Kraftidioten (2016)
| Theatrical Performance | ||
| Domestic Box Office | $50,255 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $122,020 | |
| Blu-ray Sales (estimated) | $84,280 | |
| Total | $206,300 | |
| OpusData ID: 263180100 More info... | ||
| Further financial details... | ||
Synopsis
Introverted and hard-working snowplow driver Nils has just been named “Citizen of the Year,” when he receives news that his son has died of a heroin overdose. Disbelieving the official report, Nils soon uncovers evidence of the young man's murder — a victim in a turf war between the local crime boss, known as “The Count”, and his Serbian rivals. Armed with heavy machinery and a good dose of beginner's luck, Nils embarks upon a quest for revenge that soon escalates into a full-blown underworld gang war, with the body count spiraling ever higher and higher.
Metrics
| Opening Weekend: | $5,208 (10.4% of total gross) |
| Legs: | 3.92 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/10 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $69,488 |
Movie Details
| Domestic Releases: | August 26th, 2016 (Limited) by Magnolia Pictures, released as In Order of Disappearance |
| Video Release: | December 6th, 2016 by Magnolia Home Entertainment, released as In Order of Disappearance |
| MPA Rating: | R for bloody violence, and language throughout. (Rating bulletin 2433 (Cert #50544), 7/13/2016) |
| Running Time: | 114 minutes |
| Geographical setting: | Norway |
| Plot point: | Drug Dealer, Kidnap, LGBTQ+, Revenge, Stockholm Syndrome |
| Social setting: | Organized Crime |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paradox, TrustNordisk, Zentropa Entertainments 5, Zentropa International Sweden, Karftidioten, Norwegian Film Institute, Swedish Film Institute, Danish Film Institute, DR Nordisk Film & TV Fond, Eurimages, Film3, Film i Vast |
| Production Countries: | Norway, Sweden, Denmark |
| Languages: | Norwegian, Danish, Serbian, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 26, 2016 | 72 | $5,208 | 2 | $2,604 | $5,208 | 1 | |
| Sep 2, 2016 | 63 | $12,771 | +145% | 7 | $1,824 | $21,510 | 2 |
| Sep 9, 2016 | 71 | $12,820 | n/c | 10 | $1,282 | $39,097 | 3 |
| Sep 16, 2016 | 94 | $3,927 | -69% | 5 | $785 | $49,288 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 26, 2016 | 80 | $8,739 | 2 | $4,370 | $8,739 | 1 | |
| Sep 2, 2016 | 66 | $17,538 | +101% | 7 | $2,505 | $26,277 | 2 |
| Sep 9, 2016 | 74 | $19,084 | +9% | 10 | $1,908 | $45,361 | 3 |
| Sep 16, 2016 | 97 | $4,894 | -74% | 5 | $979 | $50,255 | 4 |
Leading
| Stellan Skarsgård | Nils |
Supporting
| Pal Sverre Hagen | Greven | |
| Bruno Ganz | Papa | |
| Tobias Santelmann | Finn Heimdahl | |
| Anders Baasmo Christiansen | Geir | |
| Gard B. Eidsvold | ||
| Jon Aigarden | Karsten Pettersen | |
| Hildegun Riise | ||
| David Sakurai | Kineseren (Takashi Claus Nielsen) | |
| Birgitte Hjort Sorensen* | Marit | |
| Stig Henrik Hoff | ||
| Arthur Berning | ||
| Kristofer Hivju | Strike | |
| Jakob Oftebro | Aron Horowitz | |
| Atle Antonsen | Reddersen | |
| Sergej Trifunovic | Nebosja Mihajlovic | |
| Goran Navojec | Stojan Micic | |
| Peter Andersson | Wingman (Egil Dickman) |
Production and Technical Credits
| Hans Petter Moland | Director | |
| Kim Fupz Aakeson | Screenwriter | |
| Finn Gjerdrum | Producer | |
| Stein B. Kvae | Producer | |
| Finn Gjerdrum | Executive Producer | |
| Stein B. Kvae | Executive Producer | |
| Peter Garde | Executive Producer | |
| Stellan Skarsgård | Executive Producer | |
| Hans Petter Moland | Executive Producer | |
| Sisse Graum Jorgensen | Co-Producer | |
| Charlotte Pedersen | Co-Producer | |
| Madeleine Ekman | Co-Producer | |
| Jessica Ask | Co-Producer | |
| Geir Eikeland | Co-Executive Producer | |
| Stig Hjerkinn Haug | Co-Executive Producer | |
| Philip Ogaard | Director of Photography | |
| Jorgen Stangebye Larsen | Production Designer | |
| Jens Christian Fodstad | Editor | |
| Gisle Tveito | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Introverted and hard-working snowplow driver Nils has just been named “Citizen of the Year,” when he receives news that his son has died of a heroin overdose. Disbelieving the official report, Nils soon uncovers evidence of the young man's murder — a victim in a turf war between the local crime boss, known as “The Count”, and his Serbian rivals. Armed with heavy machinery and a good dose of beginner's luck, Nils embarks upon a quest for revenge that soon escalates into a full-blown underworld gang war, with the body count spiraling ever higher and higher.
Metrics
| Opening Weekend: | $5,208 (10.4% of total gross) |
| Legs: | 3.92 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/10 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $69,488 |
Movie Details
| Domestic Releases: | August 26th, 2016 (Limited) by Magnolia Pictures, released as In Order of Disappearance |
| Video Release: | December 6th, 2016 by Magnolia Home Entertainment, released as In Order of Disappearance |
| MPA Rating: | R for bloody violence, and language throughout. (Rating bulletin 2433 (Cert #50544), 7/13/2016) |
| Running Time: | 114 minutes |
| Geographical setting: | Norway |
| Plot point: | Drug Dealer, Kidnap, LGBTQ+, Revenge, Stockholm Syndrome |
| Social setting: | Organized Crime |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paradox, TrustNordisk, Zentropa Entertainments 5, Zentropa International Sweden, Karftidioten, Norwegian Film Institute, Swedish Film Institute, Danish Film Institute, DR Nordisk Film & TV Fond, Eurimages, Film3, Film i Vast |
| Production Countries: | Norway, Sweden, Denmark |
| Languages: | Norwegian, Danish, Serbian, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 26, 2016 | 72 | $5,208 | 2 | $2,604 | $5,208 | 1 | |
| Sep 2, 2016 | 63 | $12,771 | +145% | 7 | $1,824 | $21,510 | 2 |
| Sep 9, 2016 | 71 | $12,820 | n/c | 10 | $1,282 | $39,097 | 3 |
| Sep 16, 2016 | 94 | $3,927 | -69% | 5 | $785 | $49,288 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 26, 2016 | 80 | $8,739 | 2 | $4,370 | $8,739 | 1 | |
| Sep 2, 2016 | 66 | $17,538 | +101% | 7 | $2,505 | $26,277 | 2 |
| Sep 9, 2016 | 74 | $19,084 | +9% | 10 | $1,908 | $45,361 | 3 |
| Sep 16, 2016 | 97 | $4,894 | -74% | 5 | $979 | $50,255 | 4 |
Leading
| Stellan Skarsgård | Nils |
Supporting
| Pal Sverre Hagen | Greven | |
| Bruno Ganz | Papa | |
| Tobias Santelmann | Finn Heimdahl | |
| Anders Baasmo Christiansen | Geir | |
| Gard B. Eidsvold | ||
| Jon Aigarden | Karsten Pettersen | |
| Hildegun Riise | ||
| David Sakurai | Kineseren (Takashi Claus Nielsen) | |
| Birgitte Hjort Sorensen* | Marit | |
| Stig Henrik Hoff | ||
| Arthur Berning | ||
| Kristofer Hivju | Strike | |
| Jakob Oftebro | Aron Horowitz | |
| Atle Antonsen | Reddersen | |
| Sergej Trifunovic | Nebosja Mihajlovic | |
| Goran Navojec | Stojan Micic | |
| Peter Andersson | Wingman (Egil Dickman) |
Production and Technical Credits
| Hans Petter Moland | Director | |
| Kim Fupz Aakeson | Screenwriter | |
| Finn Gjerdrum | Producer | |
| Stein B. Kvae | Producer | |
| Finn Gjerdrum | Executive Producer | |
| Stein B. Kvae | Executive Producer | |
| Peter Garde | Executive Producer | |
| Stellan Skarsgård | Executive Producer | |
| Hans Petter Moland | Executive Producer | |
| Sisse Graum Jorgensen | Co-Producer | |
| Charlotte Pedersen | Co-Producer | |
| Madeleine Ekman | Co-Producer | |
| Jessica Ask | Co-Producer | |
| Geir Eikeland | Co-Executive Producer | |
| Stig Hjerkinn Haug | Co-Executive Producer | |
| Philip Ogaard | Director of Photography | |
| Jorgen Stangebye Larsen | Production Designer | |
| Jens Christian Fodstad | Editor | |
| Gisle Tveito | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.