Mar 23, 2019 | - | $50,835 | +40% | -54% | 167 | $304 | $1,301,392 | 16 |
| Mar 24, 2019 | - | $38,279 | -25% | -47% | 167 | $229 | $1,339,671 | 17 |
| Mar 25, 2019 | - | $16,493 | -57% | -54% | 167 | $99 | $1,356,164 | 18 |
| Mar 26, 2019 | - | $20,632 | +25% | -62% | 167 | $124 | $1,376,796 | 19 |
| Mar 27, 2019 | - | $16,338 | -21% | -60% | 167 | $98 | $1,393,134 | 20 |
| Mar 28, 2019 | - | $13,581 | -17% | -55% | 167 | $81 | $1,406,715 | 21 |
| Mar 29, 2019 | - | $13,234 | -3% | -64% | 77 | $172 | $1,419,949 | 22 |
| Mar 30, 2019 | - | $19,033 | +44% | -63% | 77 | $247 | $1,438,982 | 23 |
| Mar 31, 2019 | - | $12,561 | -34% | -67% | 77 | $163 | $1,451,543 | 24 |
| Apr 1, 2019 | - | $5,835 | -54% | -65% | 77 | $76 | $1,457,378 | 25 |
| Apr 2, 2019 | - | $6,146 | +5% | -70% | 77 | $80 | $1,463,524 | 26 |
| Apr 3, 2019 | - | $6,005 | -2% | -63% | 77 | $78 | $1,469,529 | 27 |
| Apr 4, 2019 | - | $4,440 | -26% | -67% | 77 | $58 | $1,473,969 | 28 |
| Apr 5, 2019 | - | $3,243 | -27% | -75% | 22 | $147 | $1,477,212 | 29 |
| Apr 6, 2019 | - | $4,953 | +53% | -74% | 22 | $225 | $1,482,165 | 30 |
| Apr 7, 2019 | - | $2,941 | -41% | -77% | 22 | $134 | $1,485,106 | 31 |
| Apr 8, 2019 | - | $1,170 | -60% | -80% | 22 | $53 | $1,486,276 | 32 |
| Apr 9, 2019 | - | $1,544 | +32% | -75% | 22 | $70 | $1,487,820 | 33 |
| Apr 10, 2019 | - | $1,432 | -7% | -76% | 22 | $65 | $1,489,252 | 34 |
| Apr 11, 2019 | - | $1,305 | -9% | -71% | 22 | $59 | $1,490,557 | 35 |
| Apr 12, 2019 | - | $3,204 | +146% | -1% | 49 | $65 | $1,493,761 | 36 |
| Apr 13, 2019 | - | $3,998 | +25% | -19% | 49 | $82 | $1,497,759 | 37 |
| Apr 14, 2019 | - | $4,029 | +1% | +37% | 49 | $82 | $1,501,788 | 38 |
| Apr 15, 2019 | - | $1,359 | -66% | +16% | 49 | $28 | $1,503,147 | 39 |
| Apr 16, 2019 | - | $2,174 | +60% | +41% | 49 | $44 | $1,505,321 | 40 |
| Apr 17, 2019 | - | $1,442 | -34% | +1% | 49 | $29 | $1,506,763 | 41 |
| Apr 18, 2019 | - | $1,830 | +27% | +40% | 49 | $37 | $1,508,593 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 8, 2019 | 18 | $783,426 | 268 | $2,923 | $783,426 | 1 | |
| Mar 15, 2019 | 22 | $430,751 | -45% | 268 | $1,607 | $1,214,177 | 2 |
| Mar 22, 2019 | 28 | $192,538 | -55% | 167 | $1,153 | $1,406,715 | 3 |
| Mar 29, 2019 | 37 | $67,254 | -65% | 77 | $873 | $1,473,969 | 4 |
| Apr 5, 2019 | 55 | $16,588 | -75% | 22 | $754 | $1,490,557 | 5 |
| Apr 12, 2019 | 57 | $18,036 | +9% | 49 | $368 | $1,508,593 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 5/24/2019 | $6,696 | 20 | 20 | 40 | $12,196 | 7/2/2019 | |||
| Russia (CIS) | 5/16/2019 | $17,096 | 220 | 220 | 428 | $14,943 | 4/4/2026 | |||
| Rest of World | $57,441 | |||||||||
| International Total | $84,580 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Ethan Hawke | Sheriff Pat Garrett | |
| Dane DeHaan | Billy the Kid | |
| Jake Schur | Rio | |
| Chris Pratt | Grant Cutler | |
| Leila George | Sara Cutler |
Supporting
| Adam Baldwin | Bob Olinger | |
| Charlie Chappell | Billy Wilson | |
| Clint Obenchain | Tom Pickett | |
| Chris Bylsma | Charlie Bowdre | |
| Chad Dashnaw | Dave Rudabaugh | |
| Ben Dickey | Jim East | |
| Tait Fletcher | Bill Cutler | |
| Hawk D’Onofrio | Oran Moler | |
| Vincent D'Onofrio | Sheriff Romero | |
| Diana Navarrette | Manuela | |
| Samantha Zajarias | Paulita Maxwell |
Production and Technical Credits
| Vincent D'Onofrio | Director | |
| Andrew Lanham | Screenwriter | |
| Vincent D'Onofrio | Story by | |
| Andrew Lanham | Story by | |
| Jordan Schur | Producer | |
| Nick Thurlow | Producer | |
| Sam Maydew | Producer | |
| David Mimran | Producer | |
| Matthew J. Lloyd | Director of Photography | |
| Sara K. White | Production Designer | |
| Katharine McQuerrey | Editor | |
| Ruby Katilus | Costume Designer | |
| Latham Gaines | Composer | |
| Shelby Gaines | Composer | |
| Mary Vernieu | Casting Director | |
| Chad Dashnaw | Stunt Coordinator | |
| Jake Dashnaw | Stunt Coordinator | |
| Ra Arancio Parrain | Art Director | |
| Brooke Peters | Set Designer | |
| Edward McLoughlin | Set Decorator | |
| Mack Melson | Sound Mixer | |
| Sweet P. Vaughn | Make up | |
| Bonnie Masoner | Make up | |
| Copper Perry | Hairstylist | |
| Daniella Duque | Hairstylist | |
| Shaun Garcia | Costume Supervisor | |
| Mara Herdmann | Script Supervisor | |
| Shani Orona | Location Manager | |
| Randy E. Moore* | Special Effects Coordinator | |
| Jerry Gilbert | Post-Production Supervisor | |
| Brian McCarthy | Assistant Editor | |
| Juan Soto | Assistant Editor | |
| Ben Cheah | Supervising Sound Editor | |
| Ryan Price | Supervising Sound Editor | |
| Mary Ellen Porto | Dialogue Editor | |
| Eric Hirsch | Dialogue Editor | |
| Patrick Cicero | Sound Effects Editor | |
| Coll Anderson | Sound Effects Editor | |
| Ryan Collison | Foley Mixer | |
| Bob Chefalas | Re-recording Mixer | |
| Ryan Price | Re-recording Mixer | |
| Eric Hirsch | Re-recording Mixer | |
| Patrick Woodland | Score Mixer | |
| Rian Johnson | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A young boy, Rio, is forced to go on the run across the American Southwest in a desperate attempt to save his sister from his villainous uncle. Along the way, he encounters Sheriff Pat Garrett, on the hunt for the infamous outlaw Billy the Kid. Rio finds himself increasingly entwined in the lives of these two legendary figures as the cat and mouse game of Billy the Kid’s final year of life plays out. Ultimately Rio is forced to choose which type of man he is going to become, the outlaw or the man of valor, and will use this self-realization in a final act to save his family.
Metrics
| Opening Weekend: | $514,286 (34.1% of total gross) |
| Legs: | 2.93 (domestic box office/biggest weekend) |
| Domestic Share: | 94.7% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 268 opening theaters/268 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,969,740 |
Movie Details
| Domestic Releases: | March 8th, 2019 (Limited) by Lionsgate |
| International Releases: | May 16th, 2019 (Wide), released as МАЛЫШ КИД (Russia (CIS))
May 24th, 2019 (Wide), released as Billy the Kid - A Lenda (Portugal) |
| Video Release: | June 4th, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for violence and language. (Rating bulletin 2565 (Cert #51679), 2/13/2019) |
| Running Time: | 99 minutes |
| Cast, crew, or production detail: | Directing Yourself |
| Plot point: | Coming of Age, Domestic Abuse, Dysfunctional Family, Outlaws, Parricide, Rescue, Sheriff, Young Child Dealing with the Death of a Parent |
| Time period setting: | 1880s |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Lionsgate, Mimran Schur Pictures, Suretone Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 8, 2019 | 18 | $514,286 | 268 | $1,919 | $514,286 | 1 | |
| Mar 15, 2019 | 23 | $269,265 | -48% | 268 | $1,005 | $1,052,691 | 2 |
| Mar 22, 2019 | 28 | $125,494 | -53% | 167 | $751 | $1,339,671 | 3 |
| Mar 29, 2019 | 39 | $44,828 | -64% | 77 | $582 | $1,451,543 | 4 |
| Apr 5, 2019 | 53 | $11,137 | -75% | 22 | $506 | $1,485,106 | 5 |
| Apr 12, 2019 | 55 | $11,231 | +1% | 49 | $229 | $1,501,788 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 8, 2019 | - | $166,931 | 268 | $623 | $166,931 | 1 | ||
| Mar 9, 2019 | - | $204,656 | +23% | 268 | $764 | $371,587 | 2 | |
| Mar 10, 2019 | - | $142,699 | -30% | 268 | $532 | $514,286 | 3 | |
| Mar 11, 2019 | - | $59,305 | -58% | 268 | $221 | $573,591 | 4 | |
| Mar 12, 2019 | - | $92,997 | +57% | 268 | $347 | $666,588 | 5 | |
| Mar 13, 2019 | - | $62,543 | -33% | 268 | $233 | $729,131 | 6 | |
| Mar 14, 2019 | - | $54,295 | -13% | 268 | $203 | $783,426 | 7 | |
| Mar 15, 2019 | - | $85,465 | +57% | -49% | 268 | $319 | $868,891 | 8 |
| Mar 16, 2019 | - | $111,162 | +30% | -46% | 268 | $415 | $980,053 | 9 |
| Mar 17, 2019 | - | $72,638 | -35% | -49% | 268 | $271 | $1,052,691 | 10 |
| Mar 18, 2019 | - | $36,243 | -50% | -39% | 268 | $135 | $1,088,934 | 11 |
| Mar 19, 2019 | - | $54,272 | +50% | -42% | 268 | $203 | $1,143,206 | 12 |
| Mar 20, 2019 | - | $40,679 | -25% | -35% | 268 | $152 | $1,183,885 | 13 |
| Mar 21, 2019 | - | $30,292 | -26% | -44% | 268 | $113 | $1,214,177 | 14 |
| Mar 22, 2019 | - | $36,380 | +20% | -57% | 167 | $218 | $1,250,557 | 15 |
| Mar 23, 2019 | - | $50,835 | +40% | -54% | 167 | $304 | $1,301,392 | 16 |
| Mar 24, 2019 | - | $38,279 | -25% | -47% | 167 | $229 | $1,339,671 | 17 |
| Mar 25, 2019 | - | $16,493 | -57% | -54% | 167 | $99 | $1,356,164 | 18 |
| Mar 26, 2019 | - | $20,632 | +25% | -62% | 167 | $124 | $1,376,796 | 19 |
| Mar 27, 2019 | - | $16,338 | -21% | -60% | 167 | $98 | $1,393,134 | 20 |
| Mar 28, 2019 | - | $13,581 | -17% | -55% | 167 | $81 | $1,406,715 | 21 |
| Mar 29, 2019 | - | $13,234 | -3% | -64% | 77 | $172 | $1,419,949 | 22 |
| Mar 30, 2019 | - | $19,033 | +44% | -63% | 77 | $247 | $1,438,982 | 23 |
| Mar 31, 2019 | - | $12,561 | -34% | -67% | 77 | $163 | $1,451,543 | 24 |
| Apr 1, 2019 | - | $5,835 | -54% | -65% | 77 | $76 | $1,457,378 | 25 |
| Apr 2, 2019 | - | $6,146 | +5% | -70% | 77 | $80 | $1,463,524 | 26 |
| Apr 3, 2019 | - | $6,005 | -2% | -63% | 77 | $78 | $1,469,529 | 27 |
| Apr 4, 2019 | - | $4,440 | -26% | -67% | 77 | $58 | $1,473,969 | 28 |
| Apr 5, 2019 | - | $3,243 | -27% | -75% | 22 | $147 | $1,477,212 | 29 |
| Apr 6, 2019 | - | $4,953 | +53% | -74% | 22 | $225 | $1,482,165 | 30 |
| Apr 7, 2019 | - | $2,941 | -41% | -77% | 22 | $134 | $1,485,106 | 31 |
| Apr 8, 2019 | - | $1,170 | -60% | -80% | 22 | $53 | $1,486,276 | 32 |
| Apr 9, 2019 | - | $1,544 | +32% | -75% | 22 | $70 | $1,487,820 | 33 |
| Apr 10, 2019 | - | $1,432 | -7% | -76% | 22 | $65 | $1,489,252 | 34 |
| Apr 11, 2019 | - | $1,305 | -9% | -71% | 22 | $59 | $1,490,557 | 35 |
| Apr 12, 2019 | - | $3,204 | +146% | -1% | 49 | $65 | $1,493,761 | 36 |
| Apr 13, 2019 | - | $3,998 | +25% | -19% | 49 | $82 | $1,497,759 | 37 |
| Apr 14, 2019 | - | $4,029 | +1% | +37% | 49 | $82 | $1,501,788 | 38 |
| Apr 15, 2019 | - | $1,359 | -66% | +16% | 49 | $28 | $1,503,147 | 39 |
| Apr 16, 2019 | - | $2,174 | +60% | +41% | 49 | $44 | $1,505,321 | 40 |
| Apr 17, 2019 | - | $1,442 | -34% | +1% | 49 | $29 | $1,506,763 | 41 |
| Apr 18, 2019 | - | $1,830 | +27% | +40% | 49 | $37 | $1,508,593 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 8, 2019 | 18 | $783,426 | 268 | $2,923 | $783,426 | 1 | |
| Mar 15, 2019 | 22 | $430,751 | -45% | 268 | $1,607 | $1,214,177 | 2 |
| Mar 22, 2019 | 28 | $192,538 | -55% | 167 | $1,153 | $1,406,715 | 3 |
| Mar 29, 2019 | 37 | $67,254 | -65% | 77 | $873 | $1,473,969 | 4 |
| Apr 5, 2019 | 55 | $16,588 | -75% | 22 | $754 | $1,490,557 | 5 |
| Apr 12, 2019 | 57 | $18,036 | +9% | 49 | $368 | $1,508,593 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 5/24/2019 | $6,696 | 20 | 20 | 40 | $12,196 | 7/2/2019 | |||
| Russia (CIS) | 5/16/2019 | $17,096 | 220 | 220 | 428 | $14,943 | 4/4/2026 | |||
| Rest of World | $57,441 | |||||||||
| International Total | $84,580 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Ethan Hawke | Sheriff Pat Garrett | |
| Dane DeHaan | Billy the Kid | |
| Jake Schur | Rio | |
| Chris Pratt | Grant Cutler | |
| Leila George | Sara Cutler |
Supporting
| Adam Baldwin | Bob Olinger | |
| Charlie Chappell | Billy Wilson | |
| Clint Obenchain | Tom Pickett | |
| Chris Bylsma | Charlie Bowdre | |
| Chad Dashnaw | Dave Rudabaugh | |
| Ben Dickey | Jim East | |
| Tait Fletcher | Bill Cutler | |
| Hawk D’Onofrio | Oran Moler | |
| Vincent D'Onofrio | Sheriff Romero | |
| Diana Navarrette | Manuela | |
| Samantha Zajarias | Paulita Maxwell |
Production and Technical Credits
| Vincent D'Onofrio | Director | |
| Andrew Lanham | Screenwriter | |
| Vincent D'Onofrio | Story by | |
| Andrew Lanham | Story by | |
| Jordan Schur | Producer | |
| Nick Thurlow | Producer | |
| Sam Maydew | Producer | |
| David Mimran | Producer | |
| Matthew J. Lloyd | Director of Photography | |
| Sara K. White | Production Designer | |
| Katharine McQuerrey | Editor | |
| Ruby Katilus | Costume Designer | |
| Latham Gaines | Composer | |
| Shelby Gaines | Composer | |
| Mary Vernieu | Casting Director | |
| Chad Dashnaw | Stunt Coordinator | |
| Jake Dashnaw | Stunt Coordinator | |
| Ra Arancio Parrain | Art Director | |
| Brooke Peters | Set Designer | |
| Edward McLoughlin | Set Decorator | |
| Mack Melson | Sound Mixer | |
| Sweet P. Vaughn | Make up | |
| Bonnie Masoner | Make up | |
| Copper Perry | Hairstylist | |
| Daniella Duque | Hairstylist | |
| Shaun Garcia | Costume Supervisor | |
| Mara Herdmann | Script Supervisor | |
| Shani Orona | Location Manager | |
| Randy E. Moore* | Special Effects Coordinator | |
| Jerry Gilbert | Post-Production Supervisor | |
| Brian McCarthy | Assistant Editor | |
| Juan Soto | Assistant Editor | |
| Ben Cheah | Supervising Sound Editor | |
| Ryan Price | Supervising Sound Editor | |
| Mary Ellen Porto | Dialogue Editor | |
| Eric Hirsch | Dialogue Editor | |
| Patrick Cicero | Sound Effects Editor | |
| Coll Anderson | Sound Effects Editor | |
| Ryan Collison | Foley Mixer | |
| Bob Chefalas | Re-recording Mixer | |
| Ryan Price | Re-recording Mixer | |
| Eric Hirsch | Re-recording Mixer | |
| Patrick Woodland | Score Mixer | |
| Rian Johnson | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.