Kokuriko-zaka Kara (2013)
| Theatrical Performance | ||
| Domestic Box Office | $1,000,878 | Details |
| International Box Office | $48,740,662 | Details |
| Worldwide Box Office | $49,741,540 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,593,898 | |
| Blu-ray Sales (estimated) | $2,485,103 | |
| Total | $6,079,001 | |
| OpusData ID: 164380100 More info... | ||
| Further financial details... | ||
Synopsis
The setting is Yokohama in 1963, and the filmmakers bring to life the bustling seaside town, with its misty harbor, sun-drenched gardens, shops and markets, and some of the most mouthwatering Japanese home-cooking set to film. The story centers on an innocent romance beginning to bud between Umi and Shun, two high school kids caught up in the changing times. Japan is picking itself up from the devastation of World War II and preparing to host the 1964 Olympics - and the mood is one of both optimism and conflict as the young generation struggles to throw off the shackles of a troubled past. While the children work together to save a dilapidated Meiji era club house from demolition, their tentative relationship begins to blossom. But - in an unexpected twist that parallels what the country itself is facing - a buried secret from their past emerges to cast a shadow on the future and pull them apart.
Metrics
| Legs: | 7.75 (domestic box office/biggest weekend) |
| Domestic Share: | 2.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $1,472,384 |
Movie Details
| Domestic Releases: | March 15th, 2013 (Limited) by GKIDS, released as From Up on Poppy Hill |
| International Releases: | September 25th, 2020 (Limited) (Australia) |
| Video Release: | September 3rd, 2013 by Cinedigm, released as From Up on Poppy Hill |
| MPA Rating: | PG for mild thematic elements and some incidental smoking images. (Rating bulletin 2252, 12/12/2012) |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Anime, Intertitle, Voiceover/Narration |
| Plot point: | Coming of Age, First Love, Romance, Young Child Dealing with the Death of a Parent |
| Social setting: | Korean War, Olympics, World War II |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 1960s |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Drama |
| Production Method: | Hand Animation |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Studio Ghibli |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 22, 2013 | 46 | $59,693 | 6 | $9,949 | $131,926 | 2 | |
| Mar 29, 2013 | 35 | $115,006 | +93% | 24 | $4,792 | $279,701 | 3 |
| Apr 5, 2013 | 33 | $129,143 | +12% | 40 | $3,229 | $470,934 | 4 |
| Apr 12, 2013 | 35 | $92,923 | -28% | 48 | $1,936 | $607,861 | 5 |
| Apr 19, 2013 | 39 | $74,237 | -20% | 47 | $1,580 | $722,424 | 6 |
| May 3, 2013 | 49 | $33,278 | 39 | $853 | $854,018 | 8 | |
| May 10, 2013 | 51 | $29,667 | -11% | 37 | $802 | $897,111 | 9 |
| May 17, 2013 | 51 | $19,344 | -35% | 31 | $624 | $928,589 | 10 |
| May 24, 2013 | 52 | $17,281 | -11% | 23 | $751 | $958,610 | 11 |
| Jun 14, 2013 | 65 | $4,516 | 9 | $502 | $1,000,878 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 22, 2013 | 49 | $92,462 | 6 | $15,410 | $164,695 | 2 | |
| Mar 29, 2013 | 36 | $177,096 | +92% | 24 | $7,379 | $341,791 | 3 |
| Apr 5, 2013 | 34 | $173,147 | -2% | 40 | $4,329 | $514,938 | 4 |
| Apr 12, 2013 | 34 | $133,249 | -23% | 48 | $2,776 | $648,187 | 5 |
| May 3, 2013 | 53 | $46,704 | 39 | $1,198 | $867,444 | 8 | |
| May 10, 2013 | 52 | $41,801 | -10% | 37 | $1,130 | $909,245 | 9 |
| May 17, 2013 | 53 | $32,084 | -23% | 31 | $1,035 | $941,329 | 10 |
| May 24, 2013 | 56 | $17,281 | -46% | 23 | $751 | $958,610 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/25/2020 | $356 | 3 | 5 | 14 | $26,580 | 10/2/2023 | |||
| Rest of World | $48,714,082 | |||||||||
| International Total | $48,740,662 | 10/2/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sarah Bolger | Umi Matsuzaki | |
| Anton Yelchin | Shun Kazama |
Supporting
| Gillian Anderson | Hana Matsuzaki | |
| Aubrey Plaza | Sachiko | |
| Jamie Lee Curtis | Ryoko | |
| Beau Bridges | Mr. Tokumaru | |
| Bruce Dern | Onodera | |
| Chris North | Akio | |
| Charlie Sexton | Mizunuma | |
| Isabelle Fuhrman | Sora | |
| Christina Hendricks | Miki Hokuto | |
| Raymond Ochoa | Riku | |
| Alex Wolff | Riku | |
| Jeff Dunham | Gen | |
| Emily Osment | Nobuko | |
| Ron Howard | Philosophy Club President | |
| Jake Steinfeld | Fish Seller | |
| Emily Bridges | Mr. Tokumaru's Assistant |
Production and Technical Credits
| Goro Miyazaki | Director | |
| Gary Rydstrom | Director (English Language Version) | |
| Hayao Kirkpatrick | Screenwriter | |
| Karey Kirkpatrick | Adaptation (English Language Version) | |
| Chizuru Takahashi | Story Creator | |
| Tetsuro Sayama | Story Creator | |
| Toshio Suzuki | Producer | |
| Geoffrey Wexler | Producer (English Language Version) | |
| Frank Marshall | Executive Producer (English Language Version) | |
| Kathleen Kennedy | Executive Producer (English Language Version) | |
| Satoshi Takebe | Composer | |
| Robyn Klein | Co-Producer | |
| Noboru Iguchi | Art Director | |
| Kamon Oba | Art Director | |
| Yohei Takamatsu | Art Director | |
| Takashi Omori | Art Director | |
| Stephen Urata | Recordist (English Language Version) | |
| Gary Summers | Re-Recording Mixer (English Language Version) | |
| Gwendolyn Yates Whittle | Supervising Sound Editor (English Language Version) | |
| Koji Kasamatsu | Sound Designer | |
| Steve Orlando | Dialogue Editor (English Language Version) | |
| Brian Chumney | Dialogue Editor (English Language Version) | |
| Holly Dorff | Casting |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The setting is Yokohama in 1963, and the filmmakers bring to life the bustling seaside town, with its misty harbor, sun-drenched gardens, shops and markets, and some of the most mouthwatering Japanese home-cooking set to film. The story centers on an innocent romance beginning to bud between Umi and Shun, two high school kids caught up in the changing times. Japan is picking itself up from the devastation of World War II and preparing to host the 1964 Olympics - and the mood is one of both optimism and conflict as the young generation struggles to throw off the shackles of a troubled past. While the children work together to save a dilapidated Meiji era club house from demolition, their tentative relationship begins to blossom. But - in an unexpected twist that parallels what the country itself is facing - a buried secret from their past emerges to cast a shadow on the future and pull them apart.
Metrics
| Legs: | 7.75 (domestic box office/biggest weekend) |
| Domestic Share: | 2.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $1,472,384 |
Movie Details
| Domestic Releases: | March 15th, 2013 (Limited) by GKIDS, released as From Up on Poppy Hill |
| International Releases: | September 25th, 2020 (Limited) (Australia) |
| Video Release: | September 3rd, 2013 by Cinedigm, released as From Up on Poppy Hill |
| MPA Rating: | PG for mild thematic elements and some incidental smoking images. (Rating bulletin 2252, 12/12/2012) |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Anime, Intertitle, Voiceover/Narration |
| Plot point: | Coming of Age, First Love, Romance, Young Child Dealing with the Death of a Parent |
| Social setting: | Korean War, Olympics, World War II |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 1960s |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Drama |
| Production Method: | Hand Animation |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Studio Ghibli |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 22, 2013 | 46 | $59,693 | 6 | $9,949 | $131,926 | 2 | |
| Mar 29, 2013 | 35 | $115,006 | +93% | 24 | $4,792 | $279,701 | 3 |
| Apr 5, 2013 | 33 | $129,143 | +12% | 40 | $3,229 | $470,934 | 4 |
| Apr 12, 2013 | 35 | $92,923 | -28% | 48 | $1,936 | $607,861 | 5 |
| Apr 19, 2013 | 39 | $74,237 | -20% | 47 | $1,580 | $722,424 | 6 |
| May 3, 2013 | 49 | $33,278 | 39 | $853 | $854,018 | 8 | |
| May 10, 2013 | 51 | $29,667 | -11% | 37 | $802 | $897,111 | 9 |
| May 17, 2013 | 51 | $19,344 | -35% | 31 | $624 | $928,589 | 10 |
| May 24, 2013 | 52 | $17,281 | -11% | 23 | $751 | $958,610 | 11 |
| Jun 14, 2013 | 65 | $4,516 | 9 | $502 | $1,000,878 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 22, 2013 | 49 | $92,462 | 6 | $15,410 | $164,695 | 2 | |
| Mar 29, 2013 | 36 | $177,096 | +92% | 24 | $7,379 | $341,791 | 3 |
| Apr 5, 2013 | 34 | $173,147 | -2% | 40 | $4,329 | $514,938 | 4 |
| Apr 12, 2013 | 34 | $133,249 | -23% | 48 | $2,776 | $648,187 | 5 |
| May 3, 2013 | 53 | $46,704 | 39 | $1,198 | $867,444 | 8 | |
| May 10, 2013 | 52 | $41,801 | -10% | 37 | $1,130 | $909,245 | 9 |
| May 17, 2013 | 53 | $32,084 | -23% | 31 | $1,035 | $941,329 | 10 |
| May 24, 2013 | 56 | $17,281 | -46% | 23 | $751 | $958,610 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/25/2020 | $356 | 3 | 5 | 14 | $26,580 | 10/2/2023 | |||
| Rest of World | $48,714,082 | |||||||||
| International Total | $48,740,662 | 10/2/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sarah Bolger | Umi Matsuzaki | |
| Anton Yelchin | Shun Kazama |
Supporting
| Gillian Anderson | Hana Matsuzaki | |
| Aubrey Plaza | Sachiko | |
| Jamie Lee Curtis | Ryoko | |
| Beau Bridges | Mr. Tokumaru | |
| Bruce Dern | Onodera | |
| Chris North | Akio | |
| Charlie Sexton | Mizunuma | |
| Isabelle Fuhrman | Sora | |
| Christina Hendricks | Miki Hokuto | |
| Raymond Ochoa | Riku | |
| Alex Wolff | Riku | |
| Jeff Dunham | Gen | |
| Emily Osment | Nobuko | |
| Ron Howard | Philosophy Club President | |
| Jake Steinfeld | Fish Seller | |
| Emily Bridges | Mr. Tokumaru's Assistant |
Production and Technical Credits
| Goro Miyazaki | Director | |
| Gary Rydstrom | Director (English Language Version) | |
| Hayao Kirkpatrick | Screenwriter | |
| Karey Kirkpatrick | Adaptation (English Language Version) | |
| Chizuru Takahashi | Story Creator | |
| Tetsuro Sayama | Story Creator | |
| Toshio Suzuki | Producer | |
| Geoffrey Wexler | Producer (English Language Version) | |
| Frank Marshall | Executive Producer (English Language Version) | |
| Kathleen Kennedy | Executive Producer (English Language Version) | |
| Satoshi Takebe | Composer | |
| Robyn Klein | Co-Producer | |
| Noboru Iguchi | Art Director | |
| Kamon Oba | Art Director | |
| Yohei Takamatsu | Art Director | |
| Takashi Omori | Art Director | |
| Stephen Urata | Recordist (English Language Version) | |
| Gary Summers | Re-Recording Mixer (English Language Version) | |
| Gwendolyn Yates Whittle | Supervising Sound Editor (English Language Version) | |
| Koji Kasamatsu | Sound Designer | |
| Steve Orlando | Dialogue Editor (English Language Version) | |
| Brian Chumney | Dialogue Editor (English Language Version) | |
| Holly Dorff | Casting |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.