Kill List (2011)
| Theatrical Performance | ||
| Domestic Box Office | $29,063 | Details |
| International Box Office | $433,143 | Details |
| Worldwide Box Office | $462,206 | |
| OpusData ID: 171090100 More info... | ||
| Further financial details... | ||
Synopsis
Eight months after a disastrous job in Kiev left him physically and mentally scarred, ex-soldier turned contract killer Jay, is pressured by his partner Gal, into taking a new assignment. As they descend into the dark, disturbing world of the contract, Jay begins to unravel once again - his fear and paranoia sending him deep into the heart of darkness.
Metrics
| Opening Weekend: | $9,838 (33.9% of total gross) |
| Legs: | 2.95 (domestic box office/biggest weekend) |
| Domestic Share: | 6.3% (domestic box office/worldwide) |
| Production Budget: | $800,000 (worldwide box office is 0.6 times production budget) |
| Theater counts: | 2 opening theaters/10 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $43,666 |
Movie Details
| Domestic Releases: | February 3rd, 2012 (Limited) by IFC Films |
| International Releases: | September 2nd, 2011 (Wide) (United Kingdom)
January 9th, 2013 (Wide) (Belgium) |
| Video Release: | August 14th, 2012 by IFC Video |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Intertitle, Unnamed Character |
| Plot point: | Dysfunctional Family, Hitmen, Mental Illness, Mercenaries, Out of Retirement, Relationships Gone Wrong, Religious, Returning Soldiers, Sex Crimes, Surprise Twist |
| Social setting: | Cults, Organized Crime, Porn Business |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | UK Film Council, Film 4, Screen Yorkshire, Warp X, Rook Films |
| Production Countries: | United Kingdom |
| Languages: | English, Swedish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 2012 | 61 | $9,838 | 2 | $4,919 | $9,838 | 1 | |
| Feb 10, 2012 | 88 | $2,059 | -79% | 4 | $515 | $17,149 | 2 |
| Feb 17, 2012 | 89 | $1,463 | -29% | 4 | $366 | $19,401 | 3 |
| Mar 2, 2012 | 82 | $4,711 | 10 | $471 | $26,297 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 2012 | 59 | $15,090 | 2 | $7,545 | $15,090 | 1 | |
| Feb 10, 2012 | 83 | $2,848 | -81% | 4 | $712 | $17,938 | 2 |
| Feb 17, 2012 | 101 | $2,227 | -22% | 4 | $557 | $20,165 | 3 |
| Mar 2, 2012 | 81 | $7,477 | 10 | $748 | $29,063 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 1/9/2013 | $454 | 1 | 1 | 1 | $454 | 12/13/2015 | |||
| United Kingdom | 9/2/2011 | $0 | 0 | 1 | 1 | $364,756 | 11/7/2021 | |||
| Rest of World | $67,933 | |||||||||
| International Total | $433,143 | 11/7/2021 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Michael Smiley | Gal |
Leading
| Neil Maskell | Jay |
Supporting
| MyAnna Buring | Shel | |
| Emma Fryer | Fiona |
Production and Technical Credits
| Ben Wheatley | Director | |
| Ben Wheatley | Screenwriter | |
| Amy Jump | Screenwriter | |
| Claire Jones | Producer | |
| Andy Starke | Producer | |
| Katherine Butler | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Robin Gutch | Executive Producer | |
| Barry Ryan | Co-Producer | |
| Ally Gipps | Associate Producer | |
| Laurie Rose | Director of Photography | |
| Robin Hill | Editor | |
| Ben Wheatley | Editor | |
| Amy Jump | Editor | |
| David Butterworth | Production Designer | |
| Jim Williams | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Eight months after a disastrous job in Kiev left him physically and mentally scarred, ex-soldier turned contract killer Jay, is pressured by his partner Gal, into taking a new assignment. As they descend into the dark, disturbing world of the contract, Jay begins to unravel once again - his fear and paranoia sending him deep into the heart of darkness.
Metrics
| Opening Weekend: | $9,838 (33.9% of total gross) |
| Legs: | 2.95 (domestic box office/biggest weekend) |
| Domestic Share: | 6.3% (domestic box office/worldwide) |
| Production Budget: | $800,000 (worldwide box office is 0.6 times production budget) |
| Theater counts: | 2 opening theaters/10 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $43,666 |
Movie Details
| Domestic Releases: | February 3rd, 2012 (Limited) by IFC Films |
| International Releases: | September 2nd, 2011 (Wide) (United Kingdom)
January 9th, 2013 (Wide) (Belgium) |
| Video Release: | August 14th, 2012 by IFC Video |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Intertitle, Unnamed Character |
| Plot point: | Dysfunctional Family, Hitmen, Mental Illness, Mercenaries, Out of Retirement, Relationships Gone Wrong, Religious, Returning Soldiers, Sex Crimes, Surprise Twist |
| Social setting: | Cults, Organized Crime, Porn Business |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | UK Film Council, Film 4, Screen Yorkshire, Warp X, Rook Films |
| Production Countries: | United Kingdom |
| Languages: | English, Swedish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 2012 | 61 | $9,838 | 2 | $4,919 | $9,838 | 1 | |
| Feb 10, 2012 | 88 | $2,059 | -79% | 4 | $515 | $17,149 | 2 |
| Feb 17, 2012 | 89 | $1,463 | -29% | 4 | $366 | $19,401 | 3 |
| Mar 2, 2012 | 82 | $4,711 | 10 | $471 | $26,297 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 2012 | 59 | $15,090 | 2 | $7,545 | $15,090 | 1 | |
| Feb 10, 2012 | 83 | $2,848 | -81% | 4 | $712 | $17,938 | 2 |
| Feb 17, 2012 | 101 | $2,227 | -22% | 4 | $557 | $20,165 | 3 |
| Mar 2, 2012 | 81 | $7,477 | 10 | $748 | $29,063 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 1/9/2013 | $454 | 1 | 1 | 1 | $454 | 12/13/2015 | |||
| United Kingdom | 9/2/2011 | $0 | 0 | 1 | 1 | $364,756 | 11/7/2021 | |||
| Rest of World | $67,933 | |||||||||
| International Total | $433,143 | 11/7/2021 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Michael Smiley | Gal |
Leading
| Neil Maskell | Jay |
Supporting
| MyAnna Buring | Shel | |
| Emma Fryer | Fiona |
Production and Technical Credits
| Ben Wheatley | Director | |
| Ben Wheatley | Screenwriter | |
| Amy Jump | Screenwriter | |
| Claire Jones | Producer | |
| Andy Starke | Producer | |
| Katherine Butler | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Robin Gutch | Executive Producer | |
| Barry Ryan | Co-Producer | |
| Ally Gipps | Associate Producer | |
| Laurie Rose | Director of Photography | |
| Robin Hill | Editor | |
| Ben Wheatley | Editor | |
| Amy Jump | Editor | |
| David Butterworth | Production Designer | |
| Jim Williams | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.