The Lady in the Van (2015)
| Theatrical Performance | ||
| Domestic Box Office | $10,021,175 | Details |
| International Box Office | $32,299,328 | Details |
| Worldwide Box Office | $42,320,503 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,917,247 | |
| Blu-ray Sales (estimated) | $71,275 | |
| Total | $1,988,522 | |
| OpusData ID: 226500100 More info... | ||
| Further financial details... | ||
Synopsis
Alan Bennett’s story is based on the true story of Miss Shepherd, a woman of uncertain origins who “temporarily” parked her van in Bennett’s London driveway and proceeded to live there for 15 years. What begins as a begrudged favor becomes a relationship that will change both their lives.
Metrics
| Opening Weekend: | $61,566 (0.6% of total gross) |
| Legs: | 6.66 (domestic box office/biggest weekend) |
| Domestic Share: | 23.7% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 7.1 times production budget) |
| Theater counts: | 4 opening theaters/602 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,855,863 |
Movie Details
| Domestic Releases: | January 15th, 2016 (Limited) by Sony Pictures Classics |
| International Releases: | November 13th, 2015 (Wide) (United Kingdom)
December 11th, 2015 (Wide) (South Africa) January 21st, 2016 (Wide) (Netherlands) February 26th, 2016 (Wide), released as Lady in the Van, The (New Zealand) March 4th, 2016 (Wide), released as The Lady In The Van (Australia) ... Show all releases |
| Video Release: | April 19th, 2016 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for a brief unsettling image. (Rating bulletin 2376, 6/3/2015) |
| Running Time: | 103 minutes |
| Cast, crew, or production detail: | Autobiographical |
| Plot point: | Biography, Car Accident, Homeless, Monks and Nuns, Musicians, Writing and Writers |
| Subgenre: | Biographical Drama |
| Time period setting: | 1970s, 1980s |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Tri-Star Pictures, BBC Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 15, 2016 | 40 | $61,566 | 4 | $15,392 | $109,238 | 1 | |
| Jan 22, 2016 | 30 | $175,280 | +185% | 30 | $5,843 | $317,709 | 2 |
| Jan 29, 2016 | 29 | $300,387 | +71% | 50 | $6,008 | $721,680 | 3 |
| Feb 5, 2016 | 21 | $353,227 | +18% | 82 | $4,308 | $1,217,446 | 4 |
| Feb 19, 2016 | 13 | $1,504,739 | 540 | $2,787 | $3,817,923 | 6 | |
| Feb 26, 2016 | 15 | $1,179,937 | -22% | 602 | $1,960 | $5,823,006 | 7 |
| Mar 4, 2016 | 18 | $717,445 | -39% | 429 | $1,672 | $7,116,003 | 8 |
| Mar 11, 2016 | 20 | $573,241 | -20% | 363 | $1,579 | $8,058,188 | 9 |
| Mar 18, 2016 | 22 | $405,548 | -29% | 301 | $1,347 | $8,742,196 | 10 |
| Mar 25, 2016 | 21 | $226,825 | -44% | 216 | $1,050 | $9,173,322 | 11 |
| Apr 1, 2016 | 29 | $139,342 | -39% | 142 | $981 | $9,458,286 | 12 |
| Apr 8, 2016 | 30 | $103,437 | -26% | 104 | $995 | $9,632,737 | 13 |
| Apr 15, 2016 | 34 | $46,856 | -55% | 71 | $660 | $9,738,796 | 14 |
| Apr 22, 2016 | 38 | $42,045 | -10% | 59 | $713 | $9,800,386 | 15 |
| Apr 29, 2016 | 46 | $41,335 | -2% | 61 | $678 | $9,861,087 | 16 |
| May 6, 2016 | 48 | $22,241 | -46% | 38 | $585 | $9,905,670 | 17 |
| May 13, 2016 | 46 | $23,171 | +4% | 35 | $662 | $9,945,567 | 18 |
| May 20, 2016 | 51 | $19,288 | -17% | 25 | $772 | $9,978,025 | 19 |
| May 27, 2016 | 51 | $9,961 | -48% | 21 | $474 | $9,999,136 | 20 |
| Jun 3, 2016 | 52 | $8,638 | -13% | 14 | $617 | $10,017,675 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 15, 2016 | 40 | $94,757 | 4 | $23,689 | $142,429 | 1 | |
| Jan 22, 2016 | 29 | $278,864 | +194% | 30 | $9,295 | $421,293 | 2 |
| Jan 29, 2016 | 28 | $442,926 | +59% | 50 | $8,859 | $864,219 | 3 |
| Feb 5, 2016 | 21 | $555,190 | +25% | 82 | $6,771 | $1,419,409 | 4 |
| Feb 12, 2016 | 22 | $893,775 | +61% | 130 | $6,875 | $2,313,184 | 5 |
| Feb 19, 2016 | 13 | $2,329,885 | +161% | 540 | $4,315 | $4,643,069 | 6 |
| Feb 26, 2016 | 14 | $1,755,489 | -25% | 602 | $2,916 | $6,398,558 | 7 |
| Mar 4, 2016 | 17 | $1,086,389 | -38% | 429 | $2,532 | $7,484,947 | 8 |
| Mar 11, 2016 | 21 | $851,701 | -22% | 363 | $2,346 | $8,336,648 | 9 |
| Mar 18, 2016 | 20 | $609,849 | -28% | 301 | $2,026 | $8,946,497 | 10 |
| Mar 25, 2016 | 20 | $372,447 | -39% | 216 | $1,724 | $9,318,944 | 11 |
| Apr 1, 2016 | 28 | $210,356 | -44% | 142 | $1,481 | $9,529,300 | 12 |
| Apr 8, 2016 | 28 | $162,640 | -23% | 104 | $1,564 | $9,691,940 | 13 |
| Apr 15, 2016 | 38 | $66,401 | -59% | 71 | $935 | $9,758,341 | 14 |
| Apr 22, 2016 | 37 | $61,411 | -8% | 59 | $1,041 | $9,819,752 | 15 |
| Apr 29, 2016 | 47 | $63,677 | +4% | 61 | $1,044 | $9,883,429 | 16 |
| May 6, 2016 | 50 | $38,967 | -39% | 38 | $1,025 | $9,922,396 | 17 |
| May 13, 2016 | 45 | $36,341 | -7% | 35 | $1,038 | $9,958,737 | 18 |
| May 20, 2016 | 51 | $30,438 | -16% | 25 | $1,218 | $9,989,175 | 19 |
| May 27, 2016 | 53 | $19,862 | -35% | 21 | $946 | $10,009,037 | 20 |
| Jun 3, 2016 | 57 | $12,138 | -39% | 14 | $867 | $10,021,175 | 21 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/19/2016 | $6,069 | 1 | 2 | 5 | $17,061 | 6/14/2016 | |||
| Australia | 3/4/2016 | $1,542,504 | 266 | 305 | 1,661 | $7,147,787 | 6/9/2016 | |||
| Belgium | 4/13/2016 | $15,331 | 6 | 6 | 23 | $46,489 | 6/9/2016 | |||
| Brazil | 4/7/2016 | $66,710 | 24 | 24 | 90 | $191,961 | 6/14/2016 | |||
| Denmark | 4/14/2016 | $64,257 | 66 | 66 | 233 | $316,375 | 6/14/2016 | |||
| France | 3/16/2016 | $83,646 | 47 | 60 | 335 | $289,957 | 4/4/2026 | |||
| Germany | 4/14/2016 | $127,286 | 107 | 107 | 704 | $567,880 | 6/28/2016 | |||
| Greece | 3/17/2016 | $22,872 | 15 | 15 | 38 | $62,252 | 6/9/2016 | |||
| Netherlands | 1/21/2016 | $63,145 | 17 | 45 | 371 | $753,981 | 6/9/2016 | |||
| New Zealand | 2/26/2016 | $322,245 | 71 | 93 | 619 | $1,847,234 | 6/9/2016 | |||
| Poland | 3/18/2016 | $21,078 | 28 | 28 | 42 | $55,673 | 12/31/2018 | |||
| Portugal | 3/17/2016 | $37,754 | 15 | 17 | 74 | $146,535 | 6/9/2016 | |||
| South Africa | 12/11/2015 | $14,147 | 8 | 8 | 54 | $112,588 | 6/9/2016 | |||
| Spain | 4/15/2016 | $144,689 | 71 | 82 | 269 | $462,113 | 6/28/2016 | |||
| United Kingdom | 11/13/2015 | $3,431,363 | 523 | 549 | 3,200 | $19,477,384 | 6/9/2016 | |||
| Rest of World | $804,058 | |||||||||
| International Total | $32,299,328 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Maggie Smith | Mary Shepherd | |
| Alex Jennings | Alan Bennett |
Supporting
| Jim Broadbent | Underwood | |
| Frances de la Tour | Mrs. Vaughn Williams | |
| Roger Allam | Rufus | |
| Alan Bennett | Alan Bennett | |
| James Corden | Street Trader | |
| Dominic Cooper | Theatre Actor | |
| Deborah Findlay | Pauline | |
| Gwen Taylor | Mam | |
| Pandora Colin | Fiona Perry | |
| Nicholas Burns | Giles Perry | |
| David Calder | Leo Fairchild | |
| Marion Bailey | Housekeeper at Convent | |
| Cecilia Noble | Miss Briscoe-Social Worker | |
| Claire Foy | Lois-Social Worker | |
| Samuel Anderson | Jehovah's Witness | |
| Samuel Barnett | Donald | |
| Stephen Campbell Moore | Doctor | |
| Russell Tovey | Young Man with Earring | |
| Geoffrey Streatfield | Alan's Partner / Attractive Man | |
| Clare Hammond | Young Margaret Fairchild | |
| George Fenton | Conductor | |
| Jamie Parker | Estate Agent | |
| Richard Griffiths | Sam Perry | |
| George Taylor | Policeman | |
| Eleanor Matsuura | Interviewer | |
| Selina Cadell | Lady Wiggin | |
| Dermot Crowley | Priest | |
| Clive Merrison | Man in Confessional | |
| Sam Spruell | Another Young Man | |
| Rosalind Knight | Old Nun | |
| Elliot Levey | Theatre Fairchild | |
| Linda Broughton | Edith Fairchild | |
| Sacha Dhawan | Doctor at Old Peoples Home | |
| Andrew Knott | Ambulance Man | |
| Lorna Brown | Day Care Centre Worker | |
| Tony Van Silva | God |
Production and Technical Credits
| Nicholas Hytner | Director | |
| Alan Bennett | Screenwriter-Adapted from his memoir and stage play by | |
| Nicholas Hytner | Producer | |
| Damian Jones | Producer | |
| Kevin Loader | Producer | |
| Christine Langan | Executive Producer | |
| Ed Wethered | Executive Producer | |
| Miles Ketley | Executive Producer | |
| Charles Moore | Executive Producer | |
| Andrew Dunn | Director of Photography | |
| John Beard | Production Designer | |
| Tariq Anwar | Editor | |
| George Fenton | Composer | |
| Natalie Ward | Costume Designer | |
| Naomi Donne | Make-up and Hair Designer | |
| Toby Whale | Casting Director | |
| Nige Watson | Assistant Director | |
| Nikki Molloy | Assistant Director | |
| Sam Smith | Assistant Director | |
| Helene Lenszner | Location Manager | |
| Anita Christy | Script Supervisor | |
| Nicola Dove | Additional Photography-Still Photographer | |
| Graham Sutton | Music Editor | |
| Tim Blake | Art Director | |
| Niamh Coulter | Set Decorator | |
| Gabrielle Spanswick | Costume Supervisor | |
| Rashad Omar | Sound Mixer | |
| Christopher Ackland | Supervising Sound Editor | |
| Craig Irving | Re-recording Mixer | |
| Dafydd Archard | Re-recording Mixer | |
| Keith Marriner | Dialogue Editor | |
| Derek Lea | Stunt Coordinator | |
| Neal Champion | Special Effects Supervisor | |
| Tim Caplan | Visual Effects Producer | |
| Kevin Loader | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Alan Bennett’s story is based on the true story of Miss Shepherd, a woman of uncertain origins who “temporarily” parked her van in Bennett’s London driveway and proceeded to live there for 15 years. What begins as a begrudged favor becomes a relationship that will change both their lives.
Metrics
| Opening Weekend: | $61,566 (0.6% of total gross) |
| Legs: | 6.66 (domestic box office/biggest weekend) |
| Domestic Share: | 23.7% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 7.1 times production budget) |
| Theater counts: | 4 opening theaters/602 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,855,863 |
Movie Details
| Domestic Releases: | January 15th, 2016 (Limited) by Sony Pictures Classics |
| International Releases: | November 13th, 2015 (Wide) (United Kingdom)
December 11th, 2015 (Wide) (South Africa) January 21st, 2016 (Wide) (Netherlands) February 26th, 2016 (Wide), released as Lady in the Van, The (New Zealand) March 4th, 2016 (Wide), released as The Lady In The Van (Australia) ... Show all releases |
| Video Release: | April 19th, 2016 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for a brief unsettling image. (Rating bulletin 2376, 6/3/2015) |
| Running Time: | 103 minutes |
| Cast, crew, or production detail: | Autobiographical |
| Plot point: | Biography, Car Accident, Homeless, Monks and Nuns, Musicians, Writing and Writers |
| Subgenre: | Biographical Drama |
| Time period setting: | 1970s, 1980s |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Tri-Star Pictures, BBC Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 15, 2016 | 40 | $61,566 | 4 | $15,392 | $109,238 | 1 | |
| Jan 22, 2016 | 30 | $175,280 | +185% | 30 | $5,843 | $317,709 | 2 |
| Jan 29, 2016 | 29 | $300,387 | +71% | 50 | $6,008 | $721,680 | 3 |
| Feb 5, 2016 | 21 | $353,227 | +18% | 82 | $4,308 | $1,217,446 | 4 |
| Feb 19, 2016 | 13 | $1,504,739 | 540 | $2,787 | $3,817,923 | 6 | |
| Feb 26, 2016 | 15 | $1,179,937 | -22% | 602 | $1,960 | $5,823,006 | 7 |
| Mar 4, 2016 | 18 | $717,445 | -39% | 429 | $1,672 | $7,116,003 | 8 |
| Mar 11, 2016 | 20 | $573,241 | -20% | 363 | $1,579 | $8,058,188 | 9 |
| Mar 18, 2016 | 22 | $405,548 | -29% | 301 | $1,347 | $8,742,196 | 10 |
| Mar 25, 2016 | 21 | $226,825 | -44% | 216 | $1,050 | $9,173,322 | 11 |
| Apr 1, 2016 | 29 | $139,342 | -39% | 142 | $981 | $9,458,286 | 12 |
| Apr 8, 2016 | 30 | $103,437 | -26% | 104 | $995 | $9,632,737 | 13 |
| Apr 15, 2016 | 34 | $46,856 | -55% | 71 | $660 | $9,738,796 | 14 |
| Apr 22, 2016 | 38 | $42,045 | -10% | 59 | $713 | $9,800,386 | 15 |
| Apr 29, 2016 | 46 | $41,335 | -2% | 61 | $678 | $9,861,087 | 16 |
| May 6, 2016 | 48 | $22,241 | -46% | 38 | $585 | $9,905,670 | 17 |
| May 13, 2016 | 46 | $23,171 | +4% | 35 | $662 | $9,945,567 | 18 |
| May 20, 2016 | 51 | $19,288 | -17% | 25 | $772 | $9,978,025 | 19 |
| May 27, 2016 | 51 | $9,961 | -48% | 21 | $474 | $9,999,136 | 20 |
| Jun 3, 2016 | 52 | $8,638 | -13% | 14 | $617 | $10,017,675 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 15, 2016 | 40 | $94,757 | 4 | $23,689 | $142,429 | 1 | |
| Jan 22, 2016 | 29 | $278,864 | +194% | 30 | $9,295 | $421,293 | 2 |
| Jan 29, 2016 | 28 | $442,926 | +59% | 50 | $8,859 | $864,219 | 3 |
| Feb 5, 2016 | 21 | $555,190 | +25% | 82 | $6,771 | $1,419,409 | 4 |
| Feb 12, 2016 | 22 | $893,775 | +61% | 130 | $6,875 | $2,313,184 | 5 |
| Feb 19, 2016 | 13 | $2,329,885 | +161% | 540 | $4,315 | $4,643,069 | 6 |
| Feb 26, 2016 | 14 | $1,755,489 | -25% | 602 | $2,916 | $6,398,558 | 7 |
| Mar 4, 2016 | 17 | $1,086,389 | -38% | 429 | $2,532 | $7,484,947 | 8 |
| Mar 11, 2016 | 21 | $851,701 | -22% | 363 | $2,346 | $8,336,648 | 9 |
| Mar 18, 2016 | 20 | $609,849 | -28% | 301 | $2,026 | $8,946,497 | 10 |
| Mar 25, 2016 | 20 | $372,447 | -39% | 216 | $1,724 | $9,318,944 | 11 |
| Apr 1, 2016 | 28 | $210,356 | -44% | 142 | $1,481 | $9,529,300 | 12 |
| Apr 8, 2016 | 28 | $162,640 | -23% | 104 | $1,564 | $9,691,940 | 13 |
| Apr 15, 2016 | 38 | $66,401 | -59% | 71 | $935 | $9,758,341 | 14 |
| Apr 22, 2016 | 37 | $61,411 | -8% | 59 | $1,041 | $9,819,752 | 15 |
| Apr 29, 2016 | 47 | $63,677 | +4% | 61 | $1,044 | $9,883,429 | 16 |
| May 6, 2016 | 50 | $38,967 | -39% | 38 | $1,025 | $9,922,396 | 17 |
| May 13, 2016 | 45 | $36,341 | -7% | 35 | $1,038 | $9,958,737 | 18 |
| May 20, 2016 | 51 | $30,438 | -16% | 25 | $1,218 | $9,989,175 | 19 |
| May 27, 2016 | 53 | $19,862 | -35% | 21 | $946 | $10,009,037 | 20 |
| Jun 3, 2016 | 57 | $12,138 | -39% | 14 | $867 | $10,021,175 | 21 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/19/2016 | $6,069 | 1 | 2 | 5 | $17,061 | 6/14/2016 | |||
| Australia | 3/4/2016 | $1,542,504 | 266 | 305 | 1,661 | $7,147,787 | 6/9/2016 | |||
| Belgium | 4/13/2016 | $15,331 | 6 | 6 | 23 | $46,489 | 6/9/2016 | |||
| Brazil | 4/7/2016 | $66,710 | 24 | 24 | 90 | $191,961 | 6/14/2016 | |||
| Denmark | 4/14/2016 | $64,257 | 66 | 66 | 233 | $316,375 | 6/14/2016 | |||
| France | 3/16/2016 | $83,646 | 47 | 60 | 335 | $289,957 | 4/4/2026 | |||
| Germany | 4/14/2016 | $127,286 | 107 | 107 | 704 | $567,880 | 6/28/2016 | |||
| Greece | 3/17/2016 | $22,872 | 15 | 15 | 38 | $62,252 | 6/9/2016 | |||
| Netherlands | 1/21/2016 | $63,145 | 17 | 45 | 371 | $753,981 | 6/9/2016 | |||
| New Zealand | 2/26/2016 | $322,245 | 71 | 93 | 619 | $1,847,234 | 6/9/2016 | |||
| Poland | 3/18/2016 | $21,078 | 28 | 28 | 42 | $55,673 | 12/31/2018 | |||
| Portugal | 3/17/2016 | $37,754 | 15 | 17 | 74 | $146,535 | 6/9/2016 | |||
| South Africa | 12/11/2015 | $14,147 | 8 | 8 | 54 | $112,588 | 6/9/2016 | |||
| Spain | 4/15/2016 | $144,689 | 71 | 82 | 269 | $462,113 | 6/28/2016 | |||
| United Kingdom | 11/13/2015 | $3,431,363 | 523 | 549 | 3,200 | $19,477,384 | 6/9/2016 | |||
| Rest of World | $804,058 | |||||||||
| International Total | $32,299,328 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Maggie Smith | Mary Shepherd | |
| Alex Jennings | Alan Bennett |
Supporting
| Jim Broadbent | Underwood | |
| Frances de la Tour | Mrs. Vaughn Williams | |
| Roger Allam | Rufus | |
| Alan Bennett | Alan Bennett | |
| James Corden | Street Trader | |
| Dominic Cooper | Theatre Actor | |
| Deborah Findlay | Pauline | |
| Gwen Taylor | Mam | |
| Pandora Colin | Fiona Perry | |
| Nicholas Burns | Giles Perry | |
| David Calder | Leo Fairchild | |
| Marion Bailey | Housekeeper at Convent | |
| Cecilia Noble | Miss Briscoe-Social Worker | |
| Claire Foy | Lois-Social Worker | |
| Samuel Anderson | Jehovah's Witness | |
| Samuel Barnett | Donald | |
| Stephen Campbell Moore | Doctor | |
| Russell Tovey | Young Man with Earring | |
| Geoffrey Streatfield | Alan's Partner / Attractive Man | |
| Clare Hammond | Young Margaret Fairchild | |
| George Fenton | Conductor | |
| Jamie Parker | Estate Agent | |
| Richard Griffiths | Sam Perry | |
| George Taylor | Policeman | |
| Eleanor Matsuura | Interviewer | |
| Selina Cadell | Lady Wiggin | |
| Dermot Crowley | Priest | |
| Clive Merrison | Man in Confessional | |
| Sam Spruell | Another Young Man | |
| Rosalind Knight | Old Nun | |
| Elliot Levey | Theatre Fairchild | |
| Linda Broughton | Edith Fairchild | |
| Sacha Dhawan | Doctor at Old Peoples Home | |
| Andrew Knott | Ambulance Man | |
| Lorna Brown | Day Care Centre Worker | |
| Tony Van Silva | God |
Production and Technical Credits
| Nicholas Hytner | Director | |
| Alan Bennett | Screenwriter-Adapted from his memoir and stage play by | |
| Nicholas Hytner | Producer | |
| Damian Jones | Producer | |
| Kevin Loader | Producer | |
| Christine Langan | Executive Producer | |
| Ed Wethered | Executive Producer | |
| Miles Ketley | Executive Producer | |
| Charles Moore | Executive Producer | |
| Andrew Dunn | Director of Photography | |
| John Beard | Production Designer | |
| Tariq Anwar | Editor | |
| George Fenton | Composer | |
| Natalie Ward | Costume Designer | |
| Naomi Donne | Make-up and Hair Designer | |
| Toby Whale | Casting Director | |
| Nige Watson | Assistant Director | |
| Nikki Molloy | Assistant Director | |
| Sam Smith | Assistant Director | |
| Helene Lenszner | Location Manager | |
| Anita Christy | Script Supervisor | |
| Nicola Dove | Additional Photography-Still Photographer | |
| Graham Sutton | Music Editor | |
| Tim Blake | Art Director | |
| Niamh Coulter | Set Decorator | |
| Gabrielle Spanswick | Costume Supervisor | |
| Rashad Omar | Sound Mixer | |
| Christopher Ackland | Supervising Sound Editor | |
| Craig Irving | Re-recording Mixer | |
| Dafydd Archard | Re-recording Mixer | |
| Keith Marriner | Dialogue Editor | |
| Derek Lea | Stunt Coordinator | |
| Neal Champion | Special Effects Supervisor | |
| Tim Caplan | Visual Effects Producer | |
| Kevin Loader | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.