Kona fer í stríð (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $847,495 | Details |
| International Box Office | $3,383,222 | Details |
| Worldwide Box Office | $4,230,717 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $17,302 | |
| Total | $17,302 | |
| OpusData ID: 346420100 More info... | ||
| Further financial details... | ||
Synopsis
Halla is a fifty-year-old independent woman. But behind the scenes of a quiet routine, she leads a double life as a passionate environmental activist. Known to others only by her alias “The Woman of the Mountain,” Halla secretly wages a one-woman-war on the local aluminum industry. As Halla’s actions grow bolder, from petty vandalism to outright industrial sabotage, she succeeds in pausing the negotiations between the Icelandic government and the corporation building a new aluminum smelter. But right as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that changes everything. Her application to adopt a child has finally been accepted and there is a little girl waiting for her in Ukraine. As Halla prepares to abandon her role as saboteur and savior of the Highlands to fulfill her dream of becoming a mother, she decides to plot one final attack to deal the aluminum industry a crippling blow.
Metrics
| Opening Weekend: | $18,370 (2.2% of total gross) |
| Legs: | 11.06 (domestic box office/biggest weekend) |
| Domestic Share: | 20.0% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/66 max. theaters, 7.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,106,551 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Limited) by Magnolia Pictures, released as Woman at War |
| International Releases: | July 6th, 2018 (Wide) (France)
December 14th, 2018 (Wide) (Italy) December 28th, 2018 (Wide), released as Woman at War (Netherlands) January 11th, 2019 (Wide), released as Žena na válečné stezce (Czech Republic) January 18th, 2019 (Wide), released as Woman at War (Slovakia) ... Show all releases |
| Video Release: | June 4th, 2019 by Magnolia Home Entertainment, released as Woman at War |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Geographical setting: | Iceland |
| Plot point: | Environment, Orphan, Terrorism |
| Social setting: | Adopted Family |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, Slot Machine, Gulldrengurinn, Solar Media Entertainment, Koggull Filmworks, Vintage Pictures, Icelandic Film Centre, Eurimages, Aide aux Cinemas du Monde, Centre National du Cinema et de L Image Animee, Institut Francais, CNC Nouvelles Technologies en Production, Ukranian State Film Agency, Ministry of Culture of Ukraine, DR Nordisk Film & TV Fond, Fondation Gan pour le cinema, Creative Europe, Beta Cinema, RUV, SENA , Bonjour Pictures!, Jour2Fete, Potemkine Films, Camera Film A/S |
| Production Countries: | Iceland, France, Ukraine |
| Languages: | Icelandic, Spanish, English, Ukrainian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 57 | $18,370 | 5 | $3,674 | $18,370 | 1 | |
| Mar 8, 2019 | 50 | $38,299 | +108% | 16 | $2,394 | $65,055 | 2 |
| Mar 15, 2019 | 50 | $51,468 | +34% | 29 | $1,775 | $132,455 | 3 |
| Mar 22, 2019 | 38 | $75,807 | +47% | 47 | $1,613 | $230,660 | 4 |
| Mar 29, 2019 | 30 | $76,637 | +1% | 65 | $1,179 | $348,094 | 5 |
| Apr 5, 2019 | 30 | $68,744 | -10% | 53 | $1,297 | $462,190 | 6 |
| Apr 12, 2019 | 36 | $52,516 | -24% | 51 | $1,030 | $557,027 | 7 |
| Apr 19, 2019 | 38 | $51,026 | -3% | 50 | $1,021 | $641,641 | 8 |
| Apr 26, 2019 | 33 | $45,751 | -10% | 46 | $995 | $714,807 | 9 |
| May 3, 2019 | 49 | $24,013 | -48% | 37 | $649 | $762,300 | 10 |
| May 10, 2019 | 49 | $14,761 | -39% | 21 | $703 | $793,195 | 11 |
| May 17, 2019 | 54 | $10,740 | -27% | 18 | $597 | $813,083 | 12 |
| May 24, 2019 | 68 | $5,911 | -45% | 18 | $328 | $827,297 | 13 |
| May 31, 2019 | 71 | $2,946 | -50% | 8 | $368 | $836,132 | 14 |
| Jun 7, 2019 | 70 | $2,143 | -27% | 7 | $306 | $844,072 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 56 | $26,756 | 5 | $5,351 | $26,756 | 1 | |
| Mar 8, 2019 | 52 | $54,231 | +103% | 17 | $3,190 | $80,987 | 2 |
| Mar 15, 2019 | 50 | $73,866 | +36% | 29 | $2,547 | $154,853 | 3 |
| Mar 22, 2019 | 36 | $116,604 | +58% | 48 | $2,429 | $271,457 | 4 |
| Mar 29, 2019 | 29 | $121,989 | +5% | 66 | $1,848 | $393,446 | 5 |
| Apr 5, 2019 | 30 | $111,065 | -9% | 57 | $1,949 | $504,511 | 6 |
| Apr 12, 2019 | 39 | $86,104 | -22% | 54 | $1,595 | $590,615 | 7 |
| Apr 19, 2019 | 39 | $78,441 | -9% | 53 | $1,480 | $669,056 | 8 |
| Apr 26, 2019 | 31 | $69,231 | -12% | 50 | $1,385 | $738,287 | 9 |
| May 3, 2019 | 46 | $40,147 | -42% | 40 | $1,004 | $778,434 | 10 |
| May 10, 2019 | 50 | $23,909 | -40% | 25 | $956 | $802,343 | 11 |
| May 17, 2019 | 55 | $19,043 | -20% | 22 | $866 | $821,386 | 12 |
| May 24, 2019 | 66 | $11,800 | -38% | 22 | $536 | $833,186 | 13 |
| May 31, 2019 | 59 | $8,743 | -26% | 11 | $795 | $841,929 | 14 |
| Jun 7, 2019 | - | $5,566 | -36% | 8 | $696 | $847,495 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/27/2019 | $3,427 | 0 | 0 | 0 | $8,203 | 11/17/2019 | |||
| Australia | 3/29/2019 | $3,588 | 15 | 30 | 238 | $446,727 | 4/4/2026 | |||
| Bulgaria | 4/12/2019 | $0 | 0 | 0 | 0 | $1,519 | 6/5/2019 | |||
| Czech Republic | 1/11/2019 | $7,059 | 14 | 14 | 14 | $7,059 | 1/15/2019 | |||
| France | 7/6/2018 | $278,804 | 0 | 0 | 0 | $1,265,878 | 8/25/2018 | |||
| Italy | 12/14/2018 | $23,376 | 9 | 22 | 124 | $421,140 | 8/31/2019 | |||
| Netherlands | 12/28/2018 | $49,321 | 32 | 34 | 99 | $160,970 | 3/5/2019 | |||
| New Zealand | 4/4/2019 | $0 | 0 | 3 | 34 | $218,262 | 4/4/2026 | |||
| Portugal | 11/29/2019 | $1,233 | 12 | 12 | 12 | $1,233 | 12/3/2019 | |||
| Slovakia | 1/18/2019 | $4,553 | 10 | 10 | 10 | $4,778 | 1/25/2019 | |||
| Spain | 3/8/2019 | $78,637 | 61 | 71 | 236 | $315,559 | 4/5/2019 | |||
| Turkey | 3/8/2019 | $1,330 | 14 | 14 | 30 | $4,794 | 5/24/2019 | |||
| United Kingdom | 5/3/2019 | $89,262 | 34 | 34 | 38 | $419,875 | 7/31/2019 | |||
| Rest of World | $107,225 | |||||||||
| International Total | $3,383,222 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Halldora Geirhardsdottir | Halla / Asa |
Supporting
| Jóhann Sigurðarson | Sveinbjörn | |
| David Thor Jonsson | Pianist / Accordion Band | |
| Magnus Trygvason Eliasen | Drummer Band | |
| Ómar Guðjónsson | Sousaphone Band | |
| Iryna Danyleiko | Ukranian Choir | |
| Galyna Goncharenko | Ukranian Choir | |
| Susanna Karpenko | Ukranian Choir | |
| Jörundur Ragnarsson | Baldvin | |
| Juan Camillo Roman Estrada | Juan Camillo |
Production and Technical Credits
| Benedikt Erlingsson | Director | |
| Benedikt Erlingsson | Screenwriter | |
| Olafur Egilsson | Screenwriter | |
| Ólafur Egill Egilsson* | Producer | |
| Marianne Slot | Producer | |
| Carine Leblanc | Producer | |
| Serge Lavrenyuk | Co-Producer | |
| Benedikt Erlingsson | Co-Producer | |
| Bergsteinn Bjorgulfsson | Co-Producer | |
| Birgitta Bjornsdottir | Co-Producer | |
| Bergsteinn Bjorgulfsson | Director of Photography | |
| Snorri Freyr Hilmarsson | Set Designer | |
| Sylvía Dögg Halldórsdóttir | Costume Designer | |
| Maria Kero | Costume Designer | |
| David Alexander Corno | Editor | |
| François De Morant | Sound Mixer | |
| Raphael Sohier | Sound Mixer | |
| Vincent Cosson | Sound Mixer | |
| Aymerick Devoldere | Sound Mixer | |
| David Thor Jonsson | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Halla is a fifty-year-old independent woman. But behind the scenes of a quiet routine, she leads a double life as a passionate environmental activist. Known to others only by her alias “The Woman of the Mountain,” Halla secretly wages a one-woman-war on the local aluminum industry. As Halla’s actions grow bolder, from petty vandalism to outright industrial sabotage, she succeeds in pausing the negotiations between the Icelandic government and the corporation building a new aluminum smelter. But right as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that changes everything. Her application to adopt a child has finally been accepted and there is a little girl waiting for her in Ukraine. As Halla prepares to abandon her role as saboteur and savior of the Highlands to fulfill her dream of becoming a mother, she decides to plot one final attack to deal the aluminum industry a crippling blow.
Metrics
| Opening Weekend: | $18,370 (2.2% of total gross) |
| Legs: | 11.06 (domestic box office/biggest weekend) |
| Domestic Share: | 20.0% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/66 max. theaters, 7.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,106,551 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Limited) by Magnolia Pictures, released as Woman at War |
| International Releases: | July 6th, 2018 (Wide) (France)
December 14th, 2018 (Wide) (Italy) December 28th, 2018 (Wide), released as Woman at War (Netherlands) January 11th, 2019 (Wide), released as Žena na válečné stezce (Czech Republic) January 18th, 2019 (Wide), released as Woman at War (Slovakia) ... Show all releases |
| Video Release: | June 4th, 2019 by Magnolia Home Entertainment, released as Woman at War |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Geographical setting: | Iceland |
| Plot point: | Environment, Orphan, Terrorism |
| Social setting: | Adopted Family |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, Slot Machine, Gulldrengurinn, Solar Media Entertainment, Koggull Filmworks, Vintage Pictures, Icelandic Film Centre, Eurimages, Aide aux Cinemas du Monde, Centre National du Cinema et de L Image Animee, Institut Francais, CNC Nouvelles Technologies en Production, Ukranian State Film Agency, Ministry of Culture of Ukraine, DR Nordisk Film & TV Fond, Fondation Gan pour le cinema, Creative Europe, Beta Cinema, RUV, SENA , Bonjour Pictures!, Jour2Fete, Potemkine Films, Camera Film A/S |
| Production Countries: | Iceland, France, Ukraine |
| Languages: | Icelandic, Spanish, English, Ukrainian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 57 | $18,370 | 5 | $3,674 | $18,370 | 1 | |
| Mar 8, 2019 | 50 | $38,299 | +108% | 16 | $2,394 | $65,055 | 2 |
| Mar 15, 2019 | 50 | $51,468 | +34% | 29 | $1,775 | $132,455 | 3 |
| Mar 22, 2019 | 38 | $75,807 | +47% | 47 | $1,613 | $230,660 | 4 |
| Mar 29, 2019 | 30 | $76,637 | +1% | 65 | $1,179 | $348,094 | 5 |
| Apr 5, 2019 | 30 | $68,744 | -10% | 53 | $1,297 | $462,190 | 6 |
| Apr 12, 2019 | 36 | $52,516 | -24% | 51 | $1,030 | $557,027 | 7 |
| Apr 19, 2019 | 38 | $51,026 | -3% | 50 | $1,021 | $641,641 | 8 |
| Apr 26, 2019 | 33 | $45,751 | -10% | 46 | $995 | $714,807 | 9 |
| May 3, 2019 | 49 | $24,013 | -48% | 37 | $649 | $762,300 | 10 |
| May 10, 2019 | 49 | $14,761 | -39% | 21 | $703 | $793,195 | 11 |
| May 17, 2019 | 54 | $10,740 | -27% | 18 | $597 | $813,083 | 12 |
| May 24, 2019 | 68 | $5,911 | -45% | 18 | $328 | $827,297 | 13 |
| May 31, 2019 | 71 | $2,946 | -50% | 8 | $368 | $836,132 | 14 |
| Jun 7, 2019 | 70 | $2,143 | -27% | 7 | $306 | $844,072 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 56 | $26,756 | 5 | $5,351 | $26,756 | 1 | |
| Mar 8, 2019 | 52 | $54,231 | +103% | 17 | $3,190 | $80,987 | 2 |
| Mar 15, 2019 | 50 | $73,866 | +36% | 29 | $2,547 | $154,853 | 3 |
| Mar 22, 2019 | 36 | $116,604 | +58% | 48 | $2,429 | $271,457 | 4 |
| Mar 29, 2019 | 29 | $121,989 | +5% | 66 | $1,848 | $393,446 | 5 |
| Apr 5, 2019 | 30 | $111,065 | -9% | 57 | $1,949 | $504,511 | 6 |
| Apr 12, 2019 | 39 | $86,104 | -22% | 54 | $1,595 | $590,615 | 7 |
| Apr 19, 2019 | 39 | $78,441 | -9% | 53 | $1,480 | $669,056 | 8 |
| Apr 26, 2019 | 31 | $69,231 | -12% | 50 | $1,385 | $738,287 | 9 |
| May 3, 2019 | 46 | $40,147 | -42% | 40 | $1,004 | $778,434 | 10 |
| May 10, 2019 | 50 | $23,909 | -40% | 25 | $956 | $802,343 | 11 |
| May 17, 2019 | 55 | $19,043 | -20% | 22 | $866 | $821,386 | 12 |
| May 24, 2019 | 66 | $11,800 | -38% | 22 | $536 | $833,186 | 13 |
| May 31, 2019 | 59 | $8,743 | -26% | 11 | $795 | $841,929 | 14 |
| Jun 7, 2019 | - | $5,566 | -36% | 8 | $696 | $847,495 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/27/2019 | $3,427 | 0 | 0 | 0 | $8,203 | 11/17/2019 | |||
| Australia | 3/29/2019 | $3,588 | 15 | 30 | 238 | $446,727 | 4/4/2026 | |||
| Bulgaria | 4/12/2019 | $0 | 0 | 0 | 0 | $1,519 | 6/5/2019 | |||
| Czech Republic | 1/11/2019 | $7,059 | 14 | 14 | 14 | $7,059 | 1/15/2019 | |||
| France | 7/6/2018 | $278,804 | 0 | 0 | 0 | $1,265,878 | 8/25/2018 | |||
| Italy | 12/14/2018 | $23,376 | 9 | 22 | 124 | $421,140 | 8/31/2019 | |||
| Netherlands | 12/28/2018 | $49,321 | 32 | 34 | 99 | $160,970 | 3/5/2019 | |||
| New Zealand | 4/4/2019 | $0 | 0 | 3 | 34 | $218,262 | 4/4/2026 | |||
| Portugal | 11/29/2019 | $1,233 | 12 | 12 | 12 | $1,233 | 12/3/2019 | |||
| Slovakia | 1/18/2019 | $4,553 | 10 | 10 | 10 | $4,778 | 1/25/2019 | |||
| Spain | 3/8/2019 | $78,637 | 61 | 71 | 236 | $315,559 | 4/5/2019 | |||
| Turkey | 3/8/2019 | $1,330 | 14 | 14 | 30 | $4,794 | 5/24/2019 | |||
| United Kingdom | 5/3/2019 | $89,262 | 34 | 34 | 38 | $419,875 | 7/31/2019 | |||
| Rest of World | $107,225 | |||||||||
| International Total | $3,383,222 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Halldora Geirhardsdottir | Halla / Asa |
Supporting
| Jóhann Sigurðarson | Sveinbjörn | |
| David Thor Jonsson | Pianist / Accordion Band | |
| Magnus Trygvason Eliasen | Drummer Band | |
| Ómar Guðjónsson | Sousaphone Band | |
| Iryna Danyleiko | Ukranian Choir | |
| Galyna Goncharenko | Ukranian Choir | |
| Susanna Karpenko | Ukranian Choir | |
| Jörundur Ragnarsson | Baldvin | |
| Juan Camillo Roman Estrada | Juan Camillo |
Production and Technical Credits
| Benedikt Erlingsson | Director | |
| Benedikt Erlingsson | Screenwriter | |
| Olafur Egilsson | Screenwriter | |
| Ólafur Egill Egilsson* | Producer | |
| Marianne Slot | Producer | |
| Carine Leblanc | Producer | |
| Serge Lavrenyuk | Co-Producer | |
| Benedikt Erlingsson | Co-Producer | |
| Bergsteinn Bjorgulfsson | Co-Producer | |
| Birgitta Bjornsdottir | Co-Producer | |
| Bergsteinn Bjorgulfsson | Director of Photography | |
| Snorri Freyr Hilmarsson | Set Designer | |
| Sylvía Dögg Halldórsdóttir | Costume Designer | |
| Maria Kero | Costume Designer | |
| David Alexander Corno | Editor | |
| François De Morant | Sound Mixer | |
| Raphael Sohier | Sound Mixer | |
| Vincent Cosson | Sound Mixer | |
| Aymerick Devoldere | Sound Mixer | |
| David Thor Jonsson | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.