Kill Bill: The Whole Bloody Affair (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $6,002,538 | Details |
| International Box Office | $5,832,271 | Details |
| Worldwide Box Office | $11,834,809 | |
| OpusData ID: 768740100 More info... | ||
| Further financial details... | ||
Synopsis
The Bride is left for dead after her former boss and lover Bill ambushes her wedding rehearsal, shooting her in the head and stealing her unborn child. To exact her vengeance, she must first hunt down the four remaining members of the Deadly Viper Assassination Squad before confronting Bill himself.
Metrics
| Opening Weekend: | $3,429,889 (57.1% of total gross) |
| Legs: | 1.75 (domestic box office/biggest weekend) |
| Domestic Share: | 50.7% (domestic box office/worldwide) |
| Theater counts: | 1,198 opening theaters/1,204 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,002,538 |
Movie Details
| Domestic Releases: | December 5th, 2025 (Wide) by Lionsgate |
| International Releases: | December 5th, 2025 (Wide) (United Kingdom)
December 5th, 2025 (Wide) (New Zealand) February 19th, 2026 (Wide) (Mexico) February 19th, 2026 (Wide) (Finland) February 20th, 2026 (Wide) (Poland) ... Show all releases |
| Video Release: | February 17th, 2026 |
| MPA Rating: | Not Rated (Rated 12/8/2025) |
| Running Time: | 275 minutes |
| Franchise: | Kill Bill |
| Cast, crew, or production detail: | Recut |
| Plot point: | Coma, Hitmen, No Honor Among Thieves, Non-Chronological, Raised by Kidnappers, Revenge, Surprise Twist, Wedding Day Disasters |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2025 | 6 | $3,429,889 | 1,198 | $2,863 | $3,429,889 | 1 | |
| Dec 12, 2025 | - | $836,411 | -76% | 1,204 | $695 | $5,495,618 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 5, 2025 | 5 | $1,479,680 | 1,198 | $1,235 | $1,479,680 | 1 | ||
| Dec 6, 2025 | 6 | $1,071,845 | -28% | 1,198 | $895 | $2,551,525 | 2 | |
| Dec 7, 2025 | 6 | $878,364 | -18% | 1,198 | $733 | $3,429,889 | 3 | |
| Dec 8, 2025 | - | $347,229 | -60% | 1,198 | $290 | $3,777,118 | 4 | |
| Dec 9, 2025 | - | $332,393 | -4% | 1,198 | $277 | $4,109,511 | 5 | |
| Dec 10, 2025 | - | $306,241 | -8% | 1,198 | $256 | $4,415,752 | 6 | |
| Dec 11, 2025 | - | $243,455 | -21% | 1,198 | $203 | $4,659,207 | 7 | |
| Dec 12, 2025 | - | $231,644 | -5% | -84% | 1,204 | $192 | $4,890,851 | 8 |
| Dec 13, 2025 | - | $335,071 | +45% | -69% | 1,204 | $278 | $5,225,922 | 9 |
| Dec 14, 2025 | - | $269,696 | -20% | -69% | 1,204 | $224 | $5,495,618 | 10 |
| Dec 15, 2025 | - | $128,784 | -52% | -63% | 1,204 | $107 | $5,624,402 | 11 |
| Dec 16, 2025 | - | $142,523 | +11% | -57% | 1,204 | $118 | $5,766,925 | 12 |
| Dec 17, 2025 | - | $155,698 | +9% | -49% | 1,204 | $129 | $5,922,623 | 13 |
| Dec 18, 2025 | 11 | $79,915 | -49% | -67% | 1,204 | $66 | $6,002,538 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2025 | 6 | $4,659,207 | 1,198 | $3,889 | $4,659,207 | 1 | |
| Dec 12, 2025 | 12 | $1,343,331 | -71% | 1,204 | $1,116 | $6,002,538 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 5/27/2026 | $59,244 | 55 | 55 | 55 | $59,244 | 6/2/2026 | |||
| Bulgaria | 4/17/2026 | $2,714 | 24 | 24 | 0 | $5,470 | 5/4/2026 | |||
| Croatia | 4/9/2026 | $23,388 | 39 | 39 | 53 | $34,902 | 5/1/2026 | |||
| Czech Republic | 4/16/2026 | $75,823 | 111 | 111 | 162 | $98,593 | 6/2/2026 | |||
| Finland | 2/19/2026 | $23,893 | 1 | 30 | 31 | $64,395 | 4/21/2026 | |||
| Germany | 4/16/2026 | $0 | 0 | 0 | 0 | $766,603 | 6/2/2026 | |||
| Hungary | 5/14/2026 | $14,211 | 0 | 8 | 0 | $38,329 | 6/5/2026 | |||
| Italy | 5/28/2026 | $617,764 | 0 | 0 | 0 | $1,188,866 | 6/8/2026 | |||
| Mexico | 2/19/2026 | $309,002 | 0 | 0 | 0 | $309,002 | 4/4/2026 | |||
| Netherlands | 5/28/2026 | $82,206 | 119 | 119 | 324 | $201,362 | 6/24/2026 | |||
| Portugal | 3/12/2026 | $27,887 | 41 | 41 | 0 | $42,451 | 4/4/2026 | |||
| Romania | 5/29/2026 | $19,305 | 66 | 66 | 0 | $31,843 | 6/17/2026 | |||
| Russia (CIS) | 5/28/2026 | $30,576 | 32 | 252 | 377 | $292,735 | 6/17/2026 | |||
| Serbia and Montenegro | 4/9/2026 | $0 | 0 | 0 | 0 | $30,149 | 4/20/2026 | |||
| Slovakia | 4/16/2026 | $15,491 | 43 | 43 | 61 | $22,776 | 6/2/2026 | |||
| South Korea | 4/1/2026 | $92,172 | 97 | 97 | 0 | $251,212 | 4/29/2026 | |||
| Spain | 4/10/2026 | $501,890 | 231 | 185 | 417 | $903,442 | 6/2/2026 | |||
| Turkey | 5/8/2026 | $18,602 | 51 | 51 | 59 | $47,957 | 6/12/2026 | |||
| United Kingdom | 12/5/2025 | $310,529 | 372 | 372 | 372 | $310,529 | 4/4/2026 | |||
| Rest of World | $1,132,411 | |||||||||
| International Total | $5,832,271 | 6/24/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Uncategorized
| Uma Thurman | ||
| Lucy Alexis Liu | ||
| Vivica Fox | ||
| Michael Madsen | ||
| Daryl Hannah | ||
| Gordon Liu | ||
| Michael Parks | ||
| David Carradine |
Production and Technical Credits
| Quentin Tarantino | Director | |
| Quentin Tarantino | Screenwriter | |
| Lawrence Bender | Producer | |
| Robert Richardson | Cinematographer | |
| Sally Menke | Editor | |
| RZA | Composer | |
| Robert Rodriguez | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The Bride is left for dead after her former boss and lover Bill ambushes her wedding rehearsal, shooting her in the head and stealing her unborn child. To exact her vengeance, she must first hunt down the four remaining members of the Deadly Viper Assassination Squad before confronting Bill himself.
Metrics
| Opening Weekend: | $3,429,889 (57.1% of total gross) |
| Legs: | 1.75 (domestic box office/biggest weekend) |
| Domestic Share: | 50.7% (domestic box office/worldwide) |
| Theater counts: | 1,198 opening theaters/1,204 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,002,538 |
Movie Details
| Domestic Releases: | December 5th, 2025 (Wide) by Lionsgate |
| International Releases: | December 5th, 2025 (Wide) (United Kingdom)
December 5th, 2025 (Wide) (New Zealand) February 19th, 2026 (Wide) (Mexico) February 19th, 2026 (Wide) (Finland) February 20th, 2026 (Wide) (Poland) ... Show all releases |
| Video Release: | February 17th, 2026 |
| MPA Rating: | Not Rated (Rated 12/8/2025) |
| Running Time: | 275 minutes |
| Franchise: | Kill Bill |
| Cast, crew, or production detail: | Recut |
| Plot point: | Coma, Hitmen, No Honor Among Thieves, Non-Chronological, Raised by Kidnappers, Revenge, Surprise Twist, Wedding Day Disasters |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2025 | 6 | $3,429,889 | 1,198 | $2,863 | $3,429,889 | 1 | |
| Dec 12, 2025 | - | $836,411 | -76% | 1,204 | $695 | $5,495,618 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 5, 2025 | 5 | $1,479,680 | 1,198 | $1,235 | $1,479,680 | 1 | ||
| Dec 6, 2025 | 6 | $1,071,845 | -28% | 1,198 | $895 | $2,551,525 | 2 | |
| Dec 7, 2025 | 6 | $878,364 | -18% | 1,198 | $733 | $3,429,889 | 3 | |
| Dec 8, 2025 | - | $347,229 | -60% | 1,198 | $290 | $3,777,118 | 4 | |
| Dec 9, 2025 | - | $332,393 | -4% | 1,198 | $277 | $4,109,511 | 5 | |
| Dec 10, 2025 | - | $306,241 | -8% | 1,198 | $256 | $4,415,752 | 6 | |
| Dec 11, 2025 | - | $243,455 | -21% | 1,198 | $203 | $4,659,207 | 7 | |
| Dec 12, 2025 | - | $231,644 | -5% | -84% | 1,204 | $192 | $4,890,851 | 8 |
| Dec 13, 2025 | - | $335,071 | +45% | -69% | 1,204 | $278 | $5,225,922 | 9 |
| Dec 14, 2025 | - | $269,696 | -20% | -69% | 1,204 | $224 | $5,495,618 | 10 |
| Dec 15, 2025 | - | $128,784 | -52% | -63% | 1,204 | $107 | $5,624,402 | 11 |
| Dec 16, 2025 | - | $142,523 | +11% | -57% | 1,204 | $118 | $5,766,925 | 12 |
| Dec 17, 2025 | - | $155,698 | +9% | -49% | 1,204 | $129 | $5,922,623 | 13 |
| Dec 18, 2025 | 11 | $79,915 | -49% | -67% | 1,204 | $66 | $6,002,538 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 5, 2025 | 6 | $4,659,207 | 1,198 | $3,889 | $4,659,207 | 1 | |
| Dec 12, 2025 | 12 | $1,343,331 | -71% | 1,204 | $1,116 | $6,002,538 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 5/27/2026 | $59,244 | 55 | 55 | 55 | $59,244 | 6/2/2026 | |||
| Bulgaria | 4/17/2026 | $2,714 | 24 | 24 | 0 | $5,470 | 5/4/2026 | |||
| Croatia | 4/9/2026 | $23,388 | 39 | 39 | 53 | $34,902 | 5/1/2026 | |||
| Czech Republic | 4/16/2026 | $75,823 | 111 | 111 | 162 | $98,593 | 6/2/2026 | |||
| Finland | 2/19/2026 | $23,893 | 1 | 30 | 31 | $64,395 | 4/21/2026 | |||
| Germany | 4/16/2026 | $0 | 0 | 0 | 0 | $766,603 | 6/2/2026 | |||
| Hungary | 5/14/2026 | $14,211 | 0 | 8 | 0 | $38,329 | 6/5/2026 | |||
| Italy | 5/28/2026 | $617,764 | 0 | 0 | 0 | $1,188,866 | 6/8/2026 | |||
| Mexico | 2/19/2026 | $309,002 | 0 | 0 | 0 | $309,002 | 4/4/2026 | |||
| Netherlands | 5/28/2026 | $82,206 | 119 | 119 | 324 | $201,362 | 6/24/2026 | |||
| Portugal | 3/12/2026 | $27,887 | 41 | 41 | 0 | $42,451 | 4/4/2026 | |||
| Romania | 5/29/2026 | $19,305 | 66 | 66 | 0 | $31,843 | 6/17/2026 | |||
| Russia (CIS) | 5/28/2026 | $30,576 | 32 | 252 | 377 | $292,735 | 6/17/2026 | |||
| Serbia and Montenegro | 4/9/2026 | $0 | 0 | 0 | 0 | $30,149 | 4/20/2026 | |||
| Slovakia | 4/16/2026 | $15,491 | 43 | 43 | 61 | $22,776 | 6/2/2026 | |||
| South Korea | 4/1/2026 | $92,172 | 97 | 97 | 0 | $251,212 | 4/29/2026 | |||
| Spain | 4/10/2026 | $501,890 | 231 | 185 | 417 | $903,442 | 6/2/2026 | |||
| Turkey | 5/8/2026 | $18,602 | 51 | 51 | 59 | $47,957 | 6/12/2026 | |||
| United Kingdom | 12/5/2025 | $310,529 | 372 | 372 | 372 | $310,529 | 4/4/2026 | |||
| Rest of World | $1,132,411 | |||||||||
| International Total | $5,832,271 | 6/24/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Uncategorized
| Uma Thurman | ||
| Lucy Alexis Liu | ||
| Vivica Fox | ||
| Michael Madsen | ||
| Daryl Hannah | ||
| Gordon Liu | ||
| Michael Parks | ||
| David Carradine |
Production and Technical Credits
| Quentin Tarantino | Director | |
| Quentin Tarantino | Screenwriter | |
| Lawrence Bender | Producer | |
| Robert Richardson | Cinematographer | |
| Sally Menke | Editor | |
| RZA | Composer | |
| Robert Rodriguez | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.