Kreuzweg (2014)
| Theatrical Performance | ||
| Domestic Box Office | $38,818 | Details |
| International Box Office | $14,054 | Details |
| Worldwide Box Office | $52,872 | |
| OpusData ID: 230230100 More info... | ||
| Further financial details... | ||
Synopsis
Maria and her profoundly Catholic family practice a radical version of the faith. With her confirmation approaching, Maria internalizes the Church’s strict messages more than ever, particularly that of the power of sacrifice. Determined to choose her faith over all else, Maria sets out to mirror Christ’s journey to his own crucifixion in a series of escalating sacrifices, attempting to please a God she worships unquestioningly. Steered by a domineering mother and willingly tethered to the autistic younger brother she adores, Maria refuses to let anything derail her, including Christian, a classmate whose innocent flirting could ruin everything. Captured in fourteen fixed-angle, single-shot tableaux, STATIONS OF THE CROSS is an indictment of fundamentalist faith and an articulation of one teen’s struggle to define her own life.
Metrics
| Opening Weekend: | $688 (1.8% of total gross) |
| Legs: | 56.42 (domestic box office/biggest weekend) |
| Domestic Share: | 73.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $52,071 |
Movie Details
| Domestic Releases: | July 10th, 2015 (Limited) by Film Movement, released as Stations of the Cross |
| International Releases: | December 12th, 2014 (Wide) (Spain) |
| Video Release: | August 11th, 2015 by Film Movement Video, released as Stations of the Cross |
| MPA Rating: | Not Rated |
| Running Time: | 107 minutes |
| Geographical setting: | Germany |
| Plot point: | Autism, Catholic, Coming of Age, Mute, Orthodox Religion, Religious |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | UFA Fiction, SWR, Arte, Cine Plus, MFG Film Funding Baden Wuerttemberg, Medienboard Berlin-Brandenburg, Deutscher Filmfoerderfonds |
| Production Countries: | Germany |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 10, 2015 | 93 | $688 | 1 | $688 | $688 | 1 | |
| Jul 17, 2015 | 103 | $159 | -77% | 1 | $159 | $1,463 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 10, 2015 | 96 | $1,304 | 1 | $1,304 | $1,304 | 1 | |
| Jul 17, 2015 | 117 | $201 | -85% | 1 | $201 | $1,505 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 12/12/2014 | $0 | 0 | 2 | 3 | $14,054 | 11/19/2018 | |||
| International Total | $14,054 | 11/19/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Lea van Acken | Maria |
Supporting
| Franziska Weisz | Mother | |
| Florian Stetter | Father Weber | |
| Lucie Aron | Bernadette | |
| Moritz Knapp | Christian | |
| Michael Kamp | Father | |
| Georg Wesch | Thomas | |
| Chiara Palmeri | ||
| Linus Fluhr | Johannes | |
| Birge Schade | Sports Teacher | |
| Ramin Yazdani | Physician | |
| Anna Bruggemann | Arztin | |
| Hanns Zischler | Mortician |
Production and Technical Credits
| Dietrich Bruggermann | Director | |
| Anna Bruggemann | Screenwriter | |
| Dietrich Bruggermann | Screenwriter | |
| Alexander Sass | Cinematographer | |
| Vincent Assmann | Editor | |
| Jochen Laube | Executive Producer | |
| Bettina Marx | Costume Designer | |
| Mareike Mohmand | Make up | |
| Anke Thot | Make up | |
| Leif Alexis | Executive Producer | |
| Fabian Maubach | Executive Producer | |
| Frank Evers | Co-Producer | |
| Helge Neubronner | Co-Producer | |
| Klaus-Peter Platten | Set Designer | |
| Jacob Ilgner | Sound Mixer | |
| Martin Fruhmorgen | Sound Designer | |
| Holger Lehmann | Re-recording Mixer | |
| Daniela Tolkien | Casting Director | |
| Manolya Mutlu | Casting-Childrens Casting | |
| Charlotte Roustang | Additional Casting-Casting France | |
| Michael Jungfleisch | Line Producer | |
| Konstantin Kapsalos | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Maria and her profoundly Catholic family practice a radical version of the faith. With her confirmation approaching, Maria internalizes the Church’s strict messages more than ever, particularly that of the power of sacrifice. Determined to choose her faith over all else, Maria sets out to mirror Christ’s journey to his own crucifixion in a series of escalating sacrifices, attempting to please a God she worships unquestioningly. Steered by a domineering mother and willingly tethered to the autistic younger brother she adores, Maria refuses to let anything derail her, including Christian, a classmate whose innocent flirting could ruin everything. Captured in fourteen fixed-angle, single-shot tableaux, STATIONS OF THE CROSS is an indictment of fundamentalist faith and an articulation of one teen’s struggle to define her own life.
Metrics
| Opening Weekend: | $688 (1.8% of total gross) |
| Legs: | 56.42 (domestic box office/biggest weekend) |
| Domestic Share: | 73.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $52,071 |
Movie Details
| Domestic Releases: | July 10th, 2015 (Limited) by Film Movement, released as Stations of the Cross |
| International Releases: | December 12th, 2014 (Wide) (Spain) |
| Video Release: | August 11th, 2015 by Film Movement Video, released as Stations of the Cross |
| MPA Rating: | Not Rated |
| Running Time: | 107 minutes |
| Geographical setting: | Germany |
| Plot point: | Autism, Catholic, Coming of Age, Mute, Orthodox Religion, Religious |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | UFA Fiction, SWR, Arte, Cine Plus, MFG Film Funding Baden Wuerttemberg, Medienboard Berlin-Brandenburg, Deutscher Filmfoerderfonds |
| Production Countries: | Germany |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 10, 2015 | 93 | $688 | 1 | $688 | $688 | 1 | |
| Jul 17, 2015 | 103 | $159 | -77% | 1 | $159 | $1,463 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 10, 2015 | 96 | $1,304 | 1 | $1,304 | $1,304 | 1 | |
| Jul 17, 2015 | 117 | $201 | -85% | 1 | $201 | $1,505 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 12/12/2014 | $0 | 0 | 2 | 3 | $14,054 | 11/19/2018 | |||
| International Total | $14,054 | 11/19/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Lea van Acken | Maria |
Supporting
| Franziska Weisz | Mother | |
| Florian Stetter | Father Weber | |
| Lucie Aron | Bernadette | |
| Moritz Knapp | Christian | |
| Michael Kamp | Father | |
| Georg Wesch | Thomas | |
| Chiara Palmeri | ||
| Linus Fluhr | Johannes | |
| Birge Schade | Sports Teacher | |
| Ramin Yazdani | Physician | |
| Anna Bruggemann | Arztin | |
| Hanns Zischler | Mortician |
Production and Technical Credits
| Dietrich Bruggermann | Director | |
| Anna Bruggemann | Screenwriter | |
| Dietrich Bruggermann | Screenwriter | |
| Alexander Sass | Cinematographer | |
| Vincent Assmann | Editor | |
| Jochen Laube | Executive Producer | |
| Bettina Marx | Costume Designer | |
| Mareike Mohmand | Make up | |
| Anke Thot | Make up | |
| Leif Alexis | Executive Producer | |
| Fabian Maubach | Executive Producer | |
| Frank Evers | Co-Producer | |
| Helge Neubronner | Co-Producer | |
| Klaus-Peter Platten | Set Designer | |
| Jacob Ilgner | Sound Mixer | |
| Martin Fruhmorgen | Sound Designer | |
| Holger Lehmann | Re-recording Mixer | |
| Daniela Tolkien | Casting Director | |
| Manolya Mutlu | Casting-Childrens Casting | |
| Charlotte Roustang | Additional Casting-Casting France | |
| Michael Jungfleisch | Line Producer | |
| Konstantin Kapsalos | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.