Konvoi (2023)
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| Theatrical Performance | ||
| Domestic Box Office | $2,869 | Details |
| International Box Office | $20,391 | Details |
| Worldwide Box Office | $23,260 | |
| OpusData ID: 657600100 More info... | ||
| Further financial details... | ||
Synopsis
In 1942, the leader of a convoy carrying vital military supplies to a Norwegian outpost decides to proceed through treacherous, enemy-infested waters despite the recall of their military escort. Fighting for their lives against German air and naval forces, the 35 civilian merchant ships brave brutal Arctic seas to bring much needed support to soldiers on the front lines.
Metrics
| Opening Weekend: | $1,338 (46.6% of total gross) |
| Legs: | 2.14 (domestic box office/biggest weekend) |
| Domestic Share: | 12.3% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/6 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,038 |
Movie Details
| Domestic Releases: | July 26th, 2024 (Limited) by Magnolia Pictures, released as The Arctic Convoy |
| International Releases: | December 25th, 2023 (Limited) (Norway)
June 14th, 2024 (Limited), released as The Arctic Konvoi (Spain) March 6th, 2025 (Limited), released as Desastre en el Ártico (Mexico) July 3rd, 2025 (Limited), released as Comboio do Ártico (Portugal) ... Show all releases |
| Video Release: | July 26th, 2024 by Magnet Releasing, released as The Arctic Convoy |
| Running Time: | 108 minutes |
| Plot point: | Nazis |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Magnet Releasing, Fantefilm, TrustNordisk |
| Production Countries: | Norway |
| Languages: | Norwegian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2024 | - | $1,338 | 6 | $223 | $1,338 | 1 | |
| Aug 2, 2024 | - | $403 | -70% | 2 | $202 | $2,706 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2024 | 47 | $2,303 | 6 | $384 | $2,303 | 1 | |
| Aug 2, 2024 | 53 | $566 | -75% | 2 | $283 | $2,869 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 7/3/2025 | $3,988 | 6 | 6 | 10 | $8,341 | 4/4/2026 | |||
| Spain | 6/14/2024 | $12,050 | 72 | 72 | 72 | $12,050 | 6/20/2024 | |||
| International Total | $20,391 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tobias Santelmann | Mørk |
Supporting
| Anders Baasmo Christiansen | Skar | |
| Heidi Rudd Ellingsen | Ragnhild | |
| Preben Hodneland | Lars | |
| Adam Lundgren | Johan | |
| Olav Waastad | Chiefen | |
| Jon Ranes | Sigurd | |
| Kristian Repshus | Evensen | |
| Fredrik Stenberg Ditlev-Simonsen | Martinsen | |
| Tord Kinge | Isaksen | |
| Jakob Fort | Bergvik |
Production and Technical Credits
| Henrik M. Dahlsbakken | Director | |
| Martin Sundland | Producer | |
| Catrin Gundersen | Producer | |
| Thea Benedikte Karlsen | Producer | |
| Christian Siebenherz | Screenwriter | |
| Lars Gudmestad | Screenwriter | |
| Harald Rosenløw-Eeg | Screenwriter | |
| Oskar Dahlsbakken | Director of Photography | |
| Lars Erik Hansen | Visual Effects Supervisor | |
| Christian Siebenherz | Editor | |
| Elise Solberg | Editor | |
| Kalle Doniselli Gulbrandsen | Editor | |
| Christian Schaaning | Sound Designer | |
| Johannes Ringen | Composer | |
| Tor Markus Ilden | Line Producer | |
| Pål Petersen-Bergvik | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1942, the leader of a convoy carrying vital military supplies to a Norwegian outpost decides to proceed through treacherous, enemy-infested waters despite the recall of their military escort. Fighting for their lives against German air and naval forces, the 35 civilian merchant ships brave brutal Arctic seas to bring much needed support to soldiers on the front lines.
Metrics
| Opening Weekend: | $1,338 (46.6% of total gross) |
| Legs: | 2.14 (domestic box office/biggest weekend) |
| Domestic Share: | 12.3% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/6 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,038 |
Movie Details
| Domestic Releases: | July 26th, 2024 (Limited) by Magnolia Pictures, released as The Arctic Convoy |
| International Releases: | December 25th, 2023 (Limited) (Norway)
June 14th, 2024 (Limited), released as The Arctic Konvoi (Spain) March 6th, 2025 (Limited), released as Desastre en el Ártico (Mexico) July 3rd, 2025 (Limited), released as Comboio do Ártico (Portugal) ... Show all releases |
| Video Release: | July 26th, 2024 by Magnet Releasing, released as The Arctic Convoy |
| Running Time: | 108 minutes |
| Plot point: | Nazis |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Magnet Releasing, Fantefilm, TrustNordisk |
| Production Countries: | Norway |
| Languages: | Norwegian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2024 | - | $1,338 | 6 | $223 | $1,338 | 1 | |
| Aug 2, 2024 | - | $403 | -70% | 2 | $202 | $2,706 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2024 | 47 | $2,303 | 6 | $384 | $2,303 | 1 | |
| Aug 2, 2024 | 53 | $566 | -75% | 2 | $283 | $2,869 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 7/3/2025 | $3,988 | 6 | 6 | 10 | $8,341 | 4/4/2026 | |||
| Spain | 6/14/2024 | $12,050 | 72 | 72 | 72 | $12,050 | 6/20/2024 | |||
| International Total | $20,391 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tobias Santelmann | Mørk |
Supporting
| Anders Baasmo Christiansen | Skar | |
| Heidi Rudd Ellingsen | Ragnhild | |
| Preben Hodneland | Lars | |
| Adam Lundgren | Johan | |
| Olav Waastad | Chiefen | |
| Jon Ranes | Sigurd | |
| Kristian Repshus | Evensen | |
| Fredrik Stenberg Ditlev-Simonsen | Martinsen | |
| Tord Kinge | Isaksen | |
| Jakob Fort | Bergvik |
Production and Technical Credits
| Henrik M. Dahlsbakken | Director | |
| Martin Sundland | Producer | |
| Catrin Gundersen | Producer | |
| Thea Benedikte Karlsen | Producer | |
| Christian Siebenherz | Screenwriter | |
| Lars Gudmestad | Screenwriter | |
| Harald Rosenløw-Eeg | Screenwriter | |
| Oskar Dahlsbakken | Director of Photography | |
| Lars Erik Hansen | Visual Effects Supervisor | |
| Christian Siebenherz | Editor | |
| Elise Solberg | Editor | |
| Kalle Doniselli Gulbrandsen | Editor | |
| Christian Schaaning | Sound Designer | |
| Johannes Ringen | Composer | |
| Tor Markus Ilden | Line Producer | |
| Pål Petersen-Bergvik | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.