Kindred (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $8,921 | Details |
| International Box Office | $49,181 | Details |
| Worldwide Box Office | $58,102 | |
| OpusData ID: 468530100 More info... | ||
| Further financial details... | ||
Synopsis
When her boyfriend Ben suddenly dies in an accident, mother-to-be Charlotte collapses upon receiving the news. She wakes up in Ben’s family home, a crumbling old manor house in the middle of nowhere with Ben’s overbearing mother, Margaret, and his controlling stepbrother, Thomas. They are determined to care for her, at least until the baby arrives. Grief stricken and increasingly haunted by visions possibly brought on by the pregnancy, Charlotte accepts their help. But as the days go by she begins to doubt their intentions and her suspicions grow. Are they drugging her and keeping her captive, with the aim of taking her unborn baby? As her visions intensify and the haze of lies grows, Charlotte decides that her only option is to break free from this family once and for all — but at what cost?
Metrics
| Opening Weekend: | $6,795 (76.2% of total gross) |
| Legs: | 1.31 (domestic box office/biggest weekend) |
| Domestic Share: | 15.4% (domestic box office/worldwide) |
| Theater counts: | 50 opening theaters/50 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,625 |
Movie Details
| Domestic Releases: | November 6th, 2020 (Limited) by IFC Midnight |
| International Releases: | July 29th, 2021 (Wide), released as Родовое проклятие (Russia (CIS)) |
| Video Release: | November 6th, 2020 by IFC Video |
| Running Time: | 101 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Midnight, Beta Cinema, Lipsync Productions, Serotonin Films, Reiver Pictures, Headgear Films, Metrol Technology, Kreo Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2020 | 23 | $6,795 | 50 | $136 | $6,795 | 1 | |
| Nov 13, 2020 | - | $286 | -96% | 14 | $20 | $8,748 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Nov 6, 2020 | - | $2,459 | 50 | $49 | $2,459 | 1 | |
| Nov 7, 2020 | - | $2,529 | +3% | 50 | $51 | $4,988 | 2 |
| Nov 8, 2020 | - | $1,807 | -29% | 50 | $36 | $6,795 | 3 |
| Nov 9, 2020 | - | $354 | -80% | 50 | $7 | $7,149 | 4 |
| Nov 10, 2020 | - | $454 | +28% | 50 | $9 | $7,603 | 5 |
| Nov 11, 2020 | - | $535 | +18% | 50 | $11 | $8,138 | 6 |
| Nov 12, 2020 | - | $324 | -39% | 50 | $6 | $8,462 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2020 | - | $8,462 | 50 | $169 | $8,462 | 1 | |
| Nov 13, 2020 | - | $459 | -95% | 14 | $33 | $8,921 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 7/29/2021 | $26,867 | 287 | 287 | 291 | $49,181 | 10/20/2022 | |||
| International Total | $49,181 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tamara Lawrence | Charlotte | |
| Jack Lowden | Thomas | |
| Fiona Shaw | Margaret |
Supporting
| Edward Holcroft | Ben | |
| Chloe Pirrie | Jane | |
| Kiran Sonia Sawar | Linsey | |
| Michael Nardone | George | |
| Anton Lesser | Dr. Richards | |
| Elliot Conroy | Baby in Waiting Room | |
| Natalia Kostrzewa | Betty |
Production and Technical Credits
| Joe Marcantonio | Director | |
| Joe Marcantonio | Screenwriter | |
| Jason McColgan | Screenwriter | |
| Dominic Norris | Producer | |
| Jack Lowden | Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| Gareth Wiley | Executive Producer | |
| Max Gunthardt | Executive Producer | |
| John Keville | Executive Producer | |
| Morgan Bushe | Executive Producer | |
| James Cotton | Co-Producer | |
| Carlos Catalan | Director of Photography | |
| Fiona Desouza | Editor | |
| Alice Searby | Casting Director | |
| Natalie Holt | Composer | |
| Jack Halama | Composer | |
| Tom Joyce* | Supervising Sound Editor | |
| Derek Wallace | Production Designer | |
| Natalie Humphries | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When her boyfriend Ben suddenly dies in an accident, mother-to-be Charlotte collapses upon receiving the news. She wakes up in Ben’s family home, a crumbling old manor house in the middle of nowhere with Ben’s overbearing mother, Margaret, and his controlling stepbrother, Thomas. They are determined to care for her, at least until the baby arrives. Grief stricken and increasingly haunted by visions possibly brought on by the pregnancy, Charlotte accepts their help. But as the days go by she begins to doubt their intentions and her suspicions grow. Are they drugging her and keeping her captive, with the aim of taking her unborn baby? As her visions intensify and the haze of lies grows, Charlotte decides that her only option is to break free from this family once and for all — but at what cost?
Metrics
| Opening Weekend: | $6,795 (76.2% of total gross) |
| Legs: | 1.31 (domestic box office/biggest weekend) |
| Domestic Share: | 15.4% (domestic box office/worldwide) |
| Theater counts: | 50 opening theaters/50 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,625 |
Movie Details
| Domestic Releases: | November 6th, 2020 (Limited) by IFC Midnight |
| International Releases: | July 29th, 2021 (Wide), released as Родовое проклятие (Russia (CIS)) |
| Video Release: | November 6th, 2020 by IFC Video |
| Running Time: | 101 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Midnight, Beta Cinema, Lipsync Productions, Serotonin Films, Reiver Pictures, Headgear Films, Metrol Technology, Kreo Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2020 | 23 | $6,795 | 50 | $136 | $6,795 | 1 | |
| Nov 13, 2020 | - | $286 | -96% | 14 | $20 | $8,748 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Nov 6, 2020 | - | $2,459 | 50 | $49 | $2,459 | 1 | |
| Nov 7, 2020 | - | $2,529 | +3% | 50 | $51 | $4,988 | 2 |
| Nov 8, 2020 | - | $1,807 | -29% | 50 | $36 | $6,795 | 3 |
| Nov 9, 2020 | - | $354 | -80% | 50 | $7 | $7,149 | 4 |
| Nov 10, 2020 | - | $454 | +28% | 50 | $9 | $7,603 | 5 |
| Nov 11, 2020 | - | $535 | +18% | 50 | $11 | $8,138 | 6 |
| Nov 12, 2020 | - | $324 | -39% | 50 | $6 | $8,462 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2020 | - | $8,462 | 50 | $169 | $8,462 | 1 | |
| Nov 13, 2020 | - | $459 | -95% | 14 | $33 | $8,921 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 7/29/2021 | $26,867 | 287 | 287 | 291 | $49,181 | 10/20/2022 | |||
| International Total | $49,181 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tamara Lawrence | Charlotte | |
| Jack Lowden | Thomas | |
| Fiona Shaw | Margaret |
Supporting
| Edward Holcroft | Ben | |
| Chloe Pirrie | Jane | |
| Kiran Sonia Sawar | Linsey | |
| Michael Nardone | George | |
| Anton Lesser | Dr. Richards | |
| Elliot Conroy | Baby in Waiting Room | |
| Natalia Kostrzewa | Betty |
Production and Technical Credits
| Joe Marcantonio | Director | |
| Joe Marcantonio | Screenwriter | |
| Jason McColgan | Screenwriter | |
| Dominic Norris | Producer | |
| Jack Lowden | Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| Gareth Wiley | Executive Producer | |
| Max Gunthardt | Executive Producer | |
| John Keville | Executive Producer | |
| Morgan Bushe | Executive Producer | |
| James Cotton | Co-Producer | |
| Carlos Catalan | Director of Photography | |
| Fiona Desouza | Editor | |
| Alice Searby | Casting Director | |
| Natalie Holt | Composer | |
| Jack Halama | Composer | |
| Tom Joyce* | Supervising Sound Editor | |
| Derek Wallace | Production Designer | |
| Natalie Humphries | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.