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Kiki, el amor se hace (2016)

Kiki, el amor se hace
Theatrical Performance
Domestic Box Office $12,450Details
International Box Office $7,316,421Details
Worldwide Box Office $7,328,871
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer


Five stories of love and sex unfold over one hot summer in Madrid, when the protagonists discover strange and unusual sources of sexual indulgence with unpronounceable names: Dacryphilia, Eliphilia, Somnophilia, Polyamori, Harpaxophilia… Taboos are broken one by one as our horny couples enter into a thrilling liberation in which no pleasure is denied, whatever form it takes.


Latest Ranking on Cumulative Box Office Lists

All Time Domestic Box Office (Rank 13,701-13,800) 13,758 $12,450
All Time International Box Office (Rank 3,801-3,900) 3,842 $7,316,421
All Time Worldwide Box Office (Rank 6,801-6,900) 6,811 $7,328,871
All Time Domestic Highest Grossing Limited Release Movies (Rank 6,201-6,300) 6,218 $12,450

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.

Movie Details

Domestic Releases: November 11th, 2016 (Limited) by Strand, released as Kiki, Love to Love
International Releases: April 1st, 2016 (Wide) (Spain)
June 3rd, 2016 (Wide) (Portugal)
June 24th, 2016 (Wide), released as Kiki & i segreti del sesso (Italy)
July 21st, 2016 (Wide) (Netherlands)
August 12th, 2016 (Wide), released as Kiki. Visi kalba apie seksą (Lithuania)
... Show all releases
MPAA Rating: Not Rated
Running Time: 98 minutes
Comparisons: Create your own comparison chart…
Keywords: Romance, Segments, Relationships Gone Wrong, Confined to a Wheelchair, Mute, Sexual Fetishism, Deaf, Spain
Source:Based on Movie
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Telecinco Cinema, Vertigo Films, Mediaset Espana
Production Countries: Spain


   José Luis
   María Candelaria
Alexandra Jimenez    Sandra

Production and Technical Credits

Based on the novel ‘The Little Death’ by    Josh Lawson
Screenwriter    Paco Leon
Screenwriter    Fernando Perez
Producer    Ghislain Barrois
Producer    Alvaro Augustin
Producer    Andres Martin
Executive Producer    Maribel Munoz
Executive Producer    Elena Manrique
Executive Producer    Agnes Mentre
Executive Producer    Jamie Hilton
Executive Producer    Josh Lawson
Executive Producer    Michael Petroni
Production Manager    Pilar Robla
Director of Photography    Kiko de la Rica
Visual Effects Supervisor    Ferran Piquer
Editor    Alberto de Toro
Sound Mixer    Eduardo G. Castro
Supervising Sound Editor    Pelayo Gutierrez
Sound Recorder    Sergio Burmann
Art Director    Montse Sanz
Art Director    Vicent Diaz
Costume Designer    Pepe Patatin
Costume Designer    Javier Bernal Belchi
Make up    Lorena Berlanga
Hairstylist    Monica Palacios

Theater Averages: It’s a Long Walk to the Top with $57,065

November 16th, 2016

Billy Lynn’s Long Halftime Walk

Billy Lynn’s Long Halftime Walk earned first place on the theater average chart over the weekend earning an average of $57,065 in two theaters. That’s the good news. The bad news is its reviews suggest poor word of mouth and difficulty expanding wide this coming weekend. Elle opened in second place with an average of $25,467, also in two theaters. Loving remained in the $10,000 club for the second weekend with an average of $11,149 in 46 theaters. It still has room to grow. Doctor Strange was right behind with an average of $11,069. The final film in the $10,000 was the biggest new release of the week, Arrival, which earned an average of $10,390. More...

Limited and VOD Releases: Release Dates are Bewitching

November 11th, 2016

The Love Witch

One of the more difficult aspects of this job is keeping track of release dates. For instance, we thought The Love Witch came out two weeks ago, but its release date changed at the last minute. The official site says it’s coming out this week, so if it gets changed again, it is not my fault. It arguably has the best reviews on this week’s list and it is the one I’m most interested in seeing. That said, it is too out there to expect it to find mainstream success. More...

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2016/11/11 68 $3,954   1 $3,954   $3,954 1
2016/11/18 70 $3,200 -19% 3 $1,067   $7,874 2
2016/11/25 72 $1,953 -39% 2 $977   $10,509 3
2016/12/02 119 $170 -91% 1 $170   $11,150 4
2016/12/16 79 $662   1 $662   $11,892 6

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2016/11/11 80 $4,674   1 $4,674   $4,674 1
2016/11/18 77 $3,882 -17% 3 $1,294   $8,556 2
2016/11/25 83 $2,424 -38% 2 $1,212   $10,980 3
2016/12/02 128 $250 -90% 1 $250   $11,230 4
2016/12/16 83 $1,220   1 $1,220   $12,450 6

Box Office Summary Per Territory

Territory Release
Box Office
Australia 7/28/2017 $28,868 12 12 47 $80,812 10/23/2017
Italy 6/24/2016 $111,212 0 0 0 $315,811 8/9/2016
Lithuania 8/12/2016 $1,632 33 33 46 $4,270 8/26/2016
Netherlands 7/21/2016 $3,557 8 8 16 $16,571 8/5/2016
Portugal 6/3/2016 $10,145 11 15 40 $26,736 6/30/2016
Russia (CIS) 9/16/2016 $15,541 41 41 41 $15,541 9/21/2016
Slovakia 10/7/2016 $11,396 35 35 49 $27,120 10/19/2016
Spain 4/1/2016 $0 0 325 1328 $6,829,560 7/14/2016
International Total$7,316,421 10/23/2017

International Cumulative Box Office Records

Worldwide Cumulative Box Office Records

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at