The Killing of Two Lovers (2020)
| Theatrical Performance | ||
| Domestic Box Office | $72,110 | Details |
| International Box Office | $51,310 | Details |
| Worldwide Box Office | $123,420 | |
| OpusData ID: 442880100 More info... | ||
| Further financial details... | ||
Synopsis
David desperately tries to keep his family of six together during a separation from his wife. They both agree to see other people but David struggles to grapple with his wife’s new relationship.
Metrics
| Opening Weekend: | $25,378 (35.2% of total gross) |
| Legs: | 2.84 (domestic box office/biggest weekend) |
| Domestic Share: | 58.4% (domestic box office/worldwide) |
| Production Budget: | $64,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 34 opening theaters/36 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $84,796 |
Movie Details
| Domestic Releases: | May 14th, 2021 (Limited) by Neon |
| International Releases: | September 8th, 2020 (Limited) (Brazil)
June 4th, 2021 (Limited) (United Kingdom) September 3rd, 2021 (Wide), released as İki Aşığın Ölümü (Turkey) September 16th, 2021 (Wide) (Australia) October 14th, 2021 (Wide) (South Korea) ... Show all releases |
| Video Release: | May 14th, 2021 by Neon |
| MPA Rating: | R for language (Rating bulletin 2660 (cert #53013), 12/16/2020) |
| Running Time: | 84 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Plot point: | Dysfunctional Family, Love Triangle, Medical and Hospitals, Obsession, Relationships Gone Wrong |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Social setting: | Life in a Small Town |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Back 40 Pictures Inc, Soro Films, Neon Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | - | $25,378 | 34 | $746 | $25,378 | 1 | |
| May 21, 2021 | - | $16,116 | -36% | 36 | $448 | $50,890 | 2 |
| May 28, 2021 | - | $6,885 | -57% | 22 | $313 | $64,360 | 3 |
| Jun 4, 2021 | - | $1,145 | -83% | 14 | $82 | $71,161 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 14, 2021 | - | $8,620 | 34 | $254 | $8,620 | 1 | ||
| May 15, 2021 | - | $9,310 | +8% | 34 | $274 | $17,930 | 2 | |
| May 16, 2021 | - | $7,448 | -20% | 34 | $219 | $25,378 | 3 | |
| May 17, 2021 | - | $1,422 | -81% | 34 | $42 | $26,800 | 4 | |
| May 18, 2021 | - | $1,721 | +21% | 34 | $51 | $28,521 | 5 | |
| May 19, 2021 | - | $3,422 | +99% | 34 | $101 | $31,943 | 6 | |
| May 20, 2021 | - | $2,831 | -17% | 34 | $83 | $34,774 | 7 | |
| May 21, 2021 | - | $5,078 | +79% | -41% | 36 | $141 | $39,852 | 8 |
| May 22, 2021 | - | $6,132 | +21% | -34% | 36 | $170 | $45,984 | 9 |
| May 23, 2021 | - | $4,906 | -20% | -34% | 36 | $136 | $50,890 | 10 |
| May 24, 2021 | - | $1,444 | -71% | +2% | 36 | $40 | $52,334 | 11 |
| May 25, 2021 | - | $1,421 | -2% | -17% | 36 | $39 | $53,755 | 12 |
| May 26, 2021 | - | $2,298 | +62% | -33% | 36 | $64 | $56,053 | 13 |
| May 27, 2021 | - | $1,422 | -38% | -50% | 36 | $40 | $57,475 | 14 |
| May 28, 2021 | - | $1,522 | +7% | -70% | 22 | $69 | $58,997 | 15 |
| May 29, 2021 | - | $2,922 | +92% | -52% | 22 | $133 | $61,919 | 16 |
| May 30, 2021 | - | $2,441 | -16% | -50% | 22 | $111 | $64,360 | 17 |
| May 31, 2021 | - | $1,709 | -30% | +18% | 22 | $78 | $66,069 | 18 |
| Jun 1, 2021 | - | $582 | -66% | -59% | 22 | $26 | $66,651 | 19 |
| Jun 2, 2021 | - | $623 | +7% | -73% | 22 | $28 | $67,274 | 20 |
| Jun 3, 2021 | - | $1,035 | +66% | -27% | 22 | $47 | $70,016 | 21 |
| Jun 4, 2021 | - | $766 | -26% | -50% | 14 | $55 | $70,782 | 22 |
| Jun 5, 2021 | - | $1,303 | +70% | -55% | 14 | $93 | $72,085 | 23 |
| Jun 6, 2021 | - | $785 | -40% | -68% | 14 | $56 | $71,161 | 24 |
| Jun 7, 2021 | - | $225 | -71% | -87% | 14 | $16 | $71,386 | 25 |
| Jun 8, 2021 | - | $173 | -23% | -70% | 14 | $12 | $71,559 | 26 |
| Jun 9, 2021 | - | $239 | +38% | -62% | 14 | $17 | $71,798 | 27 |
| Jun 10, 2021 | - | $312 | +31% | -70% | 14 | $22 | $72,110 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | 23 | $34,774 | 34 | $1,023 | $34,774 | 1 | |
| May 21, 2021 | 25 | $22,701 | -35% | 36 | $631 | $57,475 | 2 |
| May 28, 2021 | 29 | $12,541 | -45% | 22 | $570 | $70,016 | 3 |
| Jun 4, 2021 | 39 | $2,094 | -83% | 14 | $150 | $72,110 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/16/2021 | $6,356 | 9 | 10 | 33 | $27,085 | 10/20/2022 | |||
| Turkey | 9/3/2021 | $1,076 | 14 | 14 | 23 | $2,117 | 4/4/2026 | |||
| United Kingdom | 6/4/2021 | $2,851 | 9 | 9 | 9 | $2,851 | 6/11/2021 | |||
| Rest of World | $19,257 | |||||||||
| International Total | $51,310 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Clayne Crawford | David | |
| Sepideh Moafi | Niki |
Supporting
| Chris Coy | Derek | |
| Avery Pizzuto | Jesse | |
| Arri Graham | Alex | |
| Ezra Graham | Theo | |
| Jonah Graham | Bug | |
| Bruce Graham | Dad | |
| Barbara Whinnery | Mrs. Staples | |
| Noah Kirshsnik | Hardware Store Salesman |
Production and Technical Credits
| Robert Machoian | Director | |
| Robert Machoian | Screenwriter | |
| Robert Machoian | Editor | |
| Clayne Crawford | Producer | |
| Scott Christopherson | Producer | |
| Robert Machoian | Producer | |
| Clayne Crawford | Executive Producer | |
| Roger Fields | Executive Producer | |
| Robert Machoian | Executive Producer | |
| Oscar Ignacio Jiménez | Director of Photography | |
| Peter Albrechtsen | Sound Designer | |
| Libby Goldstein | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
David desperately tries to keep his family of six together during a separation from his wife. They both agree to see other people but David struggles to grapple with his wife’s new relationship.
Metrics
| Opening Weekend: | $25,378 (35.2% of total gross) |
| Legs: | 2.84 (domestic box office/biggest weekend) |
| Domestic Share: | 58.4% (domestic box office/worldwide) |
| Production Budget: | $64,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 34 opening theaters/36 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $84,796 |
Movie Details
| Domestic Releases: | May 14th, 2021 (Limited) by Neon |
| International Releases: | September 8th, 2020 (Limited) (Brazil)
June 4th, 2021 (Limited) (United Kingdom) September 3rd, 2021 (Wide), released as İki Aşığın Ölümü (Turkey) September 16th, 2021 (Wide) (Australia) October 14th, 2021 (Wide) (South Korea) ... Show all releases |
| Video Release: | May 14th, 2021 by Neon |
| MPA Rating: | R for language (Rating bulletin 2660 (cert #53013), 12/16/2020) |
| Running Time: | 84 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Plot point: | Dysfunctional Family, Love Triangle, Medical and Hospitals, Obsession, Relationships Gone Wrong |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Social setting: | Life in a Small Town |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Back 40 Pictures Inc, Soro Films, Neon Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | - | $25,378 | 34 | $746 | $25,378 | 1 | |
| May 21, 2021 | - | $16,116 | -36% | 36 | $448 | $50,890 | 2 |
| May 28, 2021 | - | $6,885 | -57% | 22 | $313 | $64,360 | 3 |
| Jun 4, 2021 | - | $1,145 | -83% | 14 | $82 | $71,161 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 14, 2021 | - | $8,620 | 34 | $254 | $8,620 | 1 | ||
| May 15, 2021 | - | $9,310 | +8% | 34 | $274 | $17,930 | 2 | |
| May 16, 2021 | - | $7,448 | -20% | 34 | $219 | $25,378 | 3 | |
| May 17, 2021 | - | $1,422 | -81% | 34 | $42 | $26,800 | 4 | |
| May 18, 2021 | - | $1,721 | +21% | 34 | $51 | $28,521 | 5 | |
| May 19, 2021 | - | $3,422 | +99% | 34 | $101 | $31,943 | 6 | |
| May 20, 2021 | - | $2,831 | -17% | 34 | $83 | $34,774 | 7 | |
| May 21, 2021 | - | $5,078 | +79% | -41% | 36 | $141 | $39,852 | 8 |
| May 22, 2021 | - | $6,132 | +21% | -34% | 36 | $170 | $45,984 | 9 |
| May 23, 2021 | - | $4,906 | -20% | -34% | 36 | $136 | $50,890 | 10 |
| May 24, 2021 | - | $1,444 | -71% | +2% | 36 | $40 | $52,334 | 11 |
| May 25, 2021 | - | $1,421 | -2% | -17% | 36 | $39 | $53,755 | 12 |
| May 26, 2021 | - | $2,298 | +62% | -33% | 36 | $64 | $56,053 | 13 |
| May 27, 2021 | - | $1,422 | -38% | -50% | 36 | $40 | $57,475 | 14 |
| May 28, 2021 | - | $1,522 | +7% | -70% | 22 | $69 | $58,997 | 15 |
| May 29, 2021 | - | $2,922 | +92% | -52% | 22 | $133 | $61,919 | 16 |
| May 30, 2021 | - | $2,441 | -16% | -50% | 22 | $111 | $64,360 | 17 |
| May 31, 2021 | - | $1,709 | -30% | +18% | 22 | $78 | $66,069 | 18 |
| Jun 1, 2021 | - | $582 | -66% | -59% | 22 | $26 | $66,651 | 19 |
| Jun 2, 2021 | - | $623 | +7% | -73% | 22 | $28 | $67,274 | 20 |
| Jun 3, 2021 | - | $1,035 | +66% | -27% | 22 | $47 | $70,016 | 21 |
| Jun 4, 2021 | - | $766 | -26% | -50% | 14 | $55 | $70,782 | 22 |
| Jun 5, 2021 | - | $1,303 | +70% | -55% | 14 | $93 | $72,085 | 23 |
| Jun 6, 2021 | - | $785 | -40% | -68% | 14 | $56 | $71,161 | 24 |
| Jun 7, 2021 | - | $225 | -71% | -87% | 14 | $16 | $71,386 | 25 |
| Jun 8, 2021 | - | $173 | -23% | -70% | 14 | $12 | $71,559 | 26 |
| Jun 9, 2021 | - | $239 | +38% | -62% | 14 | $17 | $71,798 | 27 |
| Jun 10, 2021 | - | $312 | +31% | -70% | 14 | $22 | $72,110 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 14, 2021 | 23 | $34,774 | 34 | $1,023 | $34,774 | 1 | |
| May 21, 2021 | 25 | $22,701 | -35% | 36 | $631 | $57,475 | 2 |
| May 28, 2021 | 29 | $12,541 | -45% | 22 | $570 | $70,016 | 3 |
| Jun 4, 2021 | 39 | $2,094 | -83% | 14 | $150 | $72,110 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/16/2021 | $6,356 | 9 | 10 | 33 | $27,085 | 10/20/2022 | |||
| Turkey | 9/3/2021 | $1,076 | 14 | 14 | 23 | $2,117 | 4/4/2026 | |||
| United Kingdom | 6/4/2021 | $2,851 | 9 | 9 | 9 | $2,851 | 6/11/2021 | |||
| Rest of World | $19,257 | |||||||||
| International Total | $51,310 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Clayne Crawford | David | |
| Sepideh Moafi | Niki |
Supporting
| Chris Coy | Derek | |
| Avery Pizzuto | Jesse | |
| Arri Graham | Alex | |
| Ezra Graham | Theo | |
| Jonah Graham | Bug | |
| Bruce Graham | Dad | |
| Barbara Whinnery | Mrs. Staples | |
| Noah Kirshsnik | Hardware Store Salesman |
Production and Technical Credits
| Robert Machoian | Director | |
| Robert Machoian | Screenwriter | |
| Robert Machoian | Editor | |
| Clayne Crawford | Producer | |
| Scott Christopherson | Producer | |
| Robert Machoian | Producer | |
| Clayne Crawford | Executive Producer | |
| Roger Fields | Executive Producer | |
| Robert Machoian | Executive Producer | |
| Oscar Ignacio Jiménez | Director of Photography | |
| Peter Albrechtsen | Sound Designer | |
| Libby Goldstein | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.