KIMI (2022)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 496290100 More info... | ||
| Further financial details... | ||
Synopsis
An agoraphobic tech worker who discovers recorded evidence of a violent crime during an ordinary data stream review and tries reporting it up the chain of command at her company. Meeting with resistance and bureaucracy, she realizes that in order to get involved, she will have to do the thing she fears the most — leave her apartment.
Metrics
Movie Details
| International Releases: | February 10th, 2022 (Wide), released as Kimi (Germany) |
| Video Release: | February 10th, 2022 by Max |
| MPA Rating: | R for violence, language and brief sexuality/nudity. (Rating bulletin 2696 (cert #53373), 9/1/2021) |
| Running Time: | 149 minutes |
| Plot point: | Agoraphobia, Anxiety and Phobias |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, HBO Max |
| Production Countries: | United States |
| Languages: | English |
Leading
| Zoë Kravitz | Angela Childs |
Supporting
| Rita Wilson | ||
| Byron Bowers | Terry | |
| Jaime Camil | Rivas | |
| Erika Christensen | ||
| Derek DelGaudio | ||
| Robin Givens | ||
| Charles Halford | ||
| Devin Ratray | Kevin | |
| Jacob Vargas |
Production and Technical Credits
| Steven Soderbergh | Director | |
| David Koepp | Producer | |
| Michael Polaire | Producer | |
| David Koepp | Screenwriter | |
| Philip Messina | Production Designer | |
| Cliff Martinez | Composer | |
| Ellen Mirojnick | Costume Designer | |
| Carmen Cuba | Casting Director | |
| Mary Ann Bernard | Editor | |
| Bruce Jones | Visual Effects Supervisor | |
| Season Kent | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An agoraphobic tech worker who discovers recorded evidence of a violent crime during an ordinary data stream review and tries reporting it up the chain of command at her company. Meeting with resistance and bureaucracy, she realizes that in order to get involved, she will have to do the thing she fears the most — leave her apartment.
Metrics
Movie Details
| International Releases: | February 10th, 2022 (Wide), released as Kimi (Germany) |
| Video Release: | February 10th, 2022 by Max |
| MPA Rating: | R for violence, language and brief sexuality/nudity. (Rating bulletin 2696 (cert #53373), 9/1/2021) |
| Running Time: | 149 minutes |
| Plot point: | Agoraphobia, Anxiety and Phobias |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, HBO Max |
| Production Countries: | United States |
| Languages: | English |
Leading
| Zoë Kravitz | Angela Childs |
Supporting
| Rita Wilson | ||
| Byron Bowers | Terry | |
| Jaime Camil | Rivas | |
| Erika Christensen | ||
| Derek DelGaudio | ||
| Robin Givens | ||
| Charles Halford | ||
| Devin Ratray | Kevin | |
| Jacob Vargas |
Production and Technical Credits
| Steven Soderbergh | Director | |
| David Koepp | Producer | |
| Michael Polaire | Producer | |
| David Koepp | Screenwriter | |
| Philip Messina | Production Designer | |
| Cliff Martinez | Composer | |
| Ellen Mirojnick | Costume Designer | |
| Carmen Cuba | Casting Director | |
| Mary Ann Bernard | Editor | |
| Bruce Jones | Visual Effects Supervisor | |
| Season Kent | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.