Knock Knock (2015)
| Theatrical Performance | ||
| Domestic Box Office | $36,336 | Details |
| International Box Office | $6,292,180 | Details |
| Worldwide Box Office | $6,328,516 | |
| OpusData ID: 220240100 More info... | ||
| Further financial details... | ||
Synopsis
When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse.
Metrics
| Opening Weekend: | $18,623 (51.3% of total gross) |
| Legs: | 1.95 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Production Budget: | $2,000,000 (worldwide box office is 3.2 times production budget) |
| Theater counts: | 22 opening theaters/22 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $51,548 |
Movie Details
| Domestic Releases: | October 9th, 2015 (Limited) by Lionsgate |
| International Releases: | June 26th, 2015 (Wide) (United Kingdom)
August 27th, 2015 (Wide) (Malaysia) August 27th, 2015 (Wide) (Hong Kong) September 3rd, 2015 (Wide) (Netherlands) September 4th, 2015 (Wide) (Estonia) ... Show all releases |
| Video Release: | October 9th, 2015 by Lionsgate Home Entertainment |
| MPA Rating: | R for disturbing violent behavior, strong sexual content, nudity and language. (Rating bulletin 2359, 2/4/2015) |
| Running Time: | 95 minutes |
| Plot point: | Architecture, Artists, Infidelity, Internet, Sex Crimes |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Subgenre: | Erotic Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dragonfly Entertainment, Sobras International Pictures, Camp Greay Productions, Elevated, Black Bear |
| Production Countries: | Chile, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 9, 2015 | 58 | $18,623 | 22 | $847 | $18,623 | 1 | |
| Oct 16, 2015 | 79 | $3,943 | -79% | 15 | $263 | $34,004 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 9, 2015 | 53 | $30,061 | 22 | $1,366 | $30,061 | 1 | |
| Oct 16, 2015 | 85 | $6,275 | -79% | 15 | $418 | $36,336 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/11/2015 | $32,299 | 21 | 21 | 22 | $41,146 | 11/25/2018 | |||
| Austria | 12/31/2015 | $157,663 | 45 | 45 | 131 | $357,794 | 6/9/2016 | |||
| Bolivia | 9/10/2015 | $10,200 | 12 | 12 | 12 | $10,201 | 12/30/2018 | |||
| Brazil | 10/8/2015 | $0 | 0 | 42 | 42 | $179,327 | 10/20/2015 | |||
| Chile | 9/24/2015 | $0 | 0 | 10 | 10 | $62,058 | 12/30/2018 | |||
| Colombia | 9/17/2015 | $0 | 0 | 2 | 2 | $113,195 | 12/30/2018 | |||
| Croatia | 11/12/2015 | $10,145 | 23 | 23 | 77 | $27,642 | 12/30/2018 | |||
| Estonia | 9/4/2015 | $12,107 | 8 | 10 | 18 | $22,388 | 9/18/2015 | |||
| Finland | 11/6/2015 | $7,113 | 12 | 12 | 12 | $7,113 | 11/10/2015 | |||
| France | 9/23/2015 | $402,699 | 189 | 190 | 379 | $649,371 | 10/6/2015 | |||
| Germany | 12/10/2015 | $206,477 | 142 | 142 | 554 | $641,468 | 6/9/2016 | |||
| Hong Kong | 8/27/2015 | $184,453 | 49 | 49 | 112 | $107,545 | 4/4/2026 | |||
| Iceland | 9/11/2015 | $5,451 | 6 | 6 | 10 | $11,122 | 12/30/2018 | |||
| Iraq | 10/1/2015 | $2,700 | 2 | 2 | 5 | $6,486 | 12/30/2018 | |||
| Lebanon | 10/29/2015 | $6,058 | 5 | 5 | 9 | $24,344 | 12/30/2018 | |||
| Lithuania | 9/4/2015 | $8,685 | 11 | 11 | 11 | $8,685 | 9/10/2015 | |||
| Malaysia | 8/27/2015 | $0 | 0 | 70 | 200 | $192,329 | 10/27/2015 | |||
| Mexico | 9/10/2015 | $169,320 | 0 | 1 | 1 | $450,752 | 11/3/2015 | |||
| Netherlands | 9/3/2015 | $42,347 | 23 | 23 | 46 | $94,699 | 10/6/2015 | |||
| Peru | 9/24/2015 | $93,763 | 68 | 68 | 78 | $154,393 | 10/6/2015 | |||
| Philippines | 10/21/2015 | $41,264 | 55 | 55 | 55 | $41,264 | 12/30/2018 | |||
| Portugal | 11/5/2015 | $20,908 | 20 | 20 | 54 | $71,434 | 12/1/2015 | |||
| Russia (CIS) | 11/12/2015 | $225,109 | 600 | 600 | 1,210 | $482,921 | 11/20/2018 | |||
| Singapore | 10/15/2015 | $22,394 | 4 | 4 | 12 | $47,505 | 11/17/2015 | |||
| South Korea | 10/22/2015 | $14,298 | 72 | 72 | 74 | $28,549 | 11/3/2015 | |||
| Thailand | 11/26/2015 | $30,507 | 63 | 63 | 77 | $47,519 | 12/8/2015 | |||
| Ukraine | 11/12/2015 | $0 | 0 | 20 | 26 | $10,523 | 12/30/2018 | |||
| United Arab Emirates | 10/1/2015 | $45,751 | 11 | 11 | 14 | $78,679 | 12/30/2018 | |||
| United Kingdom | 6/26/2015 | $395,224 | 0 | 200 | 200 | $736,559 | 8/27/2018 | |||
| Uruguay | 9/10/2015 | $11,964 | 7 | 7 | 14 | $20,433 | 12/30/2018 | |||
| Venezuela | 10/9/2015 | $0 | 0 | 9 | 12 | $472,937 | 10/27/2015 | |||
| Rest of World | $1,091,799 | |||||||||
| International Total | $6,292,180 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keanu Reeves | Evan | |
| Lorenza Izzo | Genesis | |
| Ana de Armas | Bel |
Supporting
| Aaron Burns | Louis | |
| Ignacia Allamand | Karen | |
| Colleen Camp | Vivian | |
| Antonio Quercia | Uber Driver |
Production and Technical Credits
| Eli Roth | Director | |
| Anthony Overman | Story Creator | |
| Michael Ronald Ross | Story Creator | |
| Eli Roth | Screenwriter | |
| Guillermo Amoedo | Screenwriter | |
| Nicolas Lopez | Screenwriter | |
| Eli Roth | Producer | |
| Nicolas Lopez | Producer | |
| Miguel Asensio Llamas | Producer | |
| Colleen Camp | Producer | |
| Tim Degraye | Producer | |
| Cassian Elwes | Producer | |
| Keanu Reeves | Executive Producer | |
| Sondra Locke | Executive Producer | |
| Peter Traynor | Executive Producer | |
| Larry Spiegel | Executive Producer | |
| Antonio Quercia | Director of Photography | |
| Marichi Palacios | Production Designer | |
| Manuel Riveiro | Composer | |
| Diego Macho Gomez | Editor | |
| Elisa Hormazabal | Costume Designer | |
| Rodrigo Rojas Echaiz | Visual Effects Supervisor | |
| Felipe Figueroa | Make-up and Hair Designer | |
| Sheila Jaffe | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse.
Metrics
| Opening Weekend: | $18,623 (51.3% of total gross) |
| Legs: | 1.95 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Production Budget: | $2,000,000 (worldwide box office is 3.2 times production budget) |
| Theater counts: | 22 opening theaters/22 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $51,548 |
Movie Details
| Domestic Releases: | October 9th, 2015 (Limited) by Lionsgate |
| International Releases: | June 26th, 2015 (Wide) (United Kingdom)
August 27th, 2015 (Wide) (Malaysia) August 27th, 2015 (Wide) (Hong Kong) September 3rd, 2015 (Wide) (Netherlands) September 4th, 2015 (Wide) (Estonia) ... Show all releases |
| Video Release: | October 9th, 2015 by Lionsgate Home Entertainment |
| MPA Rating: | R for disturbing violent behavior, strong sexual content, nudity and language. (Rating bulletin 2359, 2/4/2015) |
| Running Time: | 95 minutes |
| Plot point: | Architecture, Artists, Infidelity, Internet, Sex Crimes |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Subgenre: | Erotic Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dragonfly Entertainment, Sobras International Pictures, Camp Greay Productions, Elevated, Black Bear |
| Production Countries: | Chile, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 9, 2015 | 58 | $18,623 | 22 | $847 | $18,623 | 1 | |
| Oct 16, 2015 | 79 | $3,943 | -79% | 15 | $263 | $34,004 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 9, 2015 | 53 | $30,061 | 22 | $1,366 | $30,061 | 1 | |
| Oct 16, 2015 | 85 | $6,275 | -79% | 15 | $418 | $36,336 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/11/2015 | $32,299 | 21 | 21 | 22 | $41,146 | 11/25/2018 | |||
| Austria | 12/31/2015 | $157,663 | 45 | 45 | 131 | $357,794 | 6/9/2016 | |||
| Bolivia | 9/10/2015 | $10,200 | 12 | 12 | 12 | $10,201 | 12/30/2018 | |||
| Brazil | 10/8/2015 | $0 | 0 | 42 | 42 | $179,327 | 10/20/2015 | |||
| Chile | 9/24/2015 | $0 | 0 | 10 | 10 | $62,058 | 12/30/2018 | |||
| Colombia | 9/17/2015 | $0 | 0 | 2 | 2 | $113,195 | 12/30/2018 | |||
| Croatia | 11/12/2015 | $10,145 | 23 | 23 | 77 | $27,642 | 12/30/2018 | |||
| Estonia | 9/4/2015 | $12,107 | 8 | 10 | 18 | $22,388 | 9/18/2015 | |||
| Finland | 11/6/2015 | $7,113 | 12 | 12 | 12 | $7,113 | 11/10/2015 | |||
| France | 9/23/2015 | $402,699 | 189 | 190 | 379 | $649,371 | 10/6/2015 | |||
| Germany | 12/10/2015 | $206,477 | 142 | 142 | 554 | $641,468 | 6/9/2016 | |||
| Hong Kong | 8/27/2015 | $184,453 | 49 | 49 | 112 | $107,545 | 4/4/2026 | |||
| Iceland | 9/11/2015 | $5,451 | 6 | 6 | 10 | $11,122 | 12/30/2018 | |||
| Iraq | 10/1/2015 | $2,700 | 2 | 2 | 5 | $6,486 | 12/30/2018 | |||
| Lebanon | 10/29/2015 | $6,058 | 5 | 5 | 9 | $24,344 | 12/30/2018 | |||
| Lithuania | 9/4/2015 | $8,685 | 11 | 11 | 11 | $8,685 | 9/10/2015 | |||
| Malaysia | 8/27/2015 | $0 | 0 | 70 | 200 | $192,329 | 10/27/2015 | |||
| Mexico | 9/10/2015 | $169,320 | 0 | 1 | 1 | $450,752 | 11/3/2015 | |||
| Netherlands | 9/3/2015 | $42,347 | 23 | 23 | 46 | $94,699 | 10/6/2015 | |||
| Peru | 9/24/2015 | $93,763 | 68 | 68 | 78 | $154,393 | 10/6/2015 | |||
| Philippines | 10/21/2015 | $41,264 | 55 | 55 | 55 | $41,264 | 12/30/2018 | |||
| Portugal | 11/5/2015 | $20,908 | 20 | 20 | 54 | $71,434 | 12/1/2015 | |||
| Russia (CIS) | 11/12/2015 | $225,109 | 600 | 600 | 1,210 | $482,921 | 11/20/2018 | |||
| Singapore | 10/15/2015 | $22,394 | 4 | 4 | 12 | $47,505 | 11/17/2015 | |||
| South Korea | 10/22/2015 | $14,298 | 72 | 72 | 74 | $28,549 | 11/3/2015 | |||
| Thailand | 11/26/2015 | $30,507 | 63 | 63 | 77 | $47,519 | 12/8/2015 | |||
| Ukraine | 11/12/2015 | $0 | 0 | 20 | 26 | $10,523 | 12/30/2018 | |||
| United Arab Emirates | 10/1/2015 | $45,751 | 11 | 11 | 14 | $78,679 | 12/30/2018 | |||
| United Kingdom | 6/26/2015 | $395,224 | 0 | 200 | 200 | $736,559 | 8/27/2018 | |||
| Uruguay | 9/10/2015 | $11,964 | 7 | 7 | 14 | $20,433 | 12/30/2018 | |||
| Venezuela | 10/9/2015 | $0 | 0 | 9 | 12 | $472,937 | 10/27/2015 | |||
| Rest of World | $1,091,799 | |||||||||
| International Total | $6,292,180 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keanu Reeves | Evan | |
| Lorenza Izzo | Genesis | |
| Ana de Armas | Bel |
Supporting
| Aaron Burns | Louis | |
| Ignacia Allamand | Karen | |
| Colleen Camp | Vivian | |
| Antonio Quercia | Uber Driver |
Production and Technical Credits
| Eli Roth | Director | |
| Anthony Overman | Story Creator | |
| Michael Ronald Ross | Story Creator | |
| Eli Roth | Screenwriter | |
| Guillermo Amoedo | Screenwriter | |
| Nicolas Lopez | Screenwriter | |
| Eli Roth | Producer | |
| Nicolas Lopez | Producer | |
| Miguel Asensio Llamas | Producer | |
| Colleen Camp | Producer | |
| Tim Degraye | Producer | |
| Cassian Elwes | Producer | |
| Keanu Reeves | Executive Producer | |
| Sondra Locke | Executive Producer | |
| Peter Traynor | Executive Producer | |
| Larry Spiegel | Executive Producer | |
| Antonio Quercia | Director of Photography | |
| Marichi Palacios | Production Designer | |
| Manuel Riveiro | Composer | |
| Diego Macho Gomez | Editor | |
| Elisa Hormazabal | Costume Designer | |
| Rodrigo Rojas Echaiz | Visual Effects Supervisor | |
| Felipe Figueroa | Make-up and Hair Designer | |
| Sheila Jaffe | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.