The Ladykillers (1955)
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| Theatrical Performance | ||
| Domestic Box Office | $23,213 | Details |
| International Box Office | $19,273 | Details |
| Worldwide Box Office | $42,486 | |
| OpusData ID: 155900100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 4.61 (domestic box office/biggest weekend) |
| Domestic Share: | 54.6% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | February 20th, 1956 (Limited) by Continental Distributing June 4th, 2021 (Limited) by Rialto Pictures |
| International Releases: | December 8th, 1955 (Limited) (United Kingdom)
November 23rd, 1956 (Wide), released as O Quinteto Era de Cordas (Portugal) October 22nd, 2020 (Wide) (New Zealand) October 23rd, 2020 (Limited) (United Kingdom) November 12th, 2020 (Wide) (Australia) ... Show all releases |
| Video Release: | September 10th, 2002 by Starz / Anchor Bay |
| MPA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 4, 2021 | - | $5,038 | 1 | $5,038 | $5,038 | 3,407 | |
| Jun 11, 2021 | - | $1,665 | -67% | 1 | $1,665 | $11,213 | 3,408 |
| Jul 2, 2021 | - | $2,524 | 3 | $841 | $15,296 | 3,411 | |
| Jul 9, 2021 | - | $1,094 | -57% | 3 | $365 | $18,011 | 3,412 |
| Jul 16, 2021 | - | $203 | -81% | 1 | $203 | $18,705 | 3,413 |
| Jul 23, 2021 | - | $1,393 | +586% | 2 | $697 | $20,204 | 3,414 |
| Jul 30, 2021 | - | $265 | -81% | 1 | $265 | $21,640 | 3,415 |
| Aug 13, 2021 | - | $404 | 1 | $404 | $22,212 | 3,417 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 11, 2021 | - | $357 | 1 | $357 | $357 | 23,854 | ||
| Jun 12, 2021 | - | $639 | +79% | 1 | $639 | $996 | 23,855 | |
| Jun 13, 2021 | - | $669 | +5% | 1 | $669 | $1,665 | 23,856 | |
| Jun 14, 2021 | - | $277 | -59% | 1 | $277 | $1,942 | 23,857 | |
| Jun 15, 2021 | - | $357 | +29% | 1 | $357 | $2,299 | 23,858 | |
| Jun 16, 2021 | - | $349 | -2% | 1 | $349 | $2,648 | 23,859 | |
| Jun 17, 2021 | - | $576 | +65% | 1 | $576 | $3,224 | 23,860 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 4, 2021 | 30 | $9,548 | 1 | $9,548 | $9,548 | 3,408 | |
| Jun 11, 2021 | 38 | $3,224 | -66% | 1 | $3,224 | $12,772 | 3,409 |
| Jul 2, 2021 | 37 | $4,145 | 3 | $1,382 | $16,917 | 3,412 | |
| Jul 9, 2021 | 40 | $1,585 | -62% | 3 | $528 | $18,502 | 3,413 |
| Jul 16, 2021 | 50 | $309 | -81% | 1 | $309 | $18,811 | 3,414 |
| Jul 23, 2021 | 47 | $2,564 | +730% | 3 | $855 | $21,375 | 3,415 |
| Jul 30, 2021 | - | $433 | -83% | 1 | $433 | $21,808 | 3,416 |
| Sep 17, 2021 | - | $1,001 | 1 | $1,001 | $23,213 | 3,423 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 10/22/2020 | $0 | 0 | 9 | 20 | $2,907 | 4/2/2024 | |||
| Portugal | 11/23/1956 | $0 | 0 | 1 | 2 | $672 | 10/19/2022 | |||
| United Kingdom | 12/8/1955 | $0 | 0 | 22 | 37 | $15,694 | 10/25/2023 | |||
| International Total | $19,273 | 4/2/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Alec Guinness | Professor Marcus | |
| Cecil Parker | Claude | |
| Herbert Lom | Louis | |
| Peter Sellers | Harry | |
| Danny Green | One-Round |
Supporting
| Jack Warner | The Superintendent | |
| Frankie Howerd | The Barrow Boy | |
| Katie Johnson | The Old Lady |
Production and Technical Credits
| Alexander Mackendrick | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 4.61 (domestic box office/biggest weekend) |
| Domestic Share: | 54.6% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | February 20th, 1956 (Limited) by Continental Distributing June 4th, 2021 (Limited) by Rialto Pictures |
| International Releases: | December 8th, 1955 (Limited) (United Kingdom)
November 23rd, 1956 (Wide), released as O Quinteto Era de Cordas (Portugal) October 22nd, 2020 (Wide) (New Zealand) October 23rd, 2020 (Limited) (United Kingdom) November 12th, 2020 (Wide) (Australia) ... Show all releases |
| Video Release: | September 10th, 2002 by Starz / Anchor Bay |
| MPA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 4, 2021 | - | $5,038 | 1 | $5,038 | $5,038 | 3,407 | |
| Jun 11, 2021 | - | $1,665 | -67% | 1 | $1,665 | $11,213 | 3,408 |
| Jul 2, 2021 | - | $2,524 | 3 | $841 | $15,296 | 3,411 | |
| Jul 9, 2021 | - | $1,094 | -57% | 3 | $365 | $18,011 | 3,412 |
| Jul 16, 2021 | - | $203 | -81% | 1 | $203 | $18,705 | 3,413 |
| Jul 23, 2021 | - | $1,393 | +586% | 2 | $697 | $20,204 | 3,414 |
| Jul 30, 2021 | - | $265 | -81% | 1 | $265 | $21,640 | 3,415 |
| Aug 13, 2021 | - | $404 | 1 | $404 | $22,212 | 3,417 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 11, 2021 | - | $357 | 1 | $357 | $357 | 23,854 | ||
| Jun 12, 2021 | - | $639 | +79% | 1 | $639 | $996 | 23,855 | |
| Jun 13, 2021 | - | $669 | +5% | 1 | $669 | $1,665 | 23,856 | |
| Jun 14, 2021 | - | $277 | -59% | 1 | $277 | $1,942 | 23,857 | |
| Jun 15, 2021 | - | $357 | +29% | 1 | $357 | $2,299 | 23,858 | |
| Jun 16, 2021 | - | $349 | -2% | 1 | $349 | $2,648 | 23,859 | |
| Jun 17, 2021 | - | $576 | +65% | 1 | $576 | $3,224 | 23,860 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 4, 2021 | 30 | $9,548 | 1 | $9,548 | $9,548 | 3,408 | |
| Jun 11, 2021 | 38 | $3,224 | -66% | 1 | $3,224 | $12,772 | 3,409 |
| Jul 2, 2021 | 37 | $4,145 | 3 | $1,382 | $16,917 | 3,412 | |
| Jul 9, 2021 | 40 | $1,585 | -62% | 3 | $528 | $18,502 | 3,413 |
| Jul 16, 2021 | 50 | $309 | -81% | 1 | $309 | $18,811 | 3,414 |
| Jul 23, 2021 | 47 | $2,564 | +730% | 3 | $855 | $21,375 | 3,415 |
| Jul 30, 2021 | - | $433 | -83% | 1 | $433 | $21,808 | 3,416 |
| Sep 17, 2021 | - | $1,001 | 1 | $1,001 | $23,213 | 3,423 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 10/22/2020 | $0 | 0 | 9 | 20 | $2,907 | 4/2/2024 | |||
| Portugal | 11/23/1956 | $0 | 0 | 1 | 2 | $672 | 10/19/2022 | |||
| United Kingdom | 12/8/1955 | $0 | 0 | 22 | 37 | $15,694 | 10/25/2023 | |||
| International Total | $19,273 | 4/2/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Alec Guinness | Professor Marcus | |
| Cecil Parker | Claude | |
| Herbert Lom | Louis | |
| Peter Sellers | Harry | |
| Danny Green | One-Round |
Supporting
| Jack Warner | The Superintendent | |
| Frankie Howerd | The Barrow Boy | |
| Katie Johnson | The Old Lady |
Production and Technical Credits
| Alexander Mackendrick | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.