Kiki, el amor se hace (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $12,450 | Details |
| International Box Office | $7,373,724 | Details |
| Worldwide Box Office | $7,386,174 | |
| OpusData ID: 259390100 More info... | ||
| Further financial details... | ||
Synopsis
Five stories of love and sex unfold over one hot summer in Madrid, when the protagonists discover strange and unusual sources of sexual indulgence with unpronounceable names: Dacryphilia, Eliphilia, Somnophilia, Polyamori, Harpaxophilia… Taboos are broken one by one as our horny couples enter into a thrilling liberation in which no pleasure is denied, whatever form it takes.
Metrics
| Opening Weekend: | $3,954 (31.8% of total gross) |
| Legs: | 3.15 (domestic box office/biggest weekend) |
| Domestic Share: | 0.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,210 |
Movie Details
| Domestic Releases: | November 11th, 2016 (Limited) by Strand Releasing, released as Kiki, Love to Love |
| International Releases: | April 1st, 2016 (Wide) (Spain)
June 3rd, 2016 (Wide) (Portugal) June 24th, 2016 (Wide), released as Kiki & i segreti del sesso (Italy) July 21st, 2016 (Wide) (Netherlands) August 12th, 2016 (Wide), released as Kiki. Visi kalba apie seksą (Lithuania) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake, Segments |
| Geographical setting: | Spain |
| Plot point: | Deaf, Mute, Relationships Gone Wrong, Romance, Sexual Fetishism, Wheelchair User |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Telecinco Cinema, Vertigo Films, Mediaset Espana |
| Production Countries: | Spain |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 11, 2016 | 68 | $3,954 | 1 | $3,954 | $3,954 | 1 | |
| Nov 18, 2016 | 70 | $3,200 | -19% | 3 | $1,067 | $7,874 | 2 |
| Nov 25, 2016 | 72 | $1,953 | -39% | 2 | $977 | $10,509 | 3 |
| Dec 2, 2016 | 119 | $170 | -91% | 1 | $170 | $11,150 | 4 |
| Dec 16, 2016 | 79 | $662 | 1 | $662 | $11,892 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 11, 2016 | 80 | $4,674 | 1 | $4,674 | $4,674 | 1 | |
| Nov 18, 2016 | 77 | $3,882 | -17% | 3 | $1,294 | $8,556 | 2 |
| Nov 25, 2016 | 83 | $2,424 | -38% | 2 | $1,212 | $10,980 | 3 |
| Dec 2, 2016 | 128 | $250 | -90% | 1 | $250 | $11,230 | 4 |
| Dec 16, 2016 | 84 | $1,220 | 1 | $1,220 | $12,450 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/17/2017 | $0 | 0 | 0 | 0 | $21,816 | 1/1/2019 | |||
| Australia | 7/28/2017 | $28,868 | 12 | 12 | 47 | $80,812 | 10/23/2017 | |||
| Italy | 6/24/2016 | $111,212 | 0 | 31 | 31 | $336,351 | 11/13/2018 | |||
| Lithuania | 8/12/2016 | $1,632 | 33 | 33 | 46 | $4,270 | 8/26/2016 | |||
| Netherlands | 7/21/2016 | $3,557 | 8 | 8 | 16 | $16,571 | 8/5/2016 | |||
| Portugal | 6/3/2016 | $10,145 | 11 | 15 | 40 | $26,736 | 6/30/2016 | |||
| Russia (CIS) | 9/16/2016 | $15,498 | 41 | 41 | 112 | $30,488 | 11/14/2018 | |||
| Slovakia | 10/7/2016 | $11,396 | 35 | 35 | 49 | $27,120 | 10/19/2016 | |||
| Spain | 4/1/2016 | $996,135 | 283 | 325 | 2,822 | $6,829,560 | 11/17/2018 | |||
| International Total | $7,373,724 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Natalia de Molina | Natalia | |
| Anna Katz | Ana | |
| Belen Cuesta | Belen | |
| Luis Bermejo | José Luis | |
| Mari Paz Sayago | Paloma | |
| Luis Callejo | Antonio | |
| Rea Gutierrez | Loreley | |
| David Mora | Rubén | |
| Candela Pena | María Candelaria | |
| Paco Leon | Paco |
Supporting
| Alexandra Jimenez | Sandra |
Production and Technical Credits
| Paco Leon | Director | |
| Josh Lawson | Based on the novel ‘The Little Death’ by | |
| Paco Leon | Screenwriter | |
| Fernando Perez | Screenwriter | |
| Ghislain Barrois | Producer | |
| Alvaro Augustin | Producer | |
| Andres Martin | Producer | |
| Maribel Munoz | Executive Producer | |
| Elena Manrique | Executive Producer | |
| Agnes Mentre | Executive Producer | |
| Jamie Hilton | Executive Producer | |
| Josh Lawson | Executive Producer | |
| Michael Petroni | Executive Producer | |
| Pilar Robla | Production Manager | |
| Kiko de la Rica | Director of Photography | |
| Ferran Piquer | Visual Effects Supervisor | |
| Alberto de Toro | Editor | |
| Eduardo G. Castro | Sound Mixer | |
| Pelayo Gutierrez | Supervising Sound Editor | |
| Sergio Burmann | Sound Recorder | |
| Montse Sanz | Art Director | |
| Vicent Diaz | Art Director | |
| Pepe Patatin | Costume Designer | |
| Javier Bernal Belchi | Costume Designer | |
| Lorena Berlanga | Make up | |
| Monica Palacios | Hairstylist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Five stories of love and sex unfold over one hot summer in Madrid, when the protagonists discover strange and unusual sources of sexual indulgence with unpronounceable names: Dacryphilia, Eliphilia, Somnophilia, Polyamori, Harpaxophilia… Taboos are broken one by one as our horny couples enter into a thrilling liberation in which no pleasure is denied, whatever form it takes.
Metrics
| Opening Weekend: | $3,954 (31.8% of total gross) |
| Legs: | 3.15 (domestic box office/biggest weekend) |
| Domestic Share: | 0.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,210 |
Movie Details
| Domestic Releases: | November 11th, 2016 (Limited) by Strand Releasing, released as Kiki, Love to Love |
| International Releases: | April 1st, 2016 (Wide) (Spain)
June 3rd, 2016 (Wide) (Portugal) June 24th, 2016 (Wide), released as Kiki & i segreti del sesso (Italy) July 21st, 2016 (Wide) (Netherlands) August 12th, 2016 (Wide), released as Kiki. Visi kalba apie seksą (Lithuania) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake, Segments |
| Geographical setting: | Spain |
| Plot point: | Deaf, Mute, Relationships Gone Wrong, Romance, Sexual Fetishism, Wheelchair User |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Telecinco Cinema, Vertigo Films, Mediaset Espana |
| Production Countries: | Spain |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 11, 2016 | 68 | $3,954 | 1 | $3,954 | $3,954 | 1 | |
| Nov 18, 2016 | 70 | $3,200 | -19% | 3 | $1,067 | $7,874 | 2 |
| Nov 25, 2016 | 72 | $1,953 | -39% | 2 | $977 | $10,509 | 3 |
| Dec 2, 2016 | 119 | $170 | -91% | 1 | $170 | $11,150 | 4 |
| Dec 16, 2016 | 79 | $662 | 1 | $662 | $11,892 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 11, 2016 | 80 | $4,674 | 1 | $4,674 | $4,674 | 1 | |
| Nov 18, 2016 | 77 | $3,882 | -17% | 3 | $1,294 | $8,556 | 2 |
| Nov 25, 2016 | 83 | $2,424 | -38% | 2 | $1,212 | $10,980 | 3 |
| Dec 2, 2016 | 128 | $250 | -90% | 1 | $250 | $11,230 | 4 |
| Dec 16, 2016 | 84 | $1,220 | 1 | $1,220 | $12,450 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/17/2017 | $0 | 0 | 0 | 0 | $21,816 | 1/1/2019 | |||
| Australia | 7/28/2017 | $28,868 | 12 | 12 | 47 | $80,812 | 10/23/2017 | |||
| Italy | 6/24/2016 | $111,212 | 0 | 31 | 31 | $336,351 | 11/13/2018 | |||
| Lithuania | 8/12/2016 | $1,632 | 33 | 33 | 46 | $4,270 | 8/26/2016 | |||
| Netherlands | 7/21/2016 | $3,557 | 8 | 8 | 16 | $16,571 | 8/5/2016 | |||
| Portugal | 6/3/2016 | $10,145 | 11 | 15 | 40 | $26,736 | 6/30/2016 | |||
| Russia (CIS) | 9/16/2016 | $15,498 | 41 | 41 | 112 | $30,488 | 11/14/2018 | |||
| Slovakia | 10/7/2016 | $11,396 | 35 | 35 | 49 | $27,120 | 10/19/2016 | |||
| Spain | 4/1/2016 | $996,135 | 283 | 325 | 2,822 | $6,829,560 | 11/17/2018 | |||
| International Total | $7,373,724 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Natalia de Molina | Natalia | |
| Anna Katz | Ana | |
| Belen Cuesta | Belen | |
| Luis Bermejo | José Luis | |
| Mari Paz Sayago | Paloma | |
| Luis Callejo | Antonio | |
| Rea Gutierrez | Loreley | |
| David Mora | Rubén | |
| Candela Pena | María Candelaria | |
| Paco Leon | Paco |
Supporting
| Alexandra Jimenez | Sandra |
Production and Technical Credits
| Paco Leon | Director | |
| Josh Lawson | Based on the novel ‘The Little Death’ by | |
| Paco Leon | Screenwriter | |
| Fernando Perez | Screenwriter | |
| Ghislain Barrois | Producer | |
| Alvaro Augustin | Producer | |
| Andres Martin | Producer | |
| Maribel Munoz | Executive Producer | |
| Elena Manrique | Executive Producer | |
| Agnes Mentre | Executive Producer | |
| Jamie Hilton | Executive Producer | |
| Josh Lawson | Executive Producer | |
| Michael Petroni | Executive Producer | |
| Pilar Robla | Production Manager | |
| Kiko de la Rica | Director of Photography | |
| Ferran Piquer | Visual Effects Supervisor | |
| Alberto de Toro | Editor | |
| Eduardo G. Castro | Sound Mixer | |
| Pelayo Gutierrez | Supervising Sound Editor | |
| Sergio Burmann | Sound Recorder | |
| Montse Sanz | Art Director | |
| Vicent Diaz | Art Director | |
| Pepe Patatin | Costume Designer | |
| Javier Bernal Belchi | Costume Designer | |
| Lorena Berlanga | Make up | |
| Monica Palacios | Hairstylist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.