The King’s Daughter (2022)
| Theatrical Performance | ||
| Domestic Box Office | $1,747,263 | Details |
| International Box Office | $410,487 | Details |
| Worldwide Box Office | $2,157,750 | |
| OpusData ID: 212920100 More info... | ||
| Further financial details... | ||
Synopsis
King Louis XIV’s quest for immortality leads him to capture and steal a mermaid’s life force, a move that is complicated by his illegitimate daughter’s discovery of the creature.
Metrics
| Opening Weekend: | $723,151 (41.4% of total gross) |
| Legs: | 2.42 (domestic box office/biggest weekend) |
| Domestic Share: | 81.0% (domestic box office/worldwide) |
| Production Budget: | $40,500,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 2,170 opening theaters/2,170 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,984,547 |
Movie Details
| Domestic Releases: | January 21st, 2022 (Wide) by Gravitas Ventures |
| International Releases: | August 11th, 2022 (Wide), released as The King’s Daughter (Дочь короля) (Russia (CIS)) |
| Video Release: | April 5th, 2022 by Universal Home Entertainment |
| MPA Rating: | PG for some violence, suggestive material and thematic elements. (Rating bulletin 2477 (Cert #51068), 5/24/2017) |
| Running Time: | 91 minutes |
| Plot point: | Dysfunctional Family, Mermaids, Romance, Royalty |
| Social setting: | Supernatural |
| Subgenre: | Action Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | 8 | $723,151 | 2,170 | $333 | $723,151 | 1 | |
| Jan 28, 2022 | 13 | $443,969 | -39% | 1,970 | $225 | $1,480,552 | 2 |
| Feb 4, 2022 | - | $65,298 | -85% | 426 | $153 | $1,720,735 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | 8 | $250,599 | 2,170 | $115 | $250,599 | 1 | ||
| Jan 22, 2022 | 10 | $292,637 | +17% | 2,170 | $135 | $543,236 | 2 | |
| Jan 23, 2022 | 10 | $179,915 | -39% | 2,170 | $83 | $723,151 | 3 | |
| Jan 24, 2022 | 11 | $62,012 | -66% | 2,170 | $29 | $785,163 | 4 | |
| Jan 25, 2022 | 8 | $112,952 | +82% | 2,170 | $52 | $898,115 | 5 | |
| Jan 26, 2022 | 12 | $67,499 | -40% | 2,170 | $31 | $966,183 | 6 | |
| Jan 28, 2022 | 13 | $126,677 | -49% | 1,970 | $64 | $1,163,181 | 8 | |
| Jan 29, 2022 | 13 | $198,582 | +57% | -32% | 1,970 | $101 | $1,361,763 | 9 |
| Jan 30, 2022 | 13 | $118,710 | -40% | -34% | 1,970 | $60 | $1,480,552 | 10 |
| Jan 31, 2022 | 13 | $41,230 | -65% | -34% | 1,103 | $37 | $1,521,782 | 11 |
| Feb 1, 2022 | 11 | $67,000 | +63% | -41% | 1,408 | $48 | $1,588,782 | 12 |
| Feb 2, 2022 | - | $37,773 | -44% | -44% | 1,022 | $37 | $1,626,603 | 13 |
| Feb 3, 2022 | - | $28,834 | -24% | 1,022 | $28 | $1,655,437 | 14 | |
| Feb 4, 2022 | - | $16,675 | -42% | -87% | 426 | $39 | $1,672,112 | 15 |
| Feb 5, 2022 | - | $30,220 | +81% | -85% | 426 | $71 | $1,702,332 | 16 |
| Feb 6, 2022 | - | $18,403 | -39% | -84% | 426 | $43 | $1,720,735 | 17 |
| Feb 7, 2022 | - | $5,735 | -69% | -86% | 426 | $13 | $1,726,470 | 18 |
| Feb 8, 2022 | - | $10,669 | +86% | -84% | 426 | $25 | $1,737,139 | 19 |
| Feb 9, 2022 | - | $6,186 | -42% | -84% | 426 | $15 | $1,743,325 | 20 |
| Feb 10, 2022 | - | $3,938 | -36% | -86% | 426 | $9 | $1,747,263 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | 9 | $1,036,583 | 2,170 | $478 | $1,036,583 | 1 | |
| Jan 28, 2022 | 13 | $618,854 | -40% | 1,022 | $606 | $1,655,437 | 2 |
| Feb 4, 2022 | - | $91,826 | -85% | 426 | $216 | $1,747,263 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 8/11/2022 | $158,919 | 1,008 | 1,015 | 2,292 | $410,487 | 9/6/2022 | |||
| International Total | $410,487 | 9/6/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Pierce Brosnan | King Louis XIV | |
| Kaya Scodelario | Marie-Josèphe |
Supporting
| William Hurt | ||
| Benjamin Walker | ||
| Fan Bingbing | ||
| Pablo Schreiber | ||
| Rachel Griffiths |
Narrator
| Julie Andrews | Narrator |
Production and Technical Credits
| Sean McNamara | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
King Louis XIV’s quest for immortality leads him to capture and steal a mermaid’s life force, a move that is complicated by his illegitimate daughter’s discovery of the creature.
Metrics
| Opening Weekend: | $723,151 (41.4% of total gross) |
| Legs: | 2.42 (domestic box office/biggest weekend) |
| Domestic Share: | 81.0% (domestic box office/worldwide) |
| Production Budget: | $40,500,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 2,170 opening theaters/2,170 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,984,547 |
Movie Details
| Domestic Releases: | January 21st, 2022 (Wide) by Gravitas Ventures |
| International Releases: | August 11th, 2022 (Wide), released as The King’s Daughter (Дочь короля) (Russia (CIS)) |
| Video Release: | April 5th, 2022 by Universal Home Entertainment |
| MPA Rating: | PG for some violence, suggestive material and thematic elements. (Rating bulletin 2477 (Cert #51068), 5/24/2017) |
| Running Time: | 91 minutes |
| Plot point: | Dysfunctional Family, Mermaids, Romance, Royalty |
| Social setting: | Supernatural |
| Subgenre: | Action Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | 8 | $723,151 | 2,170 | $333 | $723,151 | 1 | |
| Jan 28, 2022 | 13 | $443,969 | -39% | 1,970 | $225 | $1,480,552 | 2 |
| Feb 4, 2022 | - | $65,298 | -85% | 426 | $153 | $1,720,735 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | 8 | $250,599 | 2,170 | $115 | $250,599 | 1 | ||
| Jan 22, 2022 | 10 | $292,637 | +17% | 2,170 | $135 | $543,236 | 2 | |
| Jan 23, 2022 | 10 | $179,915 | -39% | 2,170 | $83 | $723,151 | 3 | |
| Jan 24, 2022 | 11 | $62,012 | -66% | 2,170 | $29 | $785,163 | 4 | |
| Jan 25, 2022 | 8 | $112,952 | +82% | 2,170 | $52 | $898,115 | 5 | |
| Jan 26, 2022 | 12 | $67,499 | -40% | 2,170 | $31 | $966,183 | 6 | |
| Jan 28, 2022 | 13 | $126,677 | -49% | 1,970 | $64 | $1,163,181 | 8 | |
| Jan 29, 2022 | 13 | $198,582 | +57% | -32% | 1,970 | $101 | $1,361,763 | 9 |
| Jan 30, 2022 | 13 | $118,710 | -40% | -34% | 1,970 | $60 | $1,480,552 | 10 |
| Jan 31, 2022 | 13 | $41,230 | -65% | -34% | 1,103 | $37 | $1,521,782 | 11 |
| Feb 1, 2022 | 11 | $67,000 | +63% | -41% | 1,408 | $48 | $1,588,782 | 12 |
| Feb 2, 2022 | - | $37,773 | -44% | -44% | 1,022 | $37 | $1,626,603 | 13 |
| Feb 3, 2022 | - | $28,834 | -24% | 1,022 | $28 | $1,655,437 | 14 | |
| Feb 4, 2022 | - | $16,675 | -42% | -87% | 426 | $39 | $1,672,112 | 15 |
| Feb 5, 2022 | - | $30,220 | +81% | -85% | 426 | $71 | $1,702,332 | 16 |
| Feb 6, 2022 | - | $18,403 | -39% | -84% | 426 | $43 | $1,720,735 | 17 |
| Feb 7, 2022 | - | $5,735 | -69% | -86% | 426 | $13 | $1,726,470 | 18 |
| Feb 8, 2022 | - | $10,669 | +86% | -84% | 426 | $25 | $1,737,139 | 19 |
| Feb 9, 2022 | - | $6,186 | -42% | -84% | 426 | $15 | $1,743,325 | 20 |
| Feb 10, 2022 | - | $3,938 | -36% | -86% | 426 | $9 | $1,747,263 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | 9 | $1,036,583 | 2,170 | $478 | $1,036,583 | 1 | |
| Jan 28, 2022 | 13 | $618,854 | -40% | 1,022 | $606 | $1,655,437 | 2 |
| Feb 4, 2022 | - | $91,826 | -85% | 426 | $216 | $1,747,263 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 8/11/2022 | $158,919 | 1,008 | 1,015 | 2,292 | $410,487 | 9/6/2022 | |||
| International Total | $410,487 | 9/6/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Pierce Brosnan | King Louis XIV | |
| Kaya Scodelario | Marie-Josèphe |
Supporting
| William Hurt | ||
| Benjamin Walker | ||
| Fan Bingbing | ||
| Pablo Schreiber | ||
| Rachel Griffiths |
Narrator
| Julie Andrews | Narrator |
Production and Technical Credits
| Sean McNamara | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.