Kind Hearts and Coronets (1949)
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| Theatrical Performance | ||
| Domestic Box Office | $35,948 | Details |
| International Box Office | $76,751 | Details |
| Worldwide Box Office | $112,699 | |
| OpusData ID: 414950100 More info... | ||
| Further financial details... | ||
Synopsis
Ninth in line for the D'Ascoyne fortune, poor relation Louis sets out to bump off the eight heirs ahead of him, including a general, a parson, and a dowager.
Metrics
| Legs: | 4.49 (domestic box office/biggest weekend) |
| Domestic Share: | 31.9% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $46,907 |
Movie Details
| Domestic Releases: | November 22nd, 2019 (Limited) by Rialto Pictures |
| International Releases: | June 23rd, 1949 (Limited) (United Kingdom)
June 7th, 2019 (Limited), released as Kind Hearts & Coronets: 70th Anniversary (4K Restoration) (United Kingdom) September 6th, 2019 (Wide), released as Kind Hearts and Coronets (re: 2014) (New Zealand) November 1st, 2019 (Wide) (Australia) June 20th, 2026 (Limited), released as Kind Hearts and Coronets (カインド・ハート) (Japan) ... Show all releases |
| Video Release: | September 10th, 2002 by Starz / Anchor Bay |
| MPA Rating: | Not Rated |
| Running Time: | 106 minutes |
| Cast, crew, or production detail: | Same Actor, Multiple Roles |
| Plot point: | Death of Other Extended Family, Disowned, Dysfunctional Family, Familial Murder, Fired, Inheritance, Poverty, Young Child Dealing with the Death of a Parent |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2019 | 50 | $8,004 | 1 | $8,004 | $10,182 | 2 | |
| Dec 6, 2019 | 55 | $4,020 | -50% | 1 | $4,020 | $19,437 | 3 |
| Dec 13, 2019 | 63 | $2,445 | -39% | 1 | $2,445 | $24,147 | 4 |
| Jan 17, 2020 | 61 | $801 | 1 | $801 | $29,211 | 9 | |
| Feb 14, 2020 | 69 | $2,449 | 3 | $816 | $32,173 | 13 | |
| Feb 21, 2020 | 84 | $205 | -92% | 1 | $205 | $33,395 | 14 |
| Feb 28, 2020 | 83 | $493 | +140% | 1 | $493 | $33,888 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 22, 2019 | 71 | $2,178 | 1 | $2,178 | $2,178 | 1 | |
| Nov 29, 2019 | 49 | $13,239 | +508% | 1 | $13,239 | $15,417 | 2 |
| Dec 6, 2019 | 56 | $6,285 | -53% | 1 | $6,285 | $21,702 | 3 |
| Dec 13, 2019 | 58 | $4,926 | -22% | 1 | $4,926 | $26,628 | 4 |
| Dec 27, 2019 | 65 | $1,265 | 1 | $1,265 | $27,893 | 6 | |
| Jan 10, 2020 | 70 | $517 | 1 | $517 | $28,410 | 8 | |
| Jan 17, 2020 | 63 | $1,314 | +154% | 1 | $1,314 | $29,724 | 9 |
| Feb 14, 2020 | 73 | $3,466 | 3 | $1,155 | $33,190 | 13 | |
| Feb 21, 2020 | 90 | $205 | -94% | 1 | $205 | $33,395 | 14 |
| Feb 28, 2020 | 78 | $2,553 | +1,145% | 2 | $1,277 | $35,948 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/1/2019 | $162 | 1 | 17 | 34 | $9,583 | 11/26/2019 | |||
| New Zealand | 9/6/2019 | $2,495 | 2 | 2 | 8 | $3,704 | 10/20/2022 | |||
| United Kingdom | 6/23/1949 | $11,154 | 32 | 32 | 85 | $63,464 | 6/25/2026 | |||
| International Total | $76,751 | 6/25/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alec Guinness | Duke | |
| Dennis Price | Louis Mazzini | |
| Joan Greenwood | Sibella | |
| Valerie Hobson | Edith D’Ascoyne |
Supporting
| Audrey Fildes | Mama | |
| Miles Malleson | Hangman | |
| Hugh Griffith | Lord High Steward | |
| John Penrose | Lionel | |
| Cecil Ramage | Crown Counsel | |
| John Salew | Mr. Perkins |
Production and Technical Credits
| Robert Hamer | Director | |
| Robert Hamer | Screenwriter | |
| John Dighton | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Synopsis
Ninth in line for the D'Ascoyne fortune, poor relation Louis sets out to bump off the eight heirs ahead of him, including a general, a parson, and a dowager.
Metrics
| Legs: | 4.49 (domestic box office/biggest weekend) |
| Domestic Share: | 31.9% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $46,907 |
Movie Details
| Domestic Releases: | November 22nd, 2019 (Limited) by Rialto Pictures |
| International Releases: | June 23rd, 1949 (Limited) (United Kingdom)
June 7th, 2019 (Limited), released as Kind Hearts & Coronets: 70th Anniversary (4K Restoration) (United Kingdom) September 6th, 2019 (Wide), released as Kind Hearts and Coronets (re: 2014) (New Zealand) November 1st, 2019 (Wide) (Australia) June 20th, 2026 (Limited), released as Kind Hearts and Coronets (カインド・ハート) (Japan) ... Show all releases |
| Video Release: | September 10th, 2002 by Starz / Anchor Bay |
| MPA Rating: | Not Rated |
| Running Time: | 106 minutes |
| Cast, crew, or production detail: | Same Actor, Multiple Roles |
| Plot point: | Death of Other Extended Family, Disowned, Dysfunctional Family, Familial Murder, Fired, Inheritance, Poverty, Young Child Dealing with the Death of a Parent |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2019 | 50 | $8,004 | 1 | $8,004 | $10,182 | 2 | |
| Dec 6, 2019 | 55 | $4,020 | -50% | 1 | $4,020 | $19,437 | 3 |
| Dec 13, 2019 | 63 | $2,445 | -39% | 1 | $2,445 | $24,147 | 4 |
| Jan 17, 2020 | 61 | $801 | 1 | $801 | $29,211 | 9 | |
| Feb 14, 2020 | 69 | $2,449 | 3 | $816 | $32,173 | 13 | |
| Feb 21, 2020 | 84 | $205 | -92% | 1 | $205 | $33,395 | 14 |
| Feb 28, 2020 | 83 | $493 | +140% | 1 | $493 | $33,888 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 22, 2019 | 71 | $2,178 | 1 | $2,178 | $2,178 | 1 | |
| Nov 29, 2019 | 49 | $13,239 | +508% | 1 | $13,239 | $15,417 | 2 |
| Dec 6, 2019 | 56 | $6,285 | -53% | 1 | $6,285 | $21,702 | 3 |
| Dec 13, 2019 | 58 | $4,926 | -22% | 1 | $4,926 | $26,628 | 4 |
| Dec 27, 2019 | 65 | $1,265 | 1 | $1,265 | $27,893 | 6 | |
| Jan 10, 2020 | 70 | $517 | 1 | $517 | $28,410 | 8 | |
| Jan 17, 2020 | 63 | $1,314 | +154% | 1 | $1,314 | $29,724 | 9 |
| Feb 14, 2020 | 73 | $3,466 | 3 | $1,155 | $33,190 | 13 | |
| Feb 21, 2020 | 90 | $205 | -94% | 1 | $205 | $33,395 | 14 |
| Feb 28, 2020 | 78 | $2,553 | +1,145% | 2 | $1,277 | $35,948 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/1/2019 | $162 | 1 | 17 | 34 | $9,583 | 11/26/2019 | |||
| New Zealand | 9/6/2019 | $2,495 | 2 | 2 | 8 | $3,704 | 10/20/2022 | |||
| United Kingdom | 6/23/1949 | $11,154 | 32 | 32 | 85 | $63,464 | 6/25/2026 | |||
| International Total | $76,751 | 6/25/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alec Guinness | Duke | |
| Dennis Price | Louis Mazzini | |
| Joan Greenwood | Sibella | |
| Valerie Hobson | Edith D’Ascoyne |
Supporting
| Audrey Fildes | Mama | |
| Miles Malleson | Hangman | |
| Hugh Griffith | Lord High Steward | |
| John Penrose | Lionel | |
| Cecil Ramage | Crown Counsel | |
| John Salew | Mr. Perkins |
Production and Technical Credits
| Robert Hamer | Director | |
| Robert Hamer | Screenwriter | |
| John Dighton | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.